This picture is exactly what the poet wants. This dusk, which is intertwined with vitality and dusk, awakened the dream hidden in the poet's heart for many years and had a strong emotional resonance with her. The dream world is always beautiful, but real life makes her feel a little helpless and sad. At dusk in April, this image, full of vitality and giving people a sense of dying, appropriately expressed her voice. She has both hope and joy, but also a little confusion and dull pain. Under the control of this emotion, she is worried that her dream will become empty and the beautiful scenery will no longer be there, which makes her want to sing but dare not speak loudly, and she can only cry silently if she wants to cry.
The most valuable thing about this poem is its practical significance. It accurately reflects the psychological state of China people in that special era of 1977. At that time, China was in a wandering period. On the one hand, the "Cultural Revolution" ended, and in the joy of smashing the Gang of Four, the Republic ushered in a promising spring. On the other hand, "two whatevers" still imprisons people's thoughts and fetters people's progress. People are immersed in the joy of victory, but also feel foggy and the future is bleak. This complex psychology of society left a deep imprint on the sensitive poets' hearts, which internalized into strong poetic sentiment, thus making poetry sincere and emotional, and aroused strong resonance among people at that time. This poem also has a clever internal lyric structure. At first, it gave readers a strong visual impact with a tense and contrasting image; Furthermore, it gives people an emotional impact through intense emotional expression; All this is obviously related to the social psychology of that particular period, and the social development naturally coincides with the former motivation.
There may be an appointment/not yet scheduled; /Maybe once/never/cry if you want, let the tears/flow, flow, silently.
The overall aesthetic feature of Shu Ting's poems is also "sad and persistent sad beauty". The confusion, hesitation and depression of a generation in the abnormal era and the awakening, pursuit and exploration in the era when the turning point first appeared together constitute this aesthetic form of Shu Ting's poems. Turbulent years, difficult times and extreme left feudal absolutism suppress and stifle normal human nature and love, which are unfortunate realities that Shu Ting and her contemporaries must face. Although it was in the 1960s and 1970s, there was no essential difference between the suppression of human nature by the ultra-left ideological trend at this time and the suppression of Neo-Confucianism in Zhu Cheng in the Song Dynasty, even worse. Because the love under the heavy pressure of reality can never be realized, Shu Ting always depicts the indelible distance from the beautiful ideal love in her poems, which is like fate and makes people miserable. Faced with this embarrassing situation, how can we teach people not to be sentimental?
The artistic conception of Shu Ting's poems is characterized by the ambiguity of implicit beauty and the uncertainty of indifference. The so-called "poetry fails to express its meaning", "unspecific meaning", "painting far away leads to mistakes", "looking at flowers in the fog" and "not like" are all general manifestations of this vague aesthetic form, which are used to describe the characteristics of Shu Ting's poems. Shu Ting successfully avoided the disadvantages of poetry that many modern and contemporary poets did not avoid well, that is, intercepting a life segment or recreating a specific scene, and expressing a clear and single theme through linear and plane narrative description. The connotation of Shu Ting's poems is not specific scenic events, but emotional feelings gained in life. What she pursues is the fullness of poetic artistic conception, not the richness of life facts. She reflects her inner memory with hazy images and brews the scenic events that have been dissolved by her emotions into vague artistic scenes and atmosphere. In April Dusk, Shu Ting combines the objective natural scenery of April dusk with subjective psychological feelings, permeating each other and interacting with each other. April Evening, Green Melody and Restored Memory are intertwined into a complex combination of things, events and hearts, forming a hazy and beautiful artistic conception. Among them, "dating" that can never be scheduled and "passionate love" that can never be promised may not only refer to physical love. In the course of life, expectations are often frustrated and ambitions are difficult to achieve. In the fascinating artistic conception of April Dusk, readers realize the helplessness and melancholy of "human" as a limited existence. The so-called "the most difficult pastime is dusk" is the embodiment of the ambiguity in Shu Ting's poems. The "dusk" artistic conception created by this poem is also the "prototype" repeatedly expressed in classical poetry. Formally, this symmetrical poem is also like a disyllabic word.