If you want to know the next sentence you care about every day, ask the willow tree in front of the pavilion. The title of the poem: "One eyebrow falls, and the spring mountain is beautiful". Real name: Zhou Bangyan. Font size: Meicheng number. Muslim laity. Time: Song Dynasty. Ethnic group: Han nationality. Place of birth: Qiantang (now Hangzhou, Zhejiang). Date of birth: 1057. Time of death: 1 12 1 year. Main works: Slow Moon Worship, Sauvignon Blanc, Spring Rain, Bianzhou No.1, Dianjiang Lip, etc. Main achievements: graceful and restrained, denying pronoun names.
We provide you with a detailed introduction of "I want to know your troubles" from the following aspects:
First of all, click here to see the full text of "Falling Rope and Eyebrows Fighting for Spring Mountain Show" and the details of "Falling Rope and Eyebrows Fighting for Spring Mountain Show"
The eyebrows are so beautiful that only the charming spring mountain can match them, but they are wrinkled tightly. Don't let the tears wet the flowers and make them as thin as people.
Because bosom friends are hard to find, her clear and mellow jade flute has long been heard.
If you want to know why she worries about bannister every day? Intimate friends are rare,
If you want to know the sun leaning on the bar, ask, willow in front of the pavilion.
Two. notes
Pity: What a pity.
Long wrinkles: refers to frequent frowning.
Wet: wet, wet.
Qingrun: Describe the quiet music when she plays Xiao.
Yu Di: A flute made of jade is called Xiao here.
Idle for a long time: I have been idle for a long time, and I haven't had oral sex for a long time.
Confidant: in confidant.
But: only.
Take: auxiliary words, indicating dynamics.
Pavilion: an ancient pavilion set up by the roadside for pedestrians to rest.
Three. translate
The eyebrows are so beautiful that only the charming spring mountain can match them, but they are wrinkled tightly. Don't let the tears wet the flowers and make them as thin as people. Because bosom friends are hard to find, her clear and mellow jade flute has long been heard.
The arch eyebrows are so beautiful that only the charming spring mountain can match them. Unfortunately, they are wrinkled tightly. Don't let the tears wet the flowers and make them as thin as people.
If you want to know why she worries about bannister every day? A bosom friend is rare. If you want to know that you worry about it every day, you can ask.
Because bosom friends are hard to find, her mellow Yu Di has long been unheard of. If you want to know why she leans against the bar every day? Then ask the willow tree in front of the pavilion!
Fourthly, Zhou Bangyan's other poems.
Su Curtain, Six Ugly Roses after Xie Zuo, Big Spring Rain, Night Magpie, River Bridge, Warrior Lanling Willow. V. Appreciation
In the Qing Dynasty, Liu Xizai criticized Zhou Bangyan's poem "The Time of the Week" in Yi Zhuan, and there were many derogatory terms in the newspapers in the 1980s and 1990s. In fact, Halal Collection belongs to the category of "spring scenery", and the words describing boudoir feelings are sincere, rich in content, euphemistic and implicit, and unique. This poem is one of them.
The eyebrows are fighting for spring, delicate and touching, and the face is wrinkled-first describe the appearance of women. "Spring Mountain" is used to describe eyebrows, and individuals represent the whole to describe people's beauty. In the Five Dynasties, Feng Yansi said, "Whispering before the diligence, I admire the spring mountain." Meicheng used the word "Jingxiu" and "Chunshan" to show off, which is more showy than "Chunshan". The word "dispute" is meaningful, moving with silence, writing with movement, and more vivid. Because the poet is good at attunement, he is far more innovative than Faint Spring Mountain, Light Moth Eyebrows, Eight Characters of Spring Mountain, and Eyebrows Cuckling Spring Mountain.
Poor Long Wrinkles is full of the poet's subjective feelings. The metaphor of "Spring Mountain" is quite handsome. The first sentence is about appearance, and the second sentence is about inner sadness. Only describe the beauty of girls, and let people imagine their delicate appearance. Generate new ideas layer by layer.
Don't shed tears on the branches of flowers, lest they become thin. Compare people's appearance with flowers and write people's sadness. "Clear Tears Falling Flowers" describes a woman crying because of sadness, presenting a beautiful picture, which is not the first, but also very strange. Tang's Song of Eternal Sorrow describes the sadness and tears with the words "Jade Rong's silent tears dry, pear blossom and spring rain"; Feng Yansi's "Gui Zi Ballad" is also an objective description, with "frown, tears dripping through rouge face" as the word, while Zhou Ci uses layering technique. Thin flowers are thinner than people, and ancient poems have also been used. Song and Huang Tingjian's "Mo Shan", "It's time to be sad when the flowers are scarce", which is also an objective description, and does not write the poet's inner feelings. Zhou Ci, on the other hand, used his predecessors' words flexibly, without repeating their ideas, and opened up a new realm: it seems that even a few tears on a girl's delicate face can't be tolerated, which will "break her rouge face". Focus on flowers, flowers and people are integrated, and the pen is deep and graceful. It has the same effect as Song-Li Qingzhao's "Mo Tao is not charming, the curtain rolls west, and people are thinner than yellow flowers". It reveals the poet's infinite pity and permeates the poet's endless sense of hardship. Innovation, ingenuity, twists and turns, swaying. Euphemistic feelings and profound meanings are the levels and profound ways of continuous communication, so it is known as "the poet's masterpiece" (Wang's "On Ancient and Modern Ci").
The first film focuses on appearance, and the second film focuses on the heart.
Qing Run Yu Di has been idle for a long time, but a bosom friend is hard to find —— The phrase "Qing Run" is passed down, which sets off women's low mood and full of melancholy from the side. Write sorrow and hate, first write "Yu Di", which is a symbol and a foil. The charm and loneliness of the characters are revealed from the "rare bosom friend". "A bosom friend is hard to find" is the theme of the whole poem, and it is also the cause of sadness and resentment. It not only shows his outstanding talent, but also points out his identity as a geisha. When Zhaojun went out of the village, there were still pipa complaints, and the women in the ci even didn't want to send Yu Di to send acacia, which deepened the degree of "rare confidant".
If you want to know, you have to lean against the bar and ask in front of the pavilion every day-"Want to know" and "But ask" are connected with the care before and after the last movies "Pity" and "Mojiang" to form a sentence. They skillfully set questions and answers, using the same brushwork, which is not only like a woman's self-dissection, but also like a poet's deep pity and consideration for women. Leaning on the column every day and willow in front of the pavilion will remind people of funeral march, a poem by Don Wang Changling: "Young women in boudoir don't know how to worry, but they put on makeup in spring and go to the brothel. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the marquis. " In ancient times, there was a custom of breaking willows to bid farewell, so seeing willows would cause sadness and touch boudoir feelings. Between the lines, the hostess stared at the column every Sunday, leaving sorrow and not hating, accumulating over time, showing the depth of in my heart forever. Willow is the witness of sorrow and resentment. "Sorrow" doesn't ask "Willow in front of the Pavilion" for a final stroke, and everything is explained clearly, and the whole word is connected in one breath. According to Shen Yemi's "Technical Words" in the Qing Dynasty (published in Tiannanxuan), it is said: "Zhou Meicheng has a good temperament. Every time he writes a new song, the teaching workshop competes to sing and visits Li Shishi's family, and he wants to commit himself to the poem" Luoyang Spring "without success." "I want to know but", the use of function words, shows a ups and downs posture, echoing the melody of sadness and hate. It is pointed out that "Daily Trouble" echoes the previous work "Poor Long Wrinkles", and "Asking Willow at the Pavilion" and "No Tears" take care of it and further render it. Asking the willow in front of the pavilion implies sorrow and resentment, which is meaningful.
A poem, which uses many famous sentences of predecessors, is unique and innovative. As "Yuefu Finger Fan" said: "The meaning of the next word has its own statutes, and most of it comes from the poems of sages in the Tang Dynasty, rather than the blunt literal translation in history, so it is the highest." What Shen Yifu said is worth pondering. Lei's "Autumn Juice Fragrance" "Parting is thicker than wine, and people are thin. This feeling is not as good as the willow on the east wall, and the spring scenery remains the same year after year, which can be used as a footnote for this word.
The topic of "boudoir love" is common in Song Ci. But Zhou Bangyan's ci is novel and unique. Love poems in boudoir are always mainly about women in boudoir. The reason why this article is remarkable is that it is short and pithy, rich in content, without fancy words and deliberate carving, and gives people a relaxed and elegant feeling with fresh and natural language, subtle and euphemistic writing style and light and elegant writing style.
The theme of this word is "bosom friend is rare". In China's classical poetry, the sigh of bosom friend is a traditional theme. From the ancient "I'm sad and I'm sad, and I'm happy to know each other" (Nine Songs of Chu and Less Life), the fifth of Nineteen Ancient Poems "I don't hesitate to sing, but it hurts my bosom friend" and "There are tall buildings in the northwest"), to the medieval "I don't value my friends" (Tang Du Fu's "Crying Li Changshi" from pre-Qin to Han Wei, Even in Zhou Bangyan's "Halal Collection", there are sometimes sighs of bosom friends, such as "unforgettable meaning" and "bosom friends are unparalleled and not afraid of Zhou Lang". As for (Yulouchun), the so-called "the jade piano is hollow and tears, only knowing the meaning of the song" is the sadness that the poet can hardly meet his bosom friend in the officialdom and hang out with the brothel; The women in "Romantic Boys, New Green Pond" and "Youth Journey, Knives Gather Like Water" are the sighs of the singer's bosom friends, and also convey the poet's personal bosom friends' feelings.
Poetry of the same dynasty
General Cao, Xiaqutang, Tengwangge, mistress attacked his wife and complained about the cold, and Tang Meishan's poems were also played as notes, with the title Cherish, abandoned as the value of rice crossing, seeing off guests, exclamations and titles.
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