In the past two years, there have been many costume dramas and time dramas, and they are basically hit dramas, so the resources are very good. Vin's appearance advantage makes him feel CP when playing with actresses. In his three plays with Reba, there are leading roles and supporting roles, which are simply a face.
In acting, "Little Daughter Flowers Never Leave" has made progress. One person plays two roles, the chivalrous man and the son of Huang Ye. Although both of them bully the audience's IQ, Vin's acting skills are online respectively.
It is much more vivid and natural than when I was in Qin Shili's Heart of the Moon, and it is also an ancient costume. It is also possible that this time, the hostess was designed as an antique flower, and the role setting was more lively. Ariel Lin's acting skills are also good. Under the mutual influence, her acting skills will also improve.
"Li Ren Ming Yue Xin in Qin Dynasty" is performed online most of the time, and some scenes are very explosive. It was found that his eyes of Qin Shihuang had never appeared in other plays, and it should have been deliberately practiced and worked hard.
However, there are still some shortcomings. On the one hand, the Jianghu drama of the King of Qin and the drama of going to South Korea sometimes dance in Lin Yimu. Secondly, some of them feel like silly sons of landlords when they laugh, which is slightly dramatic. The third is that individual scenes are particularly stupid, which may be related to poor lines. For example, the king of Qin grabbed someone by the collar and said that the part where he went to the toilet was really invisible. ...
In particular, I want to praise several scenes: the scene of Qin Wang and Dafangtou Li Ji facing each other in bed; Li Ji's lines and eyes changed when Qin Bing danced in the casual clothes of the king of Qin, and changed in the last episode of the confrontation between the king of Qin and Jing Ke, and in the inner drama of the last episode of the king of Qin watching the moon alone on the top of the mountain.
In a word, I went for my Di, but my Di's role in this drama is really unpleasant. The screenwriter intentionally or unintentionally wrote the king of Qin as a relatively abnormal character, and almost all the plots in the middle collapsed, but Binbin's interpretation of Qin Shihuang when he was young was still remarkable.