Modern, it is 19 19 to 1949.
Contemporary is from 1949 to the present.
Again, I extracted these from other answers. . .
Fu Baoshi: (1904- 1964), a native of Xinyu, Jiangxi Province, studied in Japan in his early years, focusing on the history of oriental art. Because of his long-term observation of true mountains and waters, his paintings are profound and his composition is novel, and he makes good use of thick ink, rendering and other techniques to blend water, ink and color, which has achieved magnificent results. It is unique on the basis of traditional techniques and plays a connecting role in the landscape painting after liberation. His figure paintings are strong and vivid. Art professor of Central University before liberation. After liberation, he served as a professor in the Fine Arts Department of Nanjing Normal University, vice chairman of China Artists Association and president of Jiangsu Provincial Academy of Traditional Chinese Painting. He has published Studies on the History of Ancient Landscape Paintings in China, Characters Techniques in China Landscape Paintings, On Chinese Painting, Chronicle of Shitaoshan, Romanian Sketch, Czech Sketch, Northeast Sketch and Zhejiang Sketch. He is also good at seal cutting and has a "printed spectrum". Representative works include Lanting Map, Two Ways, Nine Songs Map-Sweet Lady, Spring in the South of the Yangtze River, and Jiangshan Map Should Be Taken Seriously. /kloc-0 died in Nanjing in 1965 at the age of 62.
Huang: (1865- 1955) an outstanding modern painter. Name, word Park Village, Park Cen, also known as Park Sung, Chyi Chin, No.,Biebu, Hongzuo, Huangshan middleman, etc. My ancestral home is Shexian County, Anhui Province, and I was born in Jinhua, Zhejiang Province. Young people like painting and learn seal cutting in their spare time. At the age of six, he copied Shen Tingrui's landscape book and studied flowers and birds under Zheng and Chen Zhongguang. I have lived in Shanghai for 30 years. In the first 20 years, I mainly worked in newspapers and bookstores, engaged in news and Art editor. Later, he turned to education and worked as a professor in various art schools in Shanghai. He also taught at the Academy of Fine Arts in Beijing and Hangzhou. Vice Chairman of East China Branch of China Artists Association. His techniques were applied to Li, Cheng Sui, Can, Hong Ren and so on. And in France, the Song and Yuan Dynasties. Pay attention to the unity of reality, complexity and density in composition; If the pen is used as the seal pen, it is dignified and powerful, and it is intended to write carefully. After the age of 70, the post-painting works will be incisive and magnificent; I like to use accumulated ink, spilled ink, broken ink and Su Mo to make the mountains and rivers deep and magnificent. The so-called "black, dense, thick and heavy" painting style is his remarkable feature. His calligraphy "Zhong Ding" has profound skill. His works include: A Study on the Origin of Huangshan Painters, A Random Talk on Lu Hong's Paintings, Analysis of Ancient Paintings, Compilation of Paintings, Compilation of Jinshi's Paintings and Calligraphy, and Essentials of Paintings. He and he edited the Fine Arts Series and Quotations of Yellow Painting.
Li Keran: Mr. Li Keran, 1907 was born in Xuzhou, Jiangsu Province on March 26th. 13 years old studied traditional landscape painting with Shi Zhi, a country fairy, and 16 years old entered Shanghai private art college. 1929 He entered Hangzhou (International) West Lake Art College with excellent results, obtained a postgraduate degree, and studied western painting under Professor Lin Fengmian. 1943 was employed as a lecturer of Chongqing Institute of National Arts, engaged in the teaching, creation and work of Chinese painting. 1946 was hired by Xu Beihong as a professor of Chinese painting at the National Beiping Art College. At the same time, he studied under Qi Baishi and Huang and devoted himself to the research and creation of national traditional painting. After the founding of New China, he devoted himself to the innovation of Chinese painting. With the motto "What is valuable is courage, what you want is soul" and "Go in with the greatest skill and fight with the greatest courage", the ancient landscape painting art has gained new life. Mr. Keran's landscape is profound and profound, which promotes the evolution and sublimation of national traditional painting with distinctive spirit of the times and artistic personality. With Mr. Keran's self-contained educational thought, there appeared the "Li Keran School" which was active in painting circles. He is not only a master of painting who has worked hard for more than 70 years, but also made important contributions to the development of artistic concepts. His influence has already surpassed the art world and is highly praised by all parties.
Brief introduction of Li Kuchan: (1898- 1983) A famous British man, whose word is bitter Zen. Gaotang people in Shandong. 1925 studied in the western painting department of Beiping Art Institute. Soon after, I met Qi Baishi, the master of art, and began to learn Chinese painting. After graduation, he taught in Beijing Normal School and Hangzhou Art College successively. After the founding of People's Republic of China (PRC), he was a professor at the Central Academy of Fine Arts and a member of the 6th Chinese People's Political Consultative Conference. He has been engaged in artistic creation and education for more than 60 years all his life, and is quite unique in freehand brushwork of flowers and birds. He absorbed the techniques of Shi Tao, Badashanren, Yangzhou School of Painting, Wu Changshuo, Qi Baishi and other predecessors, and his brushwork was magnificent and unique. His handed down works include He Sheng, A flock of eagles, Zhu Lan, Lotus, Autumn Flavor and so on. 1978, People's Fine Arts Publishing House published a photocopy of Li Kuchan's Painting Collection; 1980 Photocopy of Li Kuchan's Painting Collection published by Shanghai People's Publishing House.
Brief Introduction of Huangzhou: Formerly known as Liang Shunian. Born in March 1925, Li County, Hebei Province. He joined the revolution in his early years and served as editor of the Northwest Military Region Warrior Reading Publishing House.
Huang Zhou studied in Zhao Wangyun and has been living in the northwest. He became a professional painter, worked as a lecturer in the Fine Arts Department of Northwest Normal University, and later worked as a creator in the General Political Department. At present, he is the vice president of Chinese Painting Research Institute, and died in the spring of 1997.
The work Snow on Yuan Ye won the gold medal in the 6th Youth Party, and Huang Zhou's work Hundred Donkeys Map and Huang Zhou's new work were published.
Huang Zhou is an original painter. Huangzhou has played an irreplaceable role in the modernization of Chinese painting. He didn't take the road of literati painter or college training, but relied on his own life to forge a broad road from his creative practice, which greatly influenced and inspired the young people who studied Chinese painting at the same time.
Huangzhou is a great figure painter. He is very good at drawing big pictures, big people and vivid scenes. The magnificent masterpieces he created before and after constitute a magnificent picture of the times. He insisted on the realistic creative road, praised labor, strength and enterprising spirit, and showed a heroic and magnificent aesthetic tone, which is not only from the painter's positive and optimistic nature, but also a reflection of the spirit of the times.