Tang Yin's calligraphy works are as follows:
Tang Yin's most famous calligraphy work is undoubtedly "The Falling Flower Poems". The background of the writing of "Album of Falling Flower Poems" is: Shen Zhou, who was also a member of the Wumen School of Calligraphy, had previously written 10 poems about falling flowers. After Tang Yin saw it, he wrote 30 poems about falling flowers in rhyme.
Tang Yin wrote these 30 falling flower poems for friends many times before his death. The order of each poem was also slightly adjusted. The fonts include Xingkai, which is biased towards regular script, and some are biased towards cursive script. The one we are most familiar with is undoubtedly the more neatly written Xingkai script. The 30th poem is "Flowers blowing in the wind."
In the process of writing "Album of Falling Flower Poems", we can use small regular script brushes to mark the numbers (One, Two...Thirty) at the end of each poem in the copybook. You can do the same thing in the future when you encounter similar poetry posts. After all, these copybooks are printed and not truly original. We can definitely write various necessary annotations on them.
Tang Yin also has a volume of "Zi Shu Ci Volume" handed down in ink, which contains many of Tang Yin's own lyrics based on Yuan tunes such as "Jixian Bin", "Jinyi Gongzi" and "Shanshan Sheep". The composition and composition are basically the same as the well-known "Luohua Poems", and they should have been written in the same period. It's just that the paper copybook of "Zi Shu Ci Volume" is not easy to find.
We can see from "Luohua Poetry Album" that Tang Yin's calligraphy methods are also very extensive: his regular script not only has elements of Tang regular script, but also has the shadow of Zhang Jizhi of the Southern Song Dynasty and Zhao Meng of the Yuan Dynasty. His running script is also similar to that of the two kings, especially the composition style, which was greatly influenced by Wang Xun's "Bo Yuan Tie".