Think about it, only in ancient times did there be such a good thing as demoting an official, which was more thoughtful than the most fashionable mutual aid tour today: the whole family traveled to save money, and there was no shortage of eating, drinking and having fun when they arrived at their destination. Most importantly, the places where they were exiled are now popular tourist cities. Without the experience of being relegated to official position, Su Dongpo's life as an official in Beijing would be much worse, and he may not be a highly respected great poet.
Under normal circumstances, the demoted turn around step by step and walk on the way to Beijing, humming a poem painfully. No one in the world is as optimistic as Su Dongpo. When he was demoted, he watched flowers, enjoyed the moon, tasted tea, traveled mountains, played with water, soaked in MM and did DIY. When he received the notice of being demoted to Hangzhou for the first time, Su Dongpo immediately took his family on the road and pretended that he didn't have time to pay attention to false accusations.
Su Dongpo was finally demoted to Hainan. He used DIY Mo Ding of Hainan pine tree to study the difference between pine smoke and lampblack, and constantly adjusted the formula. There is also a thrilling record in his anthology: "On the 23rd of the twelfth lunar month, the ink stove was so angry that it burned down the house several times. When I was saved, I stopped making ink." Fortunately, the fire was put out, otherwise Dongpo brand cultural relics and Mo Bao just listed at the same time. A dusty piece of ink was called "Song Mei Dongpo Fa Mo" by Dongpo, and he boasted that his Fa Mo "did not diminish" Li Tinggui, a famous ink maker in the Southern Tang Dynasty. That Li Tinggui's ink is not willing to use!
Life is always filled with sad dust, even an optimistic and strong heart can't support the burden of life. Su Dongpo died shortly after meeting Xie Bei. Those hundreds of famotidine "enough to write a book for a lifetime" remained in the world as the memory of his suffering, and only took away the naughty and joy of children when they were doing ink. Su Dongpo is not used to recording pain, but Huangzhou Cold Food Poetry Post is called the third running script in the world because of its poetic desolation, ups and downs of brushwork and composition, which restores the bitterness and inner conflict he experienced to our eyes through time and space.
Two cold food poems
I have had three cold meals since I came to Huangzhou.
Cherish spring, want to keep spring, and manage spring from self-management to no one regrets.
This year also suffered from continuous rain, for two months, the climate was bleak as autumn.
Sniff begonia flowers and swallow branches of snow.
Sneaking around, midnight is really powerful,
Begonia flower is like a sick teenager. When it is cured, its hair will grow old.
The riverside is surging, as if to rush into the portal, and the fierce attack of heavy rain seems not bad.
The hut is like a fishing boat, in a misty water cloud.
The empty kitchen is cooking some cold dishes, and damp reeds are burning at the bottom of the stove.
I didn't know it was a cold food, but I saw crows burning the remaining paper money.
The emperor's palace gate has nine floors, which is far-reaching and difficult to return. The tombs of ancestors in the distance cannot be mourned.
I just want to imitate Ruan Ji and cry out in despair, but I am disheartened and unwilling to rekindle.
Huang Tingjian, who is familiar with Su Dongpo's thoughts, said after reading Huangzhou Cold Food Poetry Post: "Dongpo's poems are like Li Taibai, but they are still sad and too white ... Try to make Dongpo do it again, which may not be the case." Huang Tingjian's last comment coincides with Su Dongpo's self-description: "Don't make a book, bother to ask for it" (Shi Zui Mo Tang).
Su Dongpo's calligraphy advocates learning the method of Jin people, because it is still "meaning", and at the same time emphasizes that "innovation lies in statutes, and mystery lies outside the bold." What's more, his "meaning" is "no different from carefree travel" and "if you can understand what he means, you often say that you can't learn"!
Su Dongpo's Mo Bao, because of his good creative habit of "tiring people with reasoning" and "not thinking that Yoga Yu is better at the beginning of the book", combined with his theory that "the ancients wrote books and told their lives, if it were not for their people, it would not be expensive for their work", replaced his portrait in the era without cameras.
Su Dongpo's inscriptions on Fengle Pavilion and Zuiweng Pavilion are dignified and graceful in structure, calm in brushwork, capable and free and easy, and awe-inspiring, which is clearly Su Dongpo's demeanor as an official. Su Guo thought that Su Dongpo's ci "... was born in the chest with the greatest strength, but it should be touched by hands, so it doesn't depict seduction, but ends with Zhang Fu, if there is a color that cannot be committed." "
Zhi Ping Tie, Qian Chi Bi Fu, Tian Wu Ji Yun Tie, Zhongshan Songlao Fu, Dongting Spring Fu and Alnus cremastogyne Fu are all masterpieces handed down from ancient times by Su Dongpo. Gan Long praised Zhongshan Song Lao Fu and Dongting Spring Fu: "Fine dishes are rich and luxurious, with rich beginning and end, and there are not many books in Dongpo." None of these works are as messy and turbulent as Huangzhou's cold food poems, revealing Su Dongpo's perseverance. Among them, Alnus cremastogyne is simple and clean, especially the simplicity and far-reaching atmosphere of Xiaosan.
Only by writing slowly and calmly can we achieve uniform ink color; Only when you are calm and inspired by generate can you make a regular composition, adjust fonts and achieve the perfect combination of content and form. The flat, slightly fat knot is not only from the writing method, but also related to his honest and heavy personality. Su Dongpo talks about books: "The big characters are hard to be seamless, and the small characters are hard to be generous." This book is like a person. In real life, Su Dongpo was persecuted repeatedly in danger and still lived a magnificent life. Similarly, when Su Dongpo talked about "Ning's credibility is not confident", he also had a unique rigor and profundity:
"People believe that hands, feet, eyes and ears. Small eyes and light hands. However, if people don't measure by hand, they must measure and weigh. Don't you believe in yourself? Guy thought he didn't mean to lose me, and then he got all the love. So the cold and heat of heaven and earth darkened the sun and the moon. The side of Kunlun Mountain is thinner than 387 thousand Li, and three feet, one arrow and five barrels can't escape. Although the thunder is heavy and the rain is small, the snow is heavy and gloomy, it is late and moderate, and it will not suffer. Make every official like a bottle of water, but its quantity is like a floating arrow without losing its rank. If the arrow rises and falls, depending on the time, it will fall without humiliation, but it will not be proud, then the people will believe me and send me to death. " -Excerpted from Su Dongpo's Inscription on the Missing Lotus in Xuzhou (and Syria)
Su Dongpo liked a poem by Li Bai, which was not only copied in his diary, but also written as a calligraphy banner "Life by Candle" in the second year after Wang Runzhi's death to commemorate his farewell to his wife:
Life is full of flowers and the light is beautiful.
Spring breeze around the tree head, the sun and the chemical industry.
I only know that rain and dew are greedy, but I don't think about it.
When I flew to the bone yesterday, I was miserable when I saw Dangtu grave.
The pine trees are hazy and walk up and down the village.
When the moon dies, there is no glass soul.
After reading this, I roared to Kunlun.
The meaning of drunkenness is not in wine, but the stars are visible.
After reading it, I thought, among the twinkling stars in the night sky, are there Su Dongpo's eyes overlooking it? Cold!
Li Qingzhao
She is a warm woman. "I often remember the sunset in Xiting, and I don't know my way home. Excited to return to the boat very late, just like the depths of the lotus. I struggled to cross and was startled by a pool of gulls. "
She is a woman who makes people cry. "I'm afraid the boat won't move. I'm worried."
She is an inspiring woman. "I still miss Xiang Yu and refuse to cross Jiangdong."
It was rare to think of a strange girl in ancient times. In my short life, I have experienced the pride and prosperity of peace and prosperity, witnessed the embarrassment and loneliness of Du Nan, separated from my lover's yin and yang, and shared a bed with someone I don't love. .....
Her sadness is beyond reproach. It is pure sadness that life and emotion can't find a home. This is what moved her.
Li Bai likes to visit famous mountains, but those beautiful words and expressions that seem chic are all pretenses that his career is not smooth. They seem to be free and easy, but they have a diligent pursuit of fame in their bones.
Meng Haoran's mind can even be seen from the fact that "Yun Qi is foggy and trapped Yueyang City", which shows contempt for flattery of dignitaries.
Li He's poems are full of ghosts, which are long and obscure to read, and too many metaphysical words destroy the aesthetic feeling of poems.
Only she, a great woman, never mentioned worldly struggles and disturbances. She just stood in her corner, whispering the sadness of life.
In her later years, she was even more unhappy-she was at odds with her husband and the world was unfaithful to her. How much courage does it take to face such a woman who is thinner than a yellow flower?
I have seen such a photo: in the desolate and barren land of Sudan, a girl who was climbing to the rescue station collapsed feebly on the side of the road, and a vulture watched.
This photo taken by South African photographer Kate Calvin caused an uproar in public opinion. Some commentators said: "This photo shows the subversion of human nature in the whole African continent." Others say Calvin lacks humanitarianism, so the photographer jumped into the blue sea and stayed awake.
The same pressure is unbearable for men in a modern society. What kind of pain does she have to endure to survive in a purely sad and difficult environment?
Respectable, pathetic, deplorable, pitiful!
In this rolling world of mortals, who has never faced the temptation of fame and pressure, and how many people can consistently stick to their purity and get away with it?
Some people eventually become slaves to worldly affairs and pursue fame and fortune in various ways.
Some people finally saw through the world of mortals and refused to become a monk like Shunzhi. Wang Guowei threw himself into the lake.
Some people stand proudly in the dirty stream and sing this time in the sound of silk and bamboo. How can they not be sad?
Maybe not a book review, but I am addicted to her loneliness.
Brief introduction of Liu Yong
Liu Yong (about 980~ 1053), formerly known as trilateral, was born in Chong 'an (now Chong 'an County, Fujian Province). In the first year of Jingyou in Renzong (1034), he was a scholar named Liu Tuntian. I tried many times in my early years, but my career was very unsatisfactory, my life was poor, and I was cynical about things. He lived in the city for a long time, frequented restaurants, and interacted with musicians and geisha, so he was familiar with the life of literati and geisha and the music method. He was the first writer devoted to the creation of Ci in the Northern Song Dynasty. Because of his living environment and other conditions, he became a representative poet of Wan Yue School who was good at describing cities.
Liu Yong made an important contribution and influence to the development of Ci in the Northern Song Dynasty. First of all, he produced a large number of long and slow words, which made the words transition from minor to major, thus providing corresponding expressions for words to accommodate more content. Secondly, he developed the expression of words, and was good at describing and using stick figures. The description of scenery was closely combined with lyricism, and the language was easy to understand and the melody was harmonious. Liu Yong's ci has an influence on Qin Guan and others, and also on the lyrics creation of later rap literature and opera writers. Liu Ci was the most popular in Song and Yuan Dynasties. According to legend, at that time, "there was a well to drink, and Liu Ci could be sung". A collection of words, a collection of actions.
4. Writing background
Liu Yong is talented, but his life is bumpy. He spends more time with geisha and lives a life of singing in red. He deeply understands the lives of these geisha and deeply sympathizes with their unfortunate experiences. Many of his works reflect the joys and sorrows of being with them. Yulinling is one of them, and is praised by the world. This poem is about his touching parting scene with a confidante when he left the capital Bianjing City (now Kaifeng, Henan Province).
Xin Qiji (1 140- 1207) was a poet in the Southern Song Dynasty. The original word Tanfu, later changed to You 'an, alias Jiaxuan layman, was born in Licheng (now Jinan, Shandong). The same name as Su Shi, also known as Su Xin. Someone once praised him like this: Jia Xuan is the crown of people and the dragon in words. Liu Chenweng's Preface to Xinjiaxuan said: "The word reaches Dongpo, which is aboveboard, like poetry, prose and wonders of heaven and earth." He has been to Hubei, Jiangxi, Hunan, Fujian and eastern Zhejiang. At birth, Shandong was occupied by nomadic people. 2 1 year-old joined the anti-Jin army and soon returned to the Southern Song Dynasty. Before the birth of 13, Shandong was occupied by the nomads. In the thirty-first year of Shaoxing (1 16 1), two thousand people joined the northern anti-Jin army and returned to the Southern Song Dynasty the following year. Throughout his life, he insisted on fighting against nomadic people and recovering lost land. Zeng Jin played "Ten Theories on Meiqin", analyzed the situation of the enemy and ourselves, and put forward specific plans for Qiang Bing's rejuvenation; He also went to the Prime Minister's Ninth Meeting to further elaborate the idea of the Tenth Meeting. Has not been adopted and implemented. When serving in various places, he seriously eliminated the accumulated disadvantages, actively prepared for war, was restrained by capitulationists, and even was dismissed. He once lived in Shangrao, Jiangxi for a long time. The great ambition and talent of recovering the motherland were not displayed, and loyalty and resentment created a generation of great poets in the Southern Song Dynasty. As a patriotic poet, he and Su Shi are also called "Su Xin". Geng Jing assembled troops in Shantung, restrained loyalty and retained a minister. In the thirty-second year of Shaoxing, he ordered Feng Biao to return to the south, and Emperor Gaozong summoned him and awarded him the position of Cheng Wulang. Ning Zongchao was tired of being an official in eastern Zhejiang and added Long Ting and other systems. He entered parliament and was appointed as a pawn. He has lived in Shangrao and Buried Hill in Jiangxi for more than ten years. His writing is full of passion, generosity and tragic. Powerful brushwork, diverse artistic styles and uninhibited. And "Jia He's Short Sentence".
Throughout his life, he was proud of his integrity and made his own achievements, and advocated the war of resistance all his life. He once appeared in "Ten Treatises on Meiqin" and "Nine Discussions", showing outstanding military talent and patriotic enthusiasm, and maintained a deep friendship with Song Zhishi and Neo-Confucianism Zhu, making great efforts to govern. Anti-gold and national rejuvenation are the main themes of his works, among which there are many laments of the lost direction of heroes and the idle resentment of the strong, which have distinct characteristics of the times. It also depicts the pastoral scenery, social customs and folk customs of the four seasons in the rural areas of the south of the Yangtze River with vivid and delicate brushstrokes. His ci has a wide range of subjects, and he also makes good use of predecessors' allusions. The style is heavy and heroic, and there is no lack of delicacy and gentleness. On the basis of Su Shi, he greatly developed the artistic conception of Ci and improved the literary status of Ci. Later generations called it "Su and Xin". His poems are also worthy of praise, especially his "powerful pen, ingenious convergence, correct and balanced theoretical style"