1, landscape paintings by Hao Jing and Guan Quan
Hao Jing is from Hong Guzi, and his name is Haoran. Confucian scholars of the Five Dynasties, works of poetry and prose, works of general history. Because of the political turmoil, he never wanted to be an official. He lived in Honggu, Taihang Mountain and devoted himself to the creation and research of landscape painting. His brushwork systematically deals with some theoretical problems of landscape painting creation, and establishes a relatively complete theoretical system for ink and wash landscape painting, which has important aesthetic value and is an important document of China's painting theory.
2. Landscape paintings by Li Cheng and Fan Kuan.
Li Cheng, whose name is Xian Xi, is a descendant of the imperial clan of the Tang Dynasty. His landscape paintings first made achievements in Hao Jing and Guan Gong, and then he lived in seclusion in the mountains, learning from nature. Li Cheng's landscape is mainly Shandong scenery, and he writes more about the scenery of the cold forest plain. The so-called "the sky is thin, the smoke is clear, the front is prominent, and the toner is latent." He makes good use of light ink and is known as "cherishing ink as gold". Fan Kuan is the same as Li Cheng, only a little late. Fan Kuan, the word is neutral, and the word is neutral. Because of his gentle temperament, he is called "Fan Kuan".
3. The landscape paintings of Dong Yuan and Ju Ran.
Dong Yuan and Ju Ran are the founders of Southern Painting School. They are teachers and students, and the history of painting is called "Dong Ju". Because the surface of the hills in the south is soil, based on the scenery in the south, they created the "Pima method" (including long Pima method and short Pima method) which can reflect the characteristics of the mountains and rivers in the south, and this technique has a great influence on future generations.
4. Wei Xian and Guo Zhongshu's landscape paintings.
Wei Xian and Guo Zhongshu are masters of "boundary painting", which is a kind of landscape painting with palaces and pavilions as the theme in China. Because every point it draws must conform to the rules and regulations, it can even be constructed according to the drawings, so it cannot be valued by literati. But Wei Xian and Guo Zhongshu are exceptions, and their boundary paintings are extraordinary. Wei Xian, a court painter in the Southern Tang Dynasty, worshiped the interior when he was an official. He is good at boundary painting, can achieve "conversion without difference" and does not become a mere vulgar art.
5. Guo, Xu Daoning's landscape paintings.
Guo, whose real name is Chunfu, is now "waiting for the imperial edict" for Hanlin Painting Academy. He is deeply favored by the gods, and almost all the palace decorations are his works. Guo is also an excellent landscape painting theorist. Lin's Gao Quanzhi, written by his son Guo Si according to his words, is an important theoretical work in China's art history.