Poetic and picturesque: the winding path extends beyond the green hills, and the boat travels on the green waves in front of the mountains. At the foot of the blue mountain, my boat and I meandered along the green water. )
The tide is rising, the rivers on both sides are unusually wide, and white sails are hung high in the wind. Until the river bank widens at low tide, there is no wind to stir my lonely sail. )
The sun on the sea rises in the dead of night, and the Spring Festival on the river has come to the end of the old year. (... night gives way to the ocean of the sun, and the old year melts in freshness. )
How can I send home letters to my hometown? Fly to the north, Hongyan, and bring it to Luoyang for me. At last I can send my emissary? Geese, return to Luoyang. ) [Edit this paragraph] [Appreciate]
This poem is about the spring scenery on both sides of the strait when the author went boating at the foot of Beishan Mountain in late winter and early spring. Write overlapping green hills, winding paths, rippling blue waves and canoes first. "Until the bank at low tide widens, there is no wind to stir my lonely sail" depicts the magnificence and heroism of the poets in the lower reaches of the Yangtze River. "..." Tonight gives way to the ocean of the sun, and the old year melts in the clear spring "is a well-known sentence, which depicts the scene and joy in the process of alternating day and night in winter and spring, thus arousing the homesickness of the last sentence and expressing the author's yearning for the hometown of returning geese. Spring and homesickness blend harmoniously.
The next berth on Beibao Mountain was first seen in the Collection of National Xius edited by Rui in Tang Dynasty. When Yin Kun, a native of the Tang Dynasty, was selected into the Lingying Collection in He Yue, there were many different essays on the topic of "Jiangnan Yi": "The south is full of new ideas, and the east is the first day. On both sides of the beach, the wind is hanging. ... night gives way to the ocean of the sun, and the old year melts in freshness. I have never observed the weather, but I am biased. " This article is based on a berth at the foot of Beibao Mountain and has been read for a long time.
Wang Wan, a native of Luoyang, had frequent contacts all his life. "Beigushan" is in the north of Zhenjiang City, Jiangsu Province, facing the river on three sides. The first two sentences of "Jiangnan Yi" quoted above are "South Man is full of new ideas, and the East is in the early stage." Its "eastbound" should be through Zhenjiang to the south of the Yangtze River. The poet traveled all the way, and when he set sail at a berth at the foot of the Beibao Mountain, the tide was flat and the shore was wide, and the geese returned at night, which triggered feelings in his heart and became a masterpiece through the ages.
The poem begins with a dialogue, which is both beautiful and detached. "Hakka Road" refers to the way the author wants to go. "Castle Peak" refers to "Beigushan". By boat, the author is walking towards the "green water" in front of him, towards the "green hill" and towards the distant "guest road" outside the "green hill". This couplet is written "Visiting the Road" first, and then "Sailing". His wandering feelings in Jiangnan and Shenchi's hometown have been revealed between the lines, thinking about the "hometown book" and "returning to geese" at the end of the couplet.
The second couplet's "Widening the banks at low tide" and "Widening" are the results of "tidal flat". The spring tide is surging and the river is vast. Looking around, the river seems to be flat with the shore, which broadens the horizons of the people on board. This sentence is written in a grand way, and the next sentence, "No wind stirs my lonely sail", becomes more and more wonderful. "Hanging" means hanging straight from one end to the other. The poet uses "the wind is right" instead of "smooth sailing" because "smooth sailing" alone is not enough to ensure "sailing" Although the wind was smooth, it was strong and the sails bulged into an arc. Only under the condition of downwind and breeze can the sail be "hung". The word "positive" includes both "shun" and "harmony". Xiao Jing is quite vivid in this sentence. But not only that, as Wang Fuzhi pointed out, the beauty of this poem is that it "conveys the god of the big scene with a small scene" (Jiang Zhai's poetic remarks). It is conceivable that if you sail in a winding river, you always have to turn. Such a small scene is rare. If you sail in the Three Gorges, even if it is calm, it will still surge. Such a small scene is rare. The beauty of this poem lies in that through the small scene of "stirring a lonely sail without wind", it also shows the big scenes of Ye Ping's opening, great rivers and calm waters.
When you watch the third part, you will know that the author will sail at the end of the year. The tide is flat without waves, smooth but not fierce. At close range, the river is green, while at a distance, the banks are open. This is obviously a mysterious night, revealing the breath of spring everywhere. A person sails slowly and feels that it has reached the end of the night. These triple, is the performance of rowing on the river, is about to dawn.
This couplet has always been famous. Yin Kun said, "... the night now gives way to the ocean of the sun, and the old year melts in freshness" is a poet. Zhang (Zhang) wrote the title of "Government Affairs Hall", and every time he showed his ability and made it a model. "("He Ji Ling ") In the Ming Dynasty, Hu Yinglin wrote" Poetry ". In the internal compilation, it is said that the combination of "the sea and the sun" "describes the scenery, which is amazing through the ages". When the night has not subsided, a red sun has risen from the sea; The old year has not passed, and the river has shown spring. "Day after day" and "spring into the old year" both indicate the alternation of time series, and they are in such a hurry. How can this not make the poet in the "guest road" homesick? These two sentences are also very kung fu. The author regards "the sun" and "spring" as symbols of new beautiful things from the perspective of refinement, emphasizes them by referring to the position of the subject, personifies them with words such as "life" and "ru", and endows them with human will and emotion. The beauty is that the author has no intention of reasoning, but he has a natural interest in reasoning when describing landscapes and festivals. The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" of river scenery, will break into the old year and drive away the severe winter. It not only depicts the scene truly and accurately, but also shows the universal truth of life, giving people optimistic, positive and upward artistic inspiration.
The sea is rising, and spring is budding. The poet puts the boat on the green water and continues to sail to the guest road outside Qingshan. At this time, a flock of geese returning to the north are walking through the clear sky. Wild goose crosses Luoyang! Reminds the poet of the story "A goose's foot gives a book". Let's send a message to the geese: Geese, when you fly over Luoyang, please give my regards to your families. These two sentences are closely linked, and the whole article is shrouded in a faint homesickness.
Although the first five laws were widely known as the third place at that time and spread to future generations, there were not only two beautiful sentences; Generally speaking, it is also quite harmonious and beautiful.
Poems with similar meanings to "Until the bank at low tide widens and there is no wind to stir my lonely sail" are:
1. The solitary sail is far away from the blue sky, and only the Yangtze River flows in the sky.
2. The green hills on both sides of the strait are opposite, and the solitary sails come from the sun.
The apes on both sides of the Taiwan Strait can't stop crying, and the canoe has crossed Chung Shan Man.
The stars tilt down from the open place, and the moon runs from the upper reaches of the river.
Spring outing in Qiantang River
I walked slowly from the north of Gushan Temple to the west of Jiagongting. The clouds hung low and the lake was just flat with the shore. (Gushan Temple is in the north of Jiating West, with flat water surface and low cloud feet)
On several trees, early songbirds are singing for the warmth and nesting in spring, and new swallows are busy pecking mud. Several early songbirds compete for warm trees, and their new swallows peck at the soil in spring.
Colorful flowers are endless, and shallow grass just covers the horseshoe. Flowers are more and more attractive, but shallow grass has no horseshoe. )
The scenery in the east of the lake is the most unforgettable, and the white sand embankment under the shade of Populus davidiana is particularly distinctive. I love the lack of eastward travel of the lake, and I love the white sand embankment under the shadow of Populus davidiana.
A Spring Tour in Qiantang vividly depicts the beautiful scenery the poet saw when he strolled the West Lake in early spring. This is a hymn to the beautiful spring and the beautiful scenery of the West Lake. The first poem sticks to the theme and always writes about the lake. The previous sentence points out the location of Qiantang Lake and the surrounding "uneven towers". The use of two place names gives readers a sense of movement, indicating that the poet is walking and watching. On the front of the latter sentence, the lake is as bright as water: at the beginning of spring, the water surface is flush with the embankment, and the white clouds in the air are connected with the rippling waves on the lake, which is a typical water state of Jiangnan Spring Lake. Zhuan Xu wrote about birds seen from looking up. Yingying is singing and swallows are dancing, showing the vitality of spring. Both the oriole and the swallow are messengers of spring, and the oriole sends the good news of spring back to the earth with its euphemistic and smooth voice. Swallows wear flowers and paste water, build nests with mud, and encourage people to start working in spring. The word "several places" summarizes Ying Ge's call to the other and the poet's modality of seeking sound from left to right. The doubt about the word "whose family" shows the poet's delicate psychological activities and makes readers have rich associations. Writing with a neckband overlooks the flowers and plants you see. Because it's early spring, and it's not the season for flowers to bloom, what we see is not colorful flowers, but a cluster of flowers in the east and a cluster in the west, which is described by the word "chaos". Spring grass does not grow luxuriantly, only it is not as long as horseshoe, so it is described by a word "shallow". The "gradual desire" and "talent" in this association are also the feelings and judgments of the poet's observation and appreciation, which makes the objective natural scenery become the scenery in the eyes with the poet's subjective feelings and infect readers. These two couplets describe the scenery of the West Lake in detail, and express Yingying Yan's new arrival with "early", "new", "struggle" and "pecking". Using "chaos", "shallowness", "gradual desire" and "talent" to describe the thriving trend of flowers and plants accurately and vividly reveals the early spring weather that the poet felt while walking, giving people a fresh feeling. The previous generation poet Xie Lingyun's phrase "Spring grass grows in the pond, and willow in the garden turns into songbirds" ("Pond Upstairs") is wonderful in ancient and modern times, precisely because he wrote the joy of love at first sight when the four seasons change. The above two couplets of Qiantang Spring Tour are quite similar in artistic conception, but the white poems are more widely spread. William wrote about the poet's favorite sandbar in the east of the lake. Qiantang Lake, which runs through Bai Causeway, is located in the east of the lake and can win the whole lake. I saw that under the shade of Populus cathayana, the flat and slender white sand embankment was lying in the blue waves, and the people riding on the embankment were knitting and enjoying the beauty of spring. In the meantime, the poet enjoyed the lakes and mountains and was relaxed and happy. "Lack of line" shows that the natural scenery is beautiful, the poet is still lingering, and the concentrated and full feelings give readers endless aftertaste.
In the history of China, many famous people have been studying history in Hangzhou, a paradise. But the most famous are Bai Juyi and Su Dongpo, two great writers in the Tang and Song Dynasties. They not only left their achievements in Hangzhou, but also circulated many poems describing the beauty of Hangzhou and its West Lake, so some people called them "romantic satrap". Bai Juyi's "Spring Tour in Qiantang" is a well-known one. This poem not only depicts the charming spring scenery of the West Lake and the vitality of everything bathed in spring scenery, but also tells the whole story of the poet himself intoxicated with this beautiful scenery, which makes people deeply moved by the author's attitude towards spring and spring while enjoying the intoxicating scenery of the West Lake.
"Gushan Temple is north of Jiating West, and the water level is low." The first sentence of the poem is the place, and the second sentence is the vision. The lonely mountain is located between the back lake and the outer lake of the West Lake, with overlapping peaks and emerald green hills, and there is a lonely mountain temple on it, which is beautiful to climb and see. Jia Ting, also known as Jia Gongting, was published in Tang Yulin for six years. During the Zhenyuan period, when Jia Quan was appointed as a historian in Hangzhou, he built a pavilion in the West Lake. The clothes rack is called Jiagongting, which will not be abandoned after 50 or 60 years. Zhenyuan is the national title of Tang Dezong, from 780 to 805. When Bai Juyi wrote this poem, his pavilion was still there and it was also a scenic spot in the West Lake. At first, Bai Juyi came to the north of Gushan Temple and the west of Jiagongting. Looking around, I saw spring water rippling, clouds hanging low, lakes and mountains. Chuping expresses Bai Juyi's unique feelings about the West Lake in spring. Due to the continuous spring rain, today's lake looks much higher than in winter, and seems to be at the same level as the line of sight. This feeling that the water surface is flush with the line of sight is only possible for people facing the vast water surface, and it is also a feeling that can be written by people who have a deep understanding and love for the West Lake. At this moment, the calm water at the foot and the low-hanging cloud curtain in the sky constitute a quiet ink painting of the West Lake. When the poet was silently watching the virgin charm of the West Lake, the crisp birdsong came from his ear, which broke his meditation, so he withdrew his eyes from the intersection of water and clouds and found that he was actually in a beautiful world full of spring.
"A few early warblers compete for warm trees, and young swallows peck at spring mud. Flowers are more and more attractive, and shallow grass can be without horseshoes. " These four sentences are the core of Bai Juyi's poem, which is also the most striking sentence, and also the finishing touch of Bai's poems describing spring scenery, especially the spring scenery of the West Lake. A few places, that is, a few places, or even many places. Using "early" to describe orioles shows Bai Juyi's sincere love for these little life full of vitality: orioles in the trees are busy grabbing the "warm tree" that first sees the sun in the morning, for fear that they will not catch up soon. The word "struggle" makes people feel that spring is rare and precious. I don't know whose swallow is under the eaves. At this time, it is also busy making a nest with mud, and uses a word "peck" to describe the busy and excited expression of the swallow, which seems to bring life to the swallow. These two sentences deliberately describe the dynamics of Yingying Yanyan, thus making the whole poem full of vitality and vitality in spring. Huang oriole is recognized as a spring singer. Listening to their euphemistic voices makes people feel the charm of spring. Swallows are migratory birds. They returned to their hometown with spring, busy rebuilding their homes and welcoming a new life. Watching them fly around building nests makes people feel the beauty of life even more.
After anthropomorphic description of the birds in the sky, Bai Juyi turned his eyes to the vegetation under his feet. "Flowers are more and more attractive, and shallow grass can be without horseshoes." This is also an emotional and energetic description of the scenery, which fully shows Bai Juyi's careful observation of the object of description and accurate grasp of its characteristics. As far as flowers are concerned, they are chaotic and even confuse the eyes of flower watchers. In other people's poems, this kind of writing is rare, and this unique feeling is just Bai Juyi's personal experience when enjoying the scenery of the West Lake. Colorful flowers are blooming all over Shan Ye. Against the backdrop of lakes and mountains, Bai Juyi has no idea where to look and how to tell the difference between them. The phrase "flowers are getting more and more charming" means to stop and look closely, while "shallow grass can't have horseshoes" is already an outing on horseback. It is a pleasant thing to travel freely with two or three friends by the West Lake, where the grass grows and the flowers bloom. The horse seems to be aware of the relaxed and carefree interest of its owner on its back. Slowly, the poet inadvertently caught a glimpse of the scene of horseshoe ups and downs on the grass, which was particularly interesting. He couldn't help writing it into his own poem. Unexpectedly, it was a random stroke, but it added a lot of lively interest and elegant leisure to the whole poem. Belinsky, a famous aesthete, once said: "In any case, beauty emanates from the depths of the soul, because natural scenery cannot be absolutely beautiful, and this beauty is hidden in the souls of those who create or observe them." Bai Juyi's Spring Tour in Qiantang just illustrates this aesthetic of truth. Because no matter how beautiful the scenery of the West Lake is, there will be some unsatisfactory places, but in Bai Juyi's eyes, it is undoubtedly the most beautiful scenery in the world, because he is not only good at observing, but also good at discovering and experiencing. Nowadays, we often feel that it is better to visit the scenery than to listen to it, or to listen to friends' introductions, or in film and television scenery films. When we hear and see beautiful scenery, we can't help but feel infinite yearning. However, once we get there, we often feel that it is far from what we imagined. This is because we can't look at the natural landscape with the eyes of discovery and appreciation, but we should travel with preconceived, excessive and even some critical eyes. Imagine how many wonderful spring scenery the West Lake has shown people through the ages. How many people have witnessed the spring scenery of Xizi Lake? But in the end, I can only recite a few works by several great poets. Isn't it only when the great writer Su Like Dongpo comes that the West Lake will proudly show her amazing beauty? Birds in the West Lake will not "warm trees" and "peck at spring mud" until they meet the great poet Bai Juyi. In fact, no matter when and where, the West Lake is the most beautiful. Do we also know the famous saying: "To compare the West Lake to the West Lake, it is always appropriate to wear heavy makeup."
Bai Juyi has such a rare aesthete's appreciation eye that he can find its moving place among countless tourists in the West Lake and truly enjoy this paradise on earth given by nature. Bai Juyi didn't see many "early warblers" and "new swallows", only "several places" and only "whose home". If so, we may feel sorry that we didn't smell the sound of warblers everywhere and that every family smelled of swallows. We wish we had come ten and a half days late. However, Bai Juyi doesn't think so. There are few advantages. It is because of scarcity that "early warbler" and "new swallow" feel the joy of spring. If the poet doesn't have a young heart and a heart that loves life and spring, I'm afraid he won't be moved and intoxicated by these spring herald newspapers, but will happily write this touching poem. It is precisely because of this that he can smell the flowers and plants, see the beautiful scenery of the fragrant grass, be fascinated by the wild flowers dotted everywhere, and sigh for the grass that has not crossed the horseshoe. When you think about it, the grass without horseshoes is actually the most common. There is no need to rush to Xizi Lake to see this lawn in spring, but it can be found in our street green space. However, I am afraid that there is a striking sign between us and the lawn: "Please don't trample on the lawn". Therefore, the closeness between everything and nature has become a serious warning in an instant. Nowadays, people in cities are indifferent to natural landscapes rather than artificial ones.
However, Bai Juyi is lucky, because he has a pair of eyes to discover beauty and spring, so he can't help but even linger on the beautiful scenery of the West Lake: "I love the lack of lake in the east and the white sand embankment in the shade of Qingyang." Baisha dike, that is, Bai Causeway, is also called sand dike or broken bridge dike. The West Lake is surrounded by mountains on three sides, and Bai Causeway runs through it. On the east side of the lake, it commands the victory of the whole lake. When Bai Juyi was a historian in Hangzhou, he did build dikes to store water and irrigate people's fields. However, his levee is north of Qiantangmen, but later generations mistook Bai Causeway for a levee built for nothing.
This poem is like a short and pithy travelogue, starting from Gushan and Jiating and ending in Hudong and Bai Causeway. Along the way, in the paradise-like beauty, I sang and danced to my heart's content, intoxicated by the flowers and birds. Finally, I walked back step by step along the white sand embankment and under the Liu Yin, and reluctantly left. My ears are still echoing the hymn of spring played by everything, and I can't help but shed a beautiful poem "Qiantang Spring Tour" full of natural integration.
In fact, Bai Juyi's keen observation and experience of spring or beautiful things expressed in this poem is very common among many ancient poets. Only in this way can they, like Bai Juyi, find it with joy when they first arrive in spring, be moved by it, stimulate their desire to create, write touching poems and leave rich aesthetic enjoyment for future generations. Like Bai Juyi, he won't feel sorry because there are only a few orioles singing in the tree and only a few swallows nesting under the eaves. On the contrary, he will feel that the pace of spring is getting closer and closer, and he will feel very happy, thus writing such a touching poem as "Several early birds fight for the warmth of the tree, and whose new swallow pecks at the new mud". There are many examples
The predecessors said that "Lotte's poems are full of emotions, enter people's liver and spleen, follow things, and are full of places" (Wang Ruoxu's "Xunnan Poems"), and "Lotte's poems are extremely simple and lovely, and often take what is in front of them as what others have not said" (Tian Wen's "Ancient Tang Huanji"). The language of this poem is simple, fresh and natural, for personal use.
Bai Juyi's name is very meaningful. Bai Juyi lived in Chang 'an at that time. "Life in the capital is not easy", and Bai Juyi's name means that he, a talented person, can live in Chang 'an for nothing, which also shows his pride.
Tianjingsha
The dead vine old tree-dwelling crow returns to its nest at dusk,
The flowing water by the bridge reflects several families.
On the desolate ancient road, a lonely thin horse came against the bleak autumn wind.
The sun has set, and the wandering wanderer is still in the end of the world.
Extension: Now is the third day of entering the ancient road.
Looking back, the winding footprints have been buried by the wind and sand; Looking around, the long dust connected with the sky will break my tired heart.
At noon, the sun is still like a brazier, viciously emitting hot light to the ground. At that time, the earth was like a fire, and the boiling flame was burning to devour me. Now, she is smart, kind, gentle and even a little cute. Her light footsteps danced like dragonflies. Plumes of red light sprinkled on the hills not far away, like a warm hand stroking them gently, stroking their wounds burned by the midday sun.
Isn't this the sunset in my hometown that I miss day and night? The warm picture of the past comes back to my mind: our hut is located by the stream, in front of which is a small stone bridge. I listen to the murmuring water humming songs every day, and then feel the whisper between it and the stone bridge with my heart. The happiest moment is to watch the sunset with my brothers and sisters, watch her slide gently behind the mountain with joy, and the distant sky still shines with a faint afterglow. Finally, I watched her leave, leaving a string of golden blessings. ...
But the ruthless war shattered my happy life. In a year's time, I changed from my favorite little son to a homeless tramp. I can only choose to escape. Only this thin horse accompanied me.
From then on, the sunset in my eyes just hung on an ugly old tree with dead branches and vines, which made me sad.
Everything is like a dream! The horse neighing, I just came to my senses and found that the sunset has turned into a red but delicate jade plate. The part left on the ground, like a beautiful lip, plays a huge flute on the horizon, but plays a bleak westerly movement.
Alas, look at the horizon, look at the horizon!
This is Ma Zhiyuan's famous song, and 28 calligraphy and paintings show a lonely place. This song is heartbroken. The author's lyrical motivation can be seen from the title.
In the first two sentences, the old vines make people faint, and the small bridges flow, creating a cold and bleak atmosphere and showing a fresh and quiet realm. The old vines here give people a bleak feeling, and it is already evening. Small bridges and flowing water make people feel relaxed and happy. 12 calligraphy and painting create a quiet pastoral scenery in late autumn. The ancient road became thinner with the west wind, and the poet described a bleak and desolate artistic conception of autumn wind, adding another layer of desolation to the quiet rural map. The setting sun adds a bit of bleak light to this bleak picture and deepens the sad atmosphere. The poet skillfully connects ten plain and objective scenes in series, and naturally puts the poet's infinite worries in the picture through words such as withered, old, light, ancient, western and thin. In the last sentence, heartbroken people are the crowning touch in the horizon. At this time, a wandering wanderer appeared on the picture of the country in late autumn. On the desolate ancient road at sunset, he walked with a thin horse in the biting autumn wind, heartbroken, but he didn't know where his home was, revealing the poet's sad feelings and expressing the theme appropriately. This poem takes a sentimental attitude.
This poem by Ma Zhiyuan, in just 28 words, has profound meaning, exquisite structure, ups and downs, cadence and sonorous rhyme, and penetrates the soul. Its radiant artistic charm has fascinated many literati and poets in ancient and modern times. The implication in the song is not only "the marvelous scene of the quatrains in the Tang Dynasty" ("Shi Shuo Xin Yu"), but also the beautiful and elegant nature of the Song Ci, which has always been regarded as a masterpiece describing nature and can be called "the ancestor of Qiu Si" ("the rhyme of the Central Plains"). It depicts a wandering wanderer's lonely and helpless situation at dusk in late autumn and his sad mood of missing his hometown. You see: at sunset, crows return to their nests and farmers go home by the bridge; On the desolate ancient road, in the autumn wind, our hero is tired and thin, walking alone, where to spend the night and where to go tomorrow? It is still unknown. Why not make him sad and homesick! The whole song does not contain an "autumn", but it describes the bleak and desolate scene of late autumn; I don't need a "thought", but I write my homesickness and worries incisively and vividly. As the saying goes: "Without saying a word, you are happy." At the beginning of the poem, "A dead vine is a faint crow", he wrote from a nearby place, "On the branch of an old tree with a dead vine, several crows are singing their nests", and a bleak and cold scene of late autumn is presented to readers, tightly gripping their heartstrings. "Rattan", "tree" and "crow" are common scenery in rural areas, nothing special. But once they are combined with "withered", "old" and "faint", a bleak and cold atmosphere immediately rises between the lines and hangs over the readers' hearts. Coupled with the smooth conversion and the coordination of phonology, the poet turns his pen and the reader's eyes follow him to the distance. A group of pictures full of peaceful and quiet life were displayed in front of us, and our high tension was relieved and we took a long breath. This is not only a poetic description of the distant scenery, but also shows the wandering poets' yearning for a leisurely and quiet pastoral life. In the use of flat tones, the combination of "flat-flat-flat-flat-flat" is adopted, which makes the tone cheerful and gentle because of the change of flat tones. As a result, "small bridge flowing water" has become an eternal quatrain describing poetic pastoral life. "The ancient road and the west wind are thin horses." As soon as the poet's pen closes, it pulls us back from the beautiful longing and yearning to the helpless reality: the ancient road is bleak, the west wind is dying, and the thin horse is endless. Whether you like it or not, people are in the Jianghu and can't help themselves. The journey around the world has to continue. As soon as the voice changed, the breath changed from soothing to short, showing the poet's angry mood, and our mood became tense involuntarily. "Sunset" and "Pingping" Our hearts are once again picked up by the poet: Tonight, when the sun sets and the twilight is shrouded, where will the tired poet stay? Where are you going tomorrow? "Heartbroken people are at the end of the world." "Just plain-just plain-"The poet sighed and ended. "Sad traveler, wandering in a distant foreign land." Is it sad? Is it loneliness? Is it sadness? Is it helpless? Still helpless? It seems that there are both. This is not only the poet's emotion and sigh about his life experience, but also a powerful questioning and ruthless exposure of the dark reality at that time. At first glance, the whole poem is purely sketched and carefully pondered, but it is full of metaphors. What is rare is that the words are refined and accurate, the structure is exquisite and ingenious, and the meaning is profound and extensive. It can be said that it is unprecedented.