The original text of "Cang Cang Shu Zui Mo Tang" began with the difficulty of literacy, and the name can be forgotten.
Why use cursive script to praise speed? It's sad to open the book.
I laugh every time it tastes good. How did you get this disease?
It's fun to say it's enjoyable, but it's no different from a leisurely trip.
A loved one is drunk with ink, such as drinking alcohol to eliminate his worries.
It is known that Liu Zi's language is true, and his illness is fond of charcoal.
You are also brilliant in this art, and you have not been able to build a wall like a hill.
With a sudden wave of his hand, the horse stepped on Kyushu.
I can't make a book with my heart, I'd love to.
Hu Weiwei's argument is false, and every word is hidden.
If you don't reduce your clock, Zhang Jun will be self-sufficient, and I will be superior to Luo Zhao below.
You don't have to study harder in clinic, you can take silk as a substitute.
The bitterness of a translator's life begins with literacy, so as long as he can write, he can recognize his own name. What's more, boasting about the magic and speed of calligraphy with cursive script is confusing and worrying. I used to like cursive when I laughed at myself. I don't want you to have this problem. I don't know when I can recover. It is also said that there is the greatest happiness in it, and it is very complete, which is no different from Zhuangzi's carefree tour. Recently, Mr. Wang built the Drunken Ink Hall, just as drinking wine can eliminate troubles and worries.
After seeing Mr. Rainbow say this, I realized that Liu Zongyuan was right: patients who like clay charcoal eat it as a delicacy. Mr. Wang's calligraphy reached its peak, piling broken pens on the wall as high as a hill. When the mood comes, how much paper can be used up with a wave of pen and ink, just like a fine horse stepping all over Kyushu in the blink of an eye. My calligraphy is created by imagination, without any rules in it. I wrote it bit by bit, so I'm too lazy to ponder it carefully.
Why can only my husband accept what I say casually, even a piece of paper? If Mr. Wang is evaluated by "no less than Zhong You and Zhang Zhi", Mr. Wang can afford it completely; If I judge by "what I knocked down was similar to Zhao's attack", I will look better. From then on, Mr. Wang didn't have to study hard in the pool like Zhang Zhi, and the pool was all black; Those undyed white silk should be made into sheets directly, instead of writing first and then dyeing to make clothes.
Notes of Shi Zui Mo Tang 1, Trouble: Sorrow, Suffering.
2, stone: word beauty, Jingzhao (Chang 'an) people, good grass official script. People call it "Saman".
3. China Wu Hu 4
4.chūu: One is "when". Get well.
5. Happy and carefree travel: both are the titles of Zhuangzi. It is used literally here. Happiness, the greatest and highest level of happiness.
6. Two sentences of Naizhi: Liu Zi and Liu Zongyuan. True, true. Precious shame, like "delicacies", is a beautiful dish.
7. "Horse" sentence: Describe the cursive script, which is fast, fast and free and easy. Shu (shū) is sudden and rapid, which means a short time. Kyushu refers to all parts of China.
8. Intentional creation: free creation for the purpose of intention.
9. Inference: refers to the study of brushwork.
10, Hu Weiwei: what and why. False: tolerance, here is the author's modesty.
1 1, square: ratio. Luo Zhao: Luo Hui and Zhao Qian were both calligraphers in the late Han Dynasty.
12, end: intact. QρNCóu: refers to the quilt.
The appreciation poem of "Shi Zui Mo Tang" first praised the wonder of stone cursive script in a teasing style, and at the same time incorporated the feeling of life and official career. The poem shows that he is as fond of books as the other party, and takes Zhuangzi as the title, expressing the great happiness and spiritual freedom he felt when he created calligraphy. Then point out the deep and beautiful intention of the other party to name it "drunken ink"
Furthermore, he praised Shi's hard work of "piling up walls and falling like hills" concretely and vividly, and his calligraphy reached the state of perfection, and even gained the magical power and happiness of creation. The poem puts forward a valuable view that calligraphy advocates nature: it is a natural state after long-term accumulation and efforts to get rid of fetters, put pen to paper and pursue the greatest freedom of creation.
The poem also shows that Shi supports his own views and cherishes his calligraphy works. Finally, the ancient classics are used to realize the knot, which echoes the banter at the beginning of the article. The whole poem is decorated with letters and strokes, which is incompatible with the usual practice and is correct. It makes more use of books and historical allusions, without showing off its talents, but it is the result of argumentation.
The creative background of Shi's Drunk Mo Tang in Cang Shu This poem was written in the second year of Xining (1069), when Su Shi was thirty-four years old. Su Shi from Kaifeng to Fengxiang, passing through Chang 'an, must go to Shijia. In the first year of Xining (1068), Su Shi Fengxiang returned to North Korea at the end of his term and spent the New Year in Shi Jia. He has the original preface to the holy teachings written by Chu Suiliang. Tang people called it "drunken ink" and invited Su Shi to write poems. Su Shi returned to Bianjing and wrote this poem for him.
The author of "Shi Cang Shu Zui Mo Tang" introduces Su Shi, whose word Zi Zhan, whose word He Zhong, whose name is Dongpo Jushi, is from Meishan, Meizhou (now Sichuan). Son of Su Xun. Jiayou years (1056-1063), Jinshi. He wrote a letter about the disadvantages of Wang Anshi's new law, and later he was sent to Yushitai prison and demoted to Huangzhou for satirizing the new law with poetry. Song Zhezong, a bachelor of Hanlin, is a native of Yingzhou, and is an official of the Ministry of Rites. Later, he was exiled to Huizhou and Danzhou. There are benefits everywhere. Chasing Wen Zhong after death. Knowledgeable, like to reward backwardness. Together with his father Su Xun and his brother Su Zhe, he was called "Su San". His prose is arbitrary, and he is one of the "Eight Masters in Tang and Song Dynasties". His poems have a wide range of themes, are fresh and healthy, are good at using exaggerated metaphors and have a unique style. Also known as "Su Huang" with Huang Tingjian. Bold words, and Xin Qiji called "Su Xin". He is also engaged in painting and calligraphy. There are seven chapters of Dongpo, Dongpo Yi Zhuan, Dongpo Shu Zhuan, Dongpo Yuefu and so on.
References:
1, Huo et al. Appreciation dictionary of song poetry: Shanghai dictionary publishing house,
2. Zhu Gang, Wang Shuizhao. Comment on Selected Poems of Su Shi: Shanghai Ancient Books Publishing House.
3. Zeng Zaozhuang. Comment on Su Shi (1): Sichuan Literature and Art Publishing House
4. Huo et al. A Dictionary of Song Poetry Appreciation: Shanghai Dictionary Publishing House.