Copy the above address to Thunder, that is, Yuan Heping (Dayan).
[Edit this paragraph] Introduction
Yuan Heping, born in a martial arts family, 1945 was born in Guangzhou and his ancestral home was in Beijing. When I was young, I was nicknamed "Big Eyes", but now I have been honored as "Eight Lords". He is a famous action director and director in Hong Kong, and one of the most successful and influential figures in Hong Kong action movies. My father is Yuan Xiaotian, the first martial artist in film history. He is a descendant of a Beijing opera family, a famous actor in Hong Kong, a martial arts coach, and proficient in the northern school of kung fu. In 1950s, Yuan Xiaotian starred in nearly 100 kungfu movies about Huang Feihong, a martial arts expert in China history. Yuan Heping also participated in the performance. From 65438 to 0970, he became the martial arts director of Crazy Black Boy and entered the field of directing. The first movie was Crazy Black Boy, followed by Hungry Tiger and Wild Dragon (1972), Gecko (1972), Dangkou Beach (1973) and Little Bastard (/kloc-0. Later, Wu Siyuan appreciated it and designed the action of the iron cloth shirt with eagle claws. 1978 was promoted to director, and independently directed two kung fu comedies, Snake Fist and Drunken Boxing, which made kung fu and acrobatics funny and popular, and also made Jackie Chan an instant hit and a great success, becoming a famous director of kung fu films in Hong Kong, Southeast Asia and Japan. After that, he directed Drunken Boxing North and South (1979) and cooperated with Sammo Hung in Lin Shirong (1979). In the 1980s, he directed Daoism (1982), Huo Yuanjia (1982) and Laughing Tai Chi (1984). 1985 directed the fashion action comedy "Love Your Opponents", which combined popular break dancing with martial arts and created new entertainment effects. Later, he filmed some fashion action films for Debao Company, such as "The Dragon Slayer by Special Police" (1988), "The Royal Sisters Ⅳ Directly Hit the Witness" (1989) and "Money Laundering" (1990). 1992 "Huang Feihong Ⅱ Men Want to Be Self-reliant" with Tsui Hark won the Best Action Guidance Award in the 12th Academy Awards. Later, he directed The Iron Horse of Young Huang Feihong (1993) and was nominated as the best action director in the 13th Hong Kong Golden Statue. Su Qier (1993), Tai Zhang Chi Sanfeng (1993), Legend of Fire Cloud (1994), Wing Chun (1994, also known as Pink King Kong) and Kung Fu Boy in love. 1999 was invited by Hollywood to design actions for The Matrix series, which caused a global sensation. Later, he served as the action director of two episodes of Kill Bill by quentin tarantino, Biography of Shushan by Tsui Hark (200 1), Kung Fu by Stephen Chow (2004), Furious House by Feng Delun (2005) and Huo Yuanjia by Yu Rentai (2006), all of which were very successful. Yuan Heping also directed the TV series "Tai Chi Master" and "New Shaolin Temple", and designed the action for CCTV's "Water Margin". As the action director of the film forbidden kingdom (2008).
Yuan Heping once dressed as the "King of Scarlet" in the Hong Kong film King of Scarlet, which imitated the American film King Kong, but now he has become the hottest action guide in the world with the American film The Hacker trilogy. The contrast between the past and the present, like a dream, seems incredible, but in fact it is the positive result of years of hard work and super strength of "Big Eye Eight Lords".
First try: humorous kung fu movies
Yuan Heping was born in a martial arts family, and his father Yuan Odahara was an ugly Peking Opera and was good at northern martial arts. As early as 1939, Yuan Xiaotian began to be a martial arts and stuntman in Hong Kong films, and he is highly respected in this industry. Yuan Xiaotian has seven children, and Yuan Heping is the second. He studied martial arts with his father since childhood, studied under Yuan Xiangren, Yuan Xinyi, Yuan Richu, Yuan Zhenwei and Yuan Longju, and was brought into the film circle by his father. I also participated in many "Huang Feihong" movies with my father. At the age of 20, he entered the film circle, a dragon and tiger martial artist and a walk-on actor. At the age of 25, he first worked as an action designer for "Crazy Black Boy" directed by Wu Siyuan, and became a martial arts instructor for the first time. It was 1970. 1978, Yuan Heping started directing with the help of Wu Siyuan. During this year, he made two kung fu comedies, Snake-shaped Skillful Hands and Drunken Boxing, which were very popular at that time.
In 1970s, Hong Kong Kung Fu movies were all the rage. Every year, Kung Fu films, which account for more than half of Hong Kong film production, are produced and released, which is called the golden age of Kung Fu films! Because the fighting routines of the old-school Huang Feihong Kung Fu films (starring Kwan Tak-hing) that used to lead the trend are out of date, the action design of the kung fu films at that time mostly followed the trends of modern boxing in Bruce Lee, Shaolin Kung Fu in Zhang Che and Liu Jialiang in the late Qing Dynasty, and ancient costume martial arts fighting in Chu Yuan and Chia Tang. The result of imitating the trend is naturally shoddy and monotonous, and the audience is getting more and more bored. In addition, Xu Guanwen Brothers' life comedies are very popular, which has an impact on Kung Fu movies. By the end of 1970s, the creation of Kung Fu movies in Hong Kong was inevitably in trouble-at this time, Yuan Heping began to become famous, and he made far-reaching breakthrough achievements in the innovation and improvement of Kung Fu movies.
From 65438 to 0978, with the help of Wu Siyuan, a famous filmmaker, Yuan Heping, who had done action design for many films, was finally promoted to director, and started shooting two kung fu films, Snake Skillful Hands and Drunk Boxing, within one year. Although these two films are common plots in which unruly teenagers learn from hidden masters and finally defeat powerful enemies, Yuan Heping makes them novel. For the first time, he set the tone for the kung fu comedy Snake-shaped Diaoshou and Drunken Boxing. At the same time, he carefully designed vivid, dexterous and acrobatic pictographic martial arts movements, highlighting the fun of the practice process, which was completely different from the previous kung fu film mode and made the audience feel refreshed.
After the release, snake-shaped skillful hands and drunken fists received excellent response. Both Kung Fu comedies ranked among the top ten box office movies of that year, and even entered the Japanese market. Yuan Heping is also a blockbuster, becoming the third successful example in the Hong Kong film industry after Liu Jialiang and Sammo Hung were promoted from action film directors to directors. In addition, Yuan Heping's two films also won the favor of Jackie Chan, who was a box office poison. The image of a stubborn teenager full of joy and vitality in the film is simply tailored for Jackie Chan, and Jackie Chan, who has been trained in drama school for ten years, is naturally familiar with the difficult acrobatic moves designed by Yuan Heping during his internship. It is difficult to succeed with such seamless cooperation.
After "Drunk Boxing", Yuan Heping and Jackie Chan parted ways, and the two pioneers of Hong Kong-made humorous kung fu films continued to carry forward such films along their respective favorite directions. If Jackie Chan's Funny Fist and Little Brother Coming Out are free breakthrough routines, then Yuan Heping's Lin Shirong and Brave Without Fear are the fusion of tradition and innovation, which can also be said to be the continuation of Drunken Boxing. "Drunken Boxing" was originally a traditional theme, but the director skillfully turned Master Huang's serious and orthodox middle-aged legend into a naughty and humorous story of teenagers. Until "Lin Shirong" and "The Brave Are Fearless", these two films with the same theme of "Huang Feihong" were changed back to the authentic "Master Huang" Kwan Tak-hing, but they were already cartoons in seriousness. Besides, Master Huang no longer appears as the protagonist, but takes the story of the young apprentice as the main line of the plot, and the ending is still a humorous story of young people getting into trouble and a drunken boxing routine of intense scenes. When it comes to action, both films are both rigid and flexible, but Lin Shirong was designed by Yuan Heping and Sammo Hung. Brave and Fearless is Yuan Jiaban's collective creation, but the protagonist is still Sammo Hung and Jackie Chan's younger brother Yuan Biao.
Because of the box office reputation of Lin Shirong and The Brave Don't Lose Drunken Boxing, Yuan Heping's position as a director of kung fu films is certainly more stable.
Several storms: fantasy kung fu movies and fashion action movies
When it comes to the use of special effects in movies, Yuan Heping, who is good at shooting real kung fu, didn't start with The Matrix as many people thought. In fact, as early as 20 years ago, Yuan Heping began to combine boxing kungfu with movie stunts, and created a unique type of Hong Kong film-"fantasy kungfu film". However, in those days, Eight Lords didn't play computer stunts, but local stunts including smoke, prestige, magic and acrobatics.
Perhaps inspired by 1980' s Ghost Play directed and performed by Sammo Hung, Yuan Heping also directed the fantasy kung fu film "Magic of Daoism" in 1982, which went further and was more mysterious. "Ghost" still has some plots of cheating and catching rape in real life. In the end, the main event, the battle of ghost possession, is still represented by fists and fists. Until Yuan Heping's Daoism, it was totally surreal plot logic and absurd techniques. Yi Rong's murder, revenge in hell, begging for rain and paper-cutting into butterflies are obviously a magical legend. It can be seen that Yuan Heping has made great efforts for this film. Inspired by the traditional folk culture in China, he not only designed extraordinary acrobatic body movements, but also used a lot of traditional magic techniques to make the characters, props, scenery and fighting scenes in Taoist magic present a strange style that is both scary and humorous, even in today's Hong Kong movies.
After the release of Daoism Magic, it was a great success, which inspired Yuan Heping and Yuan Jiaban. Later, it made some magical kung fu films, such as Shi Tian meets evil spirits, Zombies are scared, raiders of the lost ark, etc., and continued to work hard on the design of all kinds of weird and magical action scenes. It's a pity that these films only use the rhythm wonders, and the plot content is simple and rough, far less than Sammo Hung's fantasy kung fu films such as Scary Man and Mr. Zombie. Ching-Ying Lam and Billy Chen both checked the action, and Huang Bingyao, Huang Ying and other famous screenwriters carefully arranged the plot, so they finally became formalistic works, with little response and worse box office.
Seeing that the scenery of "fantasy kung fu movies" is no longer satisfactory, and "Laughing Tai Chi", a kung fu comedy in the early years of the Republic of China, is not satisfactory, Yuan Heping decided to keep up with the trend of the times and make a fashionable action movie that was very popular that year. His first work was 1985' s Meet My Opponent. In this highly acclaimed film, Yuan Heping combined popular break dancing with traditional martial arts and acrobatics, creating a brand-new action entertainment effect. In addition, it is worth noting that at this stage, Donnie Yen, a disciple excavated by Yuan Heping, became the best interpreter of his fashion action films. Donnie Yen helped Yuan Heping design many wonderful and novel modern styles, which were quite different from the previous Kung Fu comedies of Eight Masters.
Especially the action movies about money laundering by policemen and robbers, the story is simple and boring, but the fighting scenes designed by Yuan Heping, Donnie Yen, Yuan Xiangren and Aaron Kwok (these four people have now entered the international film world) completely broke the routine mode of traditional kung fu movies, and integrated modern boxing and decomposed martial arts moves, with quick and agile movements and sharp shapes, and Donnie Yen's leg skills were also fully exerted.
However, although Yuan Heping insists on innovation in fashion action fighting, it is always difficult to reproduce the glory of making kung fu comedies. In the late 1980s, Jackie Chan's fashion action movies were the most popular with the audience. At that time, he and Cheng Jiaban had won four Hong Kong Best Action Guidance Awards. In contrast, Yuan Heping's action design is not bad, but the overall quality of participating films is mediocre, which wastes the talent of Eighth Master. In fact, whether as an action director or a director, Yuan Heping at that time lacked a collaborator who could improve the film level from form to content. ...
The trend of martial arts films in the 1990s.
In 1990s, Hong Kong set off a new upsurge of martial arts movies, which Yuan Heping can make full use of. However, the reason why Grandpa Eight can reach the second peak of his personal career also benefits from finding a creative partner, who is also the initiator of the new martial arts film craze-Tsui Hark.
199 1 Tsui Hark, who is famous for his innovation and change, is going to remake the story of Huang Feihong. In the first episode, Liu Jiarong, Yuan Xiangren and Yuan Xinyi were invited to design actions for the film. New wine in old bottles was a great success after its release, with a box office income of 30 million yuan. Tsui Hark won the Oscar for Best Director and Yuan Xiangren for Best Action Direction. The following year, Tsui Hark took the opportunity to launch the sequel "Men Want to Be Self-reliant", and this time only invited Yuan Heping as the action director. Eight masters do not bear the great trust. Apart from continuing the first martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts martial arts as for the most exciting part of the film, the stick fight between Huang Feihong and Nalan Yuanshu (played by Donnie Yen) in a narrow space is actually designed by Yuan Heping, which is very amazing. Therefore, Yuan Heping deserved to win the Oscar for Best Action Direction that year!
1993 and 1994 are the heyday of Yuan Heping's creation, and he has served as seven kung fu works in one breath, such as Iron Chicken Fighting Centipede, Young Iron Horse, Tai Sanfeng, Hero Su, Wing Chun, Hero and Legend of Fire Cloud. Moreover, when cooperating with Jet Li, Donnie Yen, Yang Ziqiong and other kung fu stars, the eight masters are different from person to person every time, and tailored according to each person's characteristics. For example, if Donnie Yen has good leg skills, we should pay attention to giving full play to this advantage; Yang Ziqiong is a dancer, so we should arrange rhythmic and flexible movements for her. Jet Li has profound martial arts and methodical moves. Therefore, Yuan Heping designed more unique and heroic actions for him. Furthermore, it will change with the change of the drama. For example, in Jet Li's "Iron Chicken Fighting Centipede", "Tai Zhang Chi Sanfeng" and "Jason Wu Hero", eight masters arranged three different styles of kung fu tricks for Jet Li, namely drunken boxing, Tai Chi Chuan and free fighting. Compared with Jackie Chan's acrobatic and humorous drunken fist, Jet Li used a hard drunken fist from fist to meat in Iron Chicken vs Centipede. -From this, it is not difficult to see Yuan Heping's spirit of innovation and change in action design.
Among the many kung fu films that Yuan Heping has made, he thinks his most satisfying work is The Iron Horse of Young Huang Feihong. The film was written and supervised by Tsui Hark, and it is also the theme of "Huang Feihong" that Grandpa Eight is good at. Although it tells the story of Huang Feihong's youth, it writes the feelings of Huang Qiying and his son in thick ink, which is rare in the works directed by Yuan Heping. As for the action scenes, Yuan Heping returned to the traditional kung fu movies and kept shooting more coherent real actions, especially violence and excitement. The "shadowless leg" kicked by suspension spring in "Men are Men, Strive for Self-improvement" is also reproduced by Donnie Yen's fast leg in "Iron Horse". In addition, the Southern Hongquan, which Master Huang is really good at in history, has also become the main application of this film against the enemy, instead of using northern kung fu indiscriminately like Jet Li's Huang Feihong series. In addition, even at the end of the film, the life-and-death duel on the stake that was almost burned out, if Donnie Yen, Yu Rongguang and Ren Shiguan had no real martial arts, it would be difficult to present it perfectly.
As for the standard of Iron Horse, perhaps it can be explained by Donnie Yen's modest words. It is a film that has established the basic standard of Hong Kong action kung fu movies, and anything beyond it is definitely a good movie. The implication is that the Iron Horse is also a masterpiece. In fact, when The Iron Horse was released, it was an instant hit, with a box office of just over HK$ 6 million, which greatly disappointed Yuan Heping and Donnie Yen. However, it is only a matter of time before gold will shine. At the end of 200 1, Tiema landed in the United States, and the western audience responded enthusiastically to China's pure traditional kung fu, earning nearly $30 million at the box office. -For Yuan Heping, this late arrival is certainly gratifying, but it is only icing on the cake, because at this time he has become the most famous international action guide because of Crouching Tiger, Hidden Dragon and The Matrix.
Yuan Heping's handprint and signature on Hongkong Avenue of Stars.
Internationally renowned: Crouching Tiger, Hidden Dragon and the Matrix
In the mid-1990s, blindly copying with the trend finally pushed Hong Kong's martial arts films into the corner again. Yuan Heping's film career has also fallen into a trough, and his films Tiger, Tiger, Dragon, Kung Fu Kid and Street Black Boy all suffered a box office fiasco. Yuan Heping clearly realized that it was difficult to make kung fu movies in Hong Kong, so he moved to the mainland in time and co-produced kung fu martial arts TV series such as Master Tai Chi, New Shaolin Temple and Xiao Li Flying Knife with Zhang Xinyan. Among them, the CCTV drama Water Margin, with Eight Masters as the action director, has the most extensive influence. His movements abandoned gaudy moves, and he was good at being real and fluent, sweeping away the old and clumsy fighting style of such dramas in the mainland, which was deeply loved by the audience.
Although Yuan, the Eighth Master, was reduced to making TV series at that time, his works are still alive, and there are a large number of action fans in the West alone. For example, the Wachowski brothers who filmed "Flowers of Surprise" are die-hard fans of Yuan Heping movies. Because of this, when the Wozhuo brothers filmed The Matrix in 1998, they naturally thought of hiring Yuan Heping as the action design of the film. Yuan Heping was very interested in their action concept of "Oriental Kung Fu+Western Special Effects", and just took this opportunity to enter Hollywood and immediately agreed to join.
As an action director, what Yuan Heping needs to do is to perfectly embody the action creativity of the directors' Wozhuo brothers. He first trained Samuel Levi and other stars in physical fitness and basic skills, and at the same time learned the skills of hanging wires. Two months later, the actors began to try to complete the movements designed by Grandpa Eight, such as Carrie Ann Moss's Eagle Spreading its Wings in the Air and Keanu Weiss's Iron Banqiao in Bullet Time, all of which were full of difficulties. Fortunately, the actors have done a wonderful job. In addition, because any action kung fu can appear in the virtual world, Yuan Heping also joined the famous signs of Bruce Lee and Huang Feihong, which are most familiar to China audiences, and his famous work "Drunken Boxing", which is quite interesting.
After The Matrix was released from 65438 to 0999, it caused a sensation all over the world and gained a good reputation at the box office. However, before Yuan Heping enjoyed the joy of success, he joined the cast of the kung fu film Crouching Tiger, Hidden Dragon directed by Ang Lee. Originally, making martial arts films was a pediatrician for Yuan Heping, but in the face of Ang Lee, who has always been famous for his literary films, Eight Lords did not dare to treat him as a layman. In fact, Ang Lee's conception of martial arts scenes is very imaginative, such as Yang Ziqiong and Zhang Ziyi flying over the eaves at night, bamboo forest Chow Yun Fat and Zhang Ziyi swaying and chasing and so on. All these make Yuan Heping rack his brains. By contrast, it is much easier for Yang Ziqiong to take turns against Zhang Ziyi with several cold weapons. Crouching Tiger, Hidden Dragon was released in the United States at the end of 2000, and it was as great a commercial success as The Matrix, with a global box office of several hundred million dollars and four Oscars.
In fact, not every audience can understand the story lines and expressions in The Matrix and Crouching Tiger, Hidden Dragon, which are limited by regional culture, ethnic class and personal taste. However, the wonderful action scenes can go beyond these limitations and make any normal audience amazed, even ignoring what the film is talking about. Therefore, as an action director, Yuan Heping plays an important role in the commercial success of The Matrix and Crouching Tiger, Hidden Dragon. Nowadays, many Hollywood filmmakers are scrambling to find Yuan Heping as an action director or even a director, which proves his popularity.
(End) Chivalrous Eight Lords
Yuan Baye, who is nearly sixty years old, has reached the peak of his personal career so far. But he was not carried away by success, and he was eager for quick success. On the contrary, his choice is more and more based on his personal temperament: Hollywood film production should be selective and cautious; However, when Stephen Chow's Kung Fu got cold feet and asked him for help, Yuan Heping rushed back to China without saying a word and immediately devoted himself to the work of action guidance, which was evident from the enthusiasm of Eight Lords. Besides, my friend Tsui Hark has been making new films recently, and he always comes at the drop of a hat. From Shushan to Black Xia 2, Tsui Hark is still at a low point in his career, and it is rare for Eight Masters to never leave. ...
[Edit this paragraph] The origin of "Eight Lords"
Yuan Heping didn't rank eighth. His nickname "Eight Lords" originated from his brothers making fun of him as a fussy man, like an old man, and calling him "Grandpa" (in old Cantonese, it refers to the old man's "old man", and here "Grandpa" is a tone sandhi). Later, it was changed to "Eight Lords".
[Edit this paragraph] Directed works
Huo Yuanjia (2006)
Snow White and the Seven Monks (2006)
House of Anger (2005)
The Hand of Qi (2005)
Iron monkey (200 1)
Jackie Chan's Classic-Snake-shaped Diaoshou (2000)
Huang Feihong's Armor Fighting Dongling (2000)
Disaster Master (1999) Who is new to your place?
Tai Chi Chuan Tai Ji Chuan Hand (1996)
Red Wolf (1995)
Wing Chun Wing Chun (1994)
The fiery romance of the fire cloud legend (1994)
Tai Chi Master Tai Zhang Chi Sanfeng (1993)
Huang Feihong TSI Titmalau (1993)
Cold-faced sniper tiger cage 3 (199 1)
Yu Jie 4 directly hit the witness Huang Jiashi Xie Zhisi: Zhi Zheng Ji was appointed (1989).
Tiger cage for special police (1988)
Laughing Tai Chi and Drunk Tai Chi (1984)
Qimen Dunjia (1982)
The brave are fearless. Dreamless intrepid (198 1+0)
Lin Shirong Gorgeous Butcher (1979)
The widest (1978)
Yuan Heping's plays.
Laughing Tai Chi and Drunk Tai Chi (1984)
Qimen Dunjia (1982)
[Edit this paragraph] as a guide to action
Forbidden Kingdom (2008)
Huo Yuanjia (2006)
House of Anger (2004)
Kung Fu (2004)
Kill Bill 2 (2004)
Matrix 2 reloaded (2003)
Matrix Revolution of Matrix 3 (2003)
Kill Bill (2003)
The True Story of Shushan (2000)
Crouching Tiger, Hidden Dragon (1999)
Matrix (1999)
Xiao Li Fei Dao (1998)
Water Margin (1998)
Kung Fu Kid Lost Love (1996)
Black summer (1996)
Heizai in Tiema Second Street (1995)
Tiger tiger dragon (1995)
Pink king kong (1994)
Heroes of Jason Wu (1994)
Zhang Chi Sanfeng in Thailand (1993)
Huang Feihong fights centipede with iron chicken (1993)
Young Huang Feihong Iron Horse (1993)
Huang Feihong II Men Should Be Self-reliant (1992)
Ssangyong Club (1992)
Yu Jie Si directly called the witness (1989)
Raiders of Yin and Yang (1986)
Ghost horse Shi Tian (1983)
Daoism (1982)
The Tower of Death (198 1)
Drunk boxing (1979)
North and South Drunken Boxing (1979)
Lin Shirong (1979)
Snakes move with cunning hands (1978)
Taiji Qigong (1978)
Eagle claw iron cloth shirt (1977)
Divine Leg Iron Fan Skill (1977)
South Boxing Fighting Golden Fox and Beaver in the North Leg (1977)
The king of scarlet ("double scarlet body")?
Break the precept (1977)?
Blink of an eye (1977)?
Cooperate with each other (1974)
Hupulong (1974)
Rock fragmentation (1973)
Bamba (1973)
Dangkou Beach (1972)
Tough guy (1972)
[Edit this paragraph] Actor's works
Escape from the Dragon (2004)
Walking the Old Man and Walking the Dragon (1993)
Monster City/Evil City (1992)
Cold-faced sniper (199 1)
Children playing games (199 1)
A Comic Book (1990)
Dragon and snake for hegemony (1989)
Special police kill dragons (1988)
Treasure hunted by dragons (1988)
Eastern vulture (1987)
Love meets the enemy (1985)
Merry Christmas (1984)
Evil has befallen Shi Tian (1982)
Drunk boxing (1979)
Taiji Qigong (1979)
South Boxing Fighting Golden Fox and Beaver in the North Leg (1977)
King of the Scarlet (1977 "King of the Scarlet" in body double)?
Death row (1976)?
Oil demon (1976)
Superman in China (1975)
Vajrayana (1975)
Sting a horse (1973)
Little bastard (1973)
Killer (1972)
Bad guest (1972)
Dangkou Beach (1972)
Tough guy (1972)
Gecko (1972)
Revenge (1970)
Twelve gold medals (1970)
Thirteen Pacific Insurance (1970)
Swordsman (1970)
Longhumen (1970)
Little malefic (1970)
Sirius Village (1968)
Broken Heart Sword (1967)
One-armed knife (1967)
Text (1966)
Three Heroes in Border Town (1966)
Strange Man (1965) starts downloading directly!