Solfeggio is divided into solfeggio and ear training. Solfeggio means reading the music, and singing when reading the music. The following are the solfeggio training and skills I brought to you. Welcome to reading.
1. Solfeggio training must pay attention to the coordination of eyes, mouth, brain, ears, hands and ears.
Eyes: solfeggio, "seeing" comes before "singing", that is, eyes should look forward and take the lead. You can't sing note by note, so that you stutter and sing incoherently and fluently. At the same time, we must do a few "see clearly". That is, look at the beat, the key, the speed, the expression and the difficulty of the whole song.
Oral English: Pay attention to the correct use of sound when solfeggio, and the volume should be controlled around mp. You can also strengthen the practice of stable rhythm and accurate pitch through the combination of vocal singing and silent singing.
Brain: When analyzing melodies, such as the contrast between high and low and light and dark, we should pay attention to the strength and expression marks. The sound gradually increases in the rising melody and naturally decreases in the falling melody. In addition, we should also analyze the style characteristics of solfeggio, where to breathe and where to breathe, and form accurate inner sound effects before solfeggio;
Ears: Not only the eyes and mouth are working, but also the ears must be used to "listen". We should gradually learn to use hearing to control pitch, rhythm, speed and so on.
Hands: At the same time, solfeggio also needs to beat the time with your hands to help you master the speed and sing accurately.
2. The problem of roll call.
At present, there are two main methods at home and abroad: fixed roll call method and first roll call method. The fixed roll call method is of great significance to cultivate the sense of fixed pitch and experience the invariant tuning and tone sandhi in works, while the first roll call method is easy to solfeggio accurately, and the tonality and melody can be better grasped by using the sense of relative pitch. When determining the roll call method, we must consider our own strengths and levels and make appropriate choices. For example, it is more appropriate for students majoring in vocal music and national instrumental music to choose the first tune roll call method. Students majoring in western instrumental music are more skillful in using the fixed roll call method.
3. Pitch training in solfeggio.
In solfeggio, the most important thing is to solve the accuracy of pitch and rhythm Accurate solfeggio and intonation are particularly important. Specific training can begin with composing various intervals, scales and chords.
(1) proportional exercise:
Beginners should first sing the scale in C major correctly, learn how to shape the level of fixed notes, and then practice scales of different sizes to train a stable sense of debugging. Singing scales well is of great significance to cultivate the melody and musical sense of solfeggio.
(2) Intermittent practice:
It is necessary to model the singing methods of various intervals first, and on the basis of the model singing method, the singing method can be constructed. When singing, you can first play one note in an interval on the piano, and then establish the height of another note in your mind to compose music; After singing, the pitch accuracy and acoustic characteristics of intervals are tested on the piano, from slow to fast. We can first be pure one degree and pure eight degrees, then pure four degrees and pure five degrees, then add four degrees and subtract five degrees (including four ups and seven downs), repeat six degrees and finally two degrees and seven degrees.
(3) Chord practice:
We can start with the model singing of major triad and minor chords, including the transposition of major and minor chords, and then add and subtract minor chords. The seventh chord also starts from the major and minor seventh chords, including transposition, and then subtracts the seventh chord, subtracts the seventh chord.
4. Rhythm training in solfeggio.
Rhythm forms in music are very diverse, and its composition is ever-changing, but its basic forms are not very complicated to classify. If you master the basic rhythm, from simple to complex, step by step, it is not difficult to master other more complex rhythms.
5. Pay attention to these problems in solfeggio practice.
(1) When solfeggio, you'd better use a relaxed and natural voice. When you encounter higher voices, such as f2 and g2, you can practice with bass or an octave lower.
(2) Breathing should be accurate and breathing marks should be made at the beginning of solfeggio. Anyone who is not marked with a breathing mark should also take a breath at the end of a clause or sentence.
(3) In all solfeggio practice, if the speed is not indicated, you can practice according to Moderato (medium speed). When you meet the practice (Allegro or Allegro) that needs faster speed, you can slow down the practice speed first, and then practice at the original speed after you are proficient.
(4) Solfeggio can inspire students to analyze theoretically (nature, mode, tonality, rhythm characteristics, etc. ) in order to understand and master it faster. For the more difficult part of the exercise, you can take out the key exercises.
(5) In solfeggio practice, we must pay attention to and express all expressions, terms and speed signs.
6. How to deal with solfeggio?
(1) Do necessary warm-up exercises before the exam.
Solfeggio test is to complete the test of transforming symbols into sounds in a short time. Solfeggio test, like vocal music, uses sound to express the content of the test, and the flexibility of vocal cords affects the performance of pitch. Before the exam, you can sing the upper and lower scales of major, minor, pentatonic mode, a few simple arpeggios and so on. At the same time, singing each interval accurately with hand-drawn beats is very helpful for solfeggio test.
(2) Solfeggio test is an interview for candidates.
First of all, overcoming the nervous mood psychologically and making full preparations can help you calm yourself down. Deep breathing is one of the fastest and easiest ways to adjust your mood. When singing the exam questions, you should use the correct posture: stand naturally, keep a certain distance from the judges, hold the score in your left hand about 20 cm before your chest, beat the beat with your right hand slightly lower than your left hand, with moderate volume and euphemistic tone.
(3) We should grasp the solfeggio problem as a whole in our hands.
When preparing the test questions, we should quickly browse the test questions and grasp the difficulty of the test questions from a macro perspective. We should do six things: see if it is the familiar roll-call scoring table that we often practice; Look at the beat number and choose the beat mode that matches it; Look at the sound value of rhythm and choose the speed; Look at the highest and lowest notes of the mode, choose whether to transpose or not, and determine the range; See if there is a continuous wide interval or polyphonic interval (note: this is a difficult point for all candidates). If you are really not sure, you can avoid these two sounds so as not to affect the whole exam; Look at the mode category and grasp the musical style of the mode.
(4) Grasp the integrity of solfeggio test.
The so-called "singing" integrity is the integrity of the test expression, with good musicality. This is also a key step, because the grading of the exam will be completed at the moment when the candidates finish singing the questions. The score of solfeggio test is not like the objective score of music theory test. The score of solfeggio test is based on objective criteria and subjective judgment. The judges mainly consider the basic score and performance score when grading the test questions. The basic score is used to measure the accuracy of the examinee's grasp of pitch and rhythm, and the performance score is mainly used to measure the examinee's understanding and expression of music. From this point of view, if the examinee sings the test questions completely, without pause or mispronunciation, and the music is well expressed, then his score will be high; On the contrary, the score is low.
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