Legend has it that when Fu was born, there was a dragon, so the dragon recorded and created characters. "The Seventeen Years of Zuo" said, "The Taigang family took the dragon as their discipline, so they took the dragon as their teacher's name." The Chronicle of Bamboo Slips also records that Fuxi Shi has Longfei, Ganlong, Julong, Longjiang, Longtu, Shuilong, Qinglong, Chilong, Bailong, Heilong and Huanglong. Obviously, Fuxi clan group, the ancestor of ancient Dongyi, used dragons as totems.
In the Twenty-ninth Year of Zuo, there is also a record that "the public gave a lamb and a fur, so that the dragon gave Qi Huangong"; "Notes" also said: Shun Dynasty "Nanxun country presented Mao Long, a woman and a man, and set up the Dragon Palace. In Zhixia's generation, dragons were controlled because they were ordered by their families. ". It shows that the custom of keeping dragons and taking them as family names is still popular in Xia Dynasty. Some ancient books recorded that the ruler of Xia Dynasty raised dragons named Liu, which is impossible to test!
Because the population of "dragon" is prosperous and its distribution density is increasing, it leads to fierce competition in living conditions. For example, Yi Kun has a narrative that "the dragon fights in the wild and the blood is mysterious"; In the Nineteen Years of Zuo, there is also a record of "Zheng Dashui, when the dragon fights outside the door".
"Li Liyun" said: "Scale phoenix ichthyosaur, named four spirits"; "Zhuangzi Lieyukou" said: "The pearl of a thousand dollars must be in the nine depths, under the chin of the dragon." It shows that people have mastered the law of dragon activity, which has a certain connection with the climate, so they regard it as a spiritual thing.
A novel named Dragon Trail published by Changjiang Literature and Art Publishing House in 2005 is worth reading. The author demonstrates the existence of dragons in real life from different aspects, in which a large number of classic works and related historical materials are cited, which makes people doubt the real existence of dragons.
Chinese loong
Dragon is a miraculous animal in China mythology, fickle, sexually stimulating and beneficial to all things. It is said that it can be hidden and displayed, reaching the sky in the spring breeze and diving in the autumn wind. It can also cause clouds and rain. It was the leader of many scales, the head of the four spirits (dragon, phoenix, unicorn and turtle), and later became a symbol of imperial power. Emperors all claimed to be dragons, and their vessels were decorated with dragons. According to Shan Hai Jing, Xia Houqi, Ru Shou and Ju Mang all "rode the rain dragon". There are other secretaries, Zhuan Xu, Lapras and the Four Seas, Di Ku, Spring and Summer, Lapras. The predecessors divided dragons into four types: the scaly ones are called dragons; The winged one is called Ying Long; Those with horns are called dragons; A man without horns is called a dragon.
For modern people in China, the image of the dragon is a symbol, a mood and a feeling of flesh and blood. Titles such as "Descendants of the Dragon" and "Descendants of the Dragon" are often exciting, energetic and proud. Besides spreading and inheriting in China, Dragon Culture has also been brought to all parts of the world by overseas Chinese. In China residential areas or in China, dragons are still the most eye-catching decorations. Therefore, "Descendants of the Dragon" and "Dragon Country" have also been recognized by the world. Dragon is a unique cultural creation, concept creation and symbol creation of China people. "Dragon Spirit" is a symbol of the Chinese nation, a symbol of China's 5,000-year great history, and the spirit of the great China people who are industrious, brave, indomitable, bold and innovative, honest and harmonious.
The origin of dragons
The earliest dragon pattern found in China came from the Chahai site in Xinglongwa Culture 8,000 years ago (Xinglongwa Culture was named after the excavation of Xinglongwa site in Aohan Banner, Inner Mongolia, adjacent to Liaoning Province, and the Chahai site was in Fuxin County, Liaoning Province). Found a dragon about 19.7 meters long, piled with reddish-brown stones. The discovery of this dragon in Xinglongwa Culture pushed the history of dragon worship in China to 8,000 years ago.
In the early days, the ancients could not make a reasonable explanation for most natural phenomena, so they hoped that their national totem would have the power of wind, rain and lightning. The mountains are so majestic that they can swim in the water like fish and fly in the air like birds. Therefore, the characteristics of many animals are concentrated on dragons, and dragons have gradually become: camel's head, snake's neck, antlers, turtle's eyes, fish scales, Tiger Claw, eagle's claws and cow's ears. This composite structure means that the dragon is the head of all animals and an omnipotent god.
It is important to note that dragons only have five fingers, and the four fingers are not dragons, but lizards and crocodiles.
As the totem of Chinese ancestors, dragon was just a piece of rubble just collected from barren hills at first, which was rough and crude. In the hands of the historical old man, it is constantly cut and pondered. Shang and Zhou dynasties gave it strength, and Han and Tang dynasties gave it generosity; Dragons are like the seven sages of bamboo forest in Wei and Jin Dynasties, but also like sages; In the Liao and Jin Dynasties, it was like a wild horse on the grassland, galloping wildly. The emperors and nobles honored it as supreme, while the people let it do as the Romans do.
There are many different images in ancient books. Speaking of slender, it has four feet, anticlimactic. Speaking of piercing scales, there are whiskers on the head and five claws. Compendium of Materia Medica says that "dragons have nine similarities", which is a heterogeneous animal with the advantages of all kinds of animals. It has many names. Those with scales are called dragons, those with wings are called Ying Long, those with horns are called dragons, and those without horns are called dragons. The little one is called Jiao, and the big one is called Dragon. Legend has it that it can be hidden, detailed and huge, short and long. The vernal equinox ascends to the sky, and the autumnal equinox dives into the deep, omnipotent. In mythology, it is the master of the underwater world (the Dragon King), a symbol of good fortune among the people, and the embodiment of ancient imperial power.
There are "Dragon King Products" in Taishang Cave's Divine Mantra Classic, which lists "Five Emperors Dragon King" by orientation, "Four Seas Dragon King" by ocean, and lists the names of 54 dragon kings and 62 dragon kings by everything in the world. In Xuanzong of Tang Dynasty, an altar official was set up to offer sacrifices to the Dragon King. Song Taizu followed the Five Dragon Sacrifice System in Tang Dynasty. In the second year of Song Huizong Daguan (1 108), all the five dragons in the world were crowned kings. Seal Qinglong God as King of Ren Guang, Red Dragon God as King Jiaze, Huanglong God as King Fu Ying, White Dragon God as King Yiji, and Black Dragon God as King Lingze. In the second year of Tongzhi in Qing Dynasty (1863), the dragon god of the canal was named "the dragon god who should divide the water", which made the river chief sacrifice in time. The dragon kings in The Journey to the West are Ao Guang in the East China Sea, Aoqin in the South China Sea, Aorun in the West Sea and Aoshun in the North Sea, which are collectively called the Four Seas Dragon Kings.
Regarding the birthday of the Dragon King, there are differences between various literature records and local folklore. In the past, temples dedicated to the dragon king were almost as common as temples in the city god. Whenever the wind and rain are unbalanced, it doesn't rain for a long time, or it rains for a long time, the people will go to the Longwang Temple to burn incense and pray for the Dragon King to control the water and the good weather.
Archaeologists believe that the early dragons were snakes with horns on their heads and were pure reptiles; Some people think that dragons are primitive, with a head like a pig and a body like a snake. Others pointed out that dragons evolved from crocodiles.
With regard to the origin of the dragon, after long-term research and textual research, people finally reached a relatively consistent understanding: the dragon is a synthesis of various animals and a symbol of totem worship formed in primitive society.
Dragons originated in the early Neolithic age, and the time from today will not be less than 8000 years. During this period, primitive ancestors did not simply and passively rely on God's reward. They raise wild horses, bison, wild boar and so on. We don't just eat those picked wild fruits, but selectively plant grains to harvest them. They can skillfully use fire, learn to build simple houses with wood, start grinding stone tools and bone tools, make pottery by hand, and gradually settle down and engage in production activities. Production activities make people's contact with nature more and more extensive, and nature, as an incredible force outside people, has a greater impact on people's spiritual world.
Why can't fish swim? Crocodiles in the bay sound like Hong Zhong, snakes are eerie and lizards have strange shapes. Why are clouds rolling, thunder and lightning, and heavy rain pouring down? Why do waves roll, rainbows run through the sky, and mudslides roar down, devouring people and animals and being invincible? ..... The behavior of these animals and the ever-changing natural phenomena are beyond the scientific explanation of the ancients.
They vaguely guessed that there should be such a powerful "sacred object" related to "water" to command, manipulate and manage these animals and astronomical phenomena, just as a clan must have a leader; In other words, these animals and natural phenomena are the embodiment of this "sacred object", just like people want to talk, scream, eat, drink, sleep, laugh and curse.
As a worship phenomenon and an "understanding" of incredible natural forces, the dragon began its "fuzzy collection" from this time.
The "dragon carving" unearthed from the site of the original village of Chahai in Fuxin, Liaoning Province provides evidence for our "time positioning". Chahai site belongs to the "pre-Hongshan Culture" remains, dating back about 8,000 years. The "Dragon Sculpture" is located in the central square of this primitive village site and is made of red-brown stones of equal size. This dragon is nearly 20 meters long and 2 meters wide. Its first mouth is tilted, its back is bent and its tail is looming. This stone dragon is the oldest and largest dragon found in China so far. It is said that there is a 10,000-year-old fish-tailed deer Longyan painting on the stone cliff of Persimmon Beach in Jixian County, Shanxi Province, which is considered as the earliest prototype of the dragon. This rock painting has not been published, and its appearance is still unknown. Then there are pottery dragon patterns unearthed in Xinglong Valley, Aohan Banner, Inner Mongolia, painted pottery dragon patterns unearthed in Beishouling Site, Baoji City, Shaanxi Province, and dragon patterns unearthed in Xishuipo, Puyang City, Henan Province, dating back more than 6,400 years.
The process of fuzzy dragon mining began in the Neolithic Age, and it basically took shape in the Qin and Han Dynasties after considerable development in the Shang, Zhou and Warring States periods. This "basic" has two meanings. One is that the framework, elements and styles of dragons were basically available in Qin and Han dynasties; Second, the dragon is an open and constantly absorbing new system, which does not conform to the basic formation of the Qin and Han Dynasties. Later dynasties, until today, are constantly changing and developing.
The prototype of the dragon has sprouted in the late Neolithic period, and it is a virtual imagination with the totem of Xia nationality as the main body. The ancients had various explanations for this. It is said that [tng] snakes can fly without feet (see Xunzi? Persuade "); Those with scales are called dragons, those with horns are called dragons, and those without horns are called dragons. (See Li Sao and Guang Ya quoted by Hong Bu. ) The one with wings is called (Wang Note). Some people say that dragons are like dogs and cows, while Lun Heng said, "The image of dragons is anticlimactic. "Others say that the shape of the dragon is the horn of a deer, the ear of a cow, the head of a camel, the eyes of a rabbit, the neck of a snake, the belly of a slug, the scales of a fish, the soles of a deer and the claws of an eagle. This is obviously the late development of the dragon image, which is more and more complicated than the original dragon, and more and more totems are integrated, indicating that it is constantly enriching and developing. Scholars have done a lot of useful research on the main prototype of the dragon. There are crocodiles, lizards, horses and so on. But it is generally believed that the keynote of the dragon is snake. Wen Yiduo's masterpiece Fuxi Kao was the first to put forward this view systematically. The dragon is a big snake and the snake is a little dragon. Wen Yiduo believes that after the snake clan merged with other clans, it "absorbed many other totem clans (clans), and the serpent accepted the four feet of animals, the head of horses, the tail of raccoons, the horns of deer, the claws of dogs, the scales and whiskers of fish" and became the later dragon. On the basis of Wen Yiduo's research, later generations have done a lot of enrichment and supplement.
To investigate the dragon, we must first understand its tone, trunk or subject prototype. To sum up briefly, the dragon has been continuous since its initial appearance and is the main part of the dragon. Without it, the dragon is not a dragon. This is the keynote, trunk or main prototype of the dragon. On the dragon, if the snake's body is removed, the dragon will not exist. Long Bian comes and goes. Sometimes his head looks like a crocodile, sometimes like a horse. Its feet are sometimes like lizard's feet and sometimes like dog's claws; Only the snake's slender body has never changed. In ancient times, the clan tribes who worshipped snakes were very common. Snakes have strong vitality, which accords with the wishes of primitive ancestors. Snakes are also a great threat to people, especially poisonous snakes, which can kill people and make people afraid. Many gods in Shan Hai Jing are snakes or dragons. Snakes themselves are multi-ethnic. In modern terms, the worship of snakes was very popular at that time. Taking it as the main body of the dragon is a sign of great national integration, and even those who are integrated are willing to accept it. The formal formation of the dragon may have started in the Yu Xia period. After Yu consolidated his position in the Central Plains, the social conditions for combining snakes with other tribal totems to create dragons were ripe. Dragons were made to adapt to the emergence of the country. Because of the wide coverage of snake worship, taking snakes as the main body of dragons can be recognized by all ethnic groups in the north and south of the Chinese people. Dragons are the crystallization of multiculturalism. Once it was formed, it firmly established its authoritative position as a symbol of the Chinese nation.
The dragon is great because it is respected by all people in China. The dragon is nothing, because it is only a spirit, not a substance.
In China's myths and legends, it is a magical animal, with the image of snake body, lizard legs, talons, snake tail, antlers, fish scales, whiskers in the mouth and beads under the forehead. According to Shan Hai Jing, Xia Houqi, Ru Shou and Ju Mang all "rode the rain dragon". There are other secretaries, Zhuan Xu, Lapras and the Four Seas, Di Ku, Spring and Summer, Lapras. The predecessors divided dragons into four types: those with scales, those with wings, Ying Long, those with horns and those without horns. Some people think that this is the image formed by the totem of each clan after the ancient Yanhuang unified the tribes in the Central Plains. Legend has it that you can hide and show, climb the sky in the spring breeze and dive into the deep sea in the autumn wind. It also brought clouds and rain, and later became a symbol of imperial power. Emperors of past dynasties used dragons as costumes, and their utensils were also decorated with dragons. Dragon was worshipped by Chinese ancestors as the ancestor god, and was generally called "dragon". People in China often call themselves "descendants of dragons".
Dragon ranks fifth among the traditional Chinese zodiac animals in China. Dragon, phoenix, unicorn and tortoise are also called "four great beasts". (There are also many ancient books and history books that refer to the "four auspicious beasts" as: caring for each other, nurturing, caring for each other and caring for each other. ) Qinglong and Baihu, Suzaku and Xuanwu are the four astronomical phenomena in China.
Classification of dragons
There are scales called dragons and wings called Ying Long; Those with horns are called dragons, and those without horns are called glass dragons. Guangya contains.
Dragon culture
The essence of dragon culture
Loong originated from primitive totem culture, but its essence and mainstream cannot be simply attributed to primitive totem culture. From the four aspects of "background of the times-specific content-cultural significance-social function", China's dragon capital is significantly different from the original totem, thus showing the following essential characteristics:
From totem, beyond totem
China's dragon culture is not only a few relics in modern China, but also maintains a strong vitality, abandoning the negative factors of feudalism, mysticism and absolutism. Although Dragon Culture can't play a leading role and mainstream cultural role in the history of national unity and national rejuvenation, it still has a strong appeal, cohesion and centripetal force to the Chinese nation.
Not worship in kind, but cultural creation.
Totem culture is essentially the clan culture of primitive society, and the dragon in China, the primitive dragon, was born around 3000 BC, which is the disintegration period of primitive society in China, the origin period of Chinese civilization, and later the dragon of Chinese civilization in China. Although the prototype can be found in nature, it is not an existing thing in nature in essence, but a cultural creation and cultural symbol based on national cultural concepts. The formative period of the times.
The essential feature of dragon is that it transcends the consanguinity of clan culture and sublimates into the connotation of national culture based on geographical relationship.
Dragon-This is the unique cultural creation, concept creation and symbol creation of China people. "Dragon Spirit" is a symbol of the Chinese nation, a symbol of China's 5,000-year great history, and the spirit of the great China people who are industrious, brave, indomitable, bold and innovative, honest and harmonious.
The Connotation of Dragon Culture
Reveal the multiple connotations of dragon culture from three levels:
On the first level, from the image of the dragon, the concept of the dragon contains four most important concepts of China people, namely, the world view of the unity of man and nature; The interactive subject view of benevolent and loving; The development view of yin-yang intercourse; The inclusive view of multiculturalism.
On the second level, the concept of dragon, behind the image of dragon and the concept of dragon, contains the ideal goals and values of China people in dealing with the four major relationships, and pursues the harmony of harmony between man and nature, interpersonal relationship, contradiction between Yin and Yang and multicultural relationship.
On the third level, the dragon spirit is pluralistic and integrated, and the basic spirit of China culture is comprehensive and innovative, which is the deepest cultural connotation of dragon image and dragon culture. Wang Dong believes that exploring the deep connotation of dragon culture will help solve some civilized conflicts in the contemporary world.
However, China's dragon, with its unique form of oriental mysticism and complicated artistic modeling, contains four basic concepts unique to China people and China culture:
First, the world outlook of harmony between man and nature; Second, the concept of mutual subjectivity of benevolence and love; Third, the concept of development (or change) of yin and yang intercourse; The fourth is the inclusive cultural view.
The cosmology and worldview of the unity of man and nature can be regarded as the core concept in Chinese national culture. With vivid and concrete images and mysticism, the dragon contains the idea of harmonious coexistence between man and nature.
The legend of the dragon
For thousands of years, dragons have penetrated into all aspects of China society and become a kind of cultural cohesion and accumulation. Dragon has become a symbol of China, the Chinese nation and China culture. For every Chinese descendant, the image of the dragon is a symbol, a mood, and a feeling of flesh and blood! . The names "Descendants of the Dragon" and "Descendants of the Dragon" often make us excited, energetic and proud. Besides spreading and inheriting in China, Dragon Culture has also been brought to all parts of the world by overseas Chinese. In China residential areas or in China, dragons are still the most eye-catching decorations. Therefore, "Descendants of the Dragon" and "Dragon Country" have also been recognized by the world.
Find the trace of the dragon, enter the ancient history and the world of the dragon, and understand and explore the mystery of the dragon. ...
The legend of the dragon-the dragon king;
Dragon is one of the four gods in ancient China mythology. There are "Dragon King Products" in Taishang Cave's Divine Mantra Classic, which lists "Five Emperors Dragon King" by orientation, "Four Seas Dragon King" by ocean, 54 dragon king names and 62 dragon king names by everything in the world. During the reign of Emperor Xuanzong of the Tang Dynasty, the Dragon Pool in the temple was called and an altar official was set up to worship the Dragon King. Song Taizu followed the Five Dragon Sacrifice System in Tang Dynasty. In the second year of Song Huizong Daguan (1 108), all the five dragons in the world were awarded titles. Seal Qinglong God as King of Ren Guang, Red Dragon God as King Jiaze, Huanglong God as King Fu Ying, White Dragon God as King Yiji, and Black Dragon God as King Lingze. In the second year of Tongzhi in Qing Dynasty (1863), the dragon god of the canal was named "the god of the dragon king who should divide the water", so that the river chief could pay homage at the right time. The Dragon Kings in Journey to the West are Ao Guang in the East China Sea, Aoqin in the West Sea, Aorun in the South China Sea and Aoshun in the North Sea, which are collectively called the Four Seas Dragon Kings.
Dragon Legend-Dragon Ball;
People often see "dragon playing with beads" (such as "single dragon playing with beads" and "double dragon playing with beads") on architectural colorful paintings, sculptures, clothing embroidery and other carriers. A friend asked: What is the "Dragon Ball"? Where did the "Dragon Ball" come from? What about "dragon playing with pearls"?
Dragon balls are related to dragons. "The pearl of a thousand dollars must be under the dragon's jaw of the nine abyss." That's what Zhuangzi said. "Yaya" also said that "the dragon ball is in the jaw". Strange Tales says: "Where there is a dragon ball, the dragon will spit it out ... The Vietnamese proverb says,' It is better to plant a dragon ball than to plant a thousand mu of wooden slaves. "The above statement has two meanings: first, the dragon ball is often hidden in the dragon's mouth, and at the right time, the dragon will spit it out; Second, the value of the Dragon Ball is very high. In the folk proverb, it is better to plant a thousand acres of citrus than to get a dragon ball.
So, where did the Dragon Ball come from? Why do dragons play with pearls? As we know, pearls are some mollusks in the water. Under certain external conditions, their shells are endocrine and form round particles, which are loved by people because of their bright luster, so they are called pearls. Since animals in the water can give birth to pearls, as the dragon of the aquarium, it is natural to have pearls and give birth to jujubes, which should be a basic idea of the Dragon Ball myth.
However, it seems that things are not that simple. Dragons are vaguely assembled creatures in mythology, and the objects of assembly are fish, crocodiles, snakes, pigs, horses, cows, lightning, clouds, rainbows and so on. Among them, crocodiles and snakes lay eggs. Eggs are round or granular, much larger than pearls. Then, will the ancients regard crocodile eggs and snake eggs as a kind of "bead"? The answer is yes. The ancients could mainly collect crocodiles and snakes, and naturally they would not ignore their eggs; For crocodiles and snakes, eggs are of great significance and the source of life. If there are eggs, there will be crocodiles, snakes and then dragons. So eggs can completely enter the dragon's life as "beads". Then, the dragon ball is the dragon egg; Playing with pearls is actually an "egg" played by dragons, a sacred object of dragons, and a care, caress and respect for life. Among them, it embodies and expresses a kind of "life consciousness" of the ancients, that is, the understanding, understanding and exertion of endless life phenomena.
The folk legend of swallowing pearls and turning dragons provides a footnote for our point of view: a teenager mows grass (or draws water), gets a treasure pearl, puts it in a rice jar to increase rice, and puts it in a till to make money. When a rich man found out, he brought people to rob pearls. The teenager put the beads in his mouth in a hurry, but accidentally swallowed them. So I longed for water, and when the water in the jar dried up, I went to drink river water, river water. Drinking and drinking, his head has horns, his eyes protrude outward, and his body has scales, turning into a dragon. Such legends are widely circulated in Sichuan, Zhejiang, Guangdong and other places, revealing the preciousness of "pearls" and the relationship between pearls and dragon life.
The sun is another understanding of "pearl". Some dragon-playing bead patterns we have seen, especially two dragon-playing bead patterns, mostly have flames rising, which are clearly a "fire bead" or a "fireball"; Below is the turbulent sea, which can be understood as a fireball jumping out of the sea. In people's vision and concept, it can be called "fireball", and the sun can rank first. So, obviously, the fireball went out to sea, which means the sun went out to sea. Now that the sun is out to sea, why should dragons "play"? Here we would like to introduce the four gods in the eyes of the ancients: Oriental Dragon, Western White Tiger, Southern Suzaku and Northern Xuanwu. The sun rises in the east, and the dragon is a sacred object representing the east. In this way, dragon playing with beads is the sun worship, which is the fusion of sun worship and dragon worship.
Dragons are divided into male and female, which is also the reason why Erlong plays with more bead patterns. If a pearl lays an egg, it means that both parents care about and care for the child; If pearls are the solution of the sun, then it is the male dragon and the female dragon that greet the rising sun and let the bright sunshine shine on the earth. Furthermore, the two dragons are symmetrical, the dragons are long, the beads are round and smooth, and there is also a sense of composition.
The legend of the dragon-Oolong;
There are only a dozen families in Longtan Fort under Shaohua Mountain. There are two people living in the village: a father and a daughter named Liu, who make a living by selling tofu. My daughter is a pearl phoenix. She looks beautiful and handsome. One day, Zhu Feng went to fetch water and caught a little black snake. She caught the little black snake, put it on the well platform and said, "Poor thing, let it go!" " "The little black snake nodded to her, turned and ran into the well.
Zhu Fenggang came into the room carrying water when she heard someone calling her from behind. Turning around, I saw a beautiful young man in his twenties. The young man grabbed Zhu Feng's hand and put a round bead in her hand. He said, "I am the fifth prince of the Weihe Dragon King. Just playing in Longtan, I accidentally bumped into your hook and broke free. Thanks for saving my life. This is a dragon ball. If you put it in a water tank, you don't have to carry water every day. If you have any difficulties in the future, just tell me. " Say that finish, suddenly disappeared. Zhu Feng chased out the door, only to see a white mist at the wellhead, and heard the well water rushing a few times. She felt as if she were in a dream, looking at her hand, which was obviously a treasure. After entering the room, she threw the dragon ball into the water tank. Wow, the water splashed everywhere, and the tank was full of clear water. It's sweeter than well water. Zhu Feng knew it was a treasure. She didn't tell anyone, even her parents. I just often think of Oolong, and go to the well every day to pick a handful of water and secretly look into the well.
In Sunjiabao, four or five miles away from Longtan Fort, there lived a rich family, Yin Lixian. When his mother died, Liu Laohan had no money for burial, so he borrowed 12 silver from Yin. Life is poor and I can't afford it, but I often send some tofu to Yin's family, and I should pay the interest. These twelve books are not hurried, and I am happy to eat tofu all year round without spending money.
Miss Zhu Feng is one year older, and the worse she falls. Yin Lixian cunning turned around, playing the Zhu Feng idea. First, I hired a glib matchmaker to give Zhu Feng a bride price. Liu Laohan refused, but Zhu Feng was strong-willed. She raised the gift box and threw it outside the door, and the matchmaker ate a rebuff.
When Yin knew this, he rolled his eyes in anger and scolded, "This old thing is shameless. He has owed ten taels of silver for more than ten years. Hum! Even if you pay one hundred and twenty pieces of silver with interest, you can't pay anything in three days! " He squinted and sneered: "Call Miss Zhu Feng to pay the bill!" When the words reached Liu Laohan's ears, he didn't have an idea. Zhu Feng just crawled on the edge of the kang and cried, but she couldn't get over it. "She fell asleep in the middle of the night and ran to the drilling platform. She gritted her teeth and shouted sideways, "mom, I'll go with you!" "As soon as you close your eyes, you jump into the well.
Zhu Feng only felt dizzy, like walking on clouds. Suddenly I heard someone shouting in my ear: "Zhu Feng, sister Zhu Feng!" " I slowly opened my eyes and saw that I didn't fall into the water, but lay on Oolong's arm. "Brother Oolong!" Like seeing relatives, she threw herself into Oolong's arms and burst into tears. Oolong advised her, "Zhu Feng, I know everything about you. Don't be sad. Dogs are rich and cruel. God bless. Watch me clean up this old dog. " ... I'll take you home! "Zhu Feng refused, he whispered in her ear, said, tears streaming down her face, nodding.
I heard that Zhu Feng jumped into a well and the villagers went down with torches to save people. Oolong saw someone coming down and whispered to Zhu Feng, "Good sister, I won't see you off." Hold Zhu Feng up with both hands. The person who went down the well touched Zhu Feng, tied a rope and saved her.
In the dead of night, Zhu Feng told her father about her and Oolong from beginning to end. The old man was secretly surprised, but dubious. Zhu Feng fished out the dragon ball from the urn. When the old man saw that it was not a common thing, he believed Zhu Feng's words. The news that Zhu Feng jumped into a well and was rescued reached Yin Lixian's ears. The old thief smiled cunningly and smoothed his moustache: "Hey, it's obviously sunny. I'm Yin, with a well-off family and a box full of gold and silver. Really ... Ah, hey ... "I took one look and ordered the servants to prepare separately. Early the next morning, the old thief ran to Zhu Feng's house with a group of servants. On the way, a gust of wind blew away the sand and gravel, and the bride price brought by it had already been blown away. The thief Yin Lianren and his horse fell to the ground. After the gale, the old thief saw that the bride price was empty and everyone was there, so he rubbed his crooked nose, took a bunch of servants, waved a stick and went straight to Liu Laohan's house to grab the Pearl Phoenix.
Oolong saw the old thief do three things, but he still didn't know how to change it. The old thief rushed to the well platform and showed his true colors, with a dragon ball and a clear spring in his mouth. At that time, there was lightning and thunder, and the waves were huge. Yin thieves cried and cried, rolled with the waves, and were washed into the Weishui River to feed the fish and turtles. After a while, the dark clouds cleared and the sky was full of sunshine. A black dragon is dancing in the clouds, and Miss Zhu Feng is sitting on its back. Flying to the top of the mountain, Oolong lay down to rest, and Zhu Feng waved goodbye to his father and villagers.
From then on, people called this village Longquan Village, and later changed it to Longtanbao. The mountain where the dragon rests is also named Wulong Mountain Scenic Resort, which has long been called Wulong Mountain Scenic Resort Scenic Area.