Jin Yong's classical Chinese

1. How to evaluate Jin Yong's literature, especially his attainments in ancient prose? All literature is human studies. Works that do not reflect people's feelings and do not conform to people's pursuit of beauty are rubbish. On the contrary, it is a good work. Put it more bluntly, whether anyone is watching it or not.

Depending on whether anyone looks at me, many people want to hit me in the face again. For example: Guo Xiaosi of Qiong Yao. Therefore, the above standards need to be further refined, that is, whether anyone saw it at that time and whether anyone saw it after 3520.

If so, such works are excellent, if not classic.

If people are still watching after a hundred years, it is a classic.

Jin Yong's works have been enduring for decades, and it is not without reason that TV dramas have been filmed one edition after another.

What is its charm?

There are ups and downs and lifelike figures. One of the highlights is that Jin Yong can put these adult fairy tales with swords and shadows into the historical environment and rise to a chivalrous culture. There are really no two people.

Minute fits the three elements of the novel: characters, plot and environment, and it is well done.

However, Jin Yong became a martial arts expert and lost another martial arts expert. Martial arts has greatly promoted the spread of works, but it is difficult to be labeled as martial arts in the elegant hall of academic school. How do academic professors respect the things of Balinese? Therefore, doubts about Jin Yong are always endless. A few years ago, someone listed Jin Yong as one of the four levels.

But, you see, people often ask questions online: Why does Zhao Min have a crush on Zhang Wuji? A comparison between Zhao Min and Huang Rong? What about Jin Yong's naming art? ..... A bunch of big V's like Zhang Gongzi are talking and laughing here, but no one asks: How can Wei Zi have a crush on Er Kang and how can Wei Zi compare with Sunny?

Without him, Jin Yong's novels are also well written.