1. When we meet each other with a bottle of wine, the joy will be gone with a smile.
During Wang Anshi's reform period, both Ouyang Xiu and Su Shi strongly opposed the new law. After Ouyang Xiu was transferred, Su Shi finally angered Wang Anshi, and Su Shi, who saw that the situation was not good, also asked to leave Beijing to serve. From the fourth year of Xining to the seventh year of Xining, he was sent to Hangzhou as a general judge. In the autumn of the seventh year of Xining (1074), he was transferred to Mizhou. Su Shi passed through Runzhou (now Zhenjiang City, Jiangsu Province) on his way north, and met with Sun Zhu (alias Juyuan) and Wang Zhengzhong at the Duojinglou of Ganlu Temple. Dongpo was asked to write the song "Picking Mulberries".
Sentimental but still sick, there are many scenes in the building. We meet each other with bottles of wine, and the joy is gone when we look back and smile.
Stop the cup and listen to the pipa language, and twist it carefully. The drunken face is melted with spring, and the river and sky are slanted with a touch of red.
When Lao Cai visited Zhenjiang a few years ago, he went to Beigu Mountain on the edge of the Yangtze River. Beigu Mountain is not high, but there are many historical sites on the mountain. Ganlu Temple and Duojing Tower are still there today. Now, when you close your eyes and reverie, you can still feel the voices and smiles of countless literati.
The bottom line of this poem is specifically written to suit the occasion and is about the singer at the gathering. It uses "the river and the sky are shining red" to describe the singer's "drunken face and spring." According to what Lao Cai wrote a few days ago "How to make good use of simile, metaphor and metonymy in poetry creation?" This is a rhetorical technique of metaphor.
In the Duojing Tower, what Su Shi felt was not that the country was so beautiful, but that he was "sentimental and sick". At this time, Su Shi had not expected that he would almost die a few years later due to the Wutai Poetry Case. His sentimentality at this time was more like expressing his sorrows in order to compose a new poem. But the last two sentences are heart-opening:
Meet each other with a bottle of wine, and the joy will be gone with a smile.
2. The boat passed away from now on, and the river and sea left it for the rest of my life.
When Su Shi was in Mizhou, he wrote several famous poems, such as "Jiang Chengzi's Ten Years of Life and Death", "Jiang Chengzi's Hunting in Mizhou", etc. The most famous one was written in Xining Jiu "Shui Tiao Ge Tou: When Will the Bright Moon Come" in 1076. In the second year of Yuanfeng (1079), Su Shi was transferred to the post of magistrate of Huzhou. Soon he was sent to the capital by the officials of Yushitai, where he experienced a life and death crisis: the Wutai Poetry Case.
Thanks to the rescue of many knowledgeable people, Su Shi finally escaped death and was given a lighter sentence, and was demoted to the deputy envoy of the regiment training in Huangzhou (now Huanggang, Hubei Province). During this period, Su Shi's state of mind changed, and he wrote He wrote poems and essays such as "Chibi Ode" and "Nian Nujiao·Chibi Nostalgia". Laojie introduces this song "Linjiangxian·Drinking at Dongpo at night and waking up and getting drunk"
Drinking at Dongpo at night and waking up and getting drunk again, returning seems like the third watch. The boy's breath is thundering. No one knocks on the door, but leans on the stick and listens to the sound of the river.
I always regret that this body is not mine, when will I forget Yingying. The wind is quiet at night and the grain is flat. The boat passed away from now on, and the river and sea left it for the rest of my life.
After the disaster, although Su Shi felt angry and painful in his heart. But his works show a kind of superhuman broad-mindedness. This poem was written in September of the second year of Huangzhou's exile, that is, AD 1082 (the fifth year of Yuanfeng, Shenzong of the Song Dynasty). Li Bai has a poem that goes:
Cut the knife to cut off the water, the water will flow again, raise a cup to relieve the sorrow, and the sorrow will become more sorrowful. Life is unsatisfactory in this world, and the Ming Dynasty will be ruined.
Li Bai also experienced the crisis of banishing Yelang. Fortunately, he caught up with the amnesty, otherwise our poetry immortal would have been able to "emerge and become an immortal" in Yelang Kingdom. Su Shi ended this poem with Li Bai's poetic sentiment:
The small boat passed away from now on, and the river and the sea left it for the rest of my life.
3. A little awe-inspiring spirit, a thousand miles of joyful wind.
The peak period of Su Shi's creation was when he was demoted to Huangzhou (today's Huanggang, Hubei Province). At that time, Su Shi had a friend in Huangzhou named Zhang Huaimin. Zhang Mingde also had the courtesy name Xiquan, and he was demoted to Huangzhou at that time. He built a pavilion by the river in Huangzhou, and Su Shi helped name it: Kuai Zai Pavilion. Su Che specifically recorded this incident in "Huangzhou Kuai Zai Pavilion":
Zhang Jun of Qinghe was relegated to Qi'an, where he built a pavilion in the southwest of his house to watch the river flow. Brother Yu Zizhan named it "Kuai Zai".
"Shui Tiao Ge Tou·Huangzhou Kuai Zai Pavilion Presented to Zhang Xiquan":
The embroidered curtains are rolled up by the setting sun, and the water under the pavilion is connected to the sky. I know that you have made a new work for me, and the windows are wet and green and red. I remember that in the Pingshan Hall, I was sleeping in the misty rain in the south of the Yangtze River, and there was no lonely bird. Recognize the drunken man's words, and know whether the mountains are beautiful or not.
Thousands of hectares, all mirrors are pure and green peaks are inverted. Suddenly the waves rose, and a white-headed leaf danced. You can laugh at Mr. Lantai, but you have not yet understood Zhuang Sheng's natural sound. There are male and female in the right path. A little awe-inspiring spirit, a thousand miles of joyful wind.
Because they were both demoted, Zhang Huaimin and Su Shi had the same state of mind and had close contacts.
After Su Shi named it, he also wrote this poem to praise the beautiful scenery near the pavilion and express his admiration for Zhang Huaimin's magnanimity. The poem uses allusions from Zhuang Zhou, Song Yu, and Mencius, and the last two sentences express the awe-inspiring and awe-inspiring spirit of a person facing adversity:
A little awe-inspiring spirit, a thousand miles of joyful wind. ?