Li Shengsu is the best Tsing Yi in China, and its singing skills are quite good. Moreover, with years of efforts, Li Shengsu has become one of the most important actors in China's National Peking Opera Theatre, a national first-class actor, and also the head of the National Peking Opera Theatre Group, and a popular star in Chinese Peking Opera. Li Shengsu's early experience
Li Shengsu is now in a high position in Beijing opera, but she is not from a noble family, but from a rural family. Because both parents like singing opera, she was influenced by the family environment and sang along with her since she was a child, so she developed a good voice. When Li Shengsu was ten years old, the county Henan Opera Troupe just went to the village to recruit students, and Li Shengsu was accepted without any doubt because of her excellent performance. From here on, Li Shengsu and traditional Chinese opera formally formed an indissoluble bond.
In 1979, when Li Shengsu entered the Hebei Art School, the subject of the examination was Peking Opera, and she only studied Henan Opera. In desperation, Li Shengsu sang a butterfly lovers of Henan Opera to the teachers. As a result, I didn't expect that the judges were very surprised because of her good voice, so she was admitted to the school. From here on, Li Shengsu became attached to Peking Opera. On the stage, Li Shengsu performed unsurpassed
In 1987, Li Shengsu took Liu Xiurong, a famous Peking Opera artist, as his teacher, and joined Mei Pai the following year to study Peking Opera with Mei Baojiu, the son of Mei Lanfang. Since then, Li Shengsu's Peking Opera performance career has been regarded as by going up one flight of stairs. On the stage of Peking Opera, we can see that Li Shengsu has infinite scenery and beautiful scenery, which gives people a feeling of special worship.
On the stage, Li Shengsu is undoubtedly the "most beautiful" star in Beijing Opera. From her previous performances, such as Feng Haichao, Drunk Imperial Lady, Manjianghong and so on, Li Shengsu's performances are all handsome, beautiful in timbre and even more free and easy. No matter what program is performed, Li Shengsu can perform it well and vividly, and there has never been a lack of everyone's demeanor and Mei Pai's charm. This point has always been admired by the audience. The title of "the first beauty"
Li Shengsu is still very bumpy on the road of Peking Opera. Although we know that she is one of the important successors of Peking Opera Mei School, she is very confused during her study, because she has not been exposed to much Peking Opera, and her foundation is much worse than that of her classmates, and her voice will not be bad when she is selected, so her advantage is not an advantage, but she knows that she has worked hard and constantly honed her singing skills before she finally got on the big stage. Therefore, Li Shengsu can definitely be called the first beauty. Her singing skills, voice and spirit are unique, and it is precisely because of her that many of us fall in love with Peking Opera and appreciate our national quintessence. Li Shengsu, what kind of person is it?
First, let me introduce Li Shengsu to you. She is a native of Baixiang, Hebei Province, an actress of Mei School of the National Peking Opera Theatre, a national first-class actress, a member of Chinese People's Political Consultative Conference, a member of the China Federation of Literary and Art Circles, a member of the Youth League of the Ministry of Culture, a former member of the Shanxi Provincial Political Consultative Conference, a member of the Shanxi Youth League, an artist who studied under Qi Lanqiu, Liu Yuantong, Jiang Fengshan and Liu Xiurong, and a disciple of Mr. Mei Baojiu.
at the age of 1, Li Shengsu was specially recruited to study drama in Baixiang County, Hebei Province. In 1979, Li Shengsu was admitted to Hebei Art School and studied in Tsing Yi and Hua Dan. In 29, when answering media questions, Mei Baojiu said that Li Shengsu was the best among his students. In 24, as the first person in Chinese Peking Opera, she sang the wonderful melody of Peking Opera for the first time in the golden hall of Vienna, music city, Austria, which was the first in history. Her clear, implicit, gorgeous and gentle voice conquered audiences at home and abroad and made outstanding contributions to the spread and promotion of Peking Opera art. On December 29th, 217, Li Shengsu won the Best Actor Award in Opera and Quyi in the 1th China Golden Record Award for "Symphony Peking Opera-Yangmen Woman".
Li Shengsu was rated as "the first beauty of Peking Opera", and naturally she has something extraordinary, such as beautiful appearance, beautiful figure and more beautiful voice. Li Shengsu's famous masterpieces are: Drunk Lady, Farewell My Concubine and Mu Guiying in Command, etc., which are excellent both visually and audibly, and are absolutely aesthetic enjoyment. Li Shengsu's noble and elegant temperament is rare in the world. People like her "Ode to the Pear Flower" most, and the story behind it can be vividly sung. Even after listening to it for six or seven hundred times, I don't feel enough. It can be said that this sound should only exist in the sky. No one can succeed casually, and the reason why Li Shengsu can get the reputation of "the first beauty in Peking Opera" and "the first person in Tsing Yi of Mei School" today is not overnight. From an ordinary rural girl in Hebei to a famous generation of Tsing Yi people today, the hardships are not well known.
Li Shengsu doesn't hide his life experience. He will tell opera fans that he grew up from a poor family and studied Peking Opera very hard. He first came into contact with Henan Opera, and then slowly began to learn Peking Opera. It can be seen that Li Shengsu got all this through his own efforts. Although Li Shengsu is already a famous actress, he never feels uncomfortable with people in words, but gives people a feeling of being a good family. His manners reveal peace and modesty. He is a Peking Opera actor who strives for perfection in Peking Opera and is an example worthy of learning by younger generations!
The reason why she has become a generation of famous artists through hardships, but she is still arrogant and calm, is related to her life experience and the help of several "noble people". It is precisely because she is always grateful that she has created today's Li Shengsu! There are many schools in every line of Peking Opera, and Li Shengsu is an outstanding representative among the descendants of Mei School in Peking Opera. The fate of Li Shengsu and Peking Opera
Mei Pai actor of National Peking Opera Theatre, national first-class actor, member of Chinese People's Political Consultative Conference, member of China Federation of Literary and Art Circles, member of Chinese Dramatists Association, member of Youth Federation of Ministry of Culture, member of Shanxi Provincial Political Consultative Conference, member of Shanxi Youth Federation, studied under famous Peking Opera performers such as Qi Lanqiu, Liu Yuantong, Jiang Fengshan and Liu Xiurong, and was a disciple of Mr. Mei Baojiu. Li Shengsu's learning history
Hebei Art School recruited Peking Opera students. At that time, the art school was a fragrant steamed bun, and everyone wanted to take the exam. Li Shengsu didn't want to give up this opportunity to sing Peking Opera. With her excellent performance, she entered the art school, studied under Qi Lanqiu, and studied Tsing Yi and Hua Dan. Li Shengsu has a beautiful appearance and amazing singing skills, and she is not suitable to be a Wu Dan. This was understood when she studied Peking Opera. She worked hard in Tsing Yi and Hua Dan and often practiced her voice for several hours every day.
She was assigned to Handan Peking Opera Troupe. With her beautiful singing, Li Shengsu quickly stood out. Once she entered the threshold of Peking Opera, everyone unconsciously regarded Meipai as the highest mountain, and everyone wanted to climb it. Li Shengsu is one of them. Li Shengsu not only climbed up, but also learned from Mei Baojiu, the son of Mei Lanfang. With the guidance of famous teachers, Li Shengsu gradually mastered the charm of Mei Pai, and she also followed her mentor to participate in the foreign Mei Pai grand performance. As the saying goes, the next minute on stage, the next ten years off stage, sometimes for a movement, a aria needs to be practiced for a day or even longer. In the face of the decline of traditional Peking Opera, Li Shengsu also found it difficult to keep the old Peking Opera. She advocated innovation and injected new vitality into the old operas, so that Peking Opera could be inherited and developed. One minute on stage, ten years off stage
People often say that everything is difficult at the beginning, and nothing is easy at the beginning. Whether it's your first time to go to school or fall in love, when you set foot in a field you knew little or no experience before, you will feel uneasy inside, even if you love it very much. Li Shengsu will be ten years old when he first comes into contact with traditional Chinese opera. At such a young age, in the face of unfamiliar new things, there is indeed curiosity and expectation, but fear is always inevitable.
But it's no use being afraid. For young Li Shengsu, all she can do is to learn, practice and make strangers familiar and even proficient. Sometimes, it's not the hardest thing to start doing, but the hardest thing is to stick to it. How many people give up halfway and then fail. But Li Shengsu did it. She persisted and didn't leave in the most difficult time, so she succeeded. Some people will say, it's just singing opera, how difficult it can be, and what's the big deal if it lasts for a few years. In fact, the fact is not as simple as we thought. To learn Beijing opera, you need to practice not only singing and voice, but also "singing and playing" is not just a simple word. Maybe a simple sleeve swing will take ten days or even months to practice.
It's always annoying to repeat it again and again, not to mention that Li Shengsu was still a child at that time. But she didn't give up halfway. She is naturally annoyed and tired, but she knows that countless repetitions are necessary to succeed and show her best. How valuable such persistence is for children. Fortunately, all the efforts will eventually pay off.
When she was 21 years old, years of hard work made the little girl who sang Lian Jinfeng on the stage, and also made her a national first-class actress. No wonder the ancients often said, "One minute off stage, ten years on stage". As an audience, we will never guess how many times the little girl who performed on the stage was exhausted behind her skillful movements. There are indeed people who learn from famous teachers, but most of them have succeeded slowly under the guidance of their predecessors. Li Shengsu's success is also inseparable from the careful teaching of her masters. Before the age of 13 to 2, her teacher Qi Lanqiu put a lot of effort into her. After her small success at the age of 21, she was not complacent and the status quo. Instead, she joined the names of Liu Xiurong and Mei Baojiu and continued to work hard. With the guidance of famous teachers, Li Shengsu's performance keeps improving. But she didn't imitate blindly, but after understanding everything she used thoroughly, she combined with herself and injected her soul. In this way, she has successively won the plum blossom award for Chinese drama. Later, he entered the National Peking Opera Theatre, and his position was remarkable. Li Shengsu is the first person of her generation, and even some artists of the older generation are not as good as her. Her voice is classical, subtle and beautiful, full of tenderness and gorgeous. Just listening to her music is an auditory enjoyment, not to mention watching the performance. Li Shengsu, with such achievements, is not only very popular at home, but also takes China's operas abroad, which makes the opera culture go to a new level.
When her unique voice came from the Golden Hall in Vienna, when the drums and boards of Jinghu, Yuexian, Qu Di and Sheng sounded, China's Peking Opera finally wiped away the dust that years had given it, and once again possessed its due glory and glory. These are inseparable from Li Shengsu's efforts, and also from the efforts of people who miss Peking Opera as much as her. Li Shengsu's name has gained popularity abroad, and so has China's Peking Opera.