The Book of Songs is the source of ancient folk songs. From Yuefu in Han and Wei Dynasties to modern ballads, its realistic spirit has been deeply embodied. They have always been the sharpest fighting weapons in people's hands. Progressive literati in past dynasties advocated "Bi Xing" and "Ya" in their creation, which in essence advocated the realistic spirit of The Book of Songs. In the New Yuefu Movement, Bai Juyi also criticized the formalistic style of writing since Qi and Liang Dynasties, summed up the achievements of realistic poetry creation since Wei and Jin Dynasties, and put forward the requirement of "combining articles with the times, combining songs with poems", which is a further development of realism in The Book of Songs.
2. The artistic expression of Fu, Bi and Xing. Fu is the most basic and commonly used expression of The Book of Songs, and it is a straightforward narrative, narrative description and lyrical discussion. For example, Feng Weimeng also describes and describes the abandoned wife's experience and complex psychological feelings. Bixing is a metaphor and a common expression in The Book of Songs. For example, Tai Feng Xin Tai uses the overall image as a metaphor, but most chapters are concrete metaphors. Metaphors in The Book of Songs are widely used and have various forms. Xing is to lift things up, which is a way to lead to the following at the beginning of a poem. Some only play the role of the beginning, but most of them are related in a certain sense, playing the role of symbol, contrast, association, metaphor and so on. Qin Bamboo Slips set off the artistic conception with the atmosphere created by autumn scenery. Fu, Bi, Xing and other techniques are often manifested in comprehensive application. Feng Weimeng is an ancient poem about abandoning a wife. It is a prose narrative poem in form, but it also has a strong lyrical color. Poetry reflects the tragic experience of the heroine in love and marriage and the change of her psychological feelings through her self-report from love and marriage to marriage change and abandonment. The whole poem consists of six chapters: the first chapter is about a man proposing to the heroine; The second chapter describes the heroine's love and marriage; The third chapter summarizes the lessons of marriage and love; The fourth chapter pleaded not guilty and was assigned; The fifth chapter writes that he tried to do housework, but he was treated rudely; The sixth chapter, looking back, is filled with emotion. This poem adopts a combination of general narration and detailed description in narration; In lyricism, the methods of narration, discussion and expression are used. Poetry comprehensively uses the artistic expression techniques of Fu, Bi and Xing, mainly Fu, but Bi and Xing are also well used. There are metaphors for ups and downs. Moreover, these two metaphors are not simple similes, but metaphors and metaphors. There are two clues in the structure of poetry: one is narrative clues arranged in chronological order; One is based on the lyric clues of psychological and emotional changes, and the changes of plot are intertwined with the ups and downs of emotions. Jian Qin is a love song for lovers. On the morning of late autumn, the poet looked at the scene of reeds and frost flowers, repeatedly pursued the elusive Mr. Right, and expressed his attachment and disappointment. Poetry is written in fu. The first two sentences of each chapter are descriptions of scenery, which is not only an objective representation of the immediate scenery, but also a bleak, empty and cold scene in late autumn, and also sets off the sad mood of the characters with the environmental atmosphere. The next two paragraphs show what the poet misses, but his lover seems to be in the air, just out of reach. In the last four sentences, the poet launched a description of repeated pursuit and bitter pursuit, revealing the poet's nostalgia and longing, as well as the disappointment and melancholy that he could not get. The whole poem is lyrical, but there is no word "emotion". Instead, it uses the way of setting off feelings with scenes and narrating feelings to achieve a touching lyrical effect and create a sad and hazy artistic conception. 3. The songs sung orally by the people's collective produce repetitive composition and flexible sentence patterns, which naturally form the form of overlapping chapters, which is not only convenient for memory and recitation, but also forms a tortuous artistic effect. Sentences are fixed in four words and change randomly, showing flexibility and freedom, such as "Feng Wang Li Shu". The three chapters of the whole poem "Feng Wang Li Shu" adopt the structure of overlapping chapters and singing harmony. Every chapter begins with the scenery. In the first chapter, the words "when millet leaves, it is the seedling of millet" were changed to "ear" and "solid" in the second and third chapters. This is not only a realistic description of the immediate scenery, but also a description of the scenery. Moreover, the transformation of "Miao", "ear" and "reality" implies the passage of time and plays a coordinating role in the emotions of grief and indignation. Then there is the description of behavior and psychology: "The lines are sweet and the center is shaking." Finally, it is straightforward: "those who know me worry me, and those who don't know me call me what I want." Who is this? " If the first two sentences are still low-pitched soliloquies, then the last two sentences push grief and indignation to a climax with a rhetoric, and poetry will come to an abrupt end. This is extremely natural and unique. The profound artistic appeal of this poem comes from the great pain in the author's heart and also from superb artistic means. The artistic structure of repeated singing, repeated chanting and in-depth layers is skillfully integrated with the artistic techniques of writing scenes, lines, psychology and expressing emotions, creating a euphemistic and touching situation. Fang Yurun said: "Only six words are changed in the three chapters, but the affection is deep and the low return is infinite." (Original Book of Songs)
4. Rich, vivid and vivid language and harmonious rhythm. The language of The Book of Songs is colorful, vivid and expressive. The Book of Songs is rich in vocabulary, and a large number of nouns, verbs and adjectives can accurately and vividly express various characteristics of people, things and things. The use of various rhetorical devices also enhances the expressive force of language. Generally speaking, the language style of The Book of Songs is simple, natural, elegant and solemn. Proper use of verbs and adjectives, repeated imitation of sound and appearance of words, poor form, rich sound and emotion, and double-tone rhyme make the tone more harmonious. Feng Wang Gentleman in Service is a poem about thinking about women. The poem expresses deep yearning for her husband who has been away from home for a long time, and reflects the pain caused by war and corvee from the side. The most outstanding artistic skill of this poem lies in the successful application of inner monologue and detail description, which makes the typical environment and artistic conception blend into one. The images of dusk and the pictures of daily life set off Steve's loneliness, anxiety and sadness. In addition, the language of poetry is naturally simple, almost spoken, but it is very expressive and vivid. This poem is the first of its kind in in my heart forever.