A little intoxicated and a little sad.
You like to go to the seaside to watch the sunset.
You said it was a lover's heart
Pieces fly into the sky.
Ask me if I'm all like this
Sweet beginning and lonely end.
Someone left a permanent wound.
Oh, some people spend their lives looking back on the past.
Oh, baby, baby, don't listen to me like this. Listen to me.
Loving you will exhaust all my strength.
You gave my crystal plane a pair of beautiful wings.
How can there be a direction without your flight?
Oh, baby, baby, don't listen to me like this. Listen to me.
Loving you will exhaust all my strength.
It's your turn to give my love story a good time.
Thank you for sharing half your troubles every day. It's very happy to be with two people.
Song of the Sunset-Masahiko Kondo (Song of the Sunset Anita Mui) Song: Ma Kai Nuo Lyrics: Chen Shaoqi
The sunset is infinitely helpless, but it is just a breath of brilliance.
With the disappearance of the dark clouds, the lost glory will never return.
It's too late to bear the changes of this life.
Such as clouds, wrapped around this vicissitudes of life.
It's a long road in Xiu Yuan, and I suddenly feel that time is passing away.
Joy is always short-lived and never comes back.
Which one sees through my dream is dull?
How many storms have you encountered?
Weave my interlaced dreams
I met your sincere arm.
Accompany me through the difficulties
Running around the center is gray.
The road twists and turns again
I thought about going home one day, but it was too late.
(Candlelight production)
The sunset is infinitely helpless, but it is just a breath of brilliance.
With the disappearance of the dark clouds, the lost glory will never return.
It's too late to bear the changes of this life.
Such as clouds, wrapped around this vicissitudes of life.
It's a long road in Xiu Yuan, and I suddenly feel that time is passing away.
Joy is always short-lived and never comes back.
Which one sees through my dream is dull?
How many storms have you encountered?
Weave my interlaced dreams
I met your sincere arm.
Accompany me through the difficulties
Running around the center is gray.
The road twists and turns again
I thought about going home one day, but it was too late.
(Candlelight production)
Ah, born lonely, the heart is dim.
On the way, Feng Shuang laughed and cried.
One day I wanted to go home, but it was too late.
How many storms have you encountered?
Weave my interlaced dreams
I met your sincere arm.
Accompany me through the difficulties
Running around the center is gray.
The road twists and turns again
One day I wanted to go home, but it was too late.
How many storms have you encountered?
Weave my interlaced dreams
I met your sincere arm.
Accompany me through the difficulties
Running around the center is gray.
The road twists and turns again
One day I wanted to go home, but it was too late.
exceed ...
Sunset on the Ancient Bridge won the Award of Excellent Professional Painter at the American Pastel Exhibition in August 1996.
Hangzhou's watercolors are rigorous in modeling, bright in color, realistic and infectious. Many of his works are delicate and realistic, and never flashy. He pays attention to brushwork and brushwork, decisive brushwork, implicit expression and pays attention to structure. The brushwork is slow and fast, vigorous and white. The rich center and dry pen are used to express the characteristics of objects. Some places are outlined with lines, and some places are "chaotic" with dry pen. According to different needs, draw vigorous, dignified, smooth and gentle objects with brush strokes and moisture. He is also very particular about the use of color. His colors are distinct, elegant, dignified and vigorous, and given colors according to different objects, which can be described as vivid brushwork and colorful. Because of his superb realistic skills and rich color language, his works appeal to both refined and popular tastes. His works "The Granary of Industry" and "Mao Ping" were selected; Zhang Kerang edited The Complete Works of Modern Fine Arts in China Color Scroll; Fushun Open-pit Coal Mine and Jinggangshan Xiaojing Scene were selected as China Watercolor edited by Cheng.