Mascot naming

How to name a mascot A-Bfpe

BLUE (blue) The second letter starting with B is fluency and the third letter starting with pure is pure. The fourth letter at the beginning of "decent, innocent" is the initial letter of "earnest" (serious and enthusiastic)

A is the leader of all letters, representing YOU, the company is thriving and dominating the market

Pronunciation: hungry -Biff added an E sound at the end

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The Chinese word Cheng Xin is the same as Honesty, and the three golden elements are the same as Sincerity, which is very auspicious ~

--- Hope you will adopt it

Name a mascot Zixi

When naming a mascot, use repeated words. If the company is called Hongfa, just call it Honghong

Mascot~Help me come up with a name, Bobby Bear

How to name a corporate mascot? Use repeated words. If the company is called Hongfa, let’s call it Honghong

Please help me think of a meaningful and nice name for my mascot. The meaning of eagle is that the eagle flaps its wings. Fly in the vast sky. It is also a metaphor for ambitious people or companies to display their talents in a wide field (but the picture is a bit like a chicken, and the chicken's lucky mascot: blessing money).

Name: Yingzi... Home Appliances

What are all the names of the mascots?

How to write the name of the mascot? Handwriting

The name of the mascot of Qinqi, calligraphy and painting. To write about an animal, you write Pixiu.

Mascots in ancient China: bats, Ganoderma lucidum, old caltrops, carps, magpies, jujubes, apricots, dragons, clouds, gluttonous dragons, phoenixes, turtles, cranes, pines, bamboos, plums, orchids, chrysanthemums, cicadas, elephants, geese, monkeys, badgers, gourds, etc.

What are mascots

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The word "mascot" originates from the French Proven?al Mascotto. It was not officially included in the French dictionary with the spelling of Mascotte until the end of the 19th century. The English Mascot evolved from this, meaning it can bring good luck and good luck. person, animal or thing. Olympic mascots began with the Winter Olympics. As a symbol that represents the characteristics of the host country, the mascot is a symbol of national culture. It reflects the historical development, cultural concepts, ideology and social background of the host country from all levels, and conveys the worldview and values ??of different countries and nations. , and plays an important role in the communication of sports, politics, economy and culture.

Mascots are the product of primitive human culture. They are the primitive human culture formed by primitive humans in their struggle with nature. In this struggle with nature, human beings first focus on survival needs, and in the process of development, they naturally form the instinctive concept of seeking good luck and avoiding evil.

Traditional Chinese auspicious patterns

Ancient China is the birthplace of world civilization. Its long history and profound cultural deposits are huge treasures left to us by our ancestors. Traditional Chinese auspicious patterns are the most beautiful and gorgeous part of this treasure. Over the long years, our ancestors created many patterns that yearn for, pursue a better life, and imply auspiciousness.

These patterns skillfully use characters, animals, flowers and birds, sun, moon and stars, wind, rain, thunder and lightning, words, etc., and use myths, legends, folk proverbs as themes, and use metaphors, comparisons, puns, homophonies, symbols and other techniques to create perfect graphics and auspicious meanings. combined art form. We call this kind of pattern with historical origins, rich in folk characteristics, and containing auspicious expectations as traditional Chinese auspicious patterns. Traditional Chinese auspicious patterns are an important part of the traditional culture of the Chinese nation and a complete set of art forms that express national history. Our ancestors expressed their passion and desire for a happy life and wealth through these intuitive and perceptible perfect forms.

1. A brief history of the development of traditional Chinese auspicious patterns

With the progress of society and the development of human civilization, people's conceptual awareness and aesthetic taste are also constantly developing and changing, and they are closely related to the development of traditional Chinese auspicious patterns. The various art forms that accompany each other have also been marked by the distinct times. As a formal art, Chinese traditional auspicious patterns are also a reflection of human thinking and ideology, and there must be a process of development.

As far back as the period of totem worship in ancient times, our ancestors were full of fantasies and speculations about the mysterious universe and the shapes and life characteristics of many birds, beasts, flowers, birds, insects, fish and other animals and plants. This is how the graphic symbol of seeking peace was born. The animal patterns, human-faced fish patterns, etc. on the painted pottery craftsmanship of this period all have the meaning of people worshiping gods and admiring chaos. Although this kind of totem culture cannot be truly called a decorative auspicious pattern created by people's subjective initiative, objectively it laid the foundation for the development of traditional auspicious patterns and defined its origin within the scope of humanities and art. .

In the painted pottery, stone carvings and jade carvings of the Neolithic period, monsters of various shapes appeared successively, such as dragons, phoenixes, turtles, birds, etc., as well as decorative patterns such as cloud patterns, water ripples, and fretwork. Show up first. During the Yin, Shang, Western Zhou, Spring and Autumn and Warring States periods, auspicious patterns in the true sense emerged in class society. Because in class society, people's ideologies have undergone tremendous changes, and with the rapid advancement of craftsmanship, rich ideological content can be expressed through objective forms. For example, various patterns such as Taotie patterns, Kui dragon patterns, bird patterns, elephant patterns, etc. on bronze ware and lacquer ware make people feel the dignified, elegant, mysterious and ancient spiritual connotation of that specific era. During the Qin and Han Dynasties, Buddhism was introduced to China. Karma and retribution in Buddhism, immortality in Taoism, and yin and yang and the five elements in Confucianism were integrated. Together with myths and legends, the themes of auspicious patterns were greatly enriched and widely used. Applied in architecture, sculpture and folk art, rich auspicious languages ??began to appear. For example, many auspicious patterns have appeared on brocades in the Han Dynasty, such as "All goes well" brocade, "Prolong life and benefit descendants" brocade, etc. At this time, the traditional auspicious patterns of fortune, wealth, longevity and happiness have gradually begun to take shape. During the Sui, Tang, Song and Yuan dynasties, auspicious patterns became more and more perfect and gradually became popular. Especially in the Song and Yuan Dynasties, auspicious patterns were widely used in architectural paintings, ceramics, embroidery, fabrics, and lacquerware. At this time, auspicious patterns entered a period of highly popular development, and even reached the point where "pictures must be auspicious." During the Ming and Qing Dynasties, Ji...gt;gt;