The first Cantonese talking film was produced by Shaw's predecessor "Tianyi" Film Company, and performed by Xue Juexian, one of the two famous "Ling Wang" of Cantonese opera (the other is Ma Shiceng). Without Bai Jinlong, there would be no Shaw Film Company today. At that time, Bai Jinlong broke all the box office records in Guangdong, Southeast Asia, Europe and America, and had a great influence. Runme Shaw and Shaw Brothers, who first arrived in Xingma, started the foundation of Shaw's entertainment kingdom in Xingma with Bai Jinlong. It was Bai Jinlong that started the trend of Cantonese films. In 195s and 196s, nearly 3, Cantonese films were produced in Hong Kong, forming the first "golden age" of Hong Kong films.
2. Director of One-armed Knife: Zhang Che's 1967
One-armed Knife was the first film with a box office of over one million in Hong Kong film history. With this film, Zhang Che became a "million director", Wang Yu began to become the most successful kung fu expert in Hong Kong film history, and the "Martial Arts Century" of Shaw Film Company officially began from this film. One-armed Knife has influenced the form and history of Hong Kong movies. Before, Hong Kong's films still stayed in the cultural form of old Shanghai films, shooting more bitter dramas with housewives as the audience. Most of the heroes in martial arts films were flash women, while men were weak scholars who needed protection. After One-armed Knife, men began to become the leading role in the film. The most dazzling star in the film company is no longer a delicate female star, but a strong male star.
3. Director of Xia Nv: Hu Jinquan 1972
In 1975, Hu Jinquan's Xia Nv won the highest comprehensive technical award at the Cannes Film Festival, which was the first time that a China film won an award at five major film festivals. Hu Jinquan is the first "author" director in Hong Kong's film history, and he is also the one closest to the master in Hong Kong's film industry. He devoted his whole life to shooting martial arts films with "Xia" culture, and reached the peak of China's martial arts films with "Xia Nv". Hu Jinquan's untimely death ended the earliest cultural breakthrough of China films.
4. "Butterfly Change" Director: Tsui Hark 1979
In the late 197s, the influence of the Shaw studio system on the Hong Kong film industry gradually began to weaken, and the cultural forms of films began to appear in diversified forms. During this period, an amazing art movement "New Wave of Hong Kong Film" appeared in Hong Kong film industry, and Tsui Hark's Butterfly Change is one of the most important works of this movement. "Butterfly Change" directly led to two future development directions of Hong Kong films: first, the emergence of art films; Second, the rapid development of special effects, the development of special effects in Hong Kong movies after 198s is almost related to Tsui Hark.
5. Director of Best Partner: Tsui Hark in 1982
Since 1982, The Best Partner and its sequels have been the first box office in Hong Kong for three consecutive years, and the "New Art City" companies in Huang Baiming, Mai Jia and Shi Tian also dominated the films in the whole period of the 198s. "Best Partner" is the first film blockbuster in Hong Kong. At the beginning of shooting, Samuel Hui's 2 million-piece salary has become the focus of public discussion, and the shooting method of the film is completely imitating Hollywood. In the film, there are many gimmicks such as continuous collision of multiple cars and the latest 7 advanced weapons, which weakens the story and strengthens the visual scene. The absorption of Hollywood film production methods by Best Partner is the first attempt to internationalize local films in Hong Kong.
6. Director of Plan A: Jackie Chan 1984
Who is the greatest film actor in Hong Kong in recent 2 years? Jackie chan This is an answer that is recognized by all walks of life in Hong Kong. Jackie Chan became the most influential Hong Kong actor in the world after Bruce Lee with his kung fu comedy. The training of the early Peking Opera troupe enabled Jackie Chan to skillfully master the modeling of the most brilliant movements by imitation. This kind of performance has become his trademark, and his performance is unique in the world film industry. "Plan A" is the most distinctive film of Jackie Chan's early films. For example, the scene of him falling from the bell tower is straight down without any editing means. After that, there must be a film in the style of "Plan A" every year, and Jackie Chan's film has thus become an indispensable part of Hong Kong films.
7. "The True Color of Heroes" Director: John Woo 1986
When cold weapons are replaced by hot weapons, Zhang Che movies become John Woo's movies. John Woo used to be the "literary courage" of Zhang Che, the deputy director of Zhang Che, and a typical studio-born apprentice director. He passed on the characteristics of Zhang Che films and changed the sword films into gun battles. "True colors of heroes" carries forward the way of gunfight, which represents the highest achievement of gunfight films in Hong Kong and the highest achievement of gunfight films in the world.
8. "True Story of Teddy Boy" Director: Wong Kar-wai 1991
In 1991, the most sensational film in Hong Kong's cultural circle was Wong Kar-wai's "True Story of Teddy Boy". Although the box office performance was average, Wong Kar-wai's unique film style stood out in this film, which announced the emergence of the first international movie master in Hong Kong.
The True Story of Teddy Boy is a local film that reflects on the identity of Hong Kong. The true story of teddy boy is original in image and narrative, which is a wonderful work of Hong Kong film art.. At the end, Tony Leung Chiu Wai's "one-man show" has been regarded as a classic.
9. "Sweet Honey" Director: Chen Kexin's loss before the reunification in 1996
1997 was like the choice of a fork in the road. One year before this historical moment, Chen Kexin's "Sweet Honey" was born, which made great achievements in both art and business. Literary films have always been a type of Hong Kong films. In the early days, there were famous predecessors such as Lee Sun-Fung and Jian Qin. However, since the 197s, because of the prevalence of martial arts films, artistic films have always been difficult to become the mainstream. "Sweet Honey" is a return to the early literary films. It shows the historical process with a delicate and true psychological description.
1. "king of comedy" Director: Li Lichi 1999
Since the Hong Kong film industry entered a recession in 1993, there have been fewer and fewer actors in Hong Kong films who can guarantee the box office, and Stephen Chow is one of them. There were Liang Xingbo, Xin Ma Zi and Xu Guanwen as early comedians in Hong Kong, and Stephen Chow was the most outstanding comedian in recent 1 years. There are a lot of references to early Hongkong films in king of comedy. Yin Tianchou and Du Fu 'er are the characters in the famous Cantonese martial arts film "holy flame of the martial world" in the 196s, and they are well known to all ages. "Basic Accomplishment of Actors" is a training manual of early Great Wall, China United Film Company and other film companies. This kind of comic film with anecdotes has become the development track of Stephen Chow films. The new film Kung Fu once again quotes the evil spirits of fire clouds and Kowloon Castle, and has achieved the highest box office of co-production so far.
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