"Li Sao" ("Li Sao"), "so he embraced the stone and threw himself into Miluo to die", which ended the poet's tragic, tragic and evocative life. In addition, from the formation process of the poem "Nine

"Li Sao" ("Li Sao"), "so he embraced the stone and threw himself into Miluo to die", which ended the poet's tragic, tragic and evocative life. In addition, from the formation process of the poem "Nine Songs" It can also be seen from the original reason that the poem "Mountain Ghost" is the reappearance of the poet's love and resentment, ideals and hopes, pursuit and disillusionment. "Nine Songs" is a lyrical poem composed by the poet through artistic processing based on folk songs of Chu folk worshiping gods. According to Wang Yi of the Eastern Han Dynasty's "Chapter of Chu Songs": "The Nine Songs were composed by Qu Yuan. In the past, in the town of Nanying in the Chu Kingdom, between Yuan and Xiang, the common people believed in ghosts and loved temples. In their temples, they would compose songs and music to encourage people. God. Qu Yuan was exiled and wandered around his territory. He was filled with sorrow and bitterness, and was filled with gloomy thoughts. He came out to see the common people offering sacrifices to the temple, singing and dancing, and his lyrics were crude. Because he composed nine songs to express his respect for the gods. Seeing my own grievances, I entrusted them with satirical remonstrances." This passage has clearly told us: Qu Yuan's "Nine Songs" comes from folk songs, but is different from folk songs, and was composed when Qu Yuan was exiled from Yuanxiang. This shows that The purpose of the creation of "Nine Songs" is not only to worship God, but also to express the poet's ideals and pursuits, worries and sorrows. Indeed, throughout the eleven works in "Nine Songs", some of them praise people for bringing light, The image of the sun god who eliminates evil stars for people's righteousness, such as "Dong Jun"; or praises the great and young Siming who are like angels of peace; or eulogizes the image of patriotic heroes who would rather die than surrender in the face of powerful enemies on the battlefield. , such as "National Sorrow". These are the poet's ideals and pursuits. The chapter "Mountain Ghost" expresses the tortuous and resentful mood and situation after encountering obstacles in the pursuit, so the style of "Mountain Ghost" is particularly unique. It is sad, touching, and extraordinary. To sum up, we can say that Qu Yuan's "Nine Songs: Mountain Ghost" is a sacred song, a hymn that celebrates the beauty of love, and a heartfelt and heartfelt poem with twists and turns. , a lyrical work. The goddess who is deeply devoted to her lover and unswerving in love is actually the author himself; the "gongzi" whom the goddess is passionately in love with is the object of the poet's hope - the King of Chu. The poem is about the goddess through the goddess. The perseverance and perseverance of love show the author's pursuit of ideals and love for the motherland; the harsh and dangerous environment in which the goddess lives and the psychological trauma caused by her lover's breach of trust and broken promises exactly reflect the dangerous political environment of the poet at that time and his own The tragic fate of the poet is delicate, euphemistic, and profound in conveying his emotions. It is no exaggeration to say that the poem "Mountain Ghost" vividly condenses the poet's situation and mood. No wonder King Yi of Han said in "Chapter of Chu" that "Nine Songs" "The song is a song about the gods in the upper part, and a grievance against oneself in the lower part, and it is used as a satirical remonstrance." Song Zhuxi's "Annotations to the Songs of Chu" also said: "Nine Songs" is "to express my loyalty to the emperor, patriotism, and unforgettable attachment." ." It also says in the chapter "Mountain Ghost" that "Zi Muyu is good at stealing things, saying that the king cherishes himself at the beginning... Knowing that the master thinks of me, he doubts the author, and he also knows that the king does not forget himself at the beginning, but he is trapped. It is because of slander; as for thinking about the son but only leaving worries, he is extremely worried and resentful, and in the end he cannot aspire to the righteousness of the monarch and his ministers." This also proves what Sima Qian said about Qu Yuan's "His writing is simple, his words are subtle, and his ambition is pure. , His behavior is honest. He calls the text small but its meaning is huge, the example is short but the meaning is far-reaching." This kind of romantic poetic style based on reality is not only the chapter of "Nine Songs: Mountain Ghost". It has the unique aesthetic qualities shared by many of Qu Yuan's works. For thousands of years, the poet Qu Yuan has been translated by later generations for his great personality and magnificent poetic style, which has had a profound influence: "Qu Ping's poems and poems hang on the sun and the moon, Qu Yuan's Later poems are more melancholy