Recommend Mahe
Jia Pingwa
I once recommended Mahesheng to Wang ×, but Wang × had no reply; I also recommended Mahe to Zhang ×× Hearing the sound of the river, Zhang ×× said that they had studied it, but there was no further explanation. I can only recommend Mahesheng to you. After you took office, I agreed with you that I would never trouble you with personal matters, but Ma Hesheng is not a relative of mine. Nor are they fellow countrymen or classmates. If I don’t recommend it to you, the problem of Mahesheng in this city may never be solved, and if I don’t recommend it, no one will recommend Mahesheng again. Because Ma Hesheng is a poor man. He has no urban household registration, no job, and even at the age of thirty-six, he has not yet married a wife and started a family. I met Ma Hesheng five years ago. I was forty-three and he was thirty-one. Our zodiac signs were both dragons. I was just one year older than him. I marveled at what a talent he was, and we became close. After several years of dating, Ma Hesheng has never sighed in front of me, and he has never begged me to raise his plight with you knowing my relationship with you. We only get along with each other by talking about art, or displaying paper, writing and painting. Every time we have dinner, he leaves. He refuses my invitation to eat because he has to treat me to a meal if I want to. He has no money to invite me to a restaurant. But I have accepted the flower buns he brought from his hometown twice. He asked his mother to make them herself. During the hottest time of summer, he gave me a plate of ice cream. He drew it on a piece of paper with a pen and sent it to me. I don't recommend him, the sound of the river is still the sound of the river, but I don't recommend him, but my conscience is always condemned. In terms of age and social experience, I can certainly be considered his teacher, but in terms of the cultivation of calligraphy and painting art, he should be called my teacher. I had a job when I was twenty-five, and my livelihood problem was basically solved. I had no worries about food and clothing for decades, and I only achieved what I have achieved today by focusing on writing. Ma Hesheng came to the city when he was in his teens. He wandered around for sixteen or seventeen years, running around for a living, which directly affected the success of his art. In such a large city, one more person receiving a public salary will not make the city poor, but one less artistic genius will often make the city look empty. How many units are overstaffed, and there are monks in temples everywhere who don't ring bells, but they don't hire talented people, and it's hard to develop talented people. I do not recommend Ma Hesheng. I am ashamed that I am in the field of culture and art, and I also suspect that I am narrow-minded and jealous of talents. But I recommend it to you. If you think it is just a trivial matter, you are too busy with political and economic work and will shelve it on the shelf or If you forget about it, it will affect your reputation and damage your image if the world knows about it. I know Ma Hesheng but I don’t recommend Ma Hesheng. You later found out about Ma Hesheng and you blamed me. I recommend Ma Hesheng to you and I recommend it to you seriously, so I don’t invite you out for dinner. This letter was written specifically without narrating it verbally. Then, please continue reading below, and I will talk about the specific situation of Mahesheng.
Ma Hesheng is from Heyang, Weibei. Heyang is located in an alpine climate with little water and rain. It mainly produces wheat and corn, and is hard and heavy due to the large number of people. The sound of a horse is romantic, clever and eloquent. He was a newbie in regular script. He was beautiful, gentle and had Jiangnan habits. He gained a reputation in the industry as soon as he debuted. This was the reason why he could survive in the ancient city. Later, he began to study painting again, and his understanding was very high. The sketches of the Ming and Qing Dynasties that he encountered were almost indistinguishable from the original works. If he could attend various social activities with such craftsmanship, Ma Hesheng could definitely be a man with everything in his pocket, a car to go in and out, and a noble face with long hair. However, Ma Hesheng suddenly tore up all his old works in one night. . He came to tell me that there is indeed an element of showmanship in his nature, and it is difficult to achieve great works by developing alone in the midst of praise. His change was difficult for many people to accept, but it made me excited! I encouraged his luxurious aspirations and told him that maybe he was a lilac, but he was born in Weibei, where the broad and profound humanistic environment was desolate. In the confused survival situation, Lilac is no longer fragile. If it consciously increases its majesty, it will become a big tree again. A man who is strong but not beautiful will be withered, and a man who is beautiful but has no bones will be weak. I can clearly understand myself and adjust myself in time. From then on, I have more respect for the sound of the horse river.
Today’s calligraphy and painting world is a mixed bag, and there are fences and fences everywhere. Just looking at their business cards is enough to be intimidated by their titles, but if you go to see those exhibitions, what you are sad about is not These "artists" want to lament the desolation of this era. Calligraphy and painting, especially calligraphy, were originally arts that evolved from practicality. The ancients probably did not have specialized calligraphers. Now that writing tools have changed, they are called calligraphers just because they can write with a brush. In addition to writing, they also write. A profound art becomes a juggling act.
Based on dissatisfaction with the status quo, a group of writers, scholars and professors organized a folk calligraphy and painting society named "Taibai Academy", and Ma Hesheng was among them. Although Ma Hesheng is not a writer, scholar or professor, he has been with writers, scholars and professors for a long time. He has also written many articles. With his youth and enthusiasm, he is an active planner and organizer of every event. What's even more rare is that he is an excellent agitator. When everyone is creating, he will try his best to stir things up. The atmosphere at the scene is often relaxed and lively, which greatly increases the creator's self-confidence, so that everyone always shouts: while writing and drawing: The sound of the river, the sound of the river, come quickly!
Ma Hesheng’s calligraphy and painting art is already quite outstanding, but Chinese calligraphy and painting have always attached great importance to celebrities. To be honest, Ma Hesheng’s calligraphy and painting are not as popular as my calligraphy and painting. good. Whenever we are together and outsiders only buy my calligraphy and paintings, I feel a little embarrassed. Some people severely criticized Ma Hesheng for not catering to the market, so it would remain in poverty. Ma Hesheng was finally unmoved. He said: Celebrities are all those who have never been famous. Some calligraphers and painters who can go to the market include calligraphers and painters in the political arena, and some calligraphers and painters who are engaged in other art categories. As a calligrapher and painter, since I haven't become famous since I was purely engaged in calligraphy and painting, that's why my works are not good enough. He calmly faced eternity and the situation without eternity, and devoted himself to creation. He rented a very dilapidated house, bought books and piled them up along the four walls, and asked me to inscribe the name of the house: Machi. I went to the horse pond once in the summer. The room was as hot as a steamer, there was no air conditioning, and a fan could no longer move the head. He was sweating and painting while wearing only a pair of trousers, and the coffee table was littered with dishes, chopsticks, teapots and instant noodles. Seeing this scene, I sighed for a long time, thinking about how many wizards in the history of Chinese and foreign calligraphy and painting had a very difficult time when they debuted, but there were always some rich people who wanted to buy the packaging and push it into the market. However, not many people can see the potential of Ma Hesheng now. Those who can see it are like me, but I am not a rich man. I can only buy his "Cold Bird" for 200 yuan today and 500 yuan tomorrow. "Landscape Sketch", how many meals and pieces of paper can this little change buy?
Many people in the world follow the same saying, often inexplicably causing bricks and tiles to be fought over, gold and silver to be abandoned, and even a true Geniuses are often the icing on the cake, but few are the icing on the cake. China is undergoing reform, and multiple systems are running in parallel. As a result, a person's wealth or poverty is not determined by his or her ability. If Ma Hesheng was not born in a peasant family and had a fixed income and allocated house in a unit, he would It is a tree that would have grown thicker and thicker years ago, but now it can only grow its tree in twists and turns with difficulty. This tree can definitely still grow. Why don’t we water and fertilize it during its growth period, and then say it is a good tree after how many years it has grown up?! Of course, history is created by the working people, but what is recorded in writing, that is, the history, is often about emperors, generals, talents and beauties. As a leader, focusing on politics, economy and public security are the basic tasks. But looking at the whole country, it is unrealistic for this ancient city to make outstanding achievements in politics, economy, and public security in a few years and leap to the forefront of the country. A city should There is a characteristic of a city. The ancient city is a cultural city. To develop culture, you need talents. A leader can only serve for one or two terms. Instead of expending all his efforts in other aspects and achieving mediocre results, it is better to seize a few talents and launch them. This is also okay Is this an effective measure for serving as an official?
Because I cherish the sound of the river, my recommendations are often too extreme, and may sound like nonsense. I apologize for your understanding, and I look forward to hearing from you. If there is no news within half a month, I will prepare a dinner for you. The path embodies the virtuous man's sincerity and poetic sentiment - the artistic life of Ma Hesheng
Rong Zhidian:
July 15-19, 2011, "Dalong Hesheng── "Exhibition of Ma Hesheng's Calligraphy, Painting and Seal Works" was grandly displayed at the Chinese Liangbao Building on the third floor of Kwok Wah Building, 342 Hennessy Road, Wan Chai, Hong Kong. Before leaving, he said this:
"Hong Kong Liangbaolou suddenly invited me to hold a calligraphy and painting exhibition. Although I have been planning to hold an exhibition and preparing works for several years, the Beijing exhibition the year before last was an accident. Hong Kong was simply caught off guard this time. Well, the two major positions of the north and the south were attacking me, which gave me an "accident". Thanks to my experience in middle age, and my calm nature, I was able to face such a double "accidental" attack without losing sight of north or south.
Fortunately, there are enough works for you to review; even better, there are writer Fang Yingying reviewing my "person" and calligraphy and painting critic Li Lirong reviewing my "character", both at close range for the first time. The factor of friendship cannot be ruled out, facing the public. , not only the above two or even more friends, all seem to have full confidence, especially myself. Self-confidence is never lacking, because I have long known how much I weigh, and I don’t care about extraneous things. , my life depends on me, and that includes art.
The "accidents" of life come from people..."
A passage shows Ma Hesheng's calmness in his indifference, his stubbornness in his calmness, and the humor in his stubbornness. The vivid expression of a man with deep talent. So, let us slowly appreciate Ma Hesheng's art and his artistic life, and appreciate the responsibility in indifference, the poetry in calmness and the easy-going and stubbornness. The heaviness in humor and the art of Ma Hesheng are worth slowly and carefully appreciating.
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Ma Hesheng is not a poet, nor does he regard himself as a poet, but he has the temperament and elegance of a poet. This is His temperament and elegance benefited from his talent and emotion. As the saying goes, "the spirit of poetry and calligraphy comes from the heart." Poems and books nourished his talent, and in turn, his talent nourished the poetry and poetic mood in his heart. < /p>
Appreciate the painting "Heaven and Earth Qingming" by Ma Hesheng. There is a sentence in the painting: "Viewers should not make any sound, be careful of birds being frightened; if no one is around, the sky and earth will be clear." "I said: "The poem in the title is really good, full of philosophical thoughts, and complements the artistic conception of the painting. He smiled and said, "This is still poetry, I don't think so." "Because of this "not feeling", the slowly revealed simple words actually make people feel the burst of poetry and gushing poetry, which is natural and uncarved.
A poem "Born Basil Lord, I am temporarily staying in the city. Be brave and have a pot of wine to make friends thousands of miles away. Although it is grass on the shore, I do not envy the old dragon scales. I saw the spring breeze blowing again, and my dream shadow moved far away. "What is revealed is Ma Hesheng's magnanimity as a person and the poetic calmness in the magnanimity. The magnanimity reveals boldness, and the calmness reveals gracefulness. It is the coexistence of boldness and gracefulness in this talent that makes Mr. Ma's works not only rich and boundless, but also graceful. It is graceful, graceful and agile. You can see the whole thing at a glance. What you can see is the sound of Mahe, which is extremely poetic and poetic. With this poetic talent and poetic sentiment, Mr. Ma's writing, whether it is fragmentary sentences or full-length films, is full of meaning between the lines. They are all filled with the meaning of poetry. Poetry is by no means a formal collection of 40 to 80% sentences and 50% to 70% words.
The sound of the horse river speaks to oneself, saying to oneself, "Sitting in the bookstore, my thoughts are wandering. The smoke from the tea is almost heavenly; the shadows of a pair of partridges outside the window are leisurely placed beside the pillow. "He has leisure, but he is devoted to his deep thinking about traditional culture and his unremitting refinement of poetry, calligraphy, painting and sealing. Therefore, his leisure is a kind of leisurely but not idle busyness.
"The Preface to Poetry" says: "A poet has his ambitions. The heart is the ambition, the speech is the poem, the emotion is moved in the heart and the words are expressed. It's not enough to say, so I sigh. I lamented that it was not enough, so I sang about it. The insufficiency of singing is the lack of understanding of how the hands can dance and how the feet can dance. "Mr. Ma Hesheng "dances" and "dances", using the language of poetry, he dances out the magic lines of calligraphy and creates the splendor of paintings. He can "walk with a line" , making his works "a meaningful form"
Ma Hesheng's calligraphy is most outstanding in running and cursive scripts. The up-and-down pursuit of "producing new ideas within the law" is the heartfelt expression of "sending wonderful principles outside the bold and unrestrained". Therefore, in his cursive and cursive calligraphy works, it seems that he has the influence of Wang Xizhi, Yan Zhenqing and many other sages. But what is expressed is a smile after heavy accumulation. This smile reveals a lively and lively sound, with a gentle temperament and a bold style.
His regular script is based on the Tang and Song Dynasties. Based on its appearance, the Wei and Jin Dynasties are used to express its spirit. In the Tang Dynasty, it was Yan Zhenqing, in the Song Dynasty, it was Su Dongpo, in the Wei Dynasty, it was "Shimen Inscription" and "Zhang Menglong", and in the Jin Dynasty, it was "Cuan Baozi" and "Cuan Longyan", with two sides. The couplet in Liuchi Bangshu, which reads "Boldly drinking a bottle of wine, can make friends for thousands of miles" can be said to be his latest regular script creation. There is a passage: "Dignified, graceful, strong and graceful" has a graceful and unrestrained style.
Ma Hesheng is rarely written in official script, but when it is written, it has a kind of shocking and pleasing to the eye.
Regarding the inheritance and creation of official scripts, people in Gansu are unable to understand the Han bamboo slips in depth, and people in Shaanxi turn a blind eye to the "Shimen Thirteen Products". They follow the so-called "fashion" and are at a loss. There is a lot of sadness in seeking the distant place instead of the near. . Ma Hesheng's creation of official script is different. It shows the superiority of a calligrapher's geographical advantage and is unique. He embodies the spirit of Han Li with the meaning of stone gate inscriptions, cultivates the emotion of grass and seal rhyme, and shows the Han and Tang Dynasties in its profoundness and broadness. The heroic hunting of the ancient county.
An overview of Ma Hesheng's calligraphy can be summed up in one word - incorporating the ancient and bringing out the new; incorporating the ancient is a reverence for traditional culture; bringing out the new is a respect for one's own soul. Being able to learn from the past and create something new at the same time, that is, not being confused by the past and not being ignorant of the past, shows the nobility of an artist's art and his broad-mindedness. Mr. Ma's visit to ancient times is obviously not to enter a room of a certain family, but to look around, collect and harvest, collect pollen from hundreds of flowers, and make his own honey. With a profound and profound knowledge of ancient times, Mr. Ma's innovations have roots and sources. Although there is a kind of tension and courage that dares to create something unique, it is neither crazy nor weird, simple and peaceful. Mr. Shi Lu said: "What is tradition? Tradition is when you write well and draw well, and it becomes a form for others to learn from and inherit." When I read Mr. Ma's works, I have a heartfelt admiration. The rare extension of traditional poetry in his calligraphy is in line with the ancient literary spirit. There is poetry in the lines and literary spirit in the words. His calligraphy will become another form of tradition.
The extraordinary calligraphy attainments have enriched the vocabulary of Ma Hesheng's painting art, and also made Ma Hesheng's painting art comprehensive.
Ma Hesheng's landscape paintings were based on Huang Binhong's method. His start was extraordinary, but the value of his creation lies in his abandonment after he acquired the method. Huang Binhong is a giant in the history of Chinese landscape painting. His greatest achievement lies in his breaking up the traditions of his predecessors one by one and then blending them into a unique style. Today's people follow Huang Binhong but go against the grain. They analyze and summarize each stroke one by one - this stroke is so-and-so, this stroke is so-and-so. They talk about it with great enthusiasm and spare no effort. If so, why not just take so-and-so? And Sherbin Ong? From this point of view, Huang Binhong's works can be referenced but not learned. Ma Hesheng's sacrifice of Huang Binhong shows his artistic awakening and ideological wisdom. His landscape paintings not only have the accuracy of "searching all the strange peaks to make drafts" to portray the world, but also the exile of his own soul "each has his own spiritual seedling to explore". Therefore, his landscape paintings are full of gentleness and kindness like the sound of the horse river. Delicate and free.
Ma Hesheng's flower and bird paintings do not aim at accurate modeling, but pursue richness of breath. Between similarity and dissimilarity, they express a literati's sentiments and poetic thoughts. Old Man Baishi said: "The beauty of painting lies in the balance between resemblance and dissimilarity. Too much resemblance is kitsch, but not enough resemblance is deceiving the world." Ma Hesheng cherishes art, neither kitsch nor deceiving the world. In the "form" and "meaning" of flowers and birds, Between them, it expresses personal feelings and intentions, expresses personal soul and soul, and shows the essence of truth and sincerity. Huang Binhong said: "What is not similar is the real similarity." This truth is exactly Ma Hesheng's sincere and sincere pursuit, just like his personality.
Ma Hesheng’s figure paintings have two concerns, one is concern for traditional culture, and the other is concern for life in the world. Both concerns reveal the responsibility of a literati. Heart. The creations of the former include the reminiscence of previous sages, such as the solemn and solemn Master Hongyi in "A Thousand Fate and a Dust" and "Sitting", such as the vivid and vivid figures of Wu Changshuo, Huang Binhong, Qi Baishi and Zhang Daqian in the four screens of "Listening to the Master", as well as The pen and ink reconstruction of other sister arts, such as the cute naivety of the Han Dynasty figurines in "Han Dynasty Singing and Singing Figurine", and the pen and ink dance of the characters in Qin Opera, such as the poignant and poignant "Bao Gong Apologize", such as the old man in "Lao Sheng" The tears were flowing freely, and there were sounds on the paper, and the expressions were vivid. To use Mr. Lu Xun's four words, it was "a solo performance of an ancient tune." If this series of his creations gives people spiritual pleasure and emotional reminiscence, then the latter creation gives people spiritual shock and ideological alertness, with great love and great feelings - he looks directly at The victims living in this era pay attention to their hardships and care about their suffering. They are spiritually connected to every sage who has ever cared about people's livelihood and society. They use their own painting language to directly penetrate the pain of this era. Such as "Tired Redemption", "Life" and "Jiashen Tears". As for "Jiashen Tears", it was his affectionate expression after experiencing personal pain. Therefore, in the face of "Tired Redemption" and "Life" we can see the hardships of the living and the joy in the hardships. In the face of "Jiashen Tears", although we have not seen the consistency of great men in previous "Great Man Paintings" He is handsome and majestic, but he can read the simplicity and innocence of human nature.
There are also "Yushu" and "Huashan Porter", etc., which are the materialization of his great feelings about people's livelihood by capturing moments that happen in real life. Works that depict the prosperity of the prosperous age and the comfortable scenes of living in the prosperous age are an expression of love for the motherland and love for the common people. But works that can depict and capture the scenes of suffering hidden in the prosperity of the prosperous age are even more a manifestation of love for the motherland and love for the common people. What’s more, this closeness and love show how strong and sincere they are, and how integrated they are! This is the essence of art, the preciousness of art, and the respectability of artists.
This is Ma Hesheng's painting, which inherits the spiritual mantle of classical art in creation, and is able to explore his own spiritual seedlings, write his thoughts and express his feelings. Tradition gives his paintings a foundation; life gives his paintings thickness and depth based on the foundation; his thoughts and feelings enrich the poetry of this thickness and depth. Of course, the unique beauty in the work is due to his outstanding talent and superb calligraphy. Therefore, looking at Mr. Ma Hesheng's paintings, we not only have tradition and life, but also give tradition and life a unique poetic flavor. This poetry makes the beauty of his paintings rich, and also deepens the tradition and life in his paintings. Touching depth. From this point of view, in terms of quality, Mr. Ma's paintings should be like Du Fu in the poem, with the saint's caring heart; in terms of emotion, they should be like Li Bai in the poem, with the immortal family's universal meaning. The former has the virtue of historical narrative, and the latter has the ability to educate. When the two are combined, art has a great beauty beyond art, and it also gives his paintings an epic weight.
About seal engraving, Ma Hesheng said this:
“It has been six or seven years since I broke the seal. It’s not that I don’t love it, but I really can’t allocate the time.
Some of the seals below are from more than ten years ago, and the latest ones are six or seven years ago.
In art, poetry, calligraphy, painting, and seals are all inseparable, and they all represent different emotions. Although the expressions are similar, the characters are different, and the appearance is completely different. After much thought, I still put the sealing on hold for the time being, but I am always concerned about it, and it is a great enjoyment to appreciate the art of seal cutting.
In life, eating, drinking, whoring, and gambling are all inseparable. They are all considered to be different ways of experiencing life. If you don’t eat, you won’t be able to live well. If you don’t drink, you won’t be able to survive. If you don’t go whoring, you won’t know how dark the darkness is. Ming. Nervousness is easy to break down, and numbness is nothing more than a zombie. Putting a conscience calmly into secular life will not keep it as bright as a seal forever, but it will not turn black in secular life. People should always be wary of claiming to be noble.
I am noble in art;
I am secular in life.
I cannot be noble in the world. Self-nobility;
I cannot let my nobility be worldly, only myself can be worldly.
I am not curing my seal for the time being because I am afraid that the steel knife will accidentally cut off my nerves and make me a zombie. ; I am even more afraid of inadvertently cutting off the worldly nerves and causing a complete moral collapse.
I am hiding, I have no choice but to put aside some talents, because I am really afraid of being scared.”
Faced with the same words in this poem and the same distribution of red and white in the poem behind the words, I can only be speechless. Speechless, I admire Mr. Ma’s talent and cultivation, and also admire his candid ridicule and self-deprecation. Bianshi's courage is even more admirable for his "giving up for the sake of embracing". This letting go is for self-improvement and breakthrough.
Mr. Ma Hesheng is in his prime, in the golden period of artistic creation and creation. In poetry, calligraphy, painting, and printing, Mr. Ma does not seek almighty but is equally skilled, and he takes poetry as his soul. Connecting these strings of art spirits makes life have the splendor of art, and art has the enrichment of life. Therefore, whether it is life or art, Mr. Ma's body is filled with a kind of poetic beauty...
On Humanity
Ma Hesheng's paintings represent Chinese poetry Li Zhudao, with his unparalleled emotion, shows the profound goodness in the country. His artistic charm comes from his life heritage that has a profound impact on the world and is extremely artistically appealing. (Yu Ping 09.4.16)
There are not many colors in the picture, mostly just black and white, but it gives people a very brilliant feeling. The characters are large or small, and they all appear powerful.
I was very moved, majestic and shocking. (Zheng Liran)
The level of ink painting and calligraphy is high, especially the painting "Jiashen Tears" is the most touching. (Yan Hongjia)
Ink painting can draw people's hearts. The characters are very vivid, especially the eyes, which are so shocking! (Liu Kai)
I was very inspired and benefited a lot from visiting Mr. Ma’s painting exhibition.
The author's many themes about miners and farmers are also quite vivid. I wish the author to keep moving forward and create more works for the public. (Song Ziyu 2009.4.17)
When I see his works, I feel very beautiful and envious! (Gaoyang 09.4.17)
The painting style is rough and vivid with thick ink, especially the sense of Chinese ink painting is original. Calligraphy is free and has rules. Embodying creativity. (Li Peirong 2009.4.17)
Mr. Ma’s calligraphy is unrestrained and unrestrained, calligraphy and painting are integrated, natural, beautiful in artistic conception, and touching people’s hearts. The figure paintings may seem simple, but they are very similar, and the characters are carved into three parts. . (Liu Honglan)
I really appreciate how your artistic creations reflect the real life of society and the people! I wish you greater success in your art! (Zou Jia)
Call for true love and cry for life. (Yang Yang 2009.4.18)
Elegant, grand and refined. (Qin Liang 2009.4.18)
Beautiful. (Liu Guogao) Majestic and vigorous. (Han Yan) Beauty, infection, gratitude! (2009.4.19)
A true and simple artist with flesh and bones! (Liu Jing 2009.4.18)
There are many works reflecting coal miners and working people. thank you! (Xu Jie 2009.4.18)
Simple, shocking, real and grand, the temperament and integrity of the descendants of the Yan and Huang Dynasties are evident in the words! (Duan Haibin 2009.4.19)
As an engineering student, I have limited appreciation of art. After watching these beautiful calligraphy arts, I seem to appreciate the beauty of Chinese calligraphy and Chinese art. I believe that after viewing these works, I will have some feelings in my heart that I can't grasp, and they will remain in my heart forever, attracting me to pay attention to and truly love Chinese art. (Li Xingqiao, Beihang University of Automation)
Mr. Ma Hesheng’s calligraphy and painting are very touching. Among them, the expression of Premier Wen holding the child of a miner who died in the mine in his arms is so real and touching that it will never be forgotten for a long time. Having such a good prime minister who is attentive to the people is the foundation of the country and a blessing to the people. Having a good painter like Ma Hesheng is a blessing to the traditional cultural circles of the motherland. (He Guang of Beihang Party, 2009.4.19)
Mr. Ma Hesheng is actually a people’s artist, and his works have a strong sense of the times. The Beihang Art Museum should display more works by everyone so that they can complement each other. (Huang Xilong 2009.4.20)
Mr. Ma is a master of calligraphy and painting. (Zhao Liqin 2009.4.20)
Mr. Ma’s calligraphy and painting are role models. (Han Wenjia 2009.4.20)
Northwestern style, bold style, everyone’s style. You can see the fresh rhythm in Teacher Ma's Chinese paintings, which gives people a different artistic enjoyment. (Beihang Chunlin)
Writing is also painting, and painting is also writing! The combination of calligraphy and painting creates a seamless whole that touches people's eyes and hearts! What is more touching should be the old gentleman’s great kindness and compassion, his concern for people’s livelihood and suffering, and his concern for the people and affairs of the world! Respect the old man! (Wei Nian, a student at Beihang University, 2009.4.21)
I like your works such as "Water Lilies", "Leave the Thick Soil to Future Generations", and "Gradually Far from the Common Dust", especially the first two with their grand scenes and The colors are moving. (Wang Cong 2009.4.21)
The painting style is very grand, worthy of the name "Big Dragon", and it is also a style that I particularly like. Several figure paintings left a particularly deep impression on me, especially (Jia Shen Lei) and the memories of the primary school students! great! (Hu from Beihang University, 2009.4.22)
Mr. He was born in Qinchuan, and his words bear the weight of the land of northern Shaanxi. His outlook is leisurely and broad-minded. (7 series Xiaoyao 2009.4.22)
Have foundation and backbone! (Zheng 4.23)
Reflections on the Ma Hesheng calligraphy and painting exhibition (two poems)
(1) Hesheng's calligraphy and painting are considered to be of high quality, and their grandeur and profoundness encompass the past and present. The anxious ink washes away the worldly world, and the melancholy picture plays the sound of heaven.
(2) The power of pen and ink has new characteristics, and the way to success lies in a strong heart. People's livelihood, current affairs and people's sentiments are important, and the river of life is running.
(Zhao Shuangshi 2009.4.23)
The portraits are very well drawn, and they are expressive at a glance.
(Antoine)
Art and morality are higher! Art is the foundation of human beings!
Art comes from life, and the real coal miners are very touching! (Wang Houcheng 4.25)
There are paintings in poems, poems in paintings, good calligraphy, good paintings, and good themes. (Liu Wei 4.25)
After viewing, I deeply felt that Teacher Ma’s calligraphy and painting were majestic and his thoughts were sharp and profound. Shocking! good! (Liu Peiying 4.25)
Did he really write this? Too good to be true! (Li Jingqi, a student of Beihang University Primary School, April 26, 2009)
It is very rewarding to learn that "you must be open-minded only if your heart is innocent, and you must leave room for things to happen." (Series 16)
The artist only has three things: grandeur, delicacy and conscience. Dalong Hesheng's calligraphy and painting seem to be shouting, running wildly, and hammering!
I like "Life", the gray and messy ruins, and the father's obviously enlarged hand. Let me hold you while the world disillusiones and dies.
I like "Leave the Thick Soil for Future Generations". The sky, the old cow, my father and mother were forced to the edge of the paper by the land, giving me an angle to look up at, which made me in awe.
I like the large blocks of black, gray and white in the painting, which express the primary colors of reality and the cold look of the painter.
I like the sudden frustration when writing quickly, which makes people clench their fists... (Quan Tao, School of Humanities)
The figures are well drawn, especially the eyes. (4 series)
The mountains are colored and the water is silent, which has its own artistic conception. (Qin Zengchang, end of April 2009)]
The pen and ink are fragrant and the artistic conception is infinite. (Xu Zizhen 2009.4.26)