There was almost no movement before the release, but it also quietly swept away 20 million box office on the first day.
It is this "mystery nest", from the title to the poster to Cass, which gives people a feeling of being uncomfortable all over.
It is known as an "international giant action adventure movie". As far as the cast is concerned, it is international, but none of the directors, screenwriters and a group of foreign stars can be named.
Look at the producers of its titles. Most of them are domestic film companies, but most of them are unfamiliar faces who can't name them.
What's more, such an "international giant system" is full of childish tricks that people are already familiar with, and special effects are also the fifth level of domestic films.
Such an "international giant system" has a shanzhai texture with China characteristics.
If Transformers 5 and Resident Evil 4 help Li Bingbing become an "international superstar", then the internationalization of Mystery Nest is still somewhat plastic.
Fortunately, Bingbing is the "first hostess" and "the first chief producer".
On the road to the dream of international superstars, there are always brothers and sisters who are hungry.
In recent years, Zhang Jingchu, Yu Nan, Eva Huang, Yuqi Zhang, Li XiaoLu and so on. They have made some works of international origin, but they have no box office and word of mouth, so they have no influence.
There is only a little "internationalization" left, and it is still so weak.
Such "internationalization" may only be defined as "cottage internationalization".
Love them dearly.
For the whole human history, human civilization is probably still in an elongated primary stage. Science and technology is a double-edged sword, and it seems that the help to civilization is not as pure as people first imagined.
Hildokasinski, an extremely radical former high flyers of Harvard University, opposes the rapid development of science and technology, which seems reasonable from a dialectical point of view.
So you see, the equality between men and women and racial equality that civilized society is striving for at present are actually very primary demands. Even the right to equality has not really been realized. How long does this road take?
The purpose of this long paragraph is to introduce Hollywood.
On the realistic level of political inaccuracy, Hollywood has never been truly equal. Let's not talk about sex trade and writers' strike-what we are most angry about is that there are really few China actors in Hollywood.
Liu Yuling is one of them, but she is an American born in the United States.
Bruce Lee is recognized as the pride of China people. He comes from the golden age of Hong Kong movies.
Later, Jackie Chan made great achievements. Even friends in small villages in Central and South America know Jackie Chan.
Chow Yun Fat, who is becoming more and more gentle and jade-like, has entered Hollywood and worked with several big names, but in fact he can only dabble in Hollywood.
John Lone was a masterpiece handed down from generation to generation, and then he was automatically marginalized. I guess the main reason is that there is no suitable role.
Similarly, Yang Ziqiong and Shu Qi both mean the same thing. Edge.
How old are you, Mr Lisa Lu? Just be a master with peace of mind. People who know a little about American film history may know Huang Liushuang, a Chinese-American actor in 1930s. Still wearing a cheongsam and a bun, it is in the same strain as the spirit of China in the Republic of China.
Chen Chong and Vivian Wu belong to the group that came to the United States from newly opened China in 1980s. This is not easy, because Chinese mainland's per capita wage is still tens of yuan, while the United States is already thousands of dollars.
This huge gap will not adapt for a while. There is also a rebellious aunt, Bai Ling, who is not well received by Chinese people. Like Chen Chong, they all experienced the hard times of serving food and slowly gained a foothold.
During the same period, some actors, such as Jiang Lili, Zhang Li, Gong Xue and Zhang Yu, who played Xue Baochai, and Kerwin Chen, who played Empress Ci 'an, went to the United States and returned to live with their families automatically. The actor's career came to an abrupt end.
It seems that this is not a question of equal rights, but a question of the audience's independent choice.
Hollywood is a mature industrial system, and it has its own operating mechanism-production is completely in accordance with the market, ensuring the interests of all participants.
But in the final analysis, it is still a question of equal rights. The marginalization of Chinese, the silent Chinese nature, the lack of "outstanding figures" who can be called the pride of all mankind like Bruce Lee, the lack of scripts with good themes and values that attract the world's attention, and the prejudice and cognitive defects from the outside world have all made us "isolated".
Europe is also a marginal zone. The "cultural colonization" in the United States is still quite powerful. Many artists from China have gone to Europe to develop, but making movies in Europe can make a difference in secular success, which is far less than that in the United States. After all, young Europeans have also started to run to America.
Therefore, it is not difficult to understand why so many China actors, step by step to gain a foothold, began to consider entering outland.
After that, Gong's participation in the jury of Cannes is a matter of great concern.
Zhang Ziyi's "international superstar" demeanor was once achieved. After all, she was soaked in Hollywood water, young. At that time, everyone who saw her was still wanting more and had high hopes.
It's really just a few years. Zhang Ailing said that it is not unreasonable to become famous before it is too late. She is a snob. In this business, it is common.
After Zhang Ziyi, the international recognition of domestic stars declined a little.
Speaking of Li Bingbing's Mystery Nest, do you think it will be a box office? Will word of mouth be as terrible as other "shanzhai international blockbusters" in the past?
Brave Zhang Jingchu, Yu Nan and Eva Huang have been trying international exploration for years-it sounds too much like human exploration of outer space.
But the result is not satisfactory. In particular, it will be a little embarrassing.
The Jade Warrior, co-produced by Zhang Jingchu and Finland, has a douban score of 4.3. At that time, it was horribly low, and the propaganda was bright for a while. The greater the hope, the greater the disappointment.
There is also "Black Eating Black" filmed in Italy. It was impossible to attend the meeting in China. Douban score is 5.8, and IMDB is even scarier 3.8.
Will Italians know who Zhang Jingchu is? The box office of this movie can't be found on IMDB or MOJO.
In Rush Hour, Zhang Jingchu's excellent English and accumulated acting skills make people feel that they are just one step away. I didn't expect this step to be empty
Yu Nan literature and art won many awards in its early years, which started a journey of international cooperation.
In 2007, I believe most people have never heard of this "Tangka Lost". Douban 3.4 points, IMDB 4.2 points.
Above the poster was written a line of Chinese characters "Rebuilding raiders of the lost ark, China". Aren't you ashamed?
Who is the so-called "Hollywood action star" and "gold medal star" Dolph Longoria?
There was a French film "Rage" in 2003, and no one had heard of it.
It can be seen that neither the Mystery of Thangka nor Fury, co-produced by China and the United States, are truly international giants.
The only movie that can touch the international giants is "The Expendables 2", which was played by Jet Li, but it is only a B-rated film in Hollywood, which is far from the top production.
Most notably, Eva Huang, whose team may need to be updated. Therefore, we can make up a big news that "we were scheduled to walk the red carpet with Tom Hanks, but we fell ill in front of the carpet and had to leave" with the old routine promoted by enterprises more than ten years ago.
In this era, the eyes of the masses are sometimes groggy and sometimes discerning. It's not good not to walk down this embarrassing red carpet.
But some people just can't. Because we need attention and mobility.
Actresses who have participated in these "international giants" can easily find that most of them are tepid at home and encounter bottlenecks. The domestic popularity is not high, and we can't produce good films, so we can only make a fuss about internationalization.
No matter whether the movie is good or not, at least we are "international superstars".
The queen of international superstars, if you want to bear its weight, please respect yourself first. How many scenes of Eva Huang are there in The Big Bomb, which is called the Sino-US cooperation giant?
The endless "Mermaid Empire" dragged away a leading role, Shi Yanfei, an "international rising star with a particularly high voice".
These movies also have a poster that looks very similar. Actresses in China always occupy half the conspicuous position, and the other half are totally unknown foreign actors.
I can see that the main card is an actress from China. Unfortunately, few people recognize it.
To sum up, it is a fact that mixed-race production cannot be regarded as its own "international giant".
Sometimes, you should cherish your feathers. Sometimes, you have to know how to leave a blank in your career.
Besides, this road really has a long way to go.
The next good news is Mulan in Liu Yifei. I hope she can break through her heroic spirit so that she won't have to become an immortal.
End—
Gini
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