After hyper-realism entered China, the Western painting art gained great vitality in ancient China. Our country’s hyper-realistic “master-level” figure is none other than Leng Jun. Leng Jun has pushed hyper-realistic paintings to unprecedented heights, attracting widespread attention with his extremely lifelike painting techniques. After Leng Jun, there were a large number of young painters, among whom Xue Guangchen was the leader. The "pictures of beautiful women" he painted are lifelike and lifelike, and what is amazing is that he clearly painted all the "dandruff". Experts point out that there is no beauty in it. What is the charm of the "pictures of beautiful women" he painted? Is there any merit in what the experts say?
Xue Guangchen
Part of Xue Guangchen's works
Xue Guangchen is an authentic Henan native, born in Jiaozuo, the "coal city". He graduated from the Central Academy of Fine Arts and is naturally very talented. His painting skills have reached an unprecedented level. In fact, the test of a painter's skill is painting "still life". Leng Jun is a master of still life painting, and his paintings of scrap metal have won many awards. Xue Guangchen is naturally better than his master, and his still life paintings are also amazing. What he is best at is painting bricks. The textures and hard-to-find holes on the bricks are all reflected in his paintings. Such a work of art that shows every detail makes people admire it from the bottom of their hearts and admire it from the bottom of their hearts.
Part of Xue Guangchen’s works
Xue Guangchen is not only good at painting bricks, but he is also good at painting "pictures of beautiful women". He had previously painted a "picture of a beautiful woman" called "Ning". The model in the painting has her hair tucked up, and Xue Guangchen drew a side face. The model painted by Xue Guangchen has a good temperament and a distinguished appearance. Compared with Leng Jun's paintings, it has a bit more rich connotations. This connotation reflects Xue Guangchen's thinking on beauty and also shows the definition of beauty in the painter's mind. The girl he painted also shows the life-like nature of the painting from the details. We all know that the reason why most girls choose to wear their hair up is largely because they don’t wash their hair.
Xue Guangchen's work "Ning"
Part of Xue Guangchen's work "Ning"
Part of Xue Guangchen's work "Ning"
Part of Xue Guangchen's work "Ning"
This reflects Xue Guangchen's unparalleled painting skills. In his painting, the dandruff on the hair of the "beauty picture" can be clearly seen. Although the dandruff is not too much, if you zoom in, you will find that there are some subtle dandruff. Hyper-realism is so magical that people can inadvertently catch a glimpse of a small discovery on the model. This kind of painting method that pays attention to details and brings beauty to the extreme is something that our traditional freehand painting does not possess. my country's traditional freehand paintings often outline a picture of a beautiful woman with just a few strokes. However, experts view Xue Guangchen's paintings based on traditional Chinese freehand painting. Experts pointed out that Xue Guangchen's paintings have no sense of beauty. Is this true?
Part of Xue Guangchen's work "Ning"
In fact, experts still cannot accurately grasp the pulse of Xue Guangchen's art when looking at Xue Guangchen's paintings based on traditional Chinese freehand painting. . Xue Guangchen's art is realistic on the one hand, and more importantly, he adds his own thoughts on beauty on the basis of realism. Xue Guangchen's paintings are also very life-like from an artistic point of view. Appreciating Xue Guangchen's paintings should be viewed from a life-oriented perspective. He clearly painted the dandruff on the model's head in the "Beauty Picture", perfectly reproducing the life-like side of the beauty. There is no absolutely perfect beauty, this is the embodiment of following the art. Therefore, the beauty of Xue Guangchen's paintings needs to be reflected carefully.
Part of Xue Guangchen's work "Ning"
Based on a full understanding of Xue Guangchen's paintings, we can see that his paintings are still beautiful. This also shows from the side that the experts’ opinions are untenable. Xue Guangchen's paintings are still very beautiful. The "pictures of beautiful women" and "dandruff" he painted are clearly visible, and they have a beauty that experts cannot appreciate. Of course, experts looked at the "dandruff" on Xue Guangchen's hair from the perspective of traditional Chinese freehand painting. Although the painting was clear, in the eyes of experts, this realistic beauty was just too straightforward. , not subtle enough.