Regular script calligraphy brush works 1
Regular script calligraphy brush works Figure 2
Regular script calligraphy brush works Figure 3
Regular script calligraphy brush works Figure 4
Regular script calligraphy brush works Figure 5
Pay attention to Song Cao, a calligrapher in Qing Dynasty, when writing regular script. On regular script:? To build a model, it is necessary to clarify the internal framework of words and shape them, which will be natural and harmonious. However, the size, complexity, length, width and narrowness should not be as straight as the operator, but it can make maximum use of its ontology, not limited to strokes, and curb its interest. It is a rule to make the pen focus extremely natural, the words are different and the lines are extraordinary. You have to escape and make it disperse; It must also be embedded in the middle and the tendon is not exposed. Nothing hangs down, nothing goes far, it is a hidden front, which makes people think outside the words. If it is block letters, the structure is expensive and dense, otherwise the otter is rambling and dull, and if it is too dense, it will be vulgar. Writing small characters is easy to be cramped, and it is open and has a large font segment. People who are prone to cramps are suffering from a bitter pen and tight hands, and their wrists are ineffective, pulling left and right; Hang the pen in the virtual palm and turn it to live. If you want to be behind a pen, you have to touch your ears, which is not a book.
In short, if you are familiar with it, you will naturally be born. There was a Tang dynasty who took people by calligraphy, so it was very strict and very European and American. Ou and Yan are suitable for rescuing temples. If it's normal, he doesn't need to take it when Fa Hammer, Wang, (Oriental Painting Praise), Lun, Bei, (Luo Shen Fu) and "The Preface to Breaking Evil" are the rules. ?