1, Wan'er Lin Wan'er Lin and her signature drumstick.
To tell the truth, in this story, Wan'er Lin, as the heroine, doesn't have too many scenes, which plays a role in relaxing the rhythm.
The author endows this role with all the beautiful expectations of classical men for classical women-tenderness, thoughtfulness, loveliness and weakness.
Generally speaking, most scenes in cool articles are designed to make everyone happy, but unlike Yunian Qing, the protagonist throws his anger out of the clouds when he meets such a lovely person. Although the cool style of writing is cool, if you fight and kill from beginning to end and increase the rank and rank, it will make people collapse too tightly and feel too cool, but there is a combination of urgency and slowness, and it will go up a storey still higher.
I have to say that the author is a leader among young writers and artists. He knows how to grasp the rhythm and adopt the golden mean with simple love lines.
Her love with Fan Xian is also different. Some people say that when a novelist portrays love, he always twists and turns, which makes the reader's mood turn over a thousand times, and his thoughts are still not over. However, when they met such a real author for the first time, they simply designated the two protagonists who fell in love at first sight as marriage targets, which could not help but make the "lattice fighters" in modern cities cry. It seems that we are really old, and the simpler things are, the easier it is to move.
In addition, the word in Lin's novels is in accordance with the morning. (Note: Ariel Lin was an active actress in Taiwan Province Province when we were teenagers.) I can't help but be completely impressed by the cunning honesty here-he generously took his favorite star as his heroine's name, which is completely applicable and direct enough!
2. If Fan Ruo is not the affection between his biological brothers and sisters, he cannot explain it.
Fan Ruoruo and the protagonist are childhood friends, and they are also the people who are most influenced by the modernist thought of the protagonist Fan Xian.
For ordinary people, everyone's world is a reflection of what they see in their minds. Fan Xian is a passerby who knows astronomy above and geography below. With this passer-by, she can guide a feudal girl whose three views have not yet formed and show her this living encyclopedia. The world reflected in her mind is much wider than that of others in the world. But there is only one person, and that is Fan Xian.
If measured by the amount of knowledge mastered, Fan Xian is God compared with the world, while Fan Ruoruo is like an angel of God. Do you think the angel of God will fall in love with a world? I can only answer, it is difficult. Fan Xian opened Fan Ruoruo's mind and introduced her to the lofty palace. From then on, she can only look down on all beings, and all beings are difficult to see.
At first, if the affection for Fan Xian was just a sister's worship of her brother, later, when she realized that she and her brother were not related by blood, she gradually turned the worship into a little affection.
However, feelings stop at politeness. After all, the social environment is a big sauce jar, and no one can be immune to it. If you can't get out of that step in that environment after all. Fan Xian later transferred Ruo Ruo to the Northern Qi Dynasty to learn from the bitter lotus Sect, and there was also a layer of intention to remove Ruo Ruo from his own magnetic field, so as to avoid the two of them going further.
3. Haitang blossoming is both a literary youth. I especially understand the author's aesthetic taste. If I want to write, I will write something different.
To write a saint in the Northern Qi Dynasty, we must put aside the common imagination of saints in people's hearts.
In the original text, the word "village girl" is used to describe the blossoming of begonia-the lazy appearance of daily life, walking with baskets and loving farming. This is the author's favorite aesthetic contrast, and breaking the stereotype is a sharp weapon for the author to hit the reader's heartstrings.
4. The spy image of a manager with a complicated mood is never easy to depict.
Whenever a novel IP is adapted into a film and television drama, people look forward to and worry about those characters with outstanding appearance in the novel.
For this form of novel, it is the easiest to portray beautiful characters, because words can make people have infinite reverie. Everyone has a different understanding of beauty. Only words have no image, so imagination has no limit. Therefore, in China's traditional philosophy, the number "0" is often regarded as infinite.
However, when it is adapted into a film and television drama, it is a place to test director casting, actor acting, costume modification, makeup addition and other aspects. In film and television dramas, the value of passers-by actors is generally not low, and the protagonist is more beautiful. Under such conditions, it is difficult to show a stunning beauty.
In the story, the manager of drunken Xianju is such a role. The more the manager's looks and temperament are spread in the previous plot, the greater the pressure she faces on the stage. There have been so many outstanding women in front, and if the head of the family can't be amazing, it can be said that it is a failure. For the interpretation of the appearance of managers in film and television dramas, I think it is not bad overall, and it is not easy to do so.
In this story, Li Si's role is very complicated. She is a royal family in the Southern Qing Dynasty, a spy in the Northern Qi Dynasty (that is, a spy as the old saying goes), and a nominal imperial concubine of the Northern Qi Queen. She is related to different people in different camps and plays a role in connecting stories.
5. Zhan Doudou has a good grasp of the discretion of men dressing as women in his plays.
Another worrying thing about the adaptation of the novel into a TV series is the display of women disguised as men.
Absurdity is everywhere, especially in this book. One of the absurd settings in this book is to set the Northern Qi Emperor as a woman. When reading the novel, I vaguely felt that I could fight against the powerful Northern Qi Dynasty, and its emperor must be an iron man. However, this is not the case. Zhan Doudou, the emperor of the Northern Qi Dynasty, turned out to be a woman, wearing men's clothes for people to see every day.
Dressing up as a woman is complicated. First, we should not treat the audience as fools. After makeup, you can't make it obvious that this is a woman. But if you make the actor too masculine, that won't do either. In that case, it would be embarrassing to watch the protagonist having an affair with a "man".
In the play, Zhan Doudou's casting and makeup are still in place. The male version of Zhan Doudou is full of heroic spirit, handsome smile and good face, which I believe will satisfy most people.
6. Liu Sisi is a unique character in the novel. In the original text, Liu Sisi was Fan Xian's maid since childhood. When Fan Xianmo wrote the Red Chamber, she added fragrance to tea and gave birth to Fan Xian's eldest daughter, named Fan. In the adaptation of TV series, in order to make Fan less idle, this role may be deleted.
In fact, the protagonists in most novels written by the author are monogamous, with at most one or two confidantes. In addition to the joy of life, three women have been arranged to have children for Fan Xian. I guess it may be because it was the author's early work and was not influenced by the new public opinion environment at that time. It is absolutely impossible to write a novel like this if it is to win more audiences.