Tianya Cao Fanglv; Huaxia Yuyang ring
When the sun is shining; This sheep is old and beautiful.
Rhyme with dragon and horse; Shu Lian Daji sheep.
Sheep express ambition; Yan suo weaves spring scenery.
The characteristics of Yang Haoshu; Swallow wings embroider spring scenery.
Red plum sends the Year of the Horse; Colorful candles shine in the Year of the Sheep.
Flowers are full of years; The auspicious picture of Yan dance.
Golden horse resigned from the old; Silver sheep celebrate the new year.
Sheep dance in spring; The snow melted and the horse returned to the mountains.
Spring new sheep get grass; The world is full of horses and whips.
Spring grass is greener; The sheep are moving happily.
The warbler spreads the swallow letter; Ride to the Year of the Sheep.
Sing the old year; Sheep wine celebrates the Spring Festival.
Horses run thousands of miles; Good sheep enter the family.
This horse belongs to Shan Ye; Lingyang loves grasslands.
The steed is always in spring; Good luck.
Wax drums urge the gods; Spring breeze sends auspicious sheep.
Happy Year of the Horse; Everything is fine in the Year of the Sheep.
The horse went to look up and rejoiced; When the sheep come, the wind comes.
Ma Xiao is a hero; Sheep sing in the spring of the century.
Beautiful mountains and clear waters, green grass; Sheep fat Mazhuang Chunrong.
Determined to be fearless and learn from Mo Wei.
Wujin loess hometown; A new suburb with white sheep and green fields.
Magpies climb branches to pray; Sheep and the earth are auspicious.
Horseshoe and drums; Antelope horns bloom in spring.
Language root-seeking
What is the most essential feature of a standard couplet? Fight? . When expressed orally, it is verbal confrontation, and when written, it is verbal confrontation. What is the meaning of language duality? Usually we talk about four items: equal number of words, relative parts of speech, even words and the same syntax. The most important of the four items is the equal number of words and the average score. The number of words here is the same, not the same as in English? Words? Equality is essentially. Syllable? Equality. That is, one syllable corresponds to one syllable. In English, words? Cars? With what? Jeep? They are equal in number, but different in syllable. And Chinese? Trucks? With what? Jeep? The number and syllables are equal. Why can Chinese be realized? Syllable? Equality is because Chinese is a language with monosyllabic as the basic unit. Syllables, morphemes and characters are trinity. Every syllable in Chinese has a strong independence and has a certain length and tone. In ancient times, there were four tones: flat, rising, falling and entering. Now there are four tones: rising, falling, rising and falling, which are divided into flat and falling. Flat confrontation is a contradiction. In this way, between morphemes in Chinese (that is, between words), we can establish an antagonistic relationship with equal words or even equal words. In English, even if the name and concept of things can be relative, the number and part of speech of words can be relative, and the sentence patterns of two sentences can be relative, but their syllables are different in length, weak in independence, free to spell and have no tone, so they can't be relative. Couplets are mostly written in words, often written, hung or engraved on other buildings or objects. So the second level of antithesis of couplets is the so-called literal opposition. The relativity of words means that couplets are both language art and decorative art. As decorative art couplets, it requires neatness and symmetry, giving people a harmonious and symmetrical aesthetic feeling. Chinese characters just have the conditions to achieve neat symmetry, which exists in the form of individual square, square and neat, occupying equal spatial position in writing. It is readable and visible. Its square configuration has both aesthetic principles and mechanical requirements. Whether writing horizontally or vertically, it can be dense, neat and beautiful. English, on the other hand, is a phonetic symbol, and each word has different lengths, and it is only phonetic but not ideographic, and it is even more invisible. It can only be arranged horizontally, not vertically, and it is impossible to achieve true symmetry in form. In the following interview, two Chinese and English antitheses with the same meaning are compared to further explain why only Chinese has a real antithesis, while English and other pinyin characters do not.
Couplets originated in the Qin Dynasty and were called Fu Tao in ancient times. With regard to the earliest couplets in China, Mr. Tan Chan-xue wrote in the fourth issue of Knowledge of Literature and History 199 1 that the earliest couplets in China appeared in the Tang Dynasty. According to the Dunhuang suicide note with volume number Stein 06 10 unearthed from the Tibetan scriptures cave in Mogao grottoes:
Years old: Sanyang began to spread, and the four orders began to open.
Fuqing is new at the beginning, and Shouluyan.
Also: Sanyang returns to the beginning, and the fourth order reaches Kyrgyzstan.
Yan Fu's new day celebrates that life has no boundaries.
Beginning of spring Day: When the copper turbidity begins to celebrate the banquet, the jade method begins to adjust the yang.
In addition to three disasters, Five Blessingg has suffered countless disasters throughout the ages.
Baoji can ward off evil spirits, and Yan Rui can ward off evil spirits.
Beginning of spring □ (Home), Fukiko, Sun Chang.
Also: Sanyang began to spread, and Simeng (Meng) began to open.
Zhao Zhixin, the author of Tone Spectrum, clearly pointed out:? Two sentences are connected, and four sentences are unique (sentences), which began in the Six Dynasties, and Yuan (original) is not close to the body. ? Wang Fuzhi said that couplets originated from regular poems, like? Decapitate and gouge out feet, cripple physiology "Qingshihua"
Couplets originated from the symmetry of characters and sounds in China, and appeared before the Zhou Dynasty. With the development of papermaking and calligraphy, couplets have become an independent style.
Couplets are short in form and concise in words, which is not only a vivid artistic expression, but also an excellent cultural heritage. Are couplets ancient? Fu Tao? And then what? Dialogue? The earliest couplets in China appeared more than 1000 years ago. According to historical records, on the eve of the Spring Festival in the twenty-seventh year of Zheng Guang (AD 9 * *), Meng Chang, the master of the post-Shu kingdom, was good at learning couplets on weekdays, so on the occasion of the new year, he suddenly made a decree to ask his ministers to be present. Fu Tao Board of Directors? Write antithetical sentences on the topic and test your talent. Ministers each wrote a picture and waited patiently for the inspection. Meng Chang looked at them one by one, but he was not satisfied. So he wrote this pen himself, now? Fu Tao Board of Directors? Is it in the newspaper? Qing Yu in the New Year; Festival number Changchun? . This is the earliest Spring Festival couplets written by China. The exquisite format of couplets not only has a long history and traditional habits, but also has a unified and fixed format on the basis of widespread use by the masses. From the literary point of view, it is a special style that is more valued and strict in China folk cultural heritage. In terms of format, it is closely related to the fact that there are two doorframes and a lintel in the middle of real life, and accordingly it consists of three parts: the first part, also called sentences; Bottom line: the second sentence, also called antithesis; Banner: Also called horizontal batch or horizontal row. The upper and lower couplets are the main part of couplets, which are both wonderful and indispensable. In addition, in the practical application of couplets, no matter how long the upper and lower couplets are, there are generally no punctuation marks, which is also very particular about the format. But there are exceptions
From the perspective of literary history, antithetical couplets evolved from antithesis in ancient poems. This development process has roughly gone through three stages.
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