1: Simply put, among the four tones in modern Chinese, the first and second tones are flat tones; the third and fourth tones are oblique tones. 2: Types of ancient Cipai and Pingchi: Ci, a type of poetry. Because it is the lyrics of Hele, it is also called tune lyrics, Yuefu, music, long and short sentences, poetry, Qinqu, etc. It began in the Sui Dynasty, took shape in the middle and late Tang Dynasty, and flourished in the Song Dynasty. During the Sui and Tang Dynasties, the music of various ethnic groups introduced from the Western Regions gradually merged with the old music of the Central Plains, and Yan music, mainly Hu music, emerged. The original neat five- and seven-character poems were no longer suitable, so words with unequal words and more lively forms were produced.
Words originated from the folk. Later, literati wrote new words according to the rhythm and rhythm of the music score, which was called "filling words" or "according to the sound". From then on, words and music were separated, forming a kind of metrical poetry with sentences of varying lengths. 5. The seven-character poems are well-proportioned and dualistic, showing the beauty of order; while the lyrics are mainly long and short sentences, showing the beauty of jaggedness.
Ci has a word card, which is a melody. Some lexical tones have different "styles" depending on the number of words or sentence structure. There are about 100 commonly used word cards. The structure of the word is divided into pieces or columns. If it is not divided into pieces, it is monotonous. If it is divided into two pieces, it is called double tone. If it is divided into three pieces, it is called triple. According to music, there are differences between leading, leading, approaching and slow. "Ling" is generally short, and early literati's poems often filled in Xiaoling. Such as "Sixteen Character Order", "Ru Meng Order", "Tao Lian Zi Order", etc. "Yin" and "Jin" are generally longer, such as "Jiangmei Yin", "Yangguan Yin", "Zhu Yingtai is near", and "Reporting the sincere feelings are near". "Man" is longer than "Yin" and "Jin", and it became popular after the middle of the Northern Song Dynasty. There is a saying that Liu Yong "began to develop Man Ci". Poems such as "Magnolia Slow", "Yulin Ling Slow" and so on. According to the number of characters, it can be divided into "small tune", "middle tune" and "long tune". According to Mao Xianshu's "Interpretation of the Names of Completion of Ci" of the Qing Dynasty, the characters within 58 are Xiaoling, the characters 59-90 are the middle tune, and the characters beyond 90 are the long tune. The longest poem, "Preface to the Orioles' Cry," has 240 words.
Certain word cards reflect certain sentiments. The origins of most of the names of Cipai are unknown. There are only a few capable poems such as "Bodhisattva Man" and "Recalling Qin'e". The rhyme of words is where the music pauses. Generally do not change the rhyme. Some omit every sentence, some omit every other sentence, and some omit several sentences. Like five or seven character poems, the words should be flat and oblique. And the oblique sounds are divided into up, come, and enter. You can overlap words.
Because in the late Tang Dynasty, the Five Dynasties, and the early Song Dynasty, most of the poems were written to entertain guests before banquets, so there are sayings that "the poems are Xiaodao and Yanke" and "Shizhuang Ci is charming". With the development of Ci, through Liu Yong and Su Shi, the theme of Ci gradually expanded, reaching its peak by Xin Qiji, becoming a literary genre with the same status as poetry.
Dark Fragrance
Dark Fragrance and "Sulfur Shadow" were both composed by Jiang Kui at the same time to chant plum blossoms. The first two characters of the two sentences "near dusk" are used as the name of the tune. Later, Zhang Yan used these two tunes to sing about lotus flowers and leaves, and renamed them "Red Love" and "Green Meaning". Ninety-seven words. The first part has forty-nine characters, nine sentences, and five oblique rhymes; the second part has forty-eight characters, ten sentences, and seven oblique rhymes.
Baliuzi
Baliuzi, this tune was first seen in "Zunqian Collection" and collected Du Mu's poems. There are many styles, and "Ci Pu" uses explicit and complementary words as the main style. Jiuyiyu has six lines in the first section with three levels of rhyme and eleven lines in the back section with six levels of rhyme. The fourth sentence in the previous paragraph is a one-word lead to the following two six-character sentences. The fourth to seventh sentences in the last paragraph are fan-faced syntax. Qin Guan's poem contains the sentence "Huang Peng crows several times again", so it is also called "Sense of the Oriole".
Ganzhou in eight tones
Ganzhou in eight tones, Tang Jiaofang's big song includes "Ganzhou", and miscellaneous songs include "Ganzhouzi", it is a frontier fortress song of the Tang Dynasty. It is named after Diganzhou. "Eight Tones of Ganzhou" is adapted from a section of the big song "Ganzhou". Because the whole word has eight rhymes in the front and back parts, it is called Ba Tone, a slow word. It is different from the music of "Ganzhou Bi" and the lyrics of "Ganzhou Zi". "Ci" uses Liu Yong's Ci as the formal style. Ninety-seven characters, the first part is 46 characters, the second part is 51 characters, each has nine lines and four flat rhymes. There are also those that add a rhyme to the beginning of the sentence. The first sentence and the third sentence of the first part, and the second and fourth sentence of the second part are often used to lead the sentence. There are also ninety-five characters, ninety-six characters, and ninety-eight characters, which are changed patterns. Also known as: "Ganzhou", "Xiaoxiaoyu", "Yaochi Banquet".
Bu Shuanzi
Bu Shuanzi, "Cipu" believes that this word is derived from "a person who sells divination and fortune telling". "Ci Pu" takes Su Shi's Ci as the formal style. Double tone, oblique rhyme, forty-four characters, four sentences each in the upper and lower parts. Use oblique rhyme in even-numbered sentences, and use flat tone at the end of odd-numbered sentences. Some of the two concluding sentences have added lining characters to form six-character sentences. There is also "Bu Suan Zi Man", with eighty-nine characters, which is a special pattern and has nothing to do with the original tune.
It is also known as "Bai Chi Tower", "Beautiful Peaks", "Sparse Tung Trees Hanging on the Missing Moon", "The Immortal in the Yellow Crane Cave", and "Chu Tianyao".
Picking mulberry seeds
Picking mulberry seeds, the Tang Jiaofang Daqu includes "Picking Mulberries under the Yang", "Picking Mulberries" may be an independent piece of lyrics cut from the daqu. Also known as "Chou Nuer Ling", "Luo Fu Mei Song" and "Luo Xiao Mei". "Ci Pu" takes the Five Dynasties and Ning Ci as the main body. Double tone, forty-four characters, eight sentences. The first and second pieces all start and end in reverse, and the following three sentences use plain rhyme. In addition, two words are added to each of the two concluding sentences to become two sentences with four characters in the first and five characters in the last. There are also fifty-four double-tone fonts, with five sentences in the first part and four flat rhymes, and five sentences in the last part with three flat rhymes.
Sauvignon Blanc
Sauvignon Blanc is originally a Tang Jiaofang song. The name of the tune comes from the ancient Yuefu line "Auspicious times are longing for lovesickness, and lower words are long-lasting farewell".
"Double red beans", "Acacia Ling", "Mountains are getting green", "Mountains are getting green", "Long Acacia Ling", "Long Sick Fairy", "Green Mountain Farewell", "Yi Duo Jiao", etc., the former People often use it to write about the love between men and women. I first saw Bai Juyi's poems. Double tone, flat rhyme, thirty-six characters. The first part has four sentences each, and each sentence uses rhyme. There are also sentences in the second part that do not use rhyme.
Chu Ci
Chu Ci style, also known as "Sao style". It is a type of Ci Fu. It originated from the Chu State during the Warring States Period, with Qu Yuan's "Li Sao" as its representative work. It is characterized by a romantic atmosphere, more lyrical elements, breaking through the four-character formula, free form, longer sentences, leaning towards prose culture, and using "xi" and "some" to help the language. Later generations often took "Li Sao" as a model, so it was named Sao style.
Cui Lou Yuan
Cui Lou Yuan, this tune is Jiang Kui's own song. During the Chunxi reign of Emperor Xiaozong of the Song Dynasty, the Anyuan Building in Wuchang was built. Jiang Kui climbed up to the building with his friends and wrote this poem. There is a sentence in the poem "The floors are high, the music on the threshold is red, and the teeth are flying green", so it is called "Resentment on the Green Tower". This tune has one hundred and one words. The first part has fifty characters, eleven lines in six oblique rhymes; the second part has fifty-one characters, and twelve lines in seven oblique rhymes. The seventh sentence of the upper and lower parts and the second sentence of the lower part are all one-character bean syntax.
Tao Lianzi
Tao Lianzi, "Mei Yuan" compiled by Huang Dayu of the Song Dynasty, contains eight poems by an unknown person, one of which begins with the sentence "Pao Lianzi", that is, To make the name of the lyrics. It may be said: "Empress Li's main poem is chanting, pounding and practicing, which is the essence of Tang poetry." (See "Sheng'an Ci Pin") The predecessors mostly used it as a work for women to commemorate their husbands. Monotonous, twenty-seven characters, five sentences and three flat rhymes. There is also a double-tone thirty-eight font, which is called Biege, and is called "Tao Lian Zi Ling".
Dianjiangchun
Dianjiangchun is named after the line "White snow condenses the beautiful face, and the pearls shine on the lips" in Liang Jiangyan's poem "Ode to Beauty's Spring Outing". "Ci Pu" takes Feng Yansi's Ci as the formal style. Forty-one words. The four sentences in the first part use three oblique rhymes starting from the second sentence; the five sentences in the second part also use four-stop rhyme starting from the second sentence. "Ci Lv" believes that the first character of the second sentence of the first part should be used in the negative tone, "if it is flat, there will be no tone." According to the predecessors, the flat tone was used when using this word, such as Wang Yu's poem "Jiangnan is still called a beauty", Su Shi's poem "This year's good health will give you a feast", "The romantic young man will finally have a banquet", etc., Jiang, Jin and Feng are all in flat tone. The word, used here, has a harmonious rhythm, so why can't it start from the tune? This is unacceptable.
Also known as "Pointed Cherry", "Eighteen Fragrances", "Nanpu Moon", "Shatou Rain", "Xunyao Grass", "Ten Thousand Years of Spring", etc.
Tiao Xiao Ling
Tiao Xiao Ling, in the Tang Dynasty, there were many kinds of tunes such as "Gu Diao Xiao", "Gong Zhong Diao Xiao", "Tiao Xiao Ci", "Zhuanying Qu" and so on. The name, Feng Yan of the Southern Tang Dynasty, had been renamed "Santai Order". According to the annotation in the poem written by Bai Juyi to Yuan Wei, "There is a "Tiaoxiao Ling" in the Tou Da song, it can be seen that it was a song sung during the Tou Da game in the palace or in the banquet hall at that time. Wei Yingwu Ci was first seen. Monotonous, thirty-two characters, eight sentences, four oblique rhymes, two flat rhymes, and two overlapping rhymes. The flat and oblique rhymes are repeated three times. The fourth and fifth sentences change from oblique rhyme to flat rhyme, and from the sixth sentence onwards, they change from flat rhyme to oblique rhyme. The sixth and seventh two-character refrains must be used in reverse using the last two characters of the fifth sentence. This is the origin of the name "Zhuanyingqu" of this tune. After the Northern Song Dynasty, this tune only used oblique rhymes and no longer changed rhymes. The number of words and sentence patterns also changed, which is a variation of this tune.
Die Lianhua
Die Lianhua is the name of Tang Jiaofang's song. The real name is "Magpie Pedal". Manshu Ci changed its current name. The name of the tune is taken from three characters in a poem by Xiao Gang, Emperor Wen of the Liang Dynasty, "The Butterfly Loves the Love of Flowers". Double tone, six characters, ten lines, five lines each in the upper and lower parts and four oblique rhymes.
Also known as "Golden Thread", "Feng Qi Wu", "A Basket of Gold", "Fish and Water Rejoicing Together", "Drizzle Blowing Pond", "The Bright Moon Born in Nanpu", "Rolling Bead Curtain" , "Jiang Rulian" and so on.
Ding Feng Bo
Ding Feng Bo is the name of Tang Jiaofang's song. It first appeared in Ouyang Jiong's Ci of Later Shu. Change the rhyme between flat and oblique, sixty-two characters. The first part has five sentences, thirty-two characters, three flat rhymes and two oblique rhymes; the second part has six sentences, thirty-two characters, four oblique rhymes and two flat rhymes. Due to the uneven sentence patterns and the staggered oblique and oblique patterns, the pronunciation is unique. There is also a oblique rhyme style, created by Liu Yong, with one hundred words, eleven sentences in the upper and lower parts, and six oblique rhymes.
Also known as "Rolling in the Spring Sky", "Ding Feng Liu", "Ding Feng Bo Ling", and "Drunk Qiong Branch".
Dongxiange
Dongxiange is the name of Tang Jiaofang's song. It was originally used to chant the immortals of Dongfu. There is this tune in the Dunhuang music, but it is different from the style of the lyrics written by the Song Dynasty people. There are two types: middle tone and long tone. The middle tune has 83 to 93 characters, and the long tune has 118 to 126 characters. "Ci Pu" takes Su Shi and Xin Qiji's Ci as the initial style. Eighty-three words. The first part has thirty-four words and six sentences; the second part has forty-nine words and seven sentences. Each has three oblique rhymes. The second sentence in the previous film is a one-word funny syntax, but it also uses the upper, second and lower three-sentence structure. In the next eight-character sentence, one character leads to seven characters. The last two sentences lead two four-character sentences with one word. The tune was composed to chant immortals, so the rhythm is slow and the mood is transcendent.
Also known as "Song of the Yuxian", "The Immortal in the Cave", "Ci of the Cave Immortal", "Order of Songs of the Cave Immortal", and "Slow Song of the Cave Immortal".
The Wind Comes into the Pines
The Wind Comes into the Pines, "The Collection of Yuefu Poems" contains the guqin song "The Wind Comes into the Pines", which is said to have been composed by Ji Kang of the Jin Dynasty; Tang monk Jiaoran wrote "The Wind Comes into the Pines" Song" is the origin of the name of this tune. Also known as "Yuanshan Heng", it has a flat rhyme and two tones. "Ci Pu" uses Yan Jidao's Ci and Wu Wenying's Ci as the main style. Yan's poem has seventy-four characters and Wu's poem has seventy-six characters. They are both twelve sentences, with six sentences each in the front and back parts, and four flat rhymes. The fourth sentence of the upper and lower parts is mostly used in the upper, third and lower four sentences. There are also seventy-two characters and seventy-three fonts, which are declensions.
Also known as "The Wind Slowly Enters the Pines" and "The Distant Mountains Cross".
Cinnamon twig fragrant
Cinnamon twig fragrant, blended into the lyrics of Zhang Ji's "Yuefu Ya Ci". Pei Siqian, the first scholar in the Tang Dynasty and later in the imperial examination, wrote a poem with the line "The new night comes and the fragrance of cinnamon branches arouses", which should be the source of the name of this tune. "Ci Pu" takes Wang Anshi's Ci as the formal style. One hundred and one words. The upper and lower pieces each have ten lines and five oblique rhymes. The second sentence of the upper and lower parts is a one-word bean sentence pattern. Two sentences of upper and lower parts four and five can be made into upper six and lower four, or upper four and lower six.
Also known as "Sparse Curtain and Light Moon".
Good things come near.
Good things come near. "Nearly" is one of the types of words, and it is a tune in a set of songs. Since lyrics and music are separated, this word is just a component of a certain word brand name and has no actual meaning. "Ci Pu" takes the Northern Song Dynasty and Song Qi Ci as the main style. Oblique rhyme, forty-five characters, the first part has four sentences and twenty-two characters; the second part has four sentences and twenty-three characters. The upper and lower pieces each have two oblique rhymes. Predecessors used to use this tune in tones and rhymes. Both concluding sentences use the one-word bean sentence pattern.
This tune is also known as "Fishing Boat", "Green Round Branches", "Leaning on the Swing", etc.
He Manzi
He Manzi, Tang Jiaofang Song. According to Bai Juyi's 80th quote from "Collection of Yuefu Poems", He Manzi was a singer in Cangzhou during the Kaiyuan period of Emperor Xuanzong of the Tang Dynasty. He performed this song before his execution to atone for his death, and was unavoidable. This is the name of the word. Monotonous, thirty-six characters, six sentences and three flat rhymes. There are also thirty-seven fonts and double-tone seventy-three and seventy-four fonts. Mao Pang in the Northern Song Dynasty changed the double tone to oblique rhyme.
Also known as "He Manzi".
Huanxi Sha
Huanxi Sha, originally the name of the Tang Dynasty Jiaofang song, is also called "Huanxi Sha" or "Huansha Creek" because Xishi Huansha was in Ruoye River. There are three seven-character sentences in the upper and lower pieces. Forty-two words. Divided into two equal parts. The plain rhyme style has been passed down to this day. The earliest one is the Tang Dynasty Han Ci, which is the orthodox style. All three sentences in the first part are in rhyme, and the last two sentences in the second part are in rhyme. Most of the two sentences in the film use dual sentences. Oblique rhyme style began with Li Yu in the Southern Tang Dynasty. There is also "Breaking Through the Huanxi Sands", also known as "Shanhuazi", with three characters added to the upper and lower parts respectively, but the rhyme remains unchanged.
This tune has bright syllables, neat sentence structure, and is easy to pronounce. It is commonly used by both graceful and bold poets.
There are more than 20 synonyms such as "Xiaotinghua" and "Huanxisha".
Congratulations to the Bridegroom
Congratulations to the Bridegroom, I first encountered Su Shi's poem, originally called "Congratulations on Xinliang", because the poem contains the words "The swallows fly into the beautiful house, no one is there, the shade of Tongyin turns to noon" , the sentence "cool in the evening and take a new bath", hence the name. Later, the word "liang" was mistaken for the word "lang". "Ci Pu" is composed of Ye Mengde's lyrics. One hundred and sixteen words. The first part has fifty-seven characters and the second part has fifty-nine characters, each with ten sentences and six rhymes. This tune has a gloomy and desolate tone, suitable for expressing exciting emotions, and has always been used by lyricists.
Add the word magnolia
Add the word magnolia, "Magnolia Order" began in Wei Zhuang, and is a fifty-five-character oblique rhyme style. Feng Yansi of the Southern Tang Dynasty composed "Magnolia in Tou Sheng", with fifty characters and eight sentences. The first sentence of the two parts is still in seven-character oblique rhyme, and the ending is in Tou Ping tones of four characters and one sentence, and seven characters and one sentence. From then on, there are two oblique and two equal parts. Four changes of rhyme style. "Reduced Words for Magnolia" is formed by reducing the first and second sentences of "Stealing Sounds of Magnolia" by three characters each. Double tone, forty-four characters, four lines each in the upper and lower parts, two oblique rhymes converted into two flat rhymes.
Jiang Chengzi
Jiang Chengzi's poems in the Tang Dynasty are monotonous. Wei Zhuang's poems first appeared in "Huajian Collection", with thirty-five monotonous words, seven sentences and five flat rhymes. It may be said that Tiao was named because of the sentence "like (the lining word) Xizi mirror shining on the river city" in Ouyang Jiong's poem. The people of the Song Dynasty changed it to double tone, with seven crosses, and the upper and lower parts have seven lines and five flat rhymes. Ouyang Jiong's monotonous poem adds a lining word to the last two three-character sentences to form a seven-character sentence, which is the beginning of Song Dynasty's lining word method. Later Shu Yin E's monotonous poem changed the first seven-character sentence into two sentences with three characters, and started the Song Dynasty's method of reducing characters and breaking them up.
Chao Buzhi changed its name to "Jiang Shenzi", and Han □ tune has the sentence "The village in front of the spring of Lahou means far away", so it is also called "The Village means far away".
Jiuquanzi
Jiuquanzi is the name of Tang Jiaofang's song. It was named after Jiuquan County in Gansu Province. Forty words, conversion of flat and oblique rhymes. The first part has five sentences and nineteen characters. The opening and closing sentences use plain rhyme, and the second and fourth sentences use oblique rhyme. The second part has five sentences, twenty-one characters, three oblique rhymes, and the last part uses flat rhymes.
Lanling King
Lanling King, the name of Tang Jiaofang's song. According to Biji Manzhi citing "Book of Northern Qi" and "Jiahua of the Sui and Tang Dynasties", Changgong, the eldest son of Emperor Wenxiang of Qi, was granted the title of King of Lanling. He fought against the Zhou army, faced the enemy with a mask, defeated the Zhou army, and won the championship among the three armies bravely. "The warrior ballad is called "The Song of King Lanling Entering the Battle". People in the Song Dynasty must have made new sounds based on old songs. I first saw Qin Guanci. "Ci" takes Qin Ci as its final format. Three stacks, twenty-four beats, one hundred and thirty-one words. The first paragraph has 48 characters and ten sentences with seven oblique rhymes; the second paragraph has 42 characters and eight sentences with five oblique rhymes; the third paragraph has 41 characters and nine sentences with six oblique rhymes. It is appropriate to use rhyme. This tune has powerful vocals and extraordinary momentum, and is suitable for describing heroic scenes or exciting emotions.
Langtaosha
Langtaosha is the name of Tang Jiaofang's song. It was originally a seven-character quatrain. Bai Juyi's poem included the sentence "But when I came to the imperial capital to gain wealth and honor, please don't forget to wander on the sand." Liu Yuxi's "Lang Taosha" belongs to this style. The later two-tone Xiaoling "Langtaosha" was created by Li Yu of the Southern Tang Dynasty. In the Northern Song Dynasty, Zhang Shunmin used this tune to rename it "The Sound of Selling Flowers". "Ci Pu" uses Li Yu's Ci as the main body, with fifty-four characters and ten sentences in plain rhyme, and four sentences in the front and back parts each in rhyme. This tune was performed by Liu Yong and Zhou Bangyan as the long tune "Ju Tao Sha Man", which is a special style.
Linjiangxian
Linjiangxian is the name of Tang Jiaofang's song. It was originally a poem about Narcissus, which was adapted from "Huajian Ji" and later used as a general poem.
Double tone, fifty-four characters, five lines each in the upper and lower parts, three flat rhymes. There are three common ones: one is six-character, like Su Shi's poem; one is fifty-eight characters, and the fourth sentence of the upper and lower pieces is one less character than Su Shi's poem, like Li Yu's poem; and the other is also fifty-eight words, with the upper and lower pieces starting the sentence. It is one less word than Su Shi's poem, just like Man Jidao's poem. Some predecessors also changed the rhyme in the second piece. There are also "Linjiang Xianyin" and "Linjiang Xianman", with ninety-three characters, which are special patterns.
Also known as "Xie Xin'en", "The Return of the Wild Geese", "Painting Spring", and "Deep Courtyard".
Liu Yaoling
Liu Yaoling, a Tang Jiaofang opera with the tune "Green Waist". "Green Waist", also known as "Six Mo", is the name of a big song from the Western Regions in the Tang Dynasty. Bai Juyi's "Pipa Xing" has the sentence "First the neon clothes and then the six things", and Yuan Zhen's "Pipa Song" has the sentence "The sequence of the green waist is scattered with many twists and turns". Or it goes like this: "The beat of this song has no more than six characters, so it is called Liu Mo." It was later used as the name of the lyrics. "Ci" takes Liu Yong's Ci as the formal form. Ninety-four characters, the first part is 46 characters, the second part is 48 characters, each has nine lines and five oblique rhymes.
Also known as "Wanxi Liu", "Leshi", "Green Waist" and "Lu Yao".
Liuzhou Getou
Liuzhou Getou, according to Cheng Dachang's "Yan Fanlu", this tune is originally a drum music, and modern poets created Diaogu Ci based on its tune. , the tone is solemn and solemn, and the facts of the rise and fall of ancient times are used as lyrics. Listening to the music will make you feel generous, which is definitely different from ordinary erotic lyrics. In the Song Dynasty, this tune was used to hold great sacrifices and great shirt ceremonies. There are three forms of rhyme used in this tune. One is the plain rhyme style, such as Liu Guo's "Zhenzhang Huai" poem; the second is the flat and oblique rhyme alternating patterns, such as He Zhu's "Young Chivalrous" poem; the third is the flat rhyme and oblique rhyme conversion patterns, such as Han Yuanji's poem "spring breeze brings meaning". The sentence patterns of the latter two styles are slightly different from the plain rhyme style. Among the Wang styles, the plain rhyme style is the main type. Take Liu Guo's poem "Mayor Huai Tui" as an example. It has one hundred and forty-three characters, the first part is seventy-one characters, the second part is seventy-two characters, and each has nineteen lines and eight rhymes.
Manjianghong
Manjianghong, this tune was called "Shangjiang Hong" in the Tang Dynasty. It was later changed to its current name. "Cipu" takes Liu Yong's "Muyuyuchuqiu" poem as the formal style. Ninety-three words. The first part has forty-seven characters, eight sentences, and four oblique rhymes; the second part has forty-six characters, ten sentences, and five oblique rhymes. Most people use rhyme. The style is melancholy and exciting, and predecessors used it to express their feelings, and there are many excellent works. There are ninety-three characters in double tone. The first part has eight lines with four flat rhymes, and the second part has ten lines with five flat rhymes.
This tune also has other famous works such as "Nian Liangyou" and "Shangchunqu".
Man Ting Fang
Man Ting Fang is named after Wu Rong's poem "Man Ting Fang Grass Eases Dusk" in the late Tang Dynasty. "Ci Pu" takes Yan Jidao and Zhou Bangyan's Ci as the main style. All ninety-five words. There are ten lines in the front and back parts of Yan's Ci with four flat rhymes respectively; ten lines in the front part of Zhou's Ci have four flat rhymes, and eleven lines in the back part with five flat rhymes. There are two characters in the middle with a dark rhyme. By changing the first two characters, Yan Ci does not use dark rhyme but combines with the following sentence into a five-character sentence. The first two four-character sentences in the film were mostly used in antithesis by the ancients. There are also ninety-three characters and ninety-six fonts.
Also known as "Locked Balcony", "Xiaoxiang Night Rain", "Fu Tong Frost", "Living Tongxiang", "Jiangnan Gang", "Fu Ting Flowers", etc.
Moyu'er
Moyu'er, the Tang Jiaofang song has "Moyu'er", and the Song Dynasty people first saw the complementary poem, named "Moyu'er". "Ci Pu" takes the three main styles of Ci as Huang Buzhi, Xin Qiji and Zhang Yan. The poem is one hundred and sixteen words long. The first part has fifty-seven characters, with ten lines in six oblique rhymes; the second part has fifty-nine characters, and eleven lines in seven oblique rhymes. The cross sentences in the fourth rhyme of the first part and the fifth rhyme of the second part must be completed in one go, and the sentence structure can be flexible.
There are also names such as "Maipitang", "Maipitang", "Pitang Liu", "Shuangqiu", "Mountain Ghost Ballad", "Anqing Mo" and so on.
Magnolia
This type of orchid is recorded in "Magnolia Order" written by the Tang Dynasty. The poems for "Mulanhua" written by the Song Dynasty are all in the style of "Yulou Chun", with seven words, eight sentences, and fifty-six characters. Mao Xizhen, Wei Chengban, and Wei Zhuang of the Five Dynasties each had their own "Mulanhua" tune, and they adjusted the style accordingly. Mao's poem has fifty-two characters, double tone, and the upper and lower parts have six lines and three oblique rhymes; Wei's fifty-four characters, the upper part has six lines and three oblique rhymes, and the second part has four lines and three oblique rhymes; Wei's fifty-five-character poem, the upper part has three oblique rhymes. The first piece has five lines with three oblique rhymes, the second piece has four lines with three oblique rhymes, and the upper and lower pieces are in different parts.
According to the "Huajian Collection", there are two tunes, "Magnolia" and "Yulouchun". The seven characters and eight sentences are in the style of "Yuluchun", while "Mulanhua" is in the style of Wei and Mao. There are three types of poems from the Wei Dynasty and the Wei Dynasty, and they have never been the same as "Yulou Chun". Since the "Zunqian Collection" was mistakenly engraved, the Song Dynasty poems have followed each other, and many strings have been mixed. The "Ci Pu" has been corrected.
Nan Gezi
Nan Gezi is the name of Tang Jiaofang's song. The tune is named after the sentence "Sitting in the south singing and dancing in Zheng" from Zhang Heng's "Ode to the Southern Capital" of the Han Dynasty. It is also known as "Nan Kezi", "Fengdie Ling", "Wang Qinchuan", "Ten Love Ci", etc. Divided into monotone and double tone. The monotonous style began with Wen Tingyun in the late Tang Dynasty, with twenty-three characters, five sentences and three flat rhymes. The double-tone rhyme style originated from Mao Xizhen in the Five Dynasties, with fifty-two characters, four lines and three flat rhymes in the upper and lower parts. Double tone and oblique rhyme can be found in "Yuefu Yaci". Later, the 52-character, 53-character and 54-character styles of the Song Dynasty were all Mao Ci.
Nanxiangzi
Nanxiangzi is the name of Tang Jiaofang's song. It was originally monotonous, with twenty-seven characters, twenty-eight characters, and thirty characters in various styles, and the rhymes were changed from oblique to oblique. Monotony began with Ouyang Jiong in Houshu. In the Southern Tang Dynasty, Feng Yansi began to increase his tone to double tune. Feng's poem has fifty-six characters and ten sentences in flat rhyme, with four sentences each in the upper and lower parts. There are also fifty-eight fonts.
Also known as "Good to Leave Home" and "Banana Leaf Resentment".
Niannujiao
Niannujiao, Niannu was a famous singing girl during the Tianbao period of the Tang Dynasty, so she got her name. This tune has both sides.
"Ci Pu" uses Su Shi's "Jumping far out of thin air" poem as the regular form of the oblique style. One hundred words. The first part has forty-nine characters; the second part has fifty-one characters, each with ten ten days and four oblique rhymes. This order is suitable for expressing heroic feelings. The sentence reading of Dongpo Chibi's Ci is slightly different from that of other poets. There is also a plain rhyme style, which uses Chen Yunping's Ci as the main style and is rarely used.
Also known as "The Great River Goes East", "Thousand Years Old", "Moon Over the River", "Xinghua Tian", "Red Cliff Ballad", "Heaven in the Pot", "The Great Song of Jiangxi", "Hundred Character Order" and more than ten names.
Nü Guanzi
Nü Guanzi, the name of Tang Jiaofang’s song. The female crown refers to the female Taoist priest, and this tune was originally dedicated to female Taoist priests. I first saw Wen Tingyun's poems. Forty-one characters, converted from oblique to oblique. The first two sentences have five sentences and twenty-three characters. The first two sentences have oblique rhyme, and the third and fifth sentences have flat rhyme. The second part has four sentences, eighteen characters, and the second and fourth sentences have smooth rhyme. There is also a long tune, starting from Liu Yong.
Ball-Tossing Music
Ball-Tossing Music is originally an ancient poem from the Tang Dynasty. Later, it was composed into music for singing in the teaching studio, and then it became a lyric tune. "Tangyin Guizhu": ""The Music of Throwing Balls" is a command to throw a ball during a banquet, and the lyrics are also sung." This tune originated from Liu Yuxi. Monotonous, thirty characters, six sentences and four flat rhymes. Use the second sentence example as a counterpoint. There are also thirty-three characters and forty fonts with different sentence patterns and rhymes. Later, Liu Yong performed a long tune with one hundred and eighty-seven characters, with nineteen lines in the first part and seventeen lines in the second part, seventeen lines in seven oblique rhymes. The system is completely different from the Tang Ci Xiaoling. Also known as "Mo Sigui".
Po Zhen Zi
Po Zhen Zi, the name of Tang Jiaofang's song. A "Ten Beats". When Li Shimin, Emperor Taizong of the Tang Dynasty, was the King of Qin, he made a large-scale dance music called "Broken Formation Music". This seven-character quatrain was later replaced by a new sound due to the old title. The existing double-tone Xiaoling is the first to be seen in Yan Shu's poems. Sixty-two characters, five sentences each in the upper and lower parts, with three flat rhymes.
Bodhisattva Man
Bodhisattva Man is the name of the song by Tang Jiaofang. The name of the dance team of Bodhisattva Manben’s female disciples. According to "Ci Pu" quoted from Tang Su E's "Du Yang Zabian": "At the beginning of Dazhong (the reign of Emperor Xuanzong of the Tang Dynasty, around 850), the Numan Kingdom paid tribute, wearing dangerous buns and golden crowns and necklaces, and was named 'Bodhisattva Barbarian Team'. At that time He advocated excellence and composed the song "Bodhisattva Man"; scribes often praised his lyrics." According to the book "Jiaofang Ji" written a hundred years ago during the Kaiyuan period of Dazhong, this song title already exists, but Su Shuo also has reference value for the origin of the name. Forty-four characters, four sentences each in the upper and lower parts, both with two oblique rhymes and two flat rhymes. "Ci Pu" defines Li Bai's Ci as the orthodox style.
Also known as "Midnight Rest", "A Cloud in Wushan", "Intentions Between Flowers", "Huaxi Bi", "City Bell", "Overlapping Gold", "Plum Blossom Sentence", "Evening Cloud" "Bake the Sun" and so on, the palindrome style is also known as "Lianhuan Jie".
Qi Tianle
Qi Tianle, "Ci Pu" uses Zhou Bangyan's Ci as the formal style. Double tone, one hundred and two words, ten lines in the first part, eleven lines in the second part, each with fifty-one characters and six oblique rhymes. There are also sentences in the upper and lower parts that do not use rhyme. The seventh sentence in the first film and the eighth sentence in the second film are one-word bean sentences.
Also known as "Five Blessings Falling to the Middle Heaven", "Such a Country", and "Taicheng Road".
Qianqiu Sui
Thousands of years old, Tang Jiaofang’s big song has the tune of "Qianqiu Music". According to the title of this piece in Guo Maoqian's "Collection of Yuefu Poems", it is the birthday of Emperor Xuanzong of the Tang Dynasty, and a banquet was held for all the ministers. The Hundred Palaces requested that this day be designated as the Qianqiu Festival, which may have produced the tune of "Qianqiu Music". Song people made new songs based on old songs. Also known as "Qianqiu Festival" and "Long Live Qianqiu". Double tone of oblique rhymes, seventy-one characters, sixteen sentences, eight sentences each in the upper and lower parts, five oblique rhymes. The starting sentence of the first part is one less word than the starting sentence of the second part, but the rest of the sentence pattern is exactly the same.
There is also another poem named "Qianqiu Sui" by You Zhongwen, which is "Nian Quanjiao".
Qinyuanchun
Qinyuanchun, the word "Qinyuan" comes from the garden of Princess Qinshui in the Han Dynasty. There are various styles from 112 to 116 characters, with 114 characters as the regular form. The upper part has four flat rhymes and the lower part has five flat rhymes. The predecessors believed that the second word of the sentence at the beginning of the sentence was used in a dark rhyme, which was actually a coincidence. The first word of the fourth sentence in the first part and the first word of the third sentence in the second part must be paired with the word bean to lead the following four sentences, and the four sentence examples must be paired with fan.
This tune first appeared in Zhang Xianci in the Northern Song Dynasty. Originally belonging to the graceful school of poetry, because of its broad style and sparse rhyme, it sounds more melancholy when read. Therefore, the bold and unrestrained style of poetry and later generations often use this tone to express exciting emotions.
Also known as "Shou Xingming", "Dongxian", "Dongting Spring", "Nianliqun", etc.
The Sapphire Case
The Sapphire Case comes from Zhang Heng's "Poetry of Four Sorrows" of the Han Dynasty, "How can I repay the sapphire case when a beauty gives me a beautiful piece?" "case" is the same as "bowl", and the sapphire case is the sapphire bowl. See "Dongpo Ci" by Su Shi of the Song Dynasty. Sixty-seven words, the first part is thirty-three words, the second part is thirty-four words, six sentences each. The difference between the upper and lower parts is that the two three-character sentences after the opening sentence of the first part are changed to a seven-character sentence in the second part. The upper and lower pieces each have five oblique rhymes. There are also cases where the first sentence of the upper and lower parts of the sentence does not use rhyme.
Also known as "West Lake Road", "Guests on Qinglianchi", and "Hengtang Road".
Qingpingle
Qingpingle is the name of Tang Jiaofang’s song. It is a piece of music that prays for peace in the sea, not a clear and even tune. "Zunqian Collection" contains four poems by Li Bai. Unless they were forged by later generations, this is the first time they have been written in this style. Flat to oblique conversion grid. Double tone, forty-six characters. The first part has four sentences with twenty-two characters, using oblique rhyme, and each sentence uses rhyme; the second part has four sentences with twenty-four characters, using plain rhyme, and three sentences use rhyme.
Also known as "Qing Ping Le Ling", "Drunken Dongfeng", and "Recalling Luo Yue".
This is very detailed
/question/7237634.html?md=3