How to Practice Pen Regular Script Correctly

People say that writing is a matter of a person's appearance, and writing well has many advantages. Here is an article you can read, hoping to help you: "Keep your word, keep your word." "According to his handwriting, you can see him." Writing a beautiful and unique pen can not only add a lot of color to people's external image, but also exert a subtle influence on people's internal temperament cultivation. The advantages of good handwriting are recognized by most people, and to some extent, it has been considered as the embodiment of the second image and cultural accomplishment. However, as we all know, China's Chinese characters are difficult to write. Therefore, it is particularly important to practice calligraphy as soon as possible. Below, I will make a simple communication with you from four aspects: First, the characteristics of pen writing and pen calligraphy. Although the artistic effect of pen writing is not as rich as that of brush writing, it is far superior to other hard pens such as pencils and ballpoint pens. Because of its elastic nib, the strokes written are the same thickness and can also give people a sense of beauty. The beauty of pen words is mainly manifested in line, font structure and composition format: pay attention to the rhythm of priorities with pen to make lines beautiful; Pay attention to proportion, symmetry, stability, balance, change and echo in modeling, and the glyph structure will be beautiful; The layout is neat and changeable, diverse and harmonious, and the composition format is beautiful. These are also the principles and standards for appreciating pen calligraphy. The characteristics of pen regular script are: paying attention to Teton, hiding dew, Fiona Fang, speed, etc. The strokes are neat and orderly, with distinct layers, strong and forceful, stopping without continuing, straight without being stiff, smooth and natural; Structurally, it emphasizes the balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct font and standardization. Pen running script is a kind of writing between regular script and cursive script. That's what people usually write and say. Can be linked, uneven size, save strokes, change the order of strokes, and try your best to change things. It is easy to write with coherent momentum, density and ups and downs, and it is easy to show artistic effects. Of course, writing quickly and easily is very useful (today we will focus on running script). Second, the current situation of contemporary college students learning books First of all, bad writing habits are difficult to correct. For a long time, pen-and-ink painting has been regarded as irregular and seems to be free to play and uncontrolled. Many students' bad writing habits have been stereotyped for many years, and it is really difficult to correct them in college. For example, many students, especially some girls, are used to careful writing, and it is often difficult to get them to talk. The resulting psychological stereotype makes those calligraphers and professors feel irreparable. Secondly, pen characters have certain limitations when choosing copybooks. Pen calligraphy is different from brush calligraphy and has an authoritative basic copybook. Over the years, pen copybooks have mushroomed, overwhelming, but mixed. Even an excellent model may be because people are not used to it psychologically and are not good at evaluating what novices can use. I contacted hundreds of students and found that most of them used the copybooks of Sima Dong and Si Mayan. In fact, their handwriting does not conform to practical standards, nor does it conform to the basic theory of pen writing. Wang Zhengliang, Honggen Shen and Gu Zhongan are all good. Thirdly, it is urgent to strengthen the ability of appreciation and cultivate a correct aesthetic view. On the premise of "flying and dancing" as beauty, the brushwork is messy, artificial and unnatural, and of course the aesthetic consciousness is extremely superficial. Quite a few students have a poor foundation in regular script, at least lines and strokes are indistinguishable. They think regular script is not good-looking, too slow and rigid, and cursive script looks good. Write quickly and freely. They only stare at an unrestrained person, but ignore the truth that "the cursive script is written, and the gods can't recognize it." This irregular cursive writing has the opposite effect, which is not conducive to practicing calligraphy. Of course, the pen should be smooth and smooth. If you pursue too many setbacks and gyrations, you will lose the characteristics of the pen. Nowadays, many pen copybooks excessively pursue the charm of the brush, and even write pen words with the brush technique. It is no longer a pen line, but a surface (the surface of the area), especially horizontal painting and horizontal painting. To achieve this effect, it is necessary to have a speed similar to that of a brush. It is not easy for a skilled teacher and calligrapher to achieve this effect, let alone a beginner in calligraphy. And from a practical point of view, deliberately doing so has the disadvantages of affectation. First, stimulate motivation and cultivate interest. Motivation and need are closely linked. It is necessary for primary and middle school students to practice calligraphy to improve their writing level and master cultural knowledge. Adult calligraphy practice is the need to convey information and improve work efficiency; From the artistic point of view, practicing calligraphy is the need to pursue beauty. First of all, let them forget the previous fonts completely, start from scratch and practice from the most basic point strokes. Then practice the structure. For pen words, the most important thing is structure, and the quality of structure directly affects the beauty of words. Therefore, it is most important to write a good pen and ink structure. But now there is a difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during the posting process. To change this situation, the best way is to choose block letters different from your previous fonts for copying. Practice orthography in block letters. Practice for a week or two or more, and you can achieve orthomorphism. When the shape is straight, I also want to choose a running script copybook that is completely different from my original font and I think it is very beautiful to copy. If the font was stiff before, choose a bold copybook; If the font is sloppy, choose a rigorous copybook; If the font is plain, choose smart copybook; If the font is soft and smooth, choose a solid copybook; If the font is bloated, choose exquisite copybooks ... If you practice for two to three months, you can learn new fonts. I often encounter such problems in my study. I made rapid progress in the first few days, but after a while I felt that my writing was getting worse and worse. This is a normal phenomenon. At this time, as long as you just hold your horses and keep practicing, after a period of hard work, you can get out of the predicament and get on the right track. The purpose of copying is to forget the previous words, remember the words in the copybook and use them. After that, we should sort out the relationship between words and lines, which is the so-called composition. For people who just want to write beautifully, but don't want to make achievements in this respect, it is enough to do the above. This is the experience I got in my study, and I also introduced these experiences to others, and the effect is good. You can't achieve something in the art of pen calligraphy overnight. We should not only learn from the use, structure, composition and charm of brush calligraphy, but also give full play to the inherent characteristics of the pen. Only in this way can the art of pen calligraphy flourish and make her have strong and permanent vitality. Otherwise, pen calligraphy can only be a vassal of brush calligraphy, and it will not develop and innovate, and it will not have strong and permanent vitality. Pupils and young people with amorphous fonts are generally easier to practice pen writing than adults. This is because they are easy to accept new fonts. Once they have the right guidance, the right font, the right method and a persistent attitude, they can achieve good results in a short time. It is not so easy for adults whose fonts have been finalized to practice pen writing well. Because we didn't pay attention to the quality of words before, some ugly or even misspelled words have become a bad habit, which is difficult to correct. They want to practice calligraphy now, but they often just tinker with the existing fonts and choose fonts similar to their own. This is often the case, the good ones are not learned, and the bad ones are not lost, so that the more you practice, the uglier you get. So how do you get these people to practice calligraphy? My experience is: first of all, let them completely forget the previous fonts, start from scratch, and start practicing from the most basic point strokes. Then practice the structure. For pen words, the most important thing is structure, and the quality of structure directly affects the beauty of words. Therefore, it is most important to write a good pen and ink structure. But now there is a difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during the posting process. To change this situation, the best way is to choose block letters different from your previous fonts for copying. Practice orthography in block letters. Practice for a week or two or more, and you can achieve orthomorphism. When the shape is straight, I also want to choose a running script copybook that is completely different from my original font and I think it is very beautiful to copy. If the font was stiff before, choose a bold copybook; If the font is sloppy, choose a rigorous copybook; If the font is plain, choose smart copybook; If the font is soft and smooth, choose a solid copybook; If the font is bloated, choose exquisite copybooks ... If you practice for two to three months, you can learn new fonts. I often encounter such problems in my study. I made rapid progress in the first few days, but after a while I felt that my writing was getting worse and worse. This is a normal phenomenon. At this time, as long as you just hold your horses and keep practicing, after a period of hard work, you can get out of the predicament and get on the right track. The purpose of copying is to forget the previous words, remember the words in the copybook and use them. After that, we should sort out the relationship between words and lines, which is the so-called composition. For people who just want to write beautifully, but don't want to make achievements in this respect, it is enough to do the above. This is the experience I got in my study, and I also introduced these experiences to others, and the effect is good. You can't achieve something in the art of pen calligraphy overnight. We should not only learn from the use, structure, composition and charm of brush calligraphy, but also give full play to the inherent characteristics of the pen. Only in this way can the art of pen calligraphy flourish and make her have strong and permanent vitality.