How many epigraph names are there in Song Ci? What exactly are there?

Dark fragrance and the tune of "Sulfur Shadow" were both created by Jiang Kui at the same time, with Yongmei's flowers, and the first two words of the sentence "The shadow is scattered horizontally and the water is shallow, and the dark fragrance floats near dusk" are taken as the tune names. Later, Zhang Yan used these two tones to chant lotus leaves and renamed them "Red Love" and "Green Meaning". 97 words. The first film has forty-nine words, nine sentences and five rhymes; The last film is forty-eight, ten sentences and seven rhymes. Eighty-six sons and eighty-six sons, this tune is first seen in the collection of Du Mu's ci in Zunqianji. There are many styles, and the Ci Pu takes the words with obvious complement as the body. Ninety-one Yu, the first six sentences are three-level rhyme, and the second eleven sentences are six-level rhyme. The fourth sentence in the previous paragraph is the following two six-character sentences with one word. The last four to seven sentences are fan-faced syntax. Qin Guan's ci has the sentence "Huang Peng cries several times again", so it is also called "Feeling the Oriole". Basheng Ganzhou Basheng Ganzhou, Tang Jiaofang Daqu has Ganzhou and Zaqu has Ganzhou Zi, which is a frontier fortress song in Tang Dynasty, because it is named after frontier fortress Ganzhou. "Basheng Ganzhou" was adapted from the Daqu "Ganzhou". Because the whole word is preceded and followed by * * * eight rhymes, it is named eight tones and slow words. It is different from the song of Ganzhou Times and the imperative words of Ganzhou Zi. Liu Yong's Ci is the main body of Ci. Ninety-seven words, forty-six words in the front film, fifty-one words in the back film, and nine sentences in four rhymes in the front and back films. Some also add a rhyme to the first sentence. The first sentence and the third sentence of the first film, the second sentence and the fourth sentence of the second film, use the leading sentence. There are also 95 characters, 96 characters and 98 fonts, which are variants. Also known as: Ganzhou, Rainy Rain and Banquet in Yaochi. The divination operator divination operator, "Ci Pu" takes the meaning of this word for "the person who sells divination and tells fortune". Su Shi's Ci is the main body in the Book of Ci. Double tone, rhyme, 44 words, four sentences in the upper and lower parts, rhyme in the even sentences, and flat voice in the odd final words. Two sentences with six words added as interlining. In addition, "Bu Operator Slow", with 89 words, is a case, which has nothing to do with this tone. Also known as Hundred-Foot Building, Beautifully Beautiful Eyebrows, Hanging Trees in the Missing Moon, Fairy in the Cave of Yellow Crane and Chu Tianyao. Picking Mulberries Picking Mulberries, Tang Jiaofang Daqu has "Picking Mulberries under Yang", and "Picking Mulberries" may be an independent epigraph intercepted from Daqu. Also known as The Ugly Slave Order, Luo Fu's Mei Ge and Luo Xiaomei. Ci Pu takes five generations of Hening Ci as the positive body. Double tone, 44 words, eight sentences. The upper and lower films are all inverted sentences, and the following three sentences are rhymed. In addition, two words are added to each of the two sentences to become two sentences with the first four words and the last five words. In addition, there are 54 double-tone fonts, with five four-tone rhymes in the front and five three-tone rhymes in the back. Sauvignon Blanc Sauvignon Blanc, originally a song of Tang Jiaofang. Tune the name of the ancient Yuefu "Shangji Sauvignon Blanc, say goodbye for a long time" sentence. A famous writer, Double Red Beans, Acacia Order, Hills Growing Green, Hills Growing Green, Sauvignon Blanc Order, Long Thinking of Immortals, Greeting the Castle Peak, and Billion Beauties, etc., were mostly used by predecessors to write about the lovesickness between men and women. See Bai Juyi's ci at first. Double tone, flat rhyme, thirty-six characters. There are four sentences in the first film, and each sentence uses rhyme. There are also those in the second film that don't need rhyme. Chu Ci is also called "Sao Style". It is a kind of ci fu. Originated from Chu State in the Warring States Period, with Qu Yuan's Lisao as his masterpiece. It is characterized by romantic atmosphere, more lyrical elements, breaking through the four-word freeze, free form, long words, tendency to prose, and using "Xi" and "some" as auxiliary words. Later generations took Li Sao as a model, hence the name Sao Style. Cui Lou resents Cui Lou, and this tune is Jiang Kui's self-tune. During the Chunxi period in Song Xiaozong, the Anyuan Building in Wuchang was completed. Jiang Kui boarded the building with friends and wrote this word. There is a sentence in the word "the story is high, the sill is red, and the teeth are flying green", hence the name "Cuilou Complain". This tune is 11 words. The first film is fifty words, eleven sentences and six rhymes; There are fifty-one words in the back film, twelve sentences and seven rhymes. The seventh sentence in the upper and lower film and the second sentence in the lower film are all one-word bean syntax. Playing tricks, playing tricks, there are eight anonymous words in Meiyuan compiled by Huang Dayu of the Song Dynasty, and one of them starts with "playing tricks", that is, it is named after the lyrics. Or cloud: "Li Houzhu Ci, that is, chanting and practicing, is also the ontology of Tang Ci." (See "Shengan Cipin") The predecessors often used to miss the husband's work for women. Monotonous, 27 words, five sentences and three rhymes. Another 38-character font with double tones is Bigger, a juggler's Order. Point crimson lips point crimson lips because Liang Jiangyan's poem "Ode to Beauty for a Spring Tour" has the sentence "Snow condenses the beautiful appearance, and the pearl points the lips". Feng Yansi's Ci is the main body in the Book of Ci. Forty-one words The first four sentences, from the second sentence with three rhymes; In the last five sentences, four-stop rhyme is also used from the second sentence. According to The Law of Ci, the first word of the second sentence of the previous film should be voiced, and "flat is out of tune". According to the word of predecessors, use a flat voice, such as Wang Yu □' s words "Jiangnan is still called a beautiful woman", Su Shi's words "This year's health is still high" and "The romantic childe will have a final banquet". Jiang, Jin and Feng are all flat-voiced words, so the melody is harmonious here, so why can't they be tuned? This cannot be said. Also known as "Point Cherry", "Eighteen Fragrances", "Nanpu Moon", "Shatou Rain", "Seeking Yao Grass" and "Wannian Spring". The teasing order is a teasing order. In the Tang Dynasty, this tune had many names, such as Ancient Teasing, Palace Teasing, Tiaoxiao Ci, Zhuanyingqu and so on. In the Southern Tang Dynasty, Feng Yan was renamed Santailing. According to Bai Juyi's poem on behalf of Yuan Wei's calligraphy, "There is a joke order in the throwing song", which shows that it was a song for singing when throwing games in the court or banquet hall at that time. See Wei Yingwu's Ci at first. Monotonous, 32 words, eight sentences, four rhymes, two flat rhymes and two overlapping rhymes. Even and even rhymes are transmitted three times. The fourth and fifth sentences turn from flat rhyme to flat rhyme, and from the sixth sentence, they turn from flat rhyme to flat rhyme. The sixth and seventh two-character overlapping sentences must be reversed with the last two words of the fifth sentence, which is the origin of this tune "Zhuanyingqu". After the Northern Song Dynasty, this tone only used rhymes, and no longer changed rhymes, and the number of words and sentence patterns also changed, which was a variation of this tone. Love recent flowers, the name of Tang Jiaofang. The real name is Magpie Pedal. Manshu's Ci was renamed. The title is chosen from the three words in Liang Jian Wendi's Xiao Gang's poem "Flipping over the steps and falling in love with butterflies". Double tone, sixty words, ten sentences, five sentences and four rhymes in the upper and lower films. Also known as golden wisp, wind and wind, a basket of gold, fish and water are happy together, drizzle blows the pond, the bright moon gives birth to Nanpu, the curtain of rolling beads, and the river is like training. Set the storm and set the storm, the name of Tang Jiaofang. It first appeared in Ouyang Jiong's ci of Houshu. Flat tone and rhyme, 62 words. The first five sentences, three crosses, three levels and two rhymes; The next six sentences, 32 words, four rhymes and two flat rhymes. Because the sentence patterns are uneven and flat, the melody has its own characteristics. There is also a rhyme style, written for Liu Yong, with 1 words, 11 sentences in the upper and lower films and six rhymes. Also known as "Spring in the Air", "Fixed Wind", "Fixed Storm Order" and "Drunken Qiongzhi". Dong Xian Ge Dong Xian Ge, the name of Tang Jiaofang. Originally used to chant immortals in the cave. There is this tune in Dunhuang music, but it is different from the style of this word written by Song people. There are two styles: middle tone and long tone. The middle key is 83 to 93 words and the long key is 118 to 126 words. Ci Pu takes Su Shi's and Xin Qiji's ci as the initial body. Eighty-three words Thirty-four words and six sentences on the first film; The next page is forty-nine words and seven sentences. Three rhymes each. The second sentence in the last film is a one-word joke syntax, and it also has a sentence pattern of upper two and lower three. The next eight-character sentence leads to seven words with one word. At the end of the two sentences, two four-character sentences are led by one word. Tuned to chant immortals, so the rhythm is slow and the emotion is detached. Also known as Feather Fairy Song, Cave Fairy, Cave Fairy Ci, Cave Fairy Song Order and Cave Fairy Song Slow. Wind into the pine, wind into the pine, Yuefu Poetry Collection contains guqin song Wind into the pine, which was handed down by Jin Jikang; Jiao Ran, a Tang priest, wrote Song of the Wind Entering the Pine, which is the name of this tune. Also known as Yuan Shan Heng, it is flat and rhyming, and the Ci Poem takes Yan Jidao's Ci and Wu Wenying's Ci as the main body. There are seventy-four words in Yan Ci and seventy-six words in Wu Ci, all of which are twelve sentences, six sentences in the front and six sentences in the back, and four rhymes. The fourth sentence of the upper and lower films is mostly syntactic. There are also 72 characters and 73 fonts, which are variant forms. Also known as "the wind enters the pine slowly" and "the distant mountains cross". Guizhixiang Guizhixiang, see Zhang Ji's Ci in Yuefu Ya Ci. Pei Siqian, the first scholar in Tang Dynasty, and his later poems, have the phrase "New Cinnamomum cassia twig incense at night", which is the origin of this tune. The Ci-Pu takes Wang Anshi's Ci as the main body. One hundred and one words. There are ten sentences and five rhymes in the upper and lower films. The second sentence in the upper and lower films is a word-bean sentence. There are four or five sentences in the upper and lower pieces, which can be used for six times, four times and six times. Also known as "sparse curtain and light moon". Good things are close to good things, and "near" is one of the types of words, belonging to a tune in a set of Daqu. Since the word is separated from music, this word is only a part of the name of a epigraph, which has no practical significance. Ci Pu takes Song Qi's Ci in the Northern Song Dynasty as the main body. Rhyme, 45 words, the first four sentences, 22 words; The next four sentences, 23 words. There are two rhymes on the top and bottom. This tone was used to entering rhyme. Both sentences use the word bean sentence pattern. This tune is also known as Fishing Boat, Cuiyuanzhi and Leaning on the Swing. He Manzi, He Manzi, Tang Jiao Fang Qu. According to Bai Juyi's eighty quotations in Yuefu Poems, He Manzi was a singer in Cangzhou during the Kaiyuan period of Emperor Xuanzong of the Tang Dynasty, and he was sentenced to enter this song to redeem his death, and the competition was inevitable. This is the name of the word. Monotonous, 36 words, six sentences with three levels of rhyme. There are also 37 fonts and 73 and 74 fonts with double tones. In the northern song dynasty, Mao pang changed the double tone to the rhyme. Also known as River Man Zi. Huanxisha Huanxisha, the name of the Tang Dynasty teaching workshop, is also called Huanxisha or Huanshaxi because Xi Shi used it in Ruoyexi. Three seven words in the upper and lower parts. Forty-two words Divided into two bodies. Pingyun style has been passed down to this day. The earliest is Han Wo's Ci in the Tang Dynasty, which is formal. All three sentences in the first film use rhyme, and the last two sentences in the second film use rhyme. Most of them use antithetical sentences. The rhyme style began in Li Yu in the Southern Tang Dynasty. In addition, there are three words added to the upper and lower parts of Tanpo Huanxisha, also known as Shan Huazi, with the same rhyme position. This tone has bright syllables, neat sentence patterns and easy catchiness. It is commonly used by graceful and unconstrained poets. There are more than twenty synonyms, such as "Little Courtyard Flower" and "Reduced Word Huanxisha". Su Shi's Ci was first seen in He Xinlang, He Xinlang. It was originally named "He Xin Liang", so it was named because there was a sentence in the Ci, "Ru Yan Fei Hua Wu, no one is quiet, Tong Yin turns to noon, and it is cool in the evening and takes a new bath". Later, the word "cool" was mistaken for the word "lang". Ye Mengde's Ci is used as the score of Ci. 116 words. Fifty-seven words on the top and fifty-nine words on the bottom, each with ten sentences and six rhymes. This tone is gloomy and desolate, and it is suitable to express intense feelings, which has always been used by ci writers. Minus word Magnolia Minus word Magnolia, Magnolia Order, which started in Wei Zhuang, is a 55-word rhyme. In the Southern Tang Dynasty, Feng Yansi made "Stealing Magnolia", with 5 words and eight sentences. Before and after the film, the sentences are still rhymed with seven words, and at the end, it is a four-word sentence and a seven-word sentence. Since then, there have been two rhymes. "Minced Magnolia" is formed by subtracting three words from the first and second sentences of "Stealing Magnolia". Double tone, 44 characters, four sentences in the upper and lower films, and two rhymes turn into two flat rhymes. Jiangchengzi Jiangchengzi, Tang Ci is monotonous. I first saw Wei Zhuang Ci in Huajianji, which is monotonous with 35 words, seven sentences and five rhymes. Or "tune" was named because there was a sentence in Ouyang Jiong's ci, such as "Xizi mirror shines on Jiangcheng". Song people changed to double tones, 7 words, and the upper and lower films were all seven sentences and five rhymes. Ouyang Jiong's monotonous words turned two three-sentence sentences with an interlining at the end into seven-word sentences, which opened the way of interlining in Song poetry. Yin E's monotonous words in the post-Shu Dynasty changed the first seven-character sentence into three-character two-sentence, which opened the way of reducing words and spreading them out in the Song Dynasty. Chao Buzhi changed its name to Jiang Shenzi, and Han□ had the sentence "La Hou Chun Qian Cun Yi Yuan", so it was also called "Cun Yi Yuan". Jiuquanzi Jiuquanzi, the name of Tang Jiaofang. It was named after Jiuquan County in Gansu Province. Forty words, flat and even rhyme conversion. In the first film, there are five sentences and nineteen characters. The first sentence and the last sentence are rhymed, and the second and fourth sentences are rhymed. The next five sentences, twenty-one characters, three rhymes, and the ending is flat rhyme. Warrior Lanling, Warrior Lanling, Tang Jiaofang. According to Bi Ji Man Zhi, the Book of the Northern Qi Dynasty and Jia Hua of Sui and Tang Dynasties, the eldest son of Emperor Qi Wenxiang paid tribute to Warrior Lanling, fought against Zhou Jun, defeated Zhou Jun with a mask, and bravely crowned the three armies. "The warrior * * * ballad is called" Warrior Lanling Entering the Array ". Song people should make a new sound according to the old songs. See Qin Guan's Ci at first. "Ci" takes Qin Ci as a frame. Three stacks, 24 beats, 131 words. The first paragraph is forty-eight, with ten sentences and seven rhymes; Two paragraphs of 42 words, eight sentences and five rhymes; Three paragraphs of 41 words, nine sentences and six rhymes. It should be used in rhyme. This tone is vigorous and imposing, and it is appropriate to write heroic scenes or exciting emotions. Langtaosha Langtaosha, the name of Tang Jiaofang. Originally a seven-character quatrain, Bai Juyi's ci has the sentence "But you are rich in the imperial city, please don't forget the waves and sands", and Liu Yuxi's "Waves and sands" belongs to this style. The later ditty poem Langtaosha was created by Li Yu in the Southern Tang Dynasty. In the Northern Song Dynasty, Zhang Shunmin changed its name to Flower Selling Sound with this tune. Li Yu's Ci is the main body in the Book of Ci, with fifty-four words and ten sentences, and four sentences before and after the film. This tune was also performed by Liu Yong and Zhou Bangyan as a long tune "Falling in the Sand", which is another case. Linjiangxian Linjiangxian, the name of Tang Jiaofang. It was originally used to chant daffodils, and it was transferred to Huajianji, which was later used as a general epigraph. Double tone, 54 words, five sentences in the upper and lower films, and three levels of rhyme. There are three common types, one is sixty characters, such as Su Shi's ci; One is fifty-eight characters, and the fourth sentence in the upper and lower films is one word less than Su Shi's ci, such as Li Yu's ci; There is also a body of 58 characters, and the sentences in the upper and lower films are one word less than those in Su Shi's poems, such as Man's words. Some predecessors also changed their rhymes in the back film. There are also "Linjiang Xianyin" and "Linjiang Xianman", with 93 words, which are different. Also known as Xie Xin 'en, Wild Goose Return, Painting Screen Spring and Deep Courtyard. Six orders and six orders, Tang Jiaofang Daqu has a tune of "Green Waist". "Green Waist", also known as "Liuyao", is the name of a big song from the western regions in the Tang Dynasty. Bai Juyi's Pipa Hangs has the sentence "Let's dress up first, then six", and Yuan Zhen's Pipa Song has the sentence "Green waist and loose order, and many twists and turns". Or the cloud says, "If this song has no six characters, it is called six." Later used as a word name. Words takes Liu Yong's ci as the positive case. Ninety-four words, forty-six words on the top, forty-eight characters on the bottom, nine sentences and five rhymes each. Also known as Wanxi Willow, Happy World, Green Waist and Record. According to Cheng Dachang's "Show Numerous Dews", this tune is an advocacy song, and modern poets created ancient words according to its tune, with solemn and stirring tone, and took the fact of ancient rise and fall as a song word, which made them feel generous when they heard the song, which is absolutely different from ordinary colorful words. This tone was used in the Song Dynasty for big sacrifices and big T-shirt ceremonies. There are three forms of rhyme in this tune. One is the flat rhyme style, such as Liu Guo's "Zhen Chang Huai" word; Second, the level tone and rhyme are intertwined, such as He Zhu's "juvenile chivalry" word; The third is the flat and even rhyme conversion case, such as Han Yuanji's word "Spring Breeze with Meaning". The latter two styles are slightly different from the flat rhyme style. Pingyun style is the main style in Wang style. Take Liu Guo's "Mayor Huai Tui" as an example, with 143 words, 71 words before and 72 words after, each with 19 sentences and eight rhymes. The river is full of red, and the name of the Tang people is "Shanghanghong", which was later changed to this name. Liu Yong's words "Dusk Rain and Early Autumn" are taken as the correct case in the Dictionary of Ci. 93 words. The first film has 47 words, eight sentences and four rhymes; The last film has forty-six words, ten sentences and five rhymes. Most people use phonology. The style is gloomy and passionate, which was used by predecessors to express their arms, and there are many excellent works. Double-tone 93-character, with eight four-tone rhymes in the first film and ten five-tone rhymes in the second film. There are other famous works in this tune, Nian Liang You and Shang Chun Qu. Man Tingfang Man Tingfang, named Wu Rong's poem "Man Tingfang grass is easy to dusk" in the late Tang Dynasty. Yan Jidao's and Zhou Bangyan's Ci Poems are taken as the main body. They are all ninety-five words. Before and after Yan Ci, there are ten sentences with four tones; Zhou Ci has ten four-tone rhymes in the first film and eleven five-tone rhymes in the second film, among which the word "head change" is used in dark rhyme. Change the first word, Yan ci does not need dark rhyme, but is combined with the next sentence into a five-character sentence. The first two four-character sentences in the last film were often used by predecessors. There are also 93 words and 96 fonts. Also known as Lock the Balcony, Raining at Night in Xiaoxiang, Full Court Frost, Living Tongxiang, Gangnam, Full Court Flowers, etc. Touch the fish, touch the fish, Tang Jiaofang music has "Touch the fish", and Song people began to see the word "Touch the fish". Ci Pu takes Huangbuzhi, Xin Qiji and Zhang Yan as the main body. Shake words with 116 words. The first film has 57 words, ten sentences and six rhymes; The next 59 words, eleven sentences and seven rhymes. The cross sentence of the fourth rhyme in the first film and the fifth rhyme in the second film must be completed in one go, and the sentence pattern can be flexible. Another "