What kind of running script should I practice after practicing Yan Ti regular script?

The best way to practice is Yan Zhenqing's running script. Yan Zhenqing's "Manuscript for the Sacrifice of My Nephew" is the second best running script in the world.

The ink technique of "Manuscript of Memorial to My Nephew" is green, smooth and natural. The thirsty pen is dry and dry, and the ink is dry and dry. It is capable and smooth, and can be written freely.

The full text is less than 300 words. It only took seven dips in ink, and I wrote 53 words in one stroke of ink, leaving dry indentations and an uncontrollable path of pain. From "Weiqian" to "Zhujun", the first stroke of ink changes from thick to light, and the strokes from thick to thin.

From "Puzhou" to "Ji Ming" with the second stroke of ink, the ink color also changes from heavy to light, the stipples change from thick to thin, and there are more and more connecting strokes, reflecting the author's exciting emotional changes ; Starting from "Weier", due to the need to think about the content and dip in ink, the number of corrections and dead pens increased.

Starting from the word "Gui", the ink color becomes rich and rich. The eight characters "Father is trapped and the son dies, and the nest is overturned." The eight characters are rich in ink color, which fully reflects the calligrapher's pain of losing his loved ones; "The world regrets". "After three words, as my mood became uncontrollable, I became more and more free and worry-free. The two wild cursive writings of "Alas!" show the calligrapher's indescribable grief and indignation.

The last three lines are like waterfalls and springs, turning sharply downwards, leaving endless aftertaste. The brush and ink effect produced by the intertwining of emotions makes the work reach the pinnacle of art. The artistic effect of this ink method reached a high degree of harmony and unity with Yan Zhenqing's grief at that time.

Extended information

Yan Zhenqing created a unique realm of calligraphy with "Yan style" in the history of calligraphy. Yan Lugong's calligraphy is not only tied to his excellent spirituality, the realm is naturally magnificent; not only is it cast with a strong soul, the realm is naturally vigorous; and it is born from the richness of people, so the realm is naturally broad. In his youthful days, Yan Zhenqing asked Zhang Xu for advice on "how to be equal to the ancients".

This is Yan’s calligraphy aspirations and his high aspirations. This Miao descendant of the Yan family, who used a loess broom to sweep walls and learn calligraphy since childhood, stood at a high starting point for calligraphy almost from the beginning. As for Kunpeng's calligraphy, it took almost thirty or forty years of experience before he finally developed his own look and style. Subsequently, decades of hard work have been used to refine and enrich it, making the "face and body" both physical and spiritual.

In his later years, he still wanted to achieve perfection and reach a state of perfection. "Yan Ti" finally stood tall in the world of calligraphy. Yan Zhenqing's lifelong experience in the realm of calligraphy can be summarized in three aspects.

Baidu Encyclopedia-Nephew Memorial Manuscript

Baidu Encyclopedia-Yan and Body