"A Cluster of Flowers: Sickness in Early Spring" is a poem written by Su Shi, a writer in the Northern Song Dynasty. The whole poem captures the scene of "early spring" and the special scene and unique psychological feeling of the beginning of recovery, describing the poet's emotions of joy and despair after recovering from illness in early spring. This poem describes the author's personality, mind and mood in a very ordinary and ordinary life experience. The following is an appreciation of Su Shi's "A Cluster of Flowers: The Rise of Sickness in Early Spring" by Su Shi. Welcome to read it.
Original text
A bunch of flowers ⑴·The disease started in early spring
This spring, the light wax invaded the year ⑵, and the ice and snow broke through the spring beauty ⑶. There is a letter in the east wind, no one can see it, ⑷, the hint of dew is revealed, and the lace between the willows is revealed. The cold night is long, the quilt is easy to warm⑸, and the bells and drums are getting clear and round⑹.
On the first day of the morning, the mountain is halfway up the mountain, and the pavilions are lightly smoked. Visitors will make a plan to find fragrance⑺, and the little peaches and apricots should have already competed for the first place. When you are sick and sick, you are less depressed ⑻, and you are relaxed and carefree ⑺, but you love the sun and sleep high.
Notes
⑴ Yi Cong Hua: Ci brand name, double tone, seventy-eight characters, seven sentences in the front and back paragraphs, four flat rhymes. The Kangxi Ci score records that this tune is the only one in this style, and the Song lyrics are all filled in according to this, with only a few differences in the flatness of the sentences.
⑵ In the year when spring is light and wax invades: In the year when there is a leap month in the lunar calendar, the Spring Festival starts later than the Spring Festival. Spring is shallow and spring comes early. In the year of the twelfth lunar month, because there was a leap month in the previous year, the Beginning of Spring of the next year appears in the twelfth lunar month of the previous year. The festival is held at the end of the year, about twenty days after the winter, and is called the festival day.
⑶Chunyan: Beautiful spring scenery.
⑷ There is faith in the east wind: Cao Song's "New Year's Eve": "The remaining wax will be used up again, and the east wind should gradually be heard." East wind, spring breeze.
⑸ Quilt (qīn): thick quilt.
⑹Qingyuan: The sound is clear and round.
⑺Fun Fang Plan: Plan for outing and sightseeing.
⑻ 小悰(cóng): less fun.
⑼Shuyou (yōng): lazy; lazy.
Vernacular translation
Spring came early this year, the weather is still very cold, and the beautiful spring is still covered with ice and snow. Not only did spring arrive late, but the news it brought with the east wind was also ignored by people, with only a hint of spring appearing on willow trees and flowers. However, even though the nights are cold and long in early spring, it is spring time after all. It is a bit hot under the thick quilt, and even the sound of the bells and drums that tell the time is crisp and mellow.
When I woke up in the morning, the sun was rising, half blocked by the mountains, and the distant pavilions were shrouded in light mist. Spring has arrived, and people are beginning to plan to go out for spring outings. Presumably, the peach and apricot blossoms in the suburbs are already in full bloom. I was in no mood to go out and play because I was sick. I just wanted to lie down lazily and sleep until midnight.
Creation background
This word was written in the spring of the ninth year of Xining (1076). At this time, Su Shi was serving as magistrate of Mizhou (now Zhucheng, Shandong).
Appreciation
This word captures the special scene and unique psychological feeling of "early spring" and the beginning of recovery from illness, and describes the poet's joy and loneliness after recovering from illness in early spring. mood.
The two sentences "This year's spring is light and wax invades the year, and ice and snow break through the spring beauty" describe that the spring cold is still severe, and the expression of wax invasion and snow breaking makes the writing appear novel. The two sentences "Dongfeng" further describe the characteristics of "spring is light this year" - not only does spring come late, but even if there is "faith", "no one can see it", and only the "lace among the willows" in spring shows this "little meaning". This not only expresses the abnormality of early spring this year, but also secretly reveals the poet's unique mood of sudden awakening and joy. The "micro-meaning" and "Liuji Lace" here are evocative, with profound meaning and personality. The next three sentences of "Cold Night" directly express feelings and joy: In early spring, even though the nights are cold and long, spring has returned to the earth. "Qingyuan" is pleasant to the ear. The following three sentences of "Cold Night" contain both feelings and imagination. In fact, it doesn’t have to be really warm, but it seems to be warmer. The evening drums and morning bells are actually still ordinary sounds, but they seem to be particularly clear and round, which is very detailed in describing early spring. This is used in conjunction with the "first day" and "pavilion" sentences in the next film from Du Fu's "The Late Sunny in the Courtyard Hui Xiguo Thatched Cottage": "There are towers again that carry the dusk scenery, and the bells and drums report the new sunshine without bothering." Pu Qilong's "Reading Du Xinjie" Vol. One of the four: "Old note, it is customary to think that the sound of bells and drums is bright and clear." It also has the same meaning as this word. At this point, the excitement of waking up in early spring is portrayed in a very layered and delicate way.
The first two sentences of the next film describe the morning scene in early spring, which still fits the special situation of "the onset of illness". They only describe what is seen and felt in the pavilion, "On the first day of the morning, the mountain is halfway covered, and the pavilion is lightly smoked." The scene. Although it is not large, it is bright in color, full of vitality, fresh and pleasant. This is not only a true depiction of the morning scene in early spring, but also in line with the author's unique environment and psychological feelings. The following two sentences also refer to tourists looking for beauty in the suburbs from the foreground, and then think of "little peaches and apricots should be rushing first". "Being the first" means blooming before other flowers. This is only a conjecture, not a real observation. The writing is based on the unique scene of "the onset of illness in early spring", and the writing is lively and full of interest. The writing style of these four sentences is different from the first four sentences in the first part. The first four sentences in the first part are both narrative and scenery, and the scenery is made up of imaginary brushes. The four sentences in the second part describe both scenery and narrative, and the scenery is both real and imaginary. This not only avoids repetition and dullness, but also conforms to the logic of the poet's recovery from illness.
The first part describes the feelings and mood when I first wake up before the sunrise, so there are many imaginary words. The illness comes in spring, and I am naturally excited and happy; the second part describes the bright morning scene after the sunrise, so I use real pen to describe this. It is both reasonable and poised for what follows. When the poet looks at the foreground, he will naturally think of the fun of seeking fragrance and the joy of the bright spring outside the pavilion, so he should also "make a plan to find fragrance."
The last three sentences, "I am less depressed when I am sick, I am sparse and let myself go, but I love the day and sleep high", which is a sudden reversal, which is very different from the previous situation in the foreground. These twists and turns are actually still closely related to the word "sickness". Because even though spring returns to the earth, but the body is just starting to get sick, there is little joy after all. "Sparse carelessness" corresponds to "little sluggishness", "love sleep" corresponds to "decline disease", and "sleeping high in the day" corresponds to "seeking fragrance plan". In this way, the mood of the Spring Festival above falls. This kind of psychological change is unique to those who are "sick". This word expresses it in a delicate and touching way.
Huang Ziyun of the Qing Dynasty said: "Poetry is nothing more than love and scenery, and love and scenery must be true and unfalsified. Every day has its feelings and its scenery. If the poet can be inspired by the situation, , because of the inscribed sentence, the scenery is all true, and the feelings are all sincere." ("Ye Hong Shi") Su Shi's poem is exactly "able to be happy with the situation, because of the inscribed sentence", and the "scenery" is written in one stroke. ", whether it is false or real, "all true"; the "emotions" written in his writings, whether joyful or excellent, "all sincere", the reason is that he grasped the special situation of "early spring" and "the onset of illness", It describes the author's personality, mind and mood.
But the person who is freeing himself is still lying down when the sun is high, with this light and relaxed mood, he writes with Xiao San and becomes an elegant tune."
Introduction to the author
Su Shi (1037～1101). ), a writer of the Song Dynasty. His given name was Zizhan, also given the name Hezhong, and his nickname was Dongpo Jushi. A native of Meishan, Meizhou (now part of Sichuan). Su Xun’s eldest son. In 1057 AD (the second year of Jiayou), he became a Jinshi. Excluded were Zhongshusheren, Hanlin bachelor, Duanmingdian bachelor, and Minister of Rites. He once judged Hangzhou and knew Mizhou, Xuzhou, Huzhou, Yingzhou, etc. In 1080 AD (the third year of Yuanfeng), he was demoted to Huangzhou for slandering the new law. Later he was demoted to Huizhou and Danzhou. Emperor Huizong of Song Dynasty established and pardoned him. Died in Changzhou. Posthumous title Wenzhong. Erudite and talented, good at writing, good at poetry, calligraphy and painting. Yu Ci is "bold and unrestrained, and doesn't like to cut it to suit the rhythm". It has rich themes and broad artistic conception, breaking through the traditional barriers of "ci poetry is Yanke" since the late Tang, Five Dynasties and early Song Dynasty. He uses poetry as lyrics and creates a bold and open school, which has great influence on poetry. It had a huge impact on later generations. There are "Seven Collections of Dongpo", "Dongpo Ci", "Dongpo Yi Zhuan", "Dongpo Yuefu", etc.