1. What is the meaning of "Yin Zhi She Zhi" in the classical Chinese text "The True Painter"
It means: to arrive, to go
Zhuangzi is here
In "Outer Chapter Tian Zifang", the image of a real painter is created: "The kings of Song and Yuan Dynasties will draw pictures, and all the history people will come. They will stand with their hands bowed, licking the brush and ink, and half of them will be outside. There is a history of those who come later, but they do not follow the trend. , He was bowed to and refused to stand, so he gave it up. When the envoy looked at him, he took off his clothes and said, "Okay, that's right."
The story of "The True Painter" in classical Chinese. Edition
Song Yuanjun recruited painters to prepare a map of the Song Dynasty. On the day of registration, painters from all over the country came one after another. Song Yuanjun went to the scene to receive him in person, bowed his hands, and said hello one by one to show his humility to the corporal. In fact, this is a face-to-face inspection, which is equivalent to an interview. There will be a written test tomorrow, merit-based admission, and formal employment.
When Song Yuanjun saluted, all the painters were so flattered that they hurriedly leaned over to answer the salute, and then stood upright. Many painters have lost their skills and are licking their pens to adjust the ink, which is ridiculous. Song Yuanjun saw it and knew: at least half of them were painters and were not qualified enough to be scrapped off!
At this time, a painter who was late came with a arrogant look on his face. He did not bother to bend down to greet him, nor did he stand upright. What was most surprising was that he dared to leave the show early and go back to the guest house. .
Song Yuanjun signaled to the ministers behind him to investigate.
The minister went and came back to report: "The guy went back to the room, stripped himself half-naked, and sat on the kang with his legs spread out. He looked really arrogant."
Song Yuanjun said: "Admit it, this is a real painter!" 2. Keep improving and read the answer
Is this it? 1. Choose the appropriate words in the two brackets in the text (underline them) 2. Explain The meaning of the underlined words. Keep improving: persevere: 3. The author's father's name is famous. 4. The dotted word "this" in verse 3 refers to: 5. Use "rather" to make sentences. 6 , choose one of the following appropriate idioms to summarize the meaning of the festival (just write the serial number). The 2nd verse should be used; the 3rd verse should be used ① assiduous ② as wise as a fool ③ strict with discipline ④ as humble as a grain ⑤ meticulous 7. The following paragraph is the original text, Put it back, it should be placed between the existing paragraphs __ and __. My father also likes to listen to criticism. There is this sentence in his "Painter Diary": "Praise is insignificant, criticism is "Words are valuable." 8. Find an idiom in the text that can summarize the center of the text. Answers: 1. Collection is thought-provoking 2. More relaxed 3. Feng Zhikai's comic master 4. "This" refers to the person drawn by Feng Zhikai It's really strange, some have no facial features, and some have only two horizontal lines on their faces. 5. A little. 6. ⑤④7. Between the 2nd and 3rd sections. 8. Keep improving. 3. Answers to reading "Shu Dai Song Paints Cows"
Original text
"Shu Dai Song Paints Cows" ① There was Du Chushi in Shu, who was good at calligraphy and painting, and had hundreds of treasures. There is a scroll called "Ox" by Dai Song, which I particularly like. The jade scroll in the brocade bag ③ is often taken with me. One day when a calligraphy and painting was exposed, a shepherd boy saw it, raised his palm and laughed loudly and said: "This painting is like a bullfight! The bull's fighting power is in its horns, and its tail twitches between its two legs. Now it is fighting with its tail turned off, which is ridiculous!" The scholar laughed. ⑦. An old saying goes: "You should ask your slaves for plowing, and you should ask your maids for weaving." This cannot be changed.
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① Selected from "Dongpo Zhilin", written by Su Shi (one of the Eight Great Masters of the Tang and Song Dynasties, named Zizhan, also known as Dongpo Jushi, from Sichuan) . Song (sōng): Dai Song, a painter of the Tang Dynasty. ②Treasure: Collection ③Jade shaft in brocade bag: Use jade as the axis and pack it in brocade bag. Bag (náng): bag. This refers to the painting set. ④拊(fǔ) Palm: Clap your hands. ⑤Twitch (chù): twitching. ⑥Tail drop: raise the tail. ⑦Ran: I think it is right. ⑧ Maid (bì): maid. ⑨Exposure: Sun exposure ⑩Good: Like
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There was a man named Du Chushi in Sichuan who loved calligraphy and painting. He had hundreds of kinds of calligraphy and painting in his collection. One of them is a cow painted by Dai Song, which (Du Chushi) especially cherished. He made a scroll with jade, packed it in a brocade bag, and always carried it with him. One day, he spread out his calligraphy and painting to bask in the sun. A shepherd boy saw the cow painted by Dai Song, clapped his hands and laughed and said: "This painting is a painting of a bullfight! The strength of the bullfight is used on the horns, and the tail is tightly It's sandwiched between the legs. Now the cow in this painting is fighting with its tail raised. That's wrong!" Du Chushi smiled, thinking that what he said made sense. There is an ancient saying: "You should ask the farmers about farming, and you should ask the maids about weaving." This truth will not change!
Edit the answers to questions in this paragraph
1. Explain the following punctuated words. (1) Good calligraphy and painting (like it) (2) Exposure to calligraphy and painting in one day (exposed) (3) A scholar laughed it off (agree) (4) Ancient people said (said) 2. In the following sentences, the omitted elements in parentheses are filled in The two incorrect items are (B)(D). A. (Du Chushi) has hundreds of treasures B. (Dai Song) is especially loved C. (shepherd boy) holds his hands and laughs D. (Du Chushi) cannot be changed 3. Write the meaning of the following sentences in modern Chinese. The fighting power of an ox lies in its horns, and its tail twitches between its legs. Now it is fighting with its tail turned, which is ridiculous. The strength of the bullfight is used on the horns and the tail is tightly held between the legs.
Now the cows in this painting are fighting with their tails raised. How ridiculous! 4. What is the function of quoting ancient sayings at the end of the article? Make the arguments conclusive, clear, comprehensive, and engaging.
Inspiration for editing this paragraph
This article tells us: we must observe things seriously and carefully, and cannot imagine things in thin air. Don't be superstitious about authority. You must start from objective facts and ask for advice based on circumstances. Everyone has their own specialties. 4. Read the following classical Chinese passage and complete the following questions: Uygur Mojie, a native of Taiyuan
1. B2, A3, A4, AC5, B 6. (1) But An Lushan cherished his talent. He was still forced to take up his original post in Luoyang, one of the two capitals in the east, and was detained in Pushi Temple.
(2) If Qin can also care for the people of the six countries, it can be a king for three generations or even all generations. Who can destroy (their) clan? (3) There was such a situation, but it was coerced by the long-established power of the Qin State. The land was reduced day by day, ceded month by month, and headed for destruction. 1. B (appreciation) 2. A ( A preposition, indicating passive.
B "to"; compare. C inheritance; turning.
D take; because) 3. A (Example sentences are attributive postpositions A. Attributive postpositions B. Passive sentences C. Adverbial postpositions D. Judgmental sentences) 4. AC (AC is a noun used as an adverbial. B. A noun is used as a verb, courtesy; D. An adjective is used as a noun) 5. B (See question 1, "love" means appreciation) 6. (1) But An Lushan cherished his talent, so he was still forced to take his original position in Luoyang, one of the two capitals in the East, and was detained. At Pu Shi Temple. (2) If Qin can also care for the people of the six countries, it can be a king for three generations or even ten thousand generations. Who can destroy (their) clan? (3) There was such a situation, but it was coerced by the long-established power of the Qin State. The land was reduced day by day, ceded month by month, and headed for destruction.
Translation: Wang Wei, courtesy name Mojie, a native of Taiyuan. He could write poetry at the age of nine.
He is especially good at cursive script and is proficient in rhythm. King Qi valued him very much.
Wang Wei was about to take the imperial examination. King Qi said to him: "Your poems are beautiful and unconventional. I can copy a few of them and add new music to the pipa to compose a piece of music. Let's go to Ninth Princess together." Mansion." Wang Wei did as King Qi said.
On this day, several actors gathered around Wang Wei to perform a newly composed piece of music. The Ninth Princess asked what the name of the piece was. Wang Wei replied: "This is "Yulun Pao"." Wang Wei then took out his poem roll.
The Ninth Princess said: "These are (poems) that I often recite. I thought they were the works of ancients, but they turned out to be your masterpieces!" Then she invited Wang Wei to come to the table and said: "The capital can get it." It’s such an honor for this scholar to serve as Jieyuan!” The Ninth Princess therefore fully recommended Wang Wei.
In the 19th year of Kaiyuan, Wang Wei won the first prize and was promoted to Youshiyi, and soon he was promoted to Shizhong. The rebels captured Chang'an and Luoyang, and the emperor fled. Wang Wei escorted him, but he fell behind during the journey and was captured by the rebels.
He took medicine and pretended that he could not speak, but An Lushan cherished his talent, so he was still forced to take his original position in Luoyang, one of the two capitals in the East, and was detained in Pushi Temple. The rebels held a banquet in Ningbi Pond and all summoned Liyuan musicians to perform various instrumental music.
Wang Wei wrote a poem in mourning: "Thousands of households are sad and wild smoke is rising. When will hundreds of officials go to heaven again? The locust flowers fall in the palace in autumn, and the orchestra plays on the top of the green pond." The poem was recited where the emperor stayed. .
After the rebellion was put down, the imperial court convicted all those who held false positions in the rebels. Only because the emperor knew Wang Wei's thoughts revealed by reciting poems in Ningbi Pond, he was spared. . Wang Wei later became Minister Youcheng.
Wang Wei's poems are classified as excellent, and the conception of his paintings is also the same. As for the vast and profound artistic conception, the form of clouds, and the color of mountains and rocks in (Wang Wei's) landscape (paintings), they are all achieved only by his outstanding talent and cannot be learned by (others).
He himself once wrote a poem: "The contemporary poets are poets, and their predecessors were painters." Later generations commented on Wang Wei that "there is painting in the poem, and there is poetry in the painting." This is indeed the case.
A guest showed Wang Wei "Pressing Music Pictures", and Wang Wei said: "This is the first beat of the third stack of "Neon Shang"." When the guest compared it with the original music, it turned out to be true.
In his later years, Wang Wei sincerely believed in Buddhism. He ate vegetables and wore simple clothes for a long time. He stopped marrying after his wife died and lived alone for thirty years. Wang Wei's villa is located in Wangchuan, south of Lantian County, opposite the pavilion.
Wang Wei once described the scenery and peculiar scenery there. Every day, he traveled to scenic spots with Qiu Wei, Pei Di, Cui Xingzong and other literati, wrote poems, played the piano and drank wine, and enjoyed themselves. Later, he petitioned to turn his residence into a Buddhist temple.
Before he died, he wrote a letter to say goodbye to his relatives and friends, stopped writing and passed away. Emperor Daizong sought Wang Wei's articles, and his younger brother Wang Jin compiled his poems into ten volumes and dedicated them to the emperor. His poems and essays are still circulating in the world today. 5. Full text translation of "History of the Song Dynasty: Biography of Tang Jie" by the admonisher Tang Jie
Translation: Tang Jie, courtesy name Zifang, from Jiangling.
When his father Tang Gong died in Zhangzhou, everyone knew that the Tang family was poor and wanted to raise money for his funeral. Although Tang Jie was young, he politely declined everyone's kindness. Later he was promoted to Wuling County Lieutenant and transferred to Pingjiang County Magistrate.
Rich man Li was rich and stingy. The officials were not satisfied with his swindling and plundering, so they falsely accused him of killing people and offering sacrifices to ghosts. The governor of Yuezhou arrested his family members, young and old, and tortured them indiscriminately, but they refused to admit it.
Tang Jie was sent for torture, but there was no evidence. The prefect was furious and reported to the court. The court sent the censor Fang down and changed the prison to interrogate the young and old of the Li family separately. The results were the same as those in Tang Jie's trial.
All the officials below the prefect were punished, and Fang Jie was rewarded. Tang Jie did not take the initiative to ask for credit. Tang Jie was transferred to the post of magistrate of Renqiu County in Mozhou.
Renqiu was on the way to and from the Liao envoys, and the officials at the post station were often blackmailed by the envoys, which made them miserable. Tang Jie sat at the door of the inn and issued an order: "Nothing is allowed to be supplied if it is not stipulated in the law. Anyone who dares to destroy every plant and tree in our place will be resolutely imprisoned."
The envoys all left obediently. . The border reservoirs flooded every year and flooded the fertile fields. Yang Huaimin, a middle-aged man, took charge of the management and used No. 41 Village in the west of the city to store floods. Tang Jie presided over the construction of embankments, and the people benefited.
He was also appointed as the general magistrate of Dezhou, and the transshipment envoy Cui Yi took stock of silk and sold it to the people at a high price. Tang Jie withheld the order and did not issue it, and reported the matter to the Department of Appeasement. Cui Yi was very dissatisfied and sent people to chase Tang Jie several times to force him to hurry up.
Tang Jie always delayed, and finally did not carry out this order. Later, he was transferred to the capital to serve as the supervisor of the censor Li Xing, and then he was appointed as the censor of the palace.
The newly built "dragon and phoenix chariot" in Qishengyuan was decorated with pearls and jade. Tang Jie criticized it: "This is where Taizong's tablet is located, and it cannot be noisy and profane; the rare and extravagant toys in the harem cannot exceed the regulations of the system." The emperor immediately ordered the dragon and phoenix chariots to be destroyed.
Zhang Yaozuo drafted an imperial edict to promote him to the four envoys of Xuanhui, Jiedu, Jingling and Qunmu. Tang Jie, Bao Zheng, Wu Kui and others strongly opposed it, and invited Zhongcheng Wang Juzheng to discuss it with all the officials. , as a result, Zhang Yaozuo was deprived of two official positions. Soon, Zhang Yaozuo was appointed as the envoy of Xuanhui and the prefect of Heyang. Tang Jie said to the officials, "The emperor wants to make him the envoy of Xuanhui, and in the name of the prefect of Heyang, we can't let it go."
However, all the officials were wise to protect themselves, but Tang Jie firmly opposed it. Renzong said: "The appointment order was given by Zhongshu."
Tang Jue impeached Prime Minister Wen Yanbo for secretly weaving a wonderful brocade with gold inlay during the Shu days, colluding with eunuchs, and looking for internal spies in the palace. to obtain the position; now he re-employs Zhang Yaozuo, obviously to make the collusion even tighter. It was suggested that the emperor remove Wen Yanbo and appoint Fu Bi as prime minister.
He also criticized Wu Kui, the admonisher, for stepping on both sides of the aisle, using harsh words. Renzong was furious and refused to read his memorial, claiming that he would be transferred to a remote place.
After slowly reading the emperor's opinion, Tang Jie said: "I am inspired by loyalty and I am not afraid of going to jail or to the execution ground. How can I be afraid of remote places?" Renzong hurriedly summoned the ruling ministers. Said: "It is Tang Jie's duty to express his opinions. As for Wen Yanbo getting the position of prime minister through my concubine, how unreasonable is it? If the prime minister is appointed, how can the concubine interfere?" Wen Yanbo was nearby at that time, and Tang Jie accused him: : "Yanbo should reflect on himself. If there is such a scandal, it cannot be concealed."
Yanbo kept apologizing, which made Renzong even more angry. Liang Shi scolded Tang Jie and asked him to go down to the palace. Cai Xiang, who repaired daily life, also stepped forward to rescue him.
As a result, Renzong demoted him to Chunzhou Biejia. Wang Juzheng thought that this punishment was too severe. Renzong came to his senses and sent him to Yingzhou again the next day. Wen Yanbo was removed from his post and Wu Kui was demoted to another place.
Renzong was afraid that Tang Jie would die on the road and would be blamed for hurting an upright minister, so he sent an envoy to escort him. Mei Yaochen and Li Shizhong both wrote poems to praise him enthusiastically. From then on, his reputation for being frank, honest and jealous of evil became a sensation all over the world. When the scholar-bureaucrats talked about the "real censor", they would always say "Tang Zifang" and did not dare to call him by his name. .
A few months later, he was promoted to be in charge of Chenzhou's taxation, and served as the general magistrate of Tanzhou and the magistrate of Fuzhou. He was also recalled to the capital to serve as the imperial censor. When he went to the court to thank him, Renzong comforted him and said: "Since you were demoted to the local government, you have never written back to discuss private matters. You can be regarded as a man of integrity."
Tang Jie kowtowed to thank him and discussed current affairs from then on. No more scruples. Soon he said to Renzong: "Since I am the censor, I must fight hard if my words are not listened to. If the fight is too fierce, I will offend your majesty. I hope to resign."
So he was transferred to the Ministry of Works, Yuanwailang, He served as the judge of Jixian Yuan and Kaifeng Prefecture, and then as the magistrate of Yangzhou, and then as the transshipment envoy to Jiangdong. Censor Wu Zhongfu said to Renzong: "Tang Jie should not serve as a local official for a long time."
After Wen Yanbo became prime minister again, he also said to Renzong: "Tang Jie's criticism of me in the past was indeed very targeted at me. Shortcomings, I hope you can adopt Zhongfu's opinion." But Renzong only transferred him to Hezhong.
A long time later, he was transferred back to the capital to serve as deputy envoy of Duzhi, promoted to Tianzhang Pavilion to be established, and then served in the Admonition Yuan. Renzong rarely colluded with his ministers from Zhihe years onwards.
Tang Jie said: "The relationship between monarch and ministers is like heaven and earth. It is the right principle for heaven and earth to be in harmony.
I hope that I can often convene ministers to give instructions and discuss things together, so as to benefit the world. ”
He also said: “The harem should not ask for officials from the emperor on behalf of others; efforts should be made to stop the drafting of imperial edicts that are not approved by Zhongshu; the money and materials given to concubines are much higher than those of previous dynasties. It is dozens of times more, and it is still growing every day. There is no end, and there should be limits. Most of the officials recommended by the Supervisory Office are concrete clerks who can only be thoughtful and articulate. Please give an order to select the officials with good conduct, kindness and honesty. Talented people should not allow vicious and mean people to mix in; purchasing personnel sent to various places to bully the local area should be withdrawn, and the necessary items should be directly handed over to the supervisory department for purchase; if the Princess of Yan Kingdom opens the door of the forbidden palace without authorization at night, the supervisor of the guard personnel should be warned , strict palace prohibition rules and regulations. "These suggestions were all adopted.
Censor Zhongcheng Han Jiang impeached Prime Minister Fu Bi. Fu Bi went home and asked to resign, and Han Jiang also awaited punishment. Tang Jie and Wang Tao criticized Han Jiang for slandering the minister, and Han Jiang He was dismissed.
Tang Jie was at odds with the right prime minister and asked for a transfer to be appointed as the magistrate of Jingnan. When the appointment letter passed through the province, it was held back by He Tan, the Zhiyintai Secretary, so he was retained as the acting magistrate of Kaifeng.
Soon after, due to the impeachment of Chen Shengzhi, he was transferred to the post of magistrate of Hongzhou, and was appointed as the direct bachelor of Longtuge, the transfer envoy of Hebei, the direct bachelor of Privy Council, and the magistrate of Yingzhou.
In the first year of Zhiping, Tang Jie returned to Beijing and served as Yu Shizhong. 6. {Experimental Painter} This is a classical Chinese text
Is this the original Tang Dynasty poem written by Chen Shan on painting in the Song Dynasty: "The green branches are a little red." ", it is not necessary to have too many spring colors to move people", I heard that in the old days I tried to use this to test my painting skills.
All the workers competed to decorate the flowers with spring colors, but none of them were chosen. Only one person stood in the place where the dangerous pavilion was misty and the green poplars were reflected. Paint a beautiful woman standing on the railing.
This can be said to be the meaning of a good poet.
Emperor Ming of the Tang Dynasty tasted the thousand-leaf lotus and said it to his concubine. : "How can you interpret the language of flowers like this?" "At that time, it was said that "the spring scenery in the palace, the four seasons are in the eyes", which means this.
But the secular painter can also understand this evil? Gu Kai's good calligraphy, but people think he is crazy. Zhang Chang Shi Gong Shu, but people think they are superior.
The reason why these two people are good at calligraphy and painting is that Zhuangzi said: "The purpose is not divided, but the spirit is concentrated." 》) Reference: Appendix: Selected Readings on Chinese Painting Theory On Painting Cultivation [Ming Dynasty] Wang Shizhen said: “In painting, rocks are like flying white trees. "
Another saying goes: "When painting bamboo, the stem is like seal script, the branches are like grass, the leaves are like real leaves, and the calligraphy is like official script. "The trees of Guo Xi and Tang Di, the bamboos of Wen Yuke, and the grapes of Wen Riguan all come from the cursive method. This painting is also connected with calligraphy.
As for the calligraphy style, seal script and official script are like swans. , tiger claws, inverted sedge, Yanbo, dragons, phoenixes, turtles, fish, insects, clouds and birds, magpies, swans, cows and rats, monkeys, chickens, dogs and rabbits, and other genera of the family; methods such as childish painting sand, printing mud, broken hairpin strands, leakage marks, Rocks falling from the peak, hundred-year-old withered vines, startling snakes entering the grass; comparisons are like dragons leaping and tigers lying down, playing in the sea and sky, beautiful immortals, and clouds gathering on the moon; and read Han Tui's "Preface to the Master Gao Xian" and Li Yangbing's " "Shang Li Dafu Shu" is a person who is especially good at painting. - "Yi Yuan Yan" On the Inheritance of Painting [Ming Dynasty] Chen Hongxu's modern people do not follow the ancients, but rely on a few sentences to make a fortune, or to use their pens for small and superficial reasons. When painting, the brush and ink are not enough, and the appearance is incomparable. What a pity! He wants to be famous for others' advice, but also ridicules the old man. This old lotus is most dissatisfied with celebrities.
——" "External Records of the Paintings of Yuji Mountain House" Quoting the Theory of Painting [Qing Dynasty] Zheng Ji once saw someone writing "Spring Night Banquet in the Peach and Plum Garden", in which lanterns were hung high in the woods. The author's intention was to express the sentence of "Wandering at Night by Holding a Candle". , instead of flying into the wine glass and being drunk by the moon, the meaning of not thinking about Taibai is to be drunk by the moon, and holding the candle is just to arouse the interest of the ancients, it is not the matter at this time.
Since there is moonlight, why. Using light is enough to draw a snake. However, it is not a bad idea to drop one or two lights close to the pen, inkstone, cup and plate.
It is not appropriate to learn painting. Scrolls, painting must be rational.
——"A Brief Introduction to the Study of Painting in Dream House·On Scenery" The Theory of Form and Spirit of Painting [Ming Dynasty] Those who convey the spirit of the dragon must rely on the form, the form and the heart and hand to combine and forget each other. , the entrustment of God. ——"The Theory of Painting" On the Realm of Painting [Song Dynasty] When Su Shi tastes Mo Ji's poems, there are paintings in the poems; when he observes Mo Ji's paintings, there are poems in the paintings.
The poem says. : "White rocks appear in Lantian, and there are few red leaves in Yuchuan." There is no rain on the mountain road, the sky is green and people's clothes are wet. "
This is a poem written by Mo Jie. It may be said that it is not true. Those who do good things can make up for the legacy of Mo Jie.
——"Dongpo's postscript·Shu Mo Jie's Lantian Misty Rain Picture" Landscape Painting On [Qing Dynasty] Zhu Ruoji knows the quality of mountains and rivers. He who knows the method of brush and ink also knows the decoration of mountains and rivers.
The reason is dangerous. But if there is no law, the law is small.
Therefore, the ancients knew that if there is a slight danger, everything will be in trouble; if there is no clarity, everything will be in harmony. The principle of painting and the technique of brushwork are nothing more than the quality and decoration of heaven and earth.
The wind and rain are dim, the weather of mountains and rivers is also dense and far-reaching, and the diameter of mountains and rivers is vertical and horizontal. , the rhythm of mountains and rivers, the shades of yin and yang, the concentration of mountains and rivers; the gathering and dispersion of water clouds, the association of mountains and rivers; the movement of mountains and rivers hiding the power of heaven when squatting and jumping on the back.
A generous person is the balance of the earth. , The wind and clouds, the sky binds the mountains and rivers.
Water and stone are like earth's surging mountains and rivers. Without the balance of heaven and earth, the unexpected changes in the mountains and rivers cannot be changed; although the mountains and rivers in the nine districts are bound by the wind and clouds, they cannot be in the same mold; even though the water and rocks are surging, the situation of the mountains and rivers cannot be distinguished in the writing.
Moreover, the mountains and rivers are so vast, with thousands of miles of land, thousands of miles of clouds, and countless peaks. If you look at them with a single tube, the flying immortals may not be able to get around them; if you measure them with a single drawing, you can understand the evolution of heaven and earth. also. Measuring the situation of mountains and rivers, measuring the vastness of the earth, judging the sparseness of the peaks, recognizing the scent of clouds and smoke, standing thousands of miles away, looking at thousands of evil spirits, and returning to the power of heaven and the balance of earth.
The sky has the power to change the spirit of the mountains and rivers; the earth has the balance to carry the energy of the mountains and rivers; I have the power to draw the spirit and shape of the mountains and rivers. This is because I was not born out of the mountains and rivers fifty years ago, and it is not that I ruined the mountains and rivers and made them selfish.
Mountains and rivers make me speak of mountains and rivers, mountains and rivers are born out of mountains and rivers, and I am born out of mountains and rivers. Search all the strange peaks to make a draft.
Mountains and rivers meet the gods and their traces are transformed, so they end up in Dadi. ——"Quotations from Shi Tao's Paintings·Chapter 8 of Mountains and Rivers" On the Painting of Animals, Insects and Fishes [Qing Dynasty] Fang Xun and Qian Shunju's "Grass and Insect Scroll" is about three feet long, with dragonflies, cicadas, butterflies, bees and grasshoppers all dotted in clusters. , the objects are similar to each other, their heads, wings and feet are either round or angular, or have clear ink or broken pens. When dabbed casually, they appear to be squirming and ready to move, and all viewers will fall over.
The painter never intended to use the brush to express the ink, and the use of the brush and the ink to express the ink has its disadvantages. However, the opposite is true, and the changes in the painting method can actually refer to the creation. ——"On the Painting Theory of Quiet Residence in the Mountains" [Qing Dynasty] Songnian: People are valued in calligraphy and painting, and it is not a false accusation if you don't believe it.
The calligraphers and painters of the past dynasties, such as Cai Jing and Qin Hui in the Song Dynasty, and Yan Song in the Ming Dynasty, all had high noble titles and high-quality calligraphy and literature. Why did later generations discard them and forget them? In fact, he has already lost a lot of money, and the rest of his skills are worthless. When we learn calligraphy and painting, we should first focus on character. For example, in the official career, we should also pay attention to history and governance, pay attention to physics and human relations, read useful books, and make more useful friends.
He is addicted to wine, greedy for sex, exploitative for money, and willful. He relies on his high skills to behave like a scoundrel, values ??wealth but neglects friends, recognizes profit but not people, and frequently uses paintings to make people stand out. There is no need to tire of searching, even if he ranks among the three kings Wu Yun, if he has such bad deeds, his integrity will be damaged, and his paintings will not be valued by the world. [Ming Dynasty] Mo Shilong Ancient people commented on the New Year paintings and said that having thousands of volumes of books in their chests makes them even more ancient.
In the new year, the Song Dynasty clan was not allowed to travel far away. Every time they returned to the mausoleum, they had to write about the hills and valleys in their chests. If you don't travel thousands of miles and read thousands of books, how can you achieve the goal of becoming a painter? This is what I, Cao Mianzhi, have no hope of becoming a mediocre history.
[Ming Dynasty] Li Rihua must read more when painting. He must read more and see more things in ancient and modern times. He should not be narrow-minded and knowledgeable. He should be naturally thorough, with mountains and rivers magical and penetrating. Every now and then, what will happen? Are you worried about not reaching the wonderful state? [Qing Dynasty] Tang Dai has thoughts of eternity in his chest, and his wrists have the power to stretch thousands of miles. He stands outside the painting, concentrates on the painting, and splashes ink and brushes, all of which are of natural interest. The merit of reading is too little! "Zhuangzi" says: "To know but not to learn.