Idioms describing little girls

Smart, considerate and knowledgeable. In fact, men and women are almost enough. If history is a fast-flowing river, then Chinese idioms are sand and stones deposited on the river bed. Idioms contain the splendid and colorful culture of ancient times and show all kinds of characters in ancient society. Among them, idioms about women can be said to be everywhere and countless. Many of them use metaphor, metonymy and other rhetorical devices. Let's take a look at some idioms used to describe and describe women, as well as common rhetorical devices and vehicles. Idioms about women are mainly aimed at beautiful women. From the observation point of view of the ancients, we can find that their descriptions of beautiful women are all-round, from the whole to the part, from top to bottom, from voice to smile, from temperament to conduct and so on. , with a specific and vivid description. Fully embodies their aesthetic standards. First, the description of women's beauty is generally exaggerated: beautiful country, peerless beauty, fairy descent, beautiful face and graceful appearance ... In terms of sound and appearance, flowers, pearls and jade are used to describe and compare the beauty of appearance: beautiful flowers, beautiful moon, beautiful flowers and beautiful jade, and beautiful country. I think pity is set off by the feelings of others, and beauty is delicious by the rhetorical device of "kinesthetic sensation" (from external sensation to internal sensation). Beauty's smile is so beautiful, such as a captivating smile, a charming smile, a smile in retrospect and so on. So the smile of a beautiful woman is 1000 yuan; Even if you cry, it's like a pear flower with rain, cute and pitiful; The voice is Yan Yingying, with a mellow voice like jade, like an oriole out of the valley; Even breathing is like breathing, and blowing is better than breathing. On the whole, the posture is graceful, graceful, graceful and charming. Take flowers, butterflies, willows and other metaphors for walking postures, such as flying butterfly dance, step by step lotus, light lotus step, spring breeze willow swing and so on; "Ring" refers to people with different figures, with different fat and thin postures. From the perspective of manners and temperament, they are generally graceful and charming, and Lin Li Feng (Qi) implicitly reflects the elegant manners and generous demeanor of women. In the moon, Chang 'e refers to attractive women, while clothes, incense, temples and hairpins refer to the overall appearance and behavior. From a local point of view, there are rhetorical devices such as metaphor and metonymy. These are not used in rhetoric, such as picturesque eyebrows, starry eyes and white teeth, moth eyebrows and white teeth, cicada's head and moth eyebrows, scissors with double eyes and spring mountain characters. In addition, it is related to eyebrow eyes. When women are angry, moth eyebrows are frowning (vertical) and cheng eyes are round. There are ice muscle jade bone, ice muscle snow skin and so on. In short, the typical beauty in the eyes of the ancients should be eyebrows and eyes like smoke, cherry mouth, face like peach blossom, skin like a virgin and body like a rabbit. In addition to the beauty of appearance and manners, there is also the beauty of chastity, which embodies the spiritual beauty of the gods and the beauty of heroes. There are many beautiful women who are different from the above, such as the heroine (the word "woman" refers to a brave and heroic woman), the heroine, Yao Shun and her husband ... For the misfortune of a beautiful woman, the beauty is "pointed out" by the appearance of a "beautiful woman". In addition, from the identity point of view, there are different beauties, from a small family called a small jasper, from everyone is a good family, born in the royal family is a golden branch and a jade leaf; My Fair Lady, Ladies, Empress Yan, Qin Lou Chu Guan ... Women of different ages are: Balmeiren's year of cardamom, the year of broken melon, and the initial division of broken melon (broken melon is two characters, that is, 28 years means a woman is 16 years old); Unmarried women are Huang Hua's niece, her sister-in-law's orphan, and Yunying's unmarried. At the age of marriage, it is time to fall in love; Flower (wind) year means that a woman is twenty-four years old, and generally means that a woman is young and beautiful; The married woman is the married woman Luo Fu (referred to by the famous ancient beauty Luo Fu); Women in their forties are as beautiful as when they were young, and their charm, customs and aftertaste are still there. A charming woman who has reached or passed middle age is half old (as the concubine of Emperor Liang Yuan may call it); And women who get older and fade in color are despised like pearls that turn yellow over time. Judging from the above idioms about women, the ancients used metaphor, metonymy, exaggeration and other rhetorical devices to describe beauty, and the things used were always inseparable from flowers, pearls, snow and various colors. Flowers and plants are brightly colored, while pearls and snow are pure, which shows that the ancients could not choose the value of feminine beauty without color and cleanliness. Describing external beauty is far more than describing internal beauty. It can be seen that the ancients paid more attention to the appearance of women, but ignored the internal aspects, especially the literary talent, which was closely related to the prevailing atmosphere of "women without talent are virtue". Idiom is a concentrated national culture, and a series of idioms about women show the ancient people's attitude towards women. Rhetoric is more vivid than direct speech, which embodies the classical style of idioms. Metaphor, metonymy and other rhetoric reflect the ancient people's aesthetic concepts and ways of thinking.