Abby Tipa is busy everywhere. Whose son is a girl, Qing Duanyang. Fine winding five-color arm length. Empty melancholy, who will hang Yuanxiang again? Don't talk about the past. A thousand years of loyalty, the sun shines. Reading Li Sao always hurts. No one can solve it, and the tree turns cold in the afternoon.
Translation and annotation
Everywhere is busy collecting mugwort and cattail. Whose young men and women will celebrate the Dragon Boat Festival? Five-color ribbons wrapped around arms, singing and dancing. My heart is melancholy. Who else mourns Qu Yuan on Dragon Boat Festival?
Do not judge the past. Qu Yuan's loyalty and righteousness can be compared with the sun and the moon. I always feel sad after reading Li Sao. No one understands my feelings, just enjoying the cool in the shade.
1, Konakayama: inscription name. Also known as Xiaozhongshan pulse. Jin Mang Ji enters a double tone. In the Tang dynasty, the case was written about palace grievances, so it was sad. Fifty-eight characters, four rhymes.
2. Dragon Boat Festival: The fifth day of the fifth lunar month, also known as Duanyang Festival and Noon Festival, is a traditional folk festival in China. This is also to commemorate Qu Yuan, an ancient patriotic poet who is said to have drowned in the Miluo River. He has customs such as making zongzi and racing dragon boats.
3. Biya: green. Typha Typha: A perennial herb. Commonly known as cattail. Growing near the water or in ponds. The leaves are long and narrow, flowering in summer, and the male and female spikes are closely arranged on the same spike axis, which is like a candle and fluffy, and can be used as a pillow core; Leaves can be woven into cushions, pouches and fans. Pollen is called cattail pollen and is used as a hemostatic. In the old Dragon Boat Festival, there was a custom of hanging calamus, wormwood, angelica dahurica and other plants at the door. Chen Ming Ruyuan's Catch the Golden Lotus: The corn is covered with gold, and the cattail is cut with jade, which is a dragon boat race.
4. Duanyang: Duanyang Festival, another name for Dragon Boat Festival. In Yingjing, Feng Ming, the "Moon Order in a Generalized Year Order and One Ceremony": The first to fifth day of May is Daughter's Day, the third day is Fan City, the fifth day is Duanyang Festival, and the third day is Dragon Boat Festival.
5, five-color arm silk: Jingchu custom, Dragon Boat Festival is made of red, yellow, blue, white and black five-color silk. According to legend, this colorful silk represents the divine power of China, which can resist evil. People call it longevity line. It is said that the five colors symbolize the five-color dragon and can subdue ghosts.
6. Melancholy: Sadness and irritability due to frustration or disappointment. Nine Debates on Chu Ci: Low-key, no friends on the journey; Sorrow, and private pity.
7, hanging: hanging, mourning. Yuan (rhyme) Xiang: The name of Shuier is the same as that of Shui Yuan and Xiang Shui. Shui Yuan originated in Guizhou, Xiangshui originated in Guangxi, and both flowed into Dongting Lake through Hunan. Qu Yuan, a poet of Chu Ci in the Warring States Period, has been wandering between Yuan and Xiang for a long time after his exile. There is Miluo River, a tributary of Xiangshui River, where Qu Yuan sinks. The Songs of the South of China: Ji Yuan in the South and Xi in Zheng Xiang. This refers to Qu Yuan.
8. Past events: past events. Xuncheng: Looking back, we can learn from ourselves and know right and wrong. This refers to Qu Yuan's suicide by throwing himself into the river. Ling: Comment and care. On Ren Xian by Zhenguan Politicians in the Five Classics of Tang Dynasty: As for measuring characters, it is straight.
9. Millennium: A long time. Tao Jin Yuanming's elegy: A secluded room is closed for a thousand years. Loyalty: loyalty. Biography of the Later Han Dynasty: Xian Di ascended the throne, and before Sangong played the ceremony, he conspired with He Jin to kill eunuchs. Although their achievements are not successful, they are loyal and upright. This refers to Qu Yuan's loyalty.
10, Daylight: Qu Yuan's "Nine Chapters Involved in the River": longevity and heaven and earth, the same light and the sun and the moon. Qu Yuan's loyalty and integrity will never disappear, just like the brilliance of the sun and stars.
1 1, Li Sao: refers to Qu Yuan's long political lyric poem Li Sao. This poem expresses the fighting spirit of not colluding with evil forces and the patriotic enthusiasm of dying.
12, solution: yes, yes. No one understands: this sentence expresses the author's sigh that he is not understood by the secular.
13, noon yin: noon yin. Usually in the shade of trees. Su Song Shunqin's poem "Sticking to Zhao Shuping's Bookstore" wrote: In the afternoon, there was nothing but tea and cigarettes, and Xiaoyun slept in the rain.
Make an appreciative comment
Konakayama Dragon Boat Festival is the work of a writer, poet and ci writers Shu Yuan in Yuan Dynasty. Written on the Dragon Boat Festival after the establishment of the Ming Dynasty (1368). Shu Yuan lived in the late Yuan Dynasty and early Ming Dynasty. According to the New Yuan History, he fell into troubled times, tried to avoid Kouyan Valley, was arrested, was denounced as a thief (referring to Zhu Yuanzhang and other insurgents), and was later released by thieves. He was loyal to the Yuan Dynasty, and he did not serve in the Ming Dynasty.
It is true that after thousands of years, what people remember most is not Qu Zi's Li Sao, but the loyalty of Miluo River. A thousand years of loyalty, the sun is shining, the sun is the essence of heaven and earth, and it will never die. It is no exaggeration to compare Qu Yuan's eternal righteousness to the light of the sun, which should be remembered forever. After watching Li Sao, it was very painful. This sentence not only shows the reverence for Qu Zi's sense of justice, but also shows the mutual appreciation among scholars. No one can explain it, which expresses the author's loneliness of not understanding the secular world and his reverence for Qu Yuan's loyalty and integrity. Thousands of years have passed, and it is a sad song of righteousness, but few people remember it; Even if I remember, few people can solve it. The trees turn cold in the afternoon, and it is not easy to feel cool in the hot and dry weather of Dragon Boat Festival. Ending with a scene, with feelings in the scene, is a common ending method of ancient poetry, which can achieve the effect of ending the song without seeing it, and the peak on the river is green (Qian Qi's "Sheng Shen Xiang Se").
After watching Li Sao at the Dragon Boat Festival, the author felt sad. And those who are busy celebrating the sunset, but no one understands the taste, but it is even more melancholy. The poet very much hopes that everyone can remember this honest and beautiful figure who lives longer than heaven and earth, and Dr. Qu.
Yuan deeply suspected that there was no way out.
He Zhu Konakayama Garden is deeply suspicious and has no way out.
In my dream, I came to the winding and deep garden, and the branches were flourishing as if there was no way out. Winding around the corridor, I suddenly saw my sweetheart standing under the shadow of the green veil, as beautiful as a Yu Lian. Two people's love stories are not finished; Xiao Zhong has already rung, which is really hateful. Parting with tears is sad, and the cold moonlight leans on the small window. Clear and cold. When I woke up, there were only two gold pillows, and the bed was half empty. The missing person is far from the water in the east of the capital, and there is a small bridge over the river. The willow tree in front of the building has experienced several autumn winds, and the beloved has experienced several disappointments and pines.
Make an appreciative comment
This word is about the suffering of lovesickness. The first part is about meeting in a dream, and the next part is about dreaming back to desolation.
Although the literal meaning of the sentence "There is no way to pass in the garden" is shallow, its meaning is subtle, and the key lies in how to understand the word "doubt". Judging from three or four sentences, the suspicion here is the suspicion of men. However, if you savor it carefully, it seems that it should not be a question in male reality. Because he should be as familiar with the yard where his sweetheart lives as he is with his sweetheart. Secondly, the yard where the lover lives, no matter how deep, will never be blocked. So we think that the doubts here should be the doubts in the dream. Yan's "Partridge Sky" has a saying that dreams and souls are used to unrestrained inspection and have been spent in Xie Qiao. Long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long, long. Looking at the garden with lush flowers and trees and deep twists and turns, now, near my village, the doubt of meeting people not only arises: can this meeting be realized? Will someone get in the way? This kind of doubt and speculation is manifested in doubt and no way out. They are both dreamy and vivid.
Winding around the corridor, I suddenly saw my sweetheart standing under the shadow of the green veil, as beautiful as a Yu Lian. These two sentences say that he just walked around the elegant cloister and saw his sweetheart standing in the shadow of the hazy blue screen window, like a Yu Lian, graceful and looking forward to a bright smile. The hibiscus generation here refers to the beauty in his mind, that is, the beauty standing in the shadow of the blue screen window. According to "Miscellanies of Xijing" for two years, Zhuo Wenjun is charming, with eyebrows and eyes like distant mountains, and her face is often like a lotus flower. Later, there were poems such as "petals are like her face, willow leaves are like her eyebrows, forcing her to look in the mirror charmingly, lotus flowers in a small pool", all of which used hibiscus as a metaphor for beauty. The poet added the word jade in front of the lotus, but before that, it was limited to the shadow of the blue screen window, which set a special environment and atmosphere for the appearance of beauty. This is really a combination of form and spirit, and it is ready to come out.
At that time, I hated five clocks. Just when the two men came into contact, the East turned white and Xiao Zhong sounded. How can this not make people feel partial hatred? Here at that time, Gai refers to both the present dream and the past. It's a real dream, it's virtual and real, it's turbulent and changing, it's heavy and painful. This is the truth that many things happen!
At the parting place, urged by the sound of Xiao Zhong, the two men held hands in the open air and shed tears. The cold moonlight shines obliquely on the curtains, adding to the pain and sadness of parting. These two sentences are full of emotion and blend with each other, which makes the party of the last movie end in a bleak atmosphere. Yan Shu's butterfly lovers has the same effect: the bright moon is not ripe and bitter, and the oblique light has the effect of piercing the vermicelli door!
The next article is cold and gloomy. When I woke up, there were only two gold pillows, and the bed was half empty. These three sentences are in sharp contrast with the previous films. I woke up suddenly, my cold dream sank, the waning moon shone on every household, the candle lit a little, and I was lonely and sad. In front of me, a pair of carefully embroidered gold thread pillows lay coldly on the bed. This highlights his loneliness at this time. The half quilt beside him made him feel sad and sad. Shen Xianglong said in "On Ci": The change of Ci means that it becomes more and more, and it must be broken and continued, and it is still divided. The former is the latter, the former is the latter, and the former is the latter. Excessive change is the transition between virtual and reality. These words are a link between the preceding and the following, from the virtual to the real, awakening the last piece, which is the eye of the whole word.
The missing person is far from the water in the east of the capital, and there is a small bridge over the river. The willow tree in front of the building has experienced several autumn winds, and the beloved has experienced several disappointments and pines. Three sentences turn from reality to fiction, starting from the opposite side. Fengcheng is the capital. Although he is far away at this time, the woman he loves is in the east corner of Beijing. Here, from the scene of double pillow and half bed in the above sentence, it is natural to think of each other's deep-rooted yearning for themselves. However, the lyrics do not directly describe how the other party misses each other, but use the autumn wind in front of the building to hint at the disappointment and haggard of the other party, which is particularly emotional and touching.
Looking at the whole word, the first one is empty and the second one is real. The poet used real pens everywhere in the silence, making the last film empty and realistic; In reality, it turns emptiness into reality and makes the next reality into emptiness. The knot is pushed by oneself, and others think for themselves. The language is light and the feelings are deep, which shows the skill. (Hu Qunying) Du Fu's "Qinzhou Miscellaneous Mang Chung Shan Man"
Chung Shan Man: Qinzhou Miscellaneous Poems
Author: Du Fu
Original text:
Vast, between the lonely city valleys.
There was no storm in the traffic jam, and jathyapple was not at the customs.
When will the country return? Loulan hasn't returned it yet
If you look at the smoke for a long time, it will ruin your face.
Appreciate:
In the autumn of 759, the second year of Gan Yuan, Tang Suzong, Du Fu abandoned his position as the Four Duke of Huazhou to join the army and began the arduous journey of traveling for others. He started from Chang 'an and first arrived in Qin Zhou (now Tianshui, Gansu). During the period, he wrote twenty poems in the form of five laws, praising the local mountains and rivers, expressing his confusion when he was injured and the sadness of his personal life experience, entitled Qinzhou Miscellaneous Poems. This is the seventh song.
Vast, between the lonely city valleys. The first part of this book describes the dangerous geographical situation in Qin Zhou. Qinzhou City is located in the upper reaches of Weihe River in Longdong Mountain range, with the towering Liupanshan Mountain and its branch Longshan Mountain in the north and east, and the ancient Zhongshan Mountain and Bird Mouse Mountain in the south and west. The mountains are green and surrounded by peaks, so it was the important frontier defense town at that time. The word "vastness" describes the continuous growth and majestic momentum of mountains, while Wanzhong describes its repetition and profundity. An isolated city stands in a narrow valley of mountains. Due to the background of the surrounding environment, it shows its dangerous position with its unique throat. Wang Zhihuan's Liangzhou Ci is about an isolated mountain city. The Yellow River is far away from the white clouds. Wan Ren Mountain, an isolated city, is vast and spacious, with a sense of leisure, while the vast mountains and isolated valleys vaguely reveal a severe and tense atmosphere. Shen Deqian said, "Start with a wall and stand on the Wan Ren". This comment not only shows the characteristics of the grand beginning of this poem, but also expresses the feelings endowed by these two poems.
There was no storm in the traffic jam, and jathyapple was not at the customs. The first couplet shows a magnificent panorama, while the second couplet narrows the scope and starts from the lonely city. It is common sense that clouds move because of the wind; But sometimes there is no wind on the ground and clouds move high in the sky. From the people on the ground, there is a feeling that there is no wind. If you don't stay at night, it won't be night. The first quarter moon rises very early and hangs high in the sky before dark, so there is a direct feeling that the moon has no night and no light. Clouds move without wind, and the moonlit night does not come. One is an illusion, and the other is a scene at a specific time. It is almost meaningless to write them in isolation. However, once it is associated with Guan and Sai, it constitutes a new artistic realm and shows the poet's unique sense of the times and feelings. In the prosperous Tang Dynasty, although Qin Zhou was located in the main traffic road, it did not belong to the frontier. Since the Anshi Rebellion, Tubo took the opportunity to seize the land of Longyou and Hexi, and Qin Zhou, located in Longdong, became the frontier military center. Living in such a border town full of war, even the original ordinary scenery is often so sensitive that it seems to contain an unusual atmosphere. In the poet's understanding of the frontier situation, the cloud in the lonely city seems to be particularly close to the frontier fortress, even if there is no wind, it floats out of the border in an instant; The Moon in the Lonely City also seems to pay special attention to defense and defense, and saw the dangerous level before nightfall. There is interest in the two poems and affection in the scenery, which not only shows the unique tense and alert atmosphere of the border town, but also expresses the poet's deep concern about the border defense situation, as Pu Qilong commented in Reading Du Xin's Explanation: 34 Alert. A piece of worry, gone with the wind, according to the moon.
Three or four sentences have already included border worries in the description of scenery, so five or six sentences naturally lead to a direct description of border affairs: when is it considered to be late to return to China? Loulan is out of water. Su Wu went to Xiongnu and was detained for nineteen years. After returning to China, he was appointed as a dependent country. The country to which the fifth sentence belongs is a province of classical countries, which refers to the envoys of the Tang Dynasty. At about this time, there was an envoy to Tubo in the Tang Dynasty who stayed late and didn't come back, so it was too late to return home. In the sixth sentence, Fu Jiezi was used to behead King Loulan, saying that the threat of Tubo invasion had not been lifted. The two sentences use allusions and fu, but the language is complex, so I don't feel repetitive, but I feel embarrassed. Su Wu's return to China and Fu Jiezi's beheading of Loulan all happened in the prosperous era of the Han Dynasty. Backed by strong national strength, they were able to win diplomatic and military victories. Now, the Tang Dynasty has fallen from its heyday and declined sharply, so it is impossible to repeat the story of Wu and Fu Jiezi. These two allusions are also useful. In the prosperous Tang Dynasty, it was a song that a bicycle wanted to win the frontier, but it was a country that lived in the frontier (Wang Wei's "Make it to the frontier"), and it was the brave words that Huang Sha wore golden armor and fought many battles, but never returned it (Wang Changling's "Join the Army"). Now, it can only be a country that belongs to the country. Why are you late? Loulan sighed deeply and did not respond. In contrast, it is not difficult to realize the ups and downs of the past and the present and the poet's deep concern about the weakness of the country.
If you look at the smoke for a long time, it will ruin your face. Looking beyond Guansai, it seems that there are wars and fog everywhere, and the situation in the whole northwest border is very worrying. Seeing the declining frontier and land, I can't help but frown at the thought of the declining trend of the Tang Dynasty. Smoke, dust and rot are all produced from May 6th. First, the word "positive" corresponds to the opening and closing, which shows that this declining trend is still developing, and the feeling of being sad for national affairs is not over yet. The magnificent realm of the whole poem contains the sadness of the times and presents a tragic artistic beauty.
Du Mu in Mountain Tour _ Ancient Poems in Mountain Tour
Du Mu in Mountain Tour _ Ancient Poems in Mountain Tour
Mountain travel
Author: Du Mu
The stone road winds to the cliff in the distance.
Where there are some white clouds, you can see some households.
I stopped the carriage and was fascinated by Fenglin.
The frosty autumn leaves are redder than the flowers in February.
Precautions:
1, hiking: walking in the mountains.
2. Hanshan: refers to the mountain in late autumn.
3. Diameter: path.
4. Bai Yunsheng: The rising, winding and floating dynamics of white clouds also show that this mountain is very high.
5. Oblique: This word is pronounced xi, which means extension.
6. Sit: Because.
Translation:
The rocky path is far from the top of the mountain, winding and crooked.
There are several families where Baiyun grows.
I stopped the carriage only because I like the night view of Fenglin.
Frosted maple leaves are better than bright February flowers.
Appreciate:
This is a seven-character quatrain that describes and praises the scenery of mountains and forests in late autumn.
The first sentence is far from Hanshan, and the stone path is inclined. From the bottom up, write a stone road, winding to the mountains and autumn. Cold words in late autumn; Write down the length of the mountain road in distant words; The oblique characters take care of the distant characters at the beginning of the sentence and write a high and slow mountain. Because the slope is not big, you can travel by car.
There are people in the depths of the white clouds, describing the distant scenery that the poet saw while hiking in the mountains. A new word vividly shows the dynamics of white clouds rising, winding and floating, and also shows that mountains are very high. The word "somebody else" will make people think of smoke curling up, chickens barking and dogs barking, making them feel that the mountains are full of vitality and there is no dead terror. Some people also take care of the stone road in the above sentence, because this stone road is a passage for mountain residents.
In the third sentence, the word "stop and sit in the maple forest" is interpreted as "because". Because the evening scenery of the sunset maple forest is so charming, the poet deliberately stopped to watch it. The word "late" in this sentence is exquisitely used and contains multiple meanings: (1) points out that the first two sentences are seen during the day and the last two sentences are scenes at night. (2) Because there is a sunset glow in the evening, the gorgeous sunset glow and the flaming maple leaves reflect each other, and the maple forest is particularly beautiful. (3) The poet lingered, and in the evening, he reluctantly boarded the bus and left, showing his love for red leaves. (4) Because of the long parking time and careful observation, I can appreciate the fourth sentence, which is full of rational and interesting epigrams.
Frost leaves are red in February flowers, which is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use red instead of red? Because red, like flowers in spring, is nothing more than decorating natural beauty; Red flowers are incomparable to spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.
This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.
This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.
Stay away from the cold mountain, the stone path is oblique, write mountains and write mountain roads. A winding path winds to the top of the mountain. The far word describes the length of the mountain road, and the oblique word echoes the above word to write a high and slow mountain.
Someone is in Bai Yunsheng, writing about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. People here take care of the stone road in the previous sentence. This mountain road is the passage for those families, right? This organically links the two kinds of scenery. There are white clouds around, which means the mountain is very high. The poet used the technique of breaking through clouds and mountains, so that these white clouds covered the reader's sight, but left room for imagination: there must be another kind of scenery besides white clouds, right?
The poet is only describing these scenery objectively. Although a cold word is used, it just sorts out the following late words and frost words, and does not show the poet's emotional tendency. After all, it is only to prepare for the following description to outline the environment where Fenglin is located.
Parking and sitting in the maple grove at night is different, and the tendency is obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, it paved the way for describing the maple forest. When it is ready, it will come naturally, which leads to the fourth sentence and points out the reasons for loving the maple forest.
Frost leaves are red in February flowers. To add the third sentence, a beautiful scenery of maple forest in late autumn is displayed in front of us. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It is really full of mountains and clouds, just like bright rosy clouds. More fiery than the spring flowers in February in Jiangnan! What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene.
Unlike ordinary feudal literati, this poet did not sigh sadly when autumn came. He praised the beauty of autumn in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a wave of his pen. This is an autumn hymn.
The fourth sentence is the center of the whole poem, written by the poet with strong colors and coherent brushwork. Not only did the first two sentences set off the gorgeous autumn scenery, but even the seemingly lyrical narrative of stopping to sit and love maple trees late actually played a role in setting off the scenery: the poet who stopped to watch, Tao Ran drunk, became a part of the scenery, and with this scene, the autumn scenery became more charming. After a rewriting, it came to an abrupt end, and it seemed melodious and memorable.