"Perseverance, the stone can be carved." This sentence comes from Xunzi's advice, which means that even stones can be carved into the shape you want as long as you make unremitting efforts. This sentence tells us that as long as we persist, we can achieve our goal.
"Drop of water wears away the stone, not in a day". This sentence comes from He Lin Yu Lu, which means that it can't be completed in one day, and it needs long-term accumulation and efforts. This sentence tells us that to succeed, we need constant efforts and accumulation.
"aim at the top of the mountain, not halfway up the mountain." This sentence tells us to have lofty goals and aspirations, and not to be complacent and stagnate. Only by constantly climbing the peak can we enjoy more beautiful scenery.
"If you don't accumulate steps, you can't go to Wan Li Road." This sentence comes from Xunzi's advice to learn, which means that you will never reach a place thousands of miles away unless you start with small steps. This sentence tells us that if we want to succeed, we need to start from bit by bit and make down-to-earth progress.
"The road is long, Xiu Yuan, Xiu Yuan, and I will go up and down." . This sentence comes from Qu Yuan's Lisao, which means that the road is long, and I will spare no effort to find the truth. This sentence tells us that we must keep exploring and working hard to find the road to success.
The history of brush calligraphy;
The development of brush calligraphy can be traced back to the Shang Dynasty around 1 1 century BC, when there were already brushes made of feathers or wood and bamboo. By the Spring and Autumn Period and the Warring States Period, the writing brush was gradually popularized, and the manufacturing technology also developed greatly.
During the Qin and Han Dynasties, brush calligraphy gradually formed its own unique style and skills. After Qin Shihuang unified China, the policy of "using the same language" was implemented, which made the brush calligraphy more widely spread and developed. In the Han Dynasty, the appearance of official script injected new vitality into brush calligraphy, making it richer and more diverse.
During the Wei, Jin, Southern and Northern Dynasties, brush calligraphy gradually matured and prospered. During this period, many outstanding calligraphers appeared, such as Wang Xizhi and Wang Xianzhi, whose works became classics in the history of calligraphy in China. At the same time, the spread of Buddhism has also brought new elements and styles to brush calligraphy.
During the Sui and Tang Dynasties, brush calligraphy ushered in its heyday. During this period, many famous calligraphers appeared, such as Yan Zhenqing and Liu Gongquan. Their works not only have high artistic value, but also reflect the cultural atmosphere and aesthetic concept of the society at that time. At the same time, the manufacturing technology of brushes has been greatly improved and improved.
During the Song, Yuan, Ming and Qing Dynasties, brush calligraphy gradually became diversified and innovative. During this period, many representative calligraphers and schools appeared, such as Song Sijia and Ming Sijia. Their works have their own characteristics, showing the rich connotation and unique charm of China traditional culture.