Two poems recalling the past
Du Fu
Back in the heyday of Kaiyuan, there were thousands of families in the small town. Rice is fat and white, and public and private warehouses are rich.
There are no wolves and tigers on the road in Kyushu, which is a good day to travel. Wan Qi, Lu Mao, driver class, male plow female mulberry.
The sage in the palace plays the cloud gate, and all friends in the world are sticky. There has been no catastrophe for more than 100 years, and Uncle Sun has learned Xiao He's law.
Do you smell a piece of silk worth 10 thousand yuan? Today, a field is bleeding. Luoyang Palace was burnt out, and the Fox and Rabbit Cave was newly demolished in the ancestral hall.
I can't bear to ask my age, but I'm afraid I'll leave at the beginning. My junior minister, Lu Chong, was powerless, and the imperial court remembered his official title.
Zhou Xuan zhongxing looked at my emperor, spilling blood and Jianghan's physical strength declined.
Synopsis of this poem: In the heyday of the Tang Dynasty, the people were happy, and the avenue was not forgotten. In the 14th year of Tianbao, Xuanzong of the Tang Dynasty (AD 755), it came to an abrupt end, "until the sound of drums resounded through Yuyang and shook the earth", which led to the outbreak of "The Forbidden City, a nine-story palace, was hidden in the dust"-"An Shi Rebellion". The Tang Dynasty fell sharply from its peak, and the most brilliant historical drama in China's history was suddenly bleak. However, there is an outstanding English generation. In the magnificent historical era, new heroes will emerge according to the situation, colorful and heroic, which is dizzying.
Development idioms in development poems
1, prosperity: describes the vigorous development of various undertakings and their growing prosperity.
2. General trend: General trend: refers to the overall situation. The trend of the whole situation.
3. National pulse and people's life: the artery of the country, the life of the people. Metaphor is the basis for the survival and development of the country and people.
4. See micro: micro: small; Author: amazing. You can know its nature and development trend when you see the small signs.
5, the waves are rolling: rolling: the water is rushing. Describe the trend of rapid flow or development of rivers.
6. beginning and end: end: the beginning and end of things; Beginning: the end and beginning of a thing. Refers to the development of things with certain laws, beginning and ending.
7. Understanding the past from the present means that the development of things is a process. It always evolves gradually along the time sequence. Observing its present, we can infer its true colors.
8. Huang Fa Zhang Da: Huang Fa: Bright and cheerful. Development and expansion.
A poem describing the vigorous development: the snow presses the pine and cypress, and the pine and cypress are tall and straight.
You know, the pine tree is noble, noble until it melts.
Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks.
After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight.
The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter.
Wildfire can't burn it out, but the spring breeze can revive it.
Chinese poetry originated from Reading National Rhyme, which was compiled and created by the research group on traditional culture and children's development led by Professor Zhou Zongkui, Dean of the School of Psychology of Huazhong Normal University. At present, teaching practice has been carried out in preschool institutions in nearly 60 large and medium-sized cities across the country. The whole process of "National Rhyme Reading" 120 rhyme, 32 words per rhyme, imitating the form of thousands of words, four characters and one rhyme, easy to recite. From the content of the text, according to the principle that children perceive the natural order of all things in the world, the knowledge points involve daily life, basic etiquette, natural animals, natural science, human landscape, historical changes, traditional culture, historical allusions and so on.
In addition, the full text of this book is currently not available on the Internet. You can only go to the bookstore where the landlord is located to see if you have bought it!
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Poems describing the rapid development of things are heartless, and falling into spring mud protects flowers more.
The quality is clean and the sludge is trapped in the ditch.
As soon as the grass showed its sharp corner, the dragonfly had already stood on it.
There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.
Suddenly, like a night wind blowing, like a pear tree in blossom.
The development of poetry? Poetry has a long history in China, stretching for thousands of years, and has made brilliant achievements. As early as the Western Zhou Dynasty to the Spring and Autumn Period, China's poems had produced a large number of brilliant chapters, which was marked by the appearance of the Book of Songs, China's first poetry collection. There are 305 poems in The Book of Songs, which are divided into three parts: wind, elegance and ode, all of which can be sung by music. Most of the chapters in The Book of Songs have a distinct sense of the times and people's nature. They make good use of fu, bi and xing. The sentence pattern is mainly composed of four words and multiple chapters, which laid a solid foundation for China's literary creation in 2000.
At the end of the Warring States Period, a new poetic style-Chu Ci-was formed in the southern State of Chu. The sentence patterns of Chu Ci vary in length, with six words and seven words as the main ones, and the word "Xi" is often used. Qu Yuan, the founder and main author of Chu Ci, created immortal poems such as Li Sao, Nine Songs and Nine Chapters in this way, becoming the first great poet in the history of China literature. Li Sao, his masterpiece, is the most magnificent lyric poem in the history of China ancient literature. Qu Yuan was followed by Song Yu, Le Tang, Jing Ke and other Chu Ci writers. The appearance of Chu Ci marks the higher stage of China's poetry from the folk collective singing and development to the poet's independent creation. The Book of Songs and Songs of the South are the two sources of poetry development in later generations, and they are also called "* * *" in the history of literature. Together, they created an excellent tradition of realism and romanticism in China's ancient poetry and set a good example for later generations.
In the early Han Dynasty, literati poetry was relatively lonely, and folk Yuefu was quite active. "Yuefu" originally refers to national music institutions, and later generations also refer to the songs collected and edited by Yuefu that can be performed by music as "Yuefu". Folk songs of Han Yuefu are the essence of Han Yuefu. Folk songs in Han Yuefu inherited the realistic tradition of folk songs in The Book of Songs, that is, "Hungry people sing about their food, and laborers sing about their things", which is easy to understand, long in narrative and full of life flavor. The sentence pattern is mainly composed of five words, which reflects the new development of poetry art. "Shang Mo Sang" and "Peacock Flying Southeast" are the best works of folk songs in Han Yuefu, and they are also representative works of narrative poems. Peacock Flying Southeast is the first narrative poem with a high degree of ideological and artistic unity in the history of China's poetry. 353 sentences, with the word 1765, are called "the saint of long poems" and "the first long poem in ancient and modern times". Under the influence of Han Yuefu, literati's five-character poems gradually developed and matured, marked by Nineteen Ancient Poems, which appeared in the late Eastern Han Dynasty. This is a group of lyric short poems written by poor literati. They are sentimental, short and affectionate, euphemistic and implicit, concise and concise, and are known as "in a word, the crown of five words".
At the end of Han Dynasty, Wei and Jin Dynasties, literature entered the era of consciousness. During the Jian 'an period, "the world was divided, the wind declined and the people complained", but the literati poetry showed a great development trend of "five words surging in the wind", with Cao and his son and RoyceWong and other "seven sons of Jian 'an" as the center, forming a group of people. Most of their poems reflect the turmoil of the times and the sufferings of the people, express their personal ideals and ambitions, and have the style of "generosity" and "deep ambition", which is praised as "Jian 'an style" by later generations. The most outstanding achievements in Jian 'an poetry are Cao Zhi and RoyceWong. At the turn of Wei and Jin Dynasties, social customs changed. The Seven Sages of Bamboo Forest are the representative poets in Zhengshi period, among which Ruan Ji and Ji Kang are the most famous and have the highest achievements. Ruan Ji's Eighty-two Poems about Huai is the first large-scale five-character poem with personal lyrical color in China, and Ji Kang has opened up a new realm of four-character poems. During the reign of Taikang in the Western Jin Dynasty, the poetry circle was known as "three lands and two lefties". Works by Lu Ji, Zhang Xie and Pan Yue. Pursuing beautiful words and creating the style of carving and piling up China's poems; Zuo Si is unique and inherits the literary tradition of Jian 'an. His eight poems about history express his feelings with high emotional tone and vigorous brushwork, and he is known as the "wind of Zuo Si". Metaphysical poetry in the Eastern Jin Dynasty flooded for a while, and it was not until the appearance of Tao Yuanming at the end of the Eastern Jin Dynasty that the poetic world suddenly added luster. Shi Tao's poems are mostly rural life, and their style is naturally faded. They are "qualitative and practical, rich and practical" (Su Shi's language), which has a direct impact on the pastoral poetry school in Tang Dynasty.
During the Southern and Northern Dynasties, the representative poets in the South were Xie Lingyun, Xie and Bao Zhao. Xie Lingyun created landscape poems and realized the transformation from metaphysical poems to landscape poems. Influenced by it, Xie and Xie Lingyun are called "big and small thanks" when describing landscapes. Bao Zhao is good at expressing cynicism with the ancient seven-character style, and his style is elegant and bold, paving the way for the development of seven-character songs in Tang Dynasty. The most accomplished poet in the north is Yu Xin, who goes from south to north. He wrote homesickness with vigorous and powerful pen, integrated the poetic style of the North and the South, and became a master of poetry in the Six Dynasties. The reflection of Yuefu folk songs in the Southern and Northern Dynasties before and after Yuefu in the Han Dynasty. Folk songs in the Southern Dynasties are graceful and euphemistic, and the masterpiece is Xizhou Song. North ... >>
China's ancient poetry has a long history, stretching for thousands of years, and has made brilliant achievements. As early as the Western Zhou Dynasty to the Spring and Autumn Period, China's poems had produced a large number of brilliant chapters, which was marked by the appearance of the Book of Songs, China's first poetry collection. There are 305 poems in The Book of Songs, which are divided into three parts: wind, elegance and ode, all of which can be sung by music. Most of the chapters in The Book of Songs have a distinct sense of the times and people's nature. They make good use of fu, bi and xing. The sentence pattern is mainly composed of four words, and the sentences are repeated in many chapters, which laid a profound humanistic foundation and artistic foundation for later literary creation.
At the end of the Warring States Period, a new poetic style-Chu Ci-was formed in the southern State of Chu. The sentence patterns of Chu Ci vary in length, with six words and seven words as the main ones, and the word "Xi" is often used. Qu Yuan, the founder and main author of Chu Ci, created immortal poems such as Li Sao, Nine Songs and Nine Chapters in this way, becoming the first great poet in the history of China literature. Li Sao, his masterpiece, is the most magnificent lyric poem in the history of China ancient literature. Qu Yuan was followed by Song Yu, Le Tang, Jing Ke and other Chu Ci writers. The appearance of Chu Ci marks the higher stage of China's poetry from the folk collective singing and development to the poet's independent creation. The Book of Songs and Songs of the South are the two sources of poetry development in later generations, and they are also called "* * *" in the history of literature. Together, they created an excellent tradition of realism and romanticism in China's ancient poetry and set a good example for later generations.
In the early Han Dynasty, literati poetry was relatively lonely, and folk Yuefu was quite active. "Yuefu" originally refers to national music institutions, and later generations also refer to the songs collected and edited by Yuefu that can be performed by music as "Yuefu". Folk songs of Han Yuefu are the essence of Han Yuefu. Folk songs in Han Yuefu inherited the realistic tradition of folk songs in The Book of Songs, that is, "Hungry people sing about their food, and laborers sing about their things", which is easy to understand, long in narrative and full of life flavor. The sentence pattern is mainly composed of five words, which reflects the new development of poetry art. "Shang Mo Sang" and "Peacock Flying Southeast" are the best works of folk songs in Han Yuefu, and they are also representative works of narrative poems. Peacock Flying Southeast is the first narrative poem with a high degree of ideological and artistic unity in the history of China's poetry. 353 sentences, with the word 1765, are called "the saint of long poems" and "the first long poem in ancient and modern times". Under the influence of Han Yuefu, literati's five-character poems gradually developed and matured, marked by Nineteen Ancient Poems, which appeared in the late Eastern Han Dynasty. This is a group of lyric short poems written by poor literati. They are sentimental, short and affectionate, euphemistic and implicit, concise and concise, and are known as "in a word, the crown of five words".
At the end of Han Dynasty, Wei and Jin Dynasties, literature entered the era of consciousness. During the Jian 'an period, "the world was divided, the wind declined and the people complained", but the literati poetry showed a great development trend of "five words surging in the wind", with Cao and his son and RoyceWong and other "seven sons of Jian 'an" as the center, forming a group of people. Most of their poems reflect the turmoil of the times and the sufferings of the people, express their personal ideals and ambitions, and have the style of "generosity" and "deep ambition", which is praised as "Jian 'an style" by later generations. The most outstanding achievements in Jian 'an poetry are Cao Zhi and RoyceWong. At the turn of Wei and Jin Dynasties, social customs changed. The Seven Sages of Bamboo Forest are the representative poets in Zhengshi period, among which Ruan Ji and Ji Kang are the most famous and have the highest achievements. Ruan Ji's Eighty-two Poems about Huai is the first large-scale five-character poem with personal lyrical color in China, and Ji Kang has opened up a new realm of four-character poems. During the reign of Taikang in the Western Jin Dynasty, the poetry circle was known as "three lands and two lefties". Works by Lu Ji, Zhang Xie and Pan Yue. Pursuing beautiful words and creating the style of carving and piling up China's poems; Zuo Si is unique and inherits the literary tradition of Jian 'an. His eight poems about history express his feelings with high emotional tone and vigorous brushwork, and he is known as the "wind of Zuo Si". Metaphysical poetry in the Eastern Jin Dynasty flooded for a while, and it was not until the appearance of Tao Yuanming at the end of the Eastern Jin Dynasty that the poetic world suddenly added luster. Shi Tao's poems are mostly rural life, and their style is naturally faded. They are "qualitative and practical, rich and practical" (Su Shi's language), which has a direct impact on the pastoral poetry school in Tang Dynasty.
During the Southern and Northern Dynasties, the representative poets in the South were Xie Lingyun, Xie and Bao Zhao. Xie Lingyun created landscape poems and realized the transformation from metaphysical poems to landscape poems. Influenced by it, Xie and Xie Lingyun are called "big and small thanks" when describing landscapes. Bao Zhao is good at expressing cynicism with the ancient seven-character style, and his style is elegant and bold, paving the way for the development of seven-character songs in Tang Dynasty. The most accomplished poet in the north is Yu Xin, who goes from south to north. He wrote homesickness with vigorous and powerful pen, integrated the poetic style of the North and the South, and became a master of poetry in the Six Dynasties. The reflection of Yuefu folk songs in the Southern and Northern Dynasties before and after Yuefu in the Han Dynasty. Folk songs in the Southern Dynasties are graceful and euphemistic, and the masterpiece is Xizhou Song. & gt
Are there any poems that lead the development? If you want to succeed, you should take a new path, not a trampled one.
John rockefeller
Conservatism is the product of comfort, and innovation is the vitality of science house.
If learning is just imitation, then we won't have science and technology.
Gorky
When I encounter problems, I always try to find ingenious ideas and win by surprise.
-Zhu Qingshi
Don't be superstitious about authority, listen to other people's suggestions and establish the scientific spirit of independent thinking.
Zhao Yi, a good poem that develops rapidly.
The poems of Li Bai and Du Fu have been read by thousands of people, and it is nothing new to read them now.
Talented people come out of the Jiangshan generation, and every leader has been working for hundreds of years.
Translation:
The poems of Li Bai and Du Fu have been praised by thousands of people, but now they are nothing new to read.
Every generation of our great rivers and mountains has talents, and their poems, articles and popularity will be circulated for hundreds of years.
Enjoy 1:
Zhao Yi advocates innovation and opposes mechanical simulation, which is reflected in this poem. In order to explain the change of poetic style from generation to generation, the poet quoted two great poets in the history of poetry, Li Bai and Du Fu in the Tang Dynasty, as examples. People think that even great poets like Li and Du Fu, whose poems have been circulated for thousands of years, no longer give people a sense of freshness. From the perspective of historical development, every era has its leading figures, and it is not necessary to follow the advice of the ancients. It is a well-known saying that "Jiangshan produces talents, each leading the way for hundreds of years".
Appreciation 2:
Taking Li Bai's and Du Fu's poems as examples, this paper explains the first two sentences of the poem: "Du Li's poems are widely circulated and are not new so far." The poems of Li Bai and Du Fu have been passed down through the ages, and no one can compare them. However, even such a great poem is still not new. Visible, "Jiangshan generation talented people, each collar * * * for hundreds of years", the country has affection, but their influence is only a few hundred years. The author believes that poetry should keep pace with the times, and poets should be innovative in their creation, not deliberately imitating, but following in the footsteps of the ancients.
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