Hao (1886 ~ 196 1) is a famous Peking Opera performer and educator. Originally from Xianghe, Hebei Province, he moved to Beijing with his father when he was young, and studied under Lv Fushan, Tang Yongchang, Zhu Zijiu and Yan Baoheng. After decades of hard work, Jin Xiushan's bronze hammer and Huang Runfu's easel art finally merged into one furnace, with unique singing style, creating the A Hao school art known as "the bronze hammer singing on the easel painting face", winning with verve, full of singing charm, simple works and integrated performances. His artistic attitude is rigorous and he is good at portraying characters. During his decades of artistic career, he has played more than 65,438+060 roles in more than 220 plays.
And Hou, also known as "three outstanding figures in the net", and also known as "black gold and white house" (also known as "South Gold and North House").
Chinese name: Hao.
Alias: Mingrui, whose real name is Wan Tong, and whose stage name is Xiao Kuilu.
Nationality: China.
Place of birth: Beijing
Date of birth: 1886
Date of death: 196 1 year.
Occupation: Peking Opera performer, opera educator.
Main achievements: Created the Haopai art of Peking Opera.
Representative works: Huang Jintai, Famen Temple, Biography of Jing Ke, Peach Blossom Garden, Dream of Flying Tigers, Fighting Cao Bao, Red Forced Palace, etc.
The life of the character
Hao, Ming Rui, word, was born in Wantong. My ancestral home was in Hongdong, Shanxi Province, and my ancestors fled to 500 households in Xianghe, Hebei Province due to the plague of the Ming Dynasty. His father, Hao, was originally based on agriculture. Later, due to years of famine and crop failure, it was difficult to make a living, so I went to the city to learn carpentry. His wife Wang gave birth to three sons, the eldest son Hao Heng, the painter Hao Shoushan, the second son Hao Rui, the painter Hao and the third son. They didn't go to the pear garden to engage in education. They used to be the principals of Huiwen No.2 Primary School.
Hao was born in the 12th year of Guangxu in Qing Dynasty (1886), on the seventh day of the fourth lunar month, and he was from Chongwenmen. At the age of six, he studied in a private school and dropped out of school because of his poor family. At the age of seven, he was pawned by film artist Wang Dezheng. His parents only wanted to be pawned for three years, but Wang Dezheng persisted for seven years. Father was helpless, bullet signed a pawn, and Xiao Wantong set foot on it.
Wang Dezheng couldn't get a famous teacher, so he called an actor named Lv Fushan to enlighten Wantong. In the first play, I learned the basic play Lock Five Dragons, which was painted with a bronze hammer. I learned it in less than two months, and then I learned Second Palace, Catch and Release Cao, and so on. And I have been performing on stage for less than half a year. The first performance was a concert at the North Yanxitang Restaurant in Dongdan. The play is the book Lock Five Dragons. Judging from Dan Xiong Xin's scenes, he can climb the mountain only by leaning on a python, feathering a fox's tail and wearing thick-soled boots. His stage name is "Little Kuilu". Later, Sister Wang, who sang old songs, performed many plays, such as Catch and Release Cao, Second Palace, Breaking the Secret Stream, Tianshui Pass, My Beauty Case and so on. In order to improve Xiao Kuilu's acting skills, Wang Dezheng often takes him backstage to broaden his horizons and steal the performances of famous predecessors, such as Jin Xiushan and Huang Runfu.
1900 was the year when Xiao kuilu became a teacher, which coincided with his voice "dumping his position" and he could not perform on stage. Shortly after returning home, he was arrested by Eight-Nation Alliance in the street one day and worked as a coolie for two months. Later, he worked as a handyman in the German embassy. In five years, Hao, who is smart and eager to learn, learned Russian and German. He is eager to return to the stage as soon as possible. He saved money from his meager income to buy colorful pants and make boots. After leaving the German barracks, he wanted to make a living by singing opera in Beijing, but he was neither a Liyuan family nor a well-trained person, and he had no guidance from a famous teacher, so it was extremely difficult. I had no choice but to go to Guangdong for three times: the first time, when I was 20 years old, I went to Yingkou, Yantai, Dalian and other places alone, but I returned empty-handed. I couldn't help my family, so I had to go through customs twice. I have just arrived in Shenyang and Gongzhuling, Liaoning Province, and it is still unsatisfactory. Later, I worked in Harbin and got the guidance of old artists Yan Baoheng and Zhu Zijiu, and my art improved. Because of the theater fire, I went to Yingkou again and got the appreciation and help of kind-hearted Tang Yongchang. Although I learned a lot of skills on this trip, I still came back empty-handed. Later, I decided to pay a visit to Guandong. This time, Lu, Ma Decheng and his brother Hao Shoushan performed in Anton and also in Incheon, North Korea, but they were all unsatisfactory and had to return to Beijing at the age of 23.
Hao made three trips to Guandong, experienced many vicissitudes and gained a lot of knowledge. I still remember that Tang Yongchang advised him to learn the teachings of ascetic monks, practice hard, and insist on learning martial arts and practicing. I not only read classical novels and look up dictionaries, but also bend down and practice Tai Ji Chuan and Tai Chi sword every day, and learn some Kunqu operas from Ye Fuhai, such as Lu Hua Dang and Zui Shanmen.
19 14, the artistic style of singing with a painted copper hammer on the shelf was officially changed, and it was popularized by Liu Hongsheng and Tan Xinpei, making it stand out. Hao in Tian Jiyun Yu Chengban, he should be embarrassed. Tian noticed that Hao worked hard in whatever role he played and was very popular with the audience. Tian Hui knows people and takes care of Li Ke's role for A Hao.
He was invited to participate in Mei Lanfang Chenghua Society, Chou He Society, Zhu Society, Ma Chunfu Society, Yan Minxing Society and Yongsheng Society. In front of Bunyan's name, he was dubbed as "a master of flowers and cotton", keeping pace with Yang Xiaolou, the "master of traditional Chinese opera". Yang and Hao's first new drama is Sword of the Mother's Tomb, with Yang as the tomb and Xiang Yu in Vivi. The last play they collaborated on was the Battle of Wancheng, with Yang playing and Hao playing Cao Cao. It was 1937. The first collaboration was Catch and Release Cao, and the last collaboration was Give a robe. 1933.
When they cooperated with Ma, they created many new plays, especially On Childhood Brewing Heroes. 1928 was invited to perform in Shanghai. In the comic book, Hao plays Doulton, Ma plays Huang Tianba and Zhu Guangzu. The performance caused a sensation in Shanghai. The last scene of Hao and Ma is Dragon Ball String (that is, anti-Xuzhou), in which Ma plays Xu Da and Hao Yanlong, 1938.
1On July 2nd, 939, the Chang 'an Grand Theater held a "Flower Face Conference", with the Imperial Garden as the main axis, Hao's two finales "Tai Sui" (Changting) and Hou's three countdown "Ding Jiashan", and three outstanding performers gathered together for an unprecedented occasion. At this point, I retired as a stage teacher.
1949, to celebrate the founding of People's Republic of China (PRC), Mei Lanfang, Guan Dayuan, Hao and others were invited to perform "Dragon and Phoenix Becoming Lucky" in Huairentang. Hao, who has been out of the stage for more than ten years, shaved off his beard and reappeared on the stage, imposing.
1950 was hired as a professor by China Opera Research Institute (predecessor of China Opera Academy). It was in that spring that he and Xiao Changhua collaborated on Drunk at the Mountain Gate, which was welcomed by Mao Zedong and Zhou Enlai.
195 1 year, in order to support the War to Resist US Aggression and Aid Korea, the old artists of the Theatre Academy spontaneously held a donation benefit performance. Hao, 65, first volunteered and gave five benefit performances before and after the popular theater, each starring Hao.
From 65438 to 0956, he served as the principal of private art training drama school (later changed to Beijing Opera School). He not only teaches in person, but also asks students about their cultural and sports activities and diet. In order to raise money for the benefit performance of the drama school, I personally led my disciples to perform a colorful meeting, which was followed by Wang's Naojiangzhou, Cao Qiaoguan, Thief Yuma, Hao, and Li Youchun's Sai Tai Sui, and Long Pavilion.
/kloc-in 0/956, it was decided to shoot colorful opera films "Hero" and "Borrowing the East Wind" jointly performed by Ma, Tan, Qiu, Sun Yu _, Xiao Changhua and Hao. Hao plays Cao Cao, rehearsed in the rehearsal of Beiying beforehand and took a group photo as a souvenir. Later, due to Hao's heart attack, it became the history of Chinese Peking Opera.
196 1 lunar calendar1October 19 at 22: 05, a master of the first generation, Ming Jing, died of illness in his apartment at the age of 75, and was buried in Futian cemetery in the west of Beijing after the public sacrifice.
Artistic feature
Although Hao is an actor with a shelf flower, he not only enriches the singing style of the shelf flower with the combination of copper hammer singing and the performance style of the shelf flower, but also makes more use of vocal music art to appropriately express various characters with different personalities. His singing was deeply influenced by the Jin (Xiushan) School, which originated from the sound of the chamber and combined with the oral cavity, especially through the nasal cavity and nose and mouth. This pronunciation method can be said to be completely golden. In addition to the Golden School, he also absorbed all the excellent singing skills of Liu Yongchun, Liu Hongsheng and Qiu Guixian. He spoke in a mellow tone, not a deep tone. Therefore, his singing is rich and mellow, which is completely different from Huang (Runfu) school. His chanting and singing are unified in style.
His vocalization adopts * * * oral singing method, and is decorated with "sound" and "_ sound", which is Hao's overall style. Although his voice is a little dull in singing, every word carries a lot of weight. He changed the nasal sound into nasal sound and accent, used it flexibly, and had a deep charm, forming a unique Hao school singing method.
Hao is very innovative in art. He has played Cao Cao, Zhang Fei and so on. In traditional drama, this has its own characteristics. His artistic images such as Jing Ke, Wang Fu and Wang Fu left a deep impression on the audience. His fashion drama "Bloody Handprints in France" plays a westerner, and his performance is very real and vivid.
Hao has a beautiful shape, clean technology and accurate eyes. All the stage images he created in his life are vivid and left a deep impression on the audience. In order to increase the audience's interest in the characters in the painting and give them more beautiful enjoyment, Hao put all his thoughts on him.
Main contribution
Hao rehearses two new plays every year on average, and there is no blueprint for the characters' faces in the new plays, so he creates new faces according to the plot and character. He also reformed the tools and methods of hook face, and designed clothing patterns that meet the identity and personality of many roles. This spirit of bold innovation is very valuable among the actors of online dramas. The facial makeup art of Hao School has a unique position in the palace of Beijing Opera art, which has had a great and far-reaching impact on the development of Beijing Opera art..
He has worked with, Ma, Yan, Cheng, Zhu, Xu Biyun and others to create many colorful characters. In particular, he created and performed new dramas such as Biography of Jing Ke, Peach Blossom Garden and Flying Tiger Dream, and processed and rehearsed almost lost old dramas such as Dacaobao, Wakouguan, Honggong and Dalongpeng, which formed the unique style of Hao School.
Main work
Hao has played more than 220 plays in his life, played more than 160 roles, and also played roles such as fate, Dan and ugliness. He has participated in some fashion dramas and foreign dramas. He is good at playing Sai Tai-sui, Dalongpeng, Wakouguan, Dacaobao, Hongqianggong, Wild Pig Forest, Lianlianji, Bride, Eliminating Three Harms, Xiahe Cave, Winning the robe in the Fa Chang and Zuishan Gate.
1944, he filmed a black-and-white Peking Opera movie with Chunyan Zhang and Ma Fulu. Live recorded performances include Famen Temple, Huang Jintai and Heroes. Niu Hao Xia Shu, Fan Qidong, Biography of Jing Ke, Bai Guanliang, Hongyang Cave, Loyalty and Filial Piety, Going to the Tiantai, Yangpingguan, Night Pan Hong and Hong Men are all produced by record companies such as Gaoting, EMI, Beikai, Great Wall, Shengli and so on.
Hao's famous plays include Li Qi Chang Ting, Stealing the Horse, Wakouguan, Zhuan Xu Biemu, Mei Qing Boiling Wine on Heroes, and xiaoyaojin, especially Cao Cao's plays. He also arranged a lot of "Haopai" dramas and some old ones that were gradually lost. Such as Biography of Jing Ke, Peach Blossom Garden, Flying Tiger Dream, Fighting Cao Bao, The Red Chamber and Fighting Dragon Shed.
Collection of Hao's works, selection of Hao's drama works, selection of Hao's singing works, Hao's performing arts, Hao's biography, etc. They are all extremely precious Beijing opera art materials.
Disciple communication
Hao has only received seven apprentices in his life:1931May 10 received a apprenticeship in Fushoutang, Chongwai polishing factory; Wang Yongchang picked it up at Xilaishun Restaurant on West Chang 'an Avenue before the Spring Festival on February 1934; 1939 Spring, Tang Jingyi (nephew of Li Dequan) picked up the ticket at Donglaishun Restaurant in Dongan Market; /kloc-pick up Yuan Shihai at Xilaishun restaurant at the end of 0/940; Li Youchun 194 1 collected in Xilaishun restaurant in summer; He and Wang were introduced by Ma on 1953.
Personality assessment
From the beginning of his research, Hao Chenshou took many famous artists as his teachers. In order to inherit in many ways, he did not hesitate to act as a walk-on, earning only the minimum living expenses, in order to learn to ponder while acting. For example, his most famous "Li Qi Chang Ting" was put on the stage after years of painstaking efforts. First of all, he was appreciated by Mr. Peng Fuling, and was taught to write a comment about Li Qi, which had a good effect. However, Changting is 10% off. Although he has watched Mr. Huang Runfu's performance dozens of times, he has been unable to rehearse because he can't get the script. Later, I got the script of "Li Qi Chang Ting" presented by Li Chunfu. According to the script, he pondered day and night, revised his face again, enriched his performance, and put his tricks on the stage. Because he vividly played Li Qi, he won the reputation of "living Li Qi". .
In the 1920s-1930s, Hao, Hou, and Hou were both active on the stage of Peking Opera, standing still, and they were called "three outstanding men in the face" (also known as "three outstanding men with clean lines") and "black gold and white Hao" (also known as "Hao in the south and north"). The pear garden is used to the arrangement of "Jin", "Hao" and "Hou", because "Jin" picked a shift and hung the top card, "Hao" also hung a famous card, and "Hou" was slightly inferior. When it comes to the press conference, it's all Kim Dae-jung, Hao Zhizhu and Hou.
At the age of twenty-eight, Hao transferred to Yu Chengban and Hong Qingban named Tian Jiyun in Hua Dan, and had the opportunity to perform with his teachers, Mei Lanfang and others all the year round. On one occasion, Lang Deshan, who played "Firewood" and played Ge Hua, asked Vivi to perform. After the performance, Tan Xinpei commented on him: "Better than Langdeshan!" The recognition of the old-timers is a golden signboard, and Hao's reputation has greatly improved since then. Later, he was often invited to perform with many famous actors.
Chronology of activities
19 15, Hao was invited to join the Tongqing Society, and cooperated with Tan to perform such plays as Catch and Release Cao, Lost Street Pavilion, Drumming Cao, Official History and Trial of the Assassin.
19 16, Hao is in his thirties. Xiushan and Huang Runfu died one after another. Li Lianzhong is old and sick, and Hao ranks among the famous figures by virtue of his own strength. He has collaborated with Tian and Yang Xiaoduo in The Battle of Wancheng, with Shi in xiaoyaojin, with Comics, with Wang in Lost Space, with Xu and so on. Since then, his fame has become more and more obvious.
19 19, after the Lunar New Year: Yan went to Korea to perform as the foreman of the ticket lovers, accompanied by Hao.
1920 At the invitation of Ou Yangyuqian and Li Guichun, he performed in Hankou with Cheng Jixian, Dong Junfeng and Fu Xiaoshan. After returning to Beijing, I was invited to participate in the "Green Star Society" and cooperated with Gao and Hao in many plays.
1920: Zhang Xun organized a large-scale church meeting in Yaohuali, a British concession in Tianjin. On the first day, Hao He performed the third "Serial".
1920 August and September of the year of Geng Shen 19: The next day, Zhang Xun organized the cathedral in Yaohuali, a British concession in Tianjin, and Hao participated in the performance.
1922 At the invitation of Shanghai Tianchan Stage, he went to Shanghai to perform with Yang Xiaolou, Mei Lanfang, Wang Fengqing, Wang Changlin, Shoushan Li and Xu Deyi. When I returned to Beijing, I had the opportunity to co-star with Wang Hongshou in Huarong Road, Seven Capture Meng Huo, especially with Hou's True and False jy, and was praised as body double.
1923 On February 24th, the ninth day of the first month of the lunar calendar, 15: 1923 On the second day of the Spring Festival, the "serial" was performed in the hall of President Li's office.
1February 25, 923, on the 10th day of the first month of the first lunar month, 12: On the third day of Li Chunjie, he, Shang Xiaoyun and Yan Famen Temple.
1923 In March of the lunar calendar, on the seventieth birthday of my mother, Hao performed "Scold Cao".
1923165438+1October 2 1, October 16th, the year of Guihai in the lunar calendar, in the evening: Hao performed "Li Qi Chang Ting" at the Peking Opera Theatre.
1June 22, 924, May 2, Jiazi Year of the Lunar New Year1day: The first stage of the performance is a big-scale Japanese drama, with the big axis "Zhanwan City" (Yu Shuyan plays Zhang Xiu, Yang Xiaolou plays Dian Wei, Tian Guifeng plays Zou Shi, Hao plays Cao Cao and Wang Changlin plays Hu Che).
123 June, 924, May 22nd of the year Jiazi in the lunar calendar: The first stage, the big-axis drama Dingjun Mountain was followed by Wuduan Mountain in Yangpingguan (for Huang Zhong, for Zhao Yun, for Vivi Cao Cao, for money, and for Bao Jixiang, for Liu Bei, for newsboy).
1924 165438+ Jiazi Year of the Lunar New Year120 October: The first day after the renovation of Hua Paradise, the fourth scene is Hao's "Take Luo Yang".
1924165438+1October 24th Lunar New Year: Hesheng Society performed in China Paradise, with the main axis: Dingjun Mountain Yangpingguan (Ma, Wang Fengqing, Shang, Hao).
1924165438+1October 30th: Hesheng Society performed in China Paradise, with the main axis: History of the Three Kingdoms (from Heroic Society to Huarong Road) (Ma, Wang Fengqing, Hao).
1924 12 13 November 17th of the lunar calendar in Jiazi Year: Heshengshe performed in China Paradise, with the big axis: Zhanwan City (Zhu plays Zou, Ma plays Dian Wei, Hao plays Cao Cao).
1924 12.20,1/0/24 Lunar New Year: Heshengshe performed in China Paradise, fourth: Naojiangzhou (Hao), sixth: Fishbone Sword (Wang Fengqing, Hao).
On February 8th, 1925, on January 16th, Ma premiered "Guangtaizhuang" at Beijing Huayuan matinee. Ma plays Xu Da and Hao performs on the same stage.
128 February, 925, the sixth day of February in the second ugly year of the lunar calendar: Hesheng Society performed in Huahua Paradise, with the main axis: Four Entering the Ground (Ma as the role, Zhu as the role, Hao as the role of Gudu, Rong as the role of Butterfly Fairy).
April 4th, 1925, March 12, the second ugly year of the lunar calendar: Ma premiered "Exotic Romance" at Beijing HuaYuan matinee. Ma plays Zhuge Liang, Hao, Zhu, Zhou Ruian and co-stars.
1August 20, 925, the second day of July in the second ugly year of the lunar calendar: the society was changed to the society, and Hao became a member of the team.
1926 On February 23rd, on March 11th of the lunar calendar, Ma premiered "Jade Bracelet" in the evening performance of the theater. Ma played, Hao, Zhu, Ma Fulu and Lian performed.
1926 12 15, November 11th of the lunar calendar: She performed in the theater, with four outstanding scholars (Zhu, Ma, Hao and Ma Fulu) as the major axis.
1927 65438+ March 20th and December 17th of the lunar calendar: Concord Society performed in the theater, and Hao, Ma and Shang finally performed "Yangpingguan".
1927 On February 6, the fifth day of the fourth lunar month, Ma premiered "On the Hero of Cooking Wine with Childhood" in Beijing Paradise. Hao and Bao Jixiang performed together.
1June 9, 927, 10th day of the fourth month of the lunar calendar: The first performance of the first class of Ma was the matinee of Chunfu Society in Qingyuan Paradise, and the third performance was Hao's "Playing Dragon Shed".
June 26th, 1927, May 27th, April of the lunar calendar: Ma premiered "Wu Xiang Hou" in Beijing Paradise. Ma plays Zhuge Liang, Hao plays Sima Yi and Wu Yanheng plays Qin Lang.
1927165438+1October 3, Ding Maonian1October 10: Ma premiered "Zhanwan City" at the Beijing Paradise matinee. Hao,, and Bao Jixiang performed on the same stage.
192712.4 1 11day, April of the lunar calendar: Ma Yu premiered "Tornado Array" at the Beijing China Paradise matinee. Hao, Wu Yanheng,,, Ma Chunqiao performed together.
1928, Lunar New Year, Autumn: Yan organized the People's Society. These roles include actresses Guan, Hao, Ugly Girl, Ru Fulan and Ma Liankun.
192865438+1October 8th, the year of the fourth lunar month1February16th: Ma premiered "The Hongmen Banquet" at the Beijing Garden matinee. Hao, Wu Yanheng, Ma Chunqiao and Meng Xiaoru performed together.
1 928 March1,the 10th day of the second lunar month: Ma premiered the whole "Huanhuaxi" at the Beijing Huayuan matinee. Hao,, and Ma Fulu performed together.
1928 March 18, February 27th of the lunar calendar: Ma premiered all "Fan Zhongyan" at the Beijing Huayuan matinee. Hao,,, Ma Fulu and Liu Yutai performed together.
1928 August 18, the fourth day of the seventh lunar month: Minxing Society performed at Yongle Grand Ceremony, with the big axis: catching and releasing Cao (,Hao,).
122 August, 928, the eighth day of the seventh lunar month: Minxing Society performed in China Paradise, with the big axis: Zhanwan City (Yan, Hao).
1September 2, 928, July 19th of the lunar calendar: Minxing Society performed in China Paradise, and Yan and Hao arranged the premiere.
March 24th 1929 Lunar April 14th: Ma premiered "Apocalypse" at the Beijing Zhongheyuan matinee. Performing with Wang Youqing and Ma Fulu.
Lunar April 1929: The first fund-raising evening of Shanxi Disaster Relief Association. Eight Waxes Palace (cross dressing, Mei Lanfang cross dressing Huang Tianba, cross dressing Zhu Guangzu, Cheng cross dressing He, Ma cross dressing Guan Tai, Yan cross dressing Chu Biao, Zhu Guifang cross dressing Fei Degong, Jiang Miaoxiang cross dressing Jin Dali, Hao Shouchen cross dressing Xiao Niang, Hou Xirui cross dressing Miss Qin, Shoushan Li cross dressing Maid, Ru Xiang.
September 29th, 1929, August 27th of the lunar calendar: Ma premiered "Killing Deer" at the Beijing Hualeyuan matinee. Hao,,, and performed on the same stage.
1March 930, the fifth year of the lunar calendar, became the first reorganization of the club, and Hao took over.
1March 3, 9301Month On the second day of the third lunar month, in the evening, Chengshe staged an evening performance at Yongle Grand Ceremony. Finale: Catch Cao and let him go (Yan, Hao).
193 1 Lunar New Year, April 8, May 24: Hao and Wei Gaoting co-recorded "Lianhuantao".
1938 February 16. On the 17th day of the first lunar month, Hao paid tribute in person.
February 27th 1938, 28th day of the first lunar month: Attend the Yang Xiaolou's consecration ceremony.
1938 On February 28th, the 29th day of the first lunar month, I attended the big burial ceremony in Yang Xiaolou.
1938 September 14, July 21st of the Lunar New Year: In order to help the victims of the Yellow River flood, the music industry in Beijing gave a benefit performance. Take a photo with Li Wanchun and Xun Huisheng.
1938 10 19 August 26th: Attended the ceremony of Li's becoming a teacher in Taifeng Building.
1939 February 14, Lunar calendar1February 26th: On the second day of Jingyishe's voluntary play to help the poor, she starred in "War in Wancheng" with Xiao He and Li Lian.
1940 65438+February 29, the first day of the twelfth lunar month: Ma Fulu introduced Bai Hao as a teacher and held a ceremony at Xilaishun Restaurant on West Chang 'an Avenue.
1950165438+1October 27th to 65438+February 10, Geng Yinnian1October18th to1/kloc. During the dinner, he co-starred with Zhou in "Four Gentlemen" and "Playing the Songs of Yan".
1951June 17, performed Famen Temple with Liu, Liu, Hua Huilin and Bao Jixiang.
On July 29th 195 1, Xiao Changhua, Tan Xiaopei, Guan Dayuan and others performed "Le Yi Cut Qi", decorated with Ili.
1951August 3 1 Sunday, he and Bao Jixiang played the role of Cao Cao in "Fighting the Dragon Shed".
195 1 year1October 3 1 day, with Li Guichun, Zhang Dejun, Hua Huilin, Kui Fu Guang, Song Futing, Fan Fuxi, Fang Lianyuan, etc. "Barlow River" played by Bao Zi An. The stage supervisor of this charity performance is Wang Yaoqing, and all the income from the performance is donated, so we can use it to buy the "Lu Xun" plane.
1955, Lunar New Year, at the beginning of the year: Huairentang performed the Peking Opera "Dragon and Phoenix Becoming Auspicious", with Mei Lanfang and Cheng playing, Ma playing Qiao Xuan, Tan playing Liu Bei, Li playing Zhao Yun, Qiu playing Sun Quan, Li Duokui playing Guo Tai, Ye Shenglan playing Zhou Yu, Xiao Changhua playing Qiao Fu and Hao Shouchen playing Zhang Fei.
1956 September1September 4, July 27 to July 30, Bing Shennian: Beijing Peking Opera held a fund-raising performance for the establishment of the Beijing Peking Opera Workers' Federation in the Concert Hall of Zhongshan Park, Beijing. "Eight Waxes Temple" performance (Li Wanchun plays Chu Biao, Sun Yu _, Ma Chongren plays Fei Degong, Huang, Jiang plays Huang Tianba, Qian plays Guan Tai, Hao plays Jin Dali, Xiao Cuihua plays Zhang Ma, Li Xiaochun plays He Renjie, Liang Yiming plays Shi Gong, Li Yunqiu plays Zhang Guilan and Ma Changli plays Qin Yicheng).
June 3 1959, April 27 of the lunar calendar: Attend the ceremony of accepting the horse as an apprentice.