***One hundred and sixty articles.
The national styles include "Zhou Nan", "Zhao Nan" and "Bei Feng", "Yuan Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", " Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Hui Feng", "Cao Feng", "Bin Feng", also known as "Fifteen Kingdoms", ***16 Ten articles.
Most of the works reflect the thoughts and feelings of the ancient working people, expose the crimes of the ruling class, and broadly reflect the social life at that time. But they are not all folk works.
Extended information
The Book of Songs can be roughly divided into three categories, namely "wind", "elegance" and "song". Among these three parts, "wind" mainly refers to folk songs collected from fifteen countries including Zhounan, Shaonan, Tang, Wei, Chen, and Bin, because these places all belonged to the feudal system of the Zhou Dynasty at that time. The country was enfeoffed, so "style poetry" was also called "national style".
If we look purely at the etymology of the word "national style", when we advocate "national style" today, we are actually advocating a kind of folk custom that China has long lost but is extremely precious. The origins of literature, folk narratives, and even personal literature.
This is an aspect that has not been valued by us for a long time, a vast world full of personal passions, personal emotions and purely secular life. It is often seen in some modern writers. For example, Shen Congwen's "Border Town" is about the secular world in the southwest frontier of Xiangxi; some of Acheng's novels also have a strong sense of rurality and are products of the rural world.
Baidu Encyclopedia-National Style