Yue Yunpeng said that cross talk is average. There are so many people better than him, so why is he the only one who becomes popular?

An actor relies on his cross talk skills to determine whether he is popular or not.

Zhu Shaowen went to the palace to receive his salary due to his ability, Zhang Jieyao performed for the princes and nobles, Li Dexi was able to earn a living in the theater, and the most profitable performance was worth millions now, and Zhang Shouchen could make Zhang Xueliang supported him, Ma Sanli's performance could steal the limelight of showmanship, Hou Baolin's civilized cross talk was popular in Tianjin, Chang Baokun and Zhao Peiru overtook Zhang Shouchen to become the number one celebrity in the city. .

These are all achieved through hard work, and the audience buys tickets to watch your stuff. If these old gentlemen came to Taitung with a hammer and a stick in the west, brainwashed the audience with their talk of business, said that their peers were persecuting them to show off themselves, and endlessly hyped up their characters, they would probably have been smashed into melons by the teapot. There are no names for them in the entire history of cross talk.

In the era of TV crosstalk, crosstalk actors no longer dig out the cake and catch the thief. It doesn’t matter how delicate your acting skills are or how good you are at making things come alive. Because you are facing an unknown TV audience numbering in the hundreds of millions, what you have to do at this time is to improve the quality of your work, use thought-provoking jokes, and perform without spilling the beans, to export values ????and criticize current ills to the audience.

During this period, Ma Ji, Jiang Kun, Feng Gong, Hou Yaowen, Shi Shengjie, etc., as well as Qizhi Dingbing who got out of the bar, all made great breakthroughs in content, saying things that others dare not say. , playing what others dared not do, brought the satirical function of cross talk to the extreme, and created the first period in the history of cross talk that was truly popular among the people.

Behind these brilliance, top writers such as He Chi, Liang Zuo, Wang Minglu, Lian Chunming, etc. also contributed a lot, and can even be said to have played a decisive role.

Later, TV cross talk declined, and cross talk returned to small theaters under the leadership of old gentlemen such as Yu Baolin from Tianjin. The Beijing area takes the weekend cross talk club as a pioneer, giving young actors in the system a platform to get close to the audience. The rise of civil society groups such as Deyun Society has opened up an unprecedented path for the commercialization of cross talk.

From off-the-grid crosstalk to TV crosstalk, and then to fandom crosstalk, the process is: look at ability - look at works - look at people.

After Guo Degang established the Deyun system with himself as the core, he began an uninterrupted god-building movement. The basic operation of this god-making movement is to make the image of "Guo Degang" appear frequently in the public media. The keyword "Guo Degang" is piled up in large quantities on the Internet and bundled with "cross talk."

The reason why Guo Degang became the first traffic star in the history of cross talk was not only that he worked hard to earn praise in the early stage and introduced a group of media resources for voluntary publicity, but the more important reason is that Guo Degang caught up with domestic It was the first explosive period of the Internet, and he chose to be tied to the extremely niche concept of "crosstalk" that almost no one cared about.

Precisely because the market is almost blank, Guo Degang’s team will hardly encounter any resistance when promoting it. Even if they encounter a little resistance, Guo Degang's team will vigorously promote it on the Internet platform, package all offline resistance as "peer persecution", and further process and whitewash Guo Degang's personality until it becomes " The savior of traditional cross talk."

On the 10th anniversary of Deyun Club in 2006, Guo Degang reached his first peak in his career. At that time, Baidu put "Guo Degang" and "traditional cross talk" together in a search, and there were nearly 100,000 results, all of which were the same. rainbow fart. This is Guo Degang’s successful attempt to combine Internet+ with cross talk, and it is also the first big victory in the cross talk traffic era.

It is precisely because of the high-intensity exposure and frequent hype that the huge IP of "Guo Degang" has been created. However, at the same time, all those who disagree with Guo Degang will be included in the "mainstream" camp. In all related topics, Guo Degang became the target of attacks and abuses, sending a steady stream of heat to Guo Degang.

The direct result of this binary opposition in the public opinion field is that the internal management of Deyun Club must also be extreme. Anyone who wants to untie Guo Degang must passively accept the sniper attack from the original unit. From Xu Deliang and Wang Wenlin who fired the first shot, to He Yunwei, Li Jing, Cao Yunjin, Guo Heming, Dai Jiuan, etc., Deyunshe almost set a precedent in corporate management. Most corporate units try to keep a low profile when it comes to employee resignations. After all, family scandals cannot be made public.

Only one company, Deyunshe, will turn employee resignations into a hype show, endlessly smashing people up, popping up from time to time to confront each other in the air, and repeating the operation endlessly. He also invented many new terms in the field of corporate management, such as "exit", "betrayal", "bullying the teacher and destroying the ancestors", etc., so that all the resigned employees became the background for Guo Degang to create his character.

What’s even more amazing is that Guo Degang and Deyun Society have indeed benefited a lot from this, creating a unit that is always betrayed, and a master character who is always betrayed.

To classify those who leave as "traitors", there must be a "loyal" ethnic group to oppose them, and Yue Yunpeng is one of the representatives. Yue Yunpeng has been ridiculed over the years as "loyalty", and the fundamental reason is that he has been repeatedly emphasized by Guo Degang as the point of hype, which is "loyalty". And in the process of Yue Yunpeng's rise from half-red to bright-red, the most common image he showed to others was also the "loyal master's good disciple", and the phrase "I will not quit" that Che Zuluo kept repeating.

Yue Yunpeng's acting talent, grassroots background, and his honest and simple image have become the most suitable soil for creating a character.

The real breakthrough period of Yue Yunpeng’s career was after the online scolding war between Cao Yunjin and Guo Degang in 2016. By stepping on the shoulders of “the biggest traitor in history”, Yue Yunpeng successfully raised the level of “loyal” people to the highest level. And it has become the favored object of traffic and capital.

Although there are many crosstalk actors in Deyun Club who are better than Yue Yunpeng, they are destined to not have the opportunities like Yue Yunpeng and the innate conditions to be "loyal" characters. Therefore, in this fan circle, crosstalk actors In this era, their "excellence" is useless and cannot be exchanged for the conditions for becoming popular.

Without the basic concept of "talking, learning, amusing, singing, and gaining loyalty", Yue Yunpeng can still maintain a bit of popularity today by relying on his basic skills of acting cheap and selling cuteness, but he probably has no clue. After all, cross talk skills are not as good as those of people who set up well. This is the password to become popular in the traffic era.