Evaluate Jiang Kun, Degang Guo, Jiang Kun, Jiang Kun and Degang Guo objectively on the Internet every day, as if these two people are not * * *. To tell the truth, I don't like their lifestyle very much. As a disciple of Ma Ji, Jiang Kun was very popular in 1980s. His representative works include Dream in Tiger's Mouth and Adventure in Elevator. He also said many works that made the audience applaud when he cooperated with Li Wenhua.
However, since I became the leader of the Music Association, few good works have been published, which is a bit like Jiang Lang's fatigue. Also, when Jiang talks cross talk, his mouth always makes people feel uncomfortable. To tell the truth, it is not as good as Niu Niu's works such as "Unique Name" and "Thief Company".
Let's take a look at Degang Guo in Degang Guo, the hometown of Quyi. It is very popular now, and it is very popular. I feel that Degang Guo's contribution to cross talk is to give it a shot in the arm when the cross talk is in recession, and make it fire again.
But I don't think Guo has many memorable jokes, and it's a bit floating now. He also opened branches in various places and developed into the quintessence of Peking Opera, which seems to be a generalist. Besides, it's really not the case for people who are nearly 50 to leave a teapot cover. It is understandable to say that living is a bit vulgar. In order to please the audience, it is not vulgar to do hundreds of jobs on the top of the skull.
Look at those crosstalk masters, Ma, Hou and Ma Ji, who are not clever, honest and generous. Even Tianjin people's peers, such as Zhao Weizhou, Wei Liu, Niu Niu, Feng Gong and Yang Yi, didn't get a geek to grandstanding there.
"The wood in the forest is beautiful, and the wind will destroy it." Guo is now almost under siege in the phonograph world. Is this total jealousy? Why didn't anyone say Yu Qian, who is also a member of Deyun Society? Guo should keep a low profile, keep a normal mind, use kung fu in comic dialogues, and constantly produce good works. Only in this way can he truly gain a foothold in the comic world and gain the earnest hope of Ma Ji, the master of comic dialogues.
Basically, Lu Xin's cross talk is relatively clean. At least I haven't heard of them. Their performance style is no less than three abuses, scolding their elders and taking advantage of their wives and daughters. I haven't heard of them, but they seem to be quite famous and have basically been affirmed by the music industry. I think this is the basis for them to make ends meet.
Then, they were called the new crosstalk force, and now they have a name and status. I don't know if they are a force in the music world. They themselves focus on the creation and performance of cross talk, and there is no need for all parties to offend them. Such a new force is acceptable to all parties, and there is nothing wrong with it.
However, I feel that there is a smell of heavy rain from the audio industry, and there is a lot of noise on the Internet. The knife cuts bread and fingers. If it becomes cyber violence, it will be bad for everyone and the development of cross talk. Peer should not be enemies. The current situation of crosstalk performers such as Lu Xin fully illustrates this point.