Skills and test sites to show the superb performance skills of pipa girls

Brief Analysis of Pipa Playing Skills in Pipa Travel

From ""... she turned the tuning pin and tested several strings, and we could feel her feelings. Even before she played "to the end" and put down the pick, she ended with a single blow, and the four strings made a sound, just like tearing silk. "The poet reproduced the superb playing skills of the pipa girl in imaginative language, and the melody came out before it became a feeling, which was a good thing for the music atmosphere. The process of playing is to exclude words and phrases, and vividly describe the process of music with metaphors. "Big strings are like rain, small strings are like whispers, humming, whispering-and then blending with each other, like pouring large and small pearls into a plate of jade" seems to make people hear the sound of pipa again, and "Guan Ying's words are slippery, and deep throat springs are hard to flow under the ice" gives people endless imagination and brings people into a space that words and music can't describe. "Falling into deep sorrow and hidden lament, silence is better than sound" can be described as the finishing touch, expressing supreme knowledge from the perspective of music and philosophy. After a short pause, "a silver vase with a stream of water, iron and prominent knives and guns" turned from static to static, just like a million Ma Benteng. At the same time, the waterfall poured down instantly. "Moreover, before she put down the pick, one stroke ended, and all four strings made a sound, just like pulling silk." The audience was still immersed in the unfinished music. Pipa girl stopped playing.

The following is an analysis of poems that focus on pipa and pipa playing skills:

(1) The playing technique of playing the big string like rain (heavy and fast) with the right hand and double playing.

(2) The small string is like a secret language (kind and gentle) (gentle and delicate, euphemistic and lingering), with the right hand plucking, and the left hand chanting and rubbing).

(3) Humming and whispering-and then mixing them together, just like pouring large and small pearls into a plate of jade. (strewn at random, crisp and round) using the method of playing with the wheel finger.

(4) The flower bottom of Guan Yingying's language is smooth (tactfully graceful) (melodious), and the playing skills of pushing and pulling strings with his left hand are used.

(5) You Yanquan (deep and astringent) is difficult to flow under the ice, using the playing skills of shaking fingers.

A silver vase suddenly burst, pouring out a stream of water, jumping out of the conflict and blow between armored horses and weapons. (agitation, grandeur, sonority, passion) used the playing skills from fast sweeping to sweeping.

(6) Before she put down the pick, she ended up with a light stroke, and the four strings made a sound, just like tearing silk. (Affectionate) With a sweeping brush stroke, the whole song ended neatly.

The skills in pipa performance show this poem vividly!

Fourth, read the text, with the help of text notes, clear the obstacles of classical Chinese and complete the following exercises.

1, the meaning of bold words in the following sentences, the correct one is ()

A. play fast and count fast: hurry up.

B. as a gift song: singing.

C. Every 6 16 words: sentences.

D. but which of them cries the most? Cry: tears.

2. The underlined words in the following sentences have the correct meaning ().

A. Every string is meditation, and every note hides profound thoughts: deep depression.

B. Finally, she married herself to a businessman: First.

C. she has been taking care of an empty boat at the estuary, coming and going, leaving and coming back.

D. Everyone at the party is listening. They cover their faces and their tears: their tears.

3. The underlined words in the following sentences have the same meaning in ancient and modern times ().

A. Armored steeds and weapons jump out, collide in front of the door and hit B. Cold horse.

C. She stood up and smoothed her clothes, which was very formal and polite. Although the tune is different from what she used to play

4. Explain the following additional words.

(1). Old age is dying, and she is committed to being a married woman.

(2). Then I ordered some wine and asked Aauto Quicker to play some songs.

(3) The host forgot to go home, and the guest had to go his way. I, the host, had dismounted and my guest had boarded his boat.

She frowned, bent her fingers and began to play music.

Her name ranks first on the list of musicians.

There are countless rolls of red silk in one song.

Night passed, night came, and her beauty disappeared.

(8) Who values money first and doesn't care that he left her.

Don't leave us. Come, sit down. Play it for us again. Translate Pipa for you.

Appreciate poetry:

1. Pipa Xing is a narrative poem. What does it say?

The poet was in exile in Jiangzhou. He saw a guest off by the river on a moonlit night and came across a pipa girl.

2. What characters are created through narration? * * * Similarities?

Pipa girls and poets themselves. Neither of us is happy-until the end of time.

3. What is the specific situation of "falling"? (After students read freely, guide them to answer with original poems, read related poems together, and feel the feeling of being "restored")

(1) Read the preface and relevant parts of the third section to understand the life experience, experience and mood of the pipa girl.

At that time: Yan Gai Fang Qun, art overwhelmed capital, people were jealous and laughed every year;

Now: in my later years, I was left out in front of the door, committed to a businessman, and I was alone.

Beijing advocates the grievances of business women (blackboard writing)

(2) the first quarter and the fourth quarter are related to understanding the poet's experience and mood.

At that time: poetry and wine lingered, silk and bamboo were inexhaustible, and weddings and funerals were enjoyable;

Now: I am sick in seclusion, I have no joy in drinking, I am miserable in seeing my guests off, and I feel sad.

Beijing officials' resentment of insulting officials (blackboard writing)

4. "We met. We understand. What is the relationship between acquaintances? " What makes a poet who meets by chance and a pipa girl together? (music/pipa sound). How many times has the whole poem been written in music? How is it written?

Third, practice.

1. The sentences that express the unfortunate life experiences, mutual sympathy and deep affection of the pipa girl and the author in Pipa Xing are: _ _ _ _ _ _ _ _ _ _ _ _.

2. In Pipa Trip, the profile description is used to write the performance of Pipa girl three times: the first time, "We heard a sudden sound and a guitar crossed the water", and the profile description sentence is _ _ _ _ _ _ _ _; The second time, when the four strings are all in unison, such as spinning silk, the poet uses "_ _ _ _ _ _ _ _ _ _ _ _ _ _ _" to describe the profile; For the last time, "although the tune is different from what she played before", the author used "the banquet, everyone listens, hides his face, _ _ _ _ _" as an overview description.

3. What's the role of the environmental description in the two poems "East boat is quiet in the west, just looking at the autumn moon in the heart of the river"? The accurate analysis is ()

A. Set off the wonderful music performance with the quietness of the scenery.

B. Set off the wonderful music performance with the audience's silence.

C. Set off the audience with scenery and immerse them in music.

D. foil the sadness of the audience's feelings with the audience's silence.

4. In the preface to Pipa Xing, there is a sentence "Because of long sentences, songs are given to it", which shows the poet's writing motivation. The most appropriate understanding of the poet's writing motivation is ()

A. It's to relieve my depressed mood after living in Jiangzhou.

B is to express deep sympathy for the unfortunate experience of the pipa girl.

C. Not only expressing sympathy for the tragic experience of the pipa girl, but also expressing the feelings of "the end of the world" with the pipa girl.

D. none of the above, writing this poem is just an inspiration triggered by accidental events.

Read the following poem and complete questions 5 and 6.

She brushes the strings, twists them slowly, sweeps them and plucks them, first "Nishang" and then "Six Yao". Big strings hum like rain, and small strings whisper like secrets. Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade. Between Guan Ying's words, the bottom of the flower is slippery, so you can't swallow the spring scenery and flow under the ice. The ice spring is cold and astringent, and the strings condense, and the condensation will never stop. The depth of sadness and the hiding of sadness are more told in silence than in voice. A silver vase suddenly burst, pouring out a stream of water, jumping out of the conflict and blow between armored horses and weapons. Before she put down the pick, her stroke was over, and all four strings made a sound, just like tearing silk. The east ship was silent, and the west ship was silent. We saw the white autumn moon entering the river.

5. Among the explanations of the following words, the inappropriate one is ().

A. The phrase "spotlight" describes the action characteristics of the pipa girl and shows her superb playing skills.

B. The sentences of "major chord" and "minor chord" write the staggered appearance of the two melodies. "Like a shower" and "Like a whisper" make the images of the two melodies very emotional.

C. "Dazhu" transforms the visual image into the auditory image in one sentence, giving people a dazzling and overwhelming feeling.

D. The sentence "Guan" continues to describe the change of melody, while the beautiful visual image of "Flower Land" is used to enhance the aesthetic feeling of the auditory image.

6, the analysis of the above part of the poem, the incorrect one is ()

A. The sentences in "Ice Spring" and "Ningjue" write another realm of music. The voice of choking, sadness and choking seems to be a "clear spring flowing under the ice", which strengthens the auditory image with the coldness of the visual image.

B. The sentences "Don't have" and "At this time" describe the artistic realm with lingering sound and endless aftertaste after music. "Silence is better than sound" leaves a broad imagination space for the listener.

C. The words "Silver Bottle" and "Iron Rider" show the explosion of power after the "sound pause", and at the same time, these two words also push the charm of music to a climax.

D. The two sentences "The End of the Song" and "Four Strings" write that music comes to an abrupt end at the climax. Although the music is over, its thrilling artistic charm has not disappeared.