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Tokyo is nothing more than this. When the cherry blossoms in Ueno are in full bloom, they do look like light crimson clouds, but there are also groups of "Qing students studying abroad" crash courses under the flowers, with big braids on their heads that are as high as the tops of student hats. Rising high, forming a Mount Fuji. There are also those whose braids are untied and tied flatly, and their hats are taken off to reveal a shiny look, just like a little girl's bun, and they have to twist their necks a few times. It's really beautiful.
There are a few books to buy in the concierge of the Chinese International Students Association, and sometimes it is worth a visit; if it is in the morning, you can still sit in some of the bungalows inside. But in the evening, the floor of one room will often make a loud banging sound, and the room will be filled with smoke and dust. Ask someone who is well versed in current affairs, and they will answer, "That's learning to dance."
How about going somewhere else?
I will go to the Medical College in Sendai. Departing from Tokyo, I arrived at a post station soon and wrote: Nippori. Somehow I still remember the title. Secondly, I only remember Mito, which is the place where Mr. Zhu Shunshui, a survivor of the Ming Dynasty, died. Sendai is a small town; it is extremely cold in winter; there are no Chinese students yet.
Probably because things are more valuable than hope. When cabbage from Beijing is shipped to Zhejiang, the root is tied with a red rope and hung upside down in front of a fruit shop, where it is revered as "glue cabbage". Aloe vera that grows wild in Fujian is brought into the greenhouse as soon as it arrives in Beijing, and is euphemistically called "agave". ". I also received such preferential treatment when I arrived in Sendai. Not only did the school not charge tuition, but several staff members also took care of my room and board. I first stayed in an inn next to the prison. It was already quite cold in early winter, but there were still a lot of mosquitoes. Later, I covered my whole body with a quilt and wrapped my head and face with clothes, leaving only two nostrils for breathing. In this place where breathing is endless, mosquitoes have no way to interrupt, and they sleep peacefully. The food isn't bad either. But a gentleman thought that this inn also provided meals for prisoners and it was not suitable for me to live there. He said this again and again. Although I felt that it was irrelevant to me that the inn also provided meals for the prisoners, but it was hard to resist such good intentions, so I had no choice but to find a suitable place to stay. So I moved to another house, which was far away from the prison. Unfortunately, I always had to drink taro soup that was hard to swallow every day.
From then on, I saw many strange teachers and heard many new lectures. Anatomy is divided between two professors. Originally osteology. At that time, a dark and thin gentleman with a mustache and glasses came in, carrying a stack of large and small books. As soon as he placed the book on the podium, he introduced himself to the students in a slow and frustrated tone:
"My name is Fujino Genkuro..."
< p> Several people in the back started laughing. He then talked about the history of the development of anatomy in Japan. Those large and small books were about this subject from the beginning to the present. At first, a few books were thread-bound; there were also Chinese translations. Their translation and research on new medicine were no earlier than China's.The person sitting in the back laughing was a repeater who failed last school year. He had been in school for a year and was quite familiar with the story. They then lectured the freshmen on the history of each professor. It is said that Mr. Fujino was so immodest in his clothes that he sometimes forgot his tie. He wore an old coat in the winter and was shivering. Once when he got on the train, the conductor suspected that he was a pickpocket and called the man in the car. Guests, please be careful.
What they said is probably true. I personally saw him once giving a lecture without a tie.
A week later, around Saturday, he sent his assistant to call me. When I arrived at the research room, I saw him sitting among human bones and many individual skulls - he was studying the skulls, and later published a paper in the school's magazine.
"Can you copy my lecture notes?" he asked.
"You can copy a little."
"Bring it to me!"
I handed over the handout I copied, and he accepted it. He returned it to me in three days and said that from then on, I would give it to him once a week. When I took it down and opened it, I was surprised, but also felt uneasy and grateful. It turns out that my lecture notes have been revised with red pen from beginning to end. Not only have many omissions been added, but even the grammatical errors have been corrected one by one. This continued until he finished teaching the subjects he was responsible for: osteology, angiology, and neurology.
It’s a pity that I didn’t study hard at that time and was sometimes very willful. I still remember one time when Mr. Fujino called me into his laboratory, pulled out a picture from my lecture notes, which showed the blood vessels of the lower arm, pointed at it, and said kindly to me:
"Look, you moved this blood vessel a little bit. - Naturally, it does look better with this move. However, anatomical diagrams are not art. The real thing is like that, and we can't change it. Now I give Once you change it, you will have to follow the picture on the blackboard from now on."
But I was still not convinced. I agreed verbally, but thought in my heart:
"The picture is still the same. I painted well; as for the real situation, I naturally remember it in my heart."
After the school year experiment was completed, I went to Tokyo to spend the summer and returned to school in early autumn. The results had already been announced to my classmates. Among more than a hundred people, I was in the middle, but I didn’t fail.
This time, Mr. Fujino's assignment was anatomy practice and regional anatomy.
After about a week of internship in anatomy, he asked me to go again. He was very happy and said to me in a very restrained tone:
"I heard about China. People respect ghosts very much, so I was worried that you would not dissect the corpse. Now I am relieved that this is not the case.”
But he sometimes makes me very embarrassed. He heard that women in China have their feet bound, but he didn’t know the details, so he wanted to ask me how to bind the feet and what kind of deformity the foot bones had become. He also sighed, "You have to take a look to find out. What is going on." What?”
One day, the student union officer at my level came to my apartment and asked to borrow my lecture notes. I checked it out and gave it to them, but they only checked it once and didn't take it away. But as soon as they left, the postman delivered a very thick letter. When I opened it, the first sentence was:
"Repent!"
This is "New It’s just a sentence from the Testament, but it was recently quoted by Tolstoy. It was the time of the Russo-Japanese War, and Mr. Toto wrote a letter to the emperors of Russia and Japan, which began with this sentence. Japanese newspapers criticized him for being disrespectful, and patriotic youths were also angry. However, secretly they had long been influenced by him. Secondly, it roughly refers to the topic of the anatomy test last year. Mr. Fujino marked it on the handout and I knew it in advance, so I was able to achieve such results. The end is anonymous.
I just recalled something that happened a few days ago. Since there was a peer-level meeting, the secretary wrote an advertisement on the blackboard. The last sentence was "Please come to the meeting in full and don't miss anything." He also added a circle next to the word "missing". Although I thought it was ridiculous at the time, I didn't mind it at all. Only now did I realize that the word was also mocking me, as if I had the problem the teacher had leaked.
I informed Mr. Fujino about this; several classmates who were familiar with me were also very dissatisfied and went to question the clerk for the rudeness of pretexting the inspection and asked them to publish the results of the inspection. . Finally, the rumor was eliminated, but the clerk tried his best to withdraw the anonymous letter. In the end, I returned the Tolstoyan letter to them.
China is a weak country, so of course the Chinese are imbeciles. If the score is above 60, it is not their own ability: no wonder they are confused. But then I had the fate of visiting and shooting the Chinese. In the second year, Tian taught mold science. The shapes of bacteria were all shown in movies. After a paragraph was finished but before the get out of class ended, a few movies showed current events. Naturally, they were all about Japan's victory over Russia. But there were Chinese people caught in it: I worked as a detective for the Russians, was captured by the Japanese army, and was about to be shot. There was also a group of Chinese people watching around me; there was also me in the lecture hall. "Long live!" They all clapped their hands and cheered.
This kind of cheering happens every time I watch a film, but to me, this one is particularly harsh. After that, when I returned to China, I saw those people who were just watching the execution of prisoners. They also cheered like drunken people, - Wow, it's unthinkable! But at that time and place, my opinion changed.
At the end of the second academic year, I went to find Mr. Fujino and told him that I would not study medicine and leave Sendai. His face seemed a little sad, and he seemed to want to speak, but he didn't.
"I want to study biology. The knowledge my husband taught me is still useful." In fact, I didn't decide to study biology, because I saw him a little sad, so I said a consolation His lies.
"Teaching anatomy and the like for medicine will not be of much help if you are afraid of biology." He sighed.
A few days before he left, he asked me to come to his home and handed me a photo with two words written on the back: "Farewell", and he also said he hoped to give mine to him. . But I didn't have time to take any photos at this time; he then told me to take photos and send them to him in the future, and he also wrote to him from time to time about the situation thereafter.
After I left Sendai, I hadn’t taken a picture for many years, and because the situation was boring, talking about it would only disappoint him, and I was afraid to even write a letter. More and more years have passed and I have no words to talk about, so although I sometimes want to write a letter, I find it difficult to write. Until now, I have not sent a letter or a photo. From his side, it seemed that there was no news since he left.
But somehow, I always remember him. Among the teachers I consider him, he is the one who makes me most grateful and encourages me. Sometimes I often think: His enthusiastic hope for me and tireless teachings are, in a small way, for China, that is, he hopes that China will have new medicine; in a big way, it is for academics, that is, he hopes for new medicine. spread to China. His character is great in my eyes and heart, although his name is not known to many people.
I have bound the lecture notes he corrected into three thick volumes and kept them as a permanent souvenir. Unfortunately, when I moved house seven years ago, a book box was destroyed and half the box of books was lost. It happened that these lecture notes were also lost. I asked the transportation bureau to look for it, but there was no reply. Only his photograph is still hanging on the east wall of my Beijing residence, opposite my desk.
Whenever I feel tired at night and want to be lazy, I look up and catch a glimpse of his dark and thin face in the lamplight, as if he is about to speak in measured tones. This makes me suddenly realize my conscience and gain courage, so I light a cigarette and start again. Continue to write words that are deeply abhorred by "gentlemen" and their ilk.
October 12th.
[Edit this paragraph] About the author
Lu Xun (September 25, 1881 - October 19, 1936) was a Chinese writer, thinker and revolutionary. His original name was Zhou Shuren, his courtesy name was Hencai, and he was a native of Shaoxing, Zhejiang.
Family changes and life experiences after the accident also made Lu Xun close to the lower class people since he was a boy. His maternal grandmother's family lived in a rural area, which gave him the opportunity to contact and understand the life of farmers. Especially around the time his grandfather was imprisoned, he had to take refuge with relatives in the countryside and lived in the countryside for a long time. There, he became friends with the children in the countryside, playing with them, boating with them, watching plays together, and sometimes going to their fields to "steal" beans and cook them. There is no mutual discrimination or hatred between them, but mutual care and friendship. Throughout his life, Lu Xun remembered and described his simple, natural, sincere and innocent relationship with rural children as the most beautiful relationship between people.
At that time, ordinary scholars took three paths: one was to study and become an official. Those who are not able to become officials can still become a "secret friend" of a certain bureaucrat. If the first two paths fail, they can also go into business. Lu Xun took another path that was most looked down upon by people at the time: entering a "foreign school". In China at that time, this was regarded by ordinary people as a despicable act of "selling one's soul to foreign devils". In 1898, 18-year-old Lu Xun left his hometown and entered the Nanjing Naval School, and later the Nanjing Road and Mine School, with 8 silver dollars raised by his loving mother in various ways. Both schools were established by the Westernizationists in order to enrich the country and strengthen the army. They offered courses in mathematics, physics, chemistry and other natural sciences. During this period, Lu Xun read works on foreign literature and social sciences, broadening his horizons. In particular, Yan Fu's translation of "On the Evolution of Heaven" by Huxley, an Englishman, had a profound influence on Lu Xun. "Tianyan Lun" is a work that introduces Darwin's theory of evolution, which made Lu Xun realize that the real world is not harmonious and perfect, but full of fierce competition. If a person or a nation wants to survive and develop, it must have the spirit of self-reliance, independence, and self-improvement. We cannot be at the mercy of fate or bullied by the strong.
Lu Xun’s excellent grades while attending the Nanjing Road and Mine School gave him the opportunity to study abroad at government expense after graduation. In 1902, he traveled east to Japan and began tutoring Japanese at Tokyo Kobun Gakuin, and later entered Sendai Medical College. He chose to study medicine in order to treat patients like his father who had been harmed by quackery, and to improve the health of the Chinese people who were ridiculed as the "sick man of East Asia." Lu Xun wanted to inspire Chinese people's consciousness through medicine. But his dream did not last long before it was shattered by the harsh reality. In Japan, as a citizen of a weak country, Lu Xun was often discriminated against by the Japanese with militaristic tendencies. In their eyes, all Chinese people are "imbecile". Lu Xun's anatomy score was 95 points, so they suspected that Fujino Genkuro, the teacher in charge of the anatomy class, had leaked the test questions to him. This made Lu Xun deeply feel the sorrow of being a citizen of a weak country. Once, in a slideshow shown before class, Lu Xun saw a Chinese man being captured and beheaded by the Japanese army, while a group of Chinese people stood aside and watched the fun as if nothing had happened. Lu Xun was greatly stimulated. This made him realize that mental numbness is more terrible than physical weakness. To change the tragic destiny of the Chinese nation in the world, the first thing is to change the spirit of the Chinese people, and the first thing that is good at changing the spirit of the Chinese people is literature and art. So Lu Xun abandoned medicine to pursue literature, left Sendai Medical College, returned to Tokyo, translated foreign literary works, organized literary magazines, published articles, and engaged in literary activities. At that time, what he discussed most with his friends was the issue of Chinese national character: What is ideal human nature? What is lacking most in Chinese national character? What is its root cause? Through this kind of thinking, Lu Xun put his personal life into perspective. The experience was linked to the fate of the entire Chinese nation, which laid the basic ideological foundation for his later career as a writer and thinker.
While studying in Japan, Lu Xun initially formed his world view and outlook on life. However, Lu Xun’s thoughts and feelings were not only incomprehensible to most Chinese at the time, but also difficult to understand among students studying in Japan. got a wide response. The foreign novels he translated could only sell a few dozen copies, and the literary magazine he organized was not published due to lack of funds. The financial difficulties forced Lu Xun to return to China to seek employment. In 1909, he returned from Japan and worked as a teacher in Hangzhou Zhejiang Normal School (now Hangzhou Senior High School) and Shaoxing Fu Middle School. This period was a period of extremely depressed thought for Lu Xun. The Revolution of 1911 in 1911 also gave him a moment of excitement, but then came the continuous dramas of historical tragedies such as Yuan Shikai's proclaiming himself emperor and Zhang Xun's restoration. The Revolution of 1911 did not change the reality of China's stagnation and backwardness. Social confusion, national disaster, and The misfortunes in his personal marriage life made Lu Xun feel depressed and depressed. After the May 4th Movement, his long-suppressed thoughts and feelings erupted like lava through his literary works. At that time, he was already working in the Ministry of Education and moved to Beijing with the Ministry of Education.
In 1918, Lu Xun published his first vernacular novel "Diary of a Madman" in the magazine "New Youth". This was the first time he published an article under the pen name "Lu Xun", "Diary of a Madman" " is also China's earliest modern vernacular novel. This novel embodies all of Lu Xun's painful life experiences from his childhood to that time and all his painful thoughts on the modern destiny of the Chinese nation. Through the mouth of a "madman", it denounced the thousands-year history of China's feudal autocracy as a history of "cannibalism", and issued a stern question to the stagnant and backward Chinese society: "Has this always been the case? Is it right?" and loudly shouted: "Save the child!".
After "Diary of a Madman", Lu Xun published a number of short stories in succession, which were later compiled into two short story collections, "Scream" and "Wandering", published in 1923 and 1926 respectively.
Lu Xun’s novels are not numerous in number, but they are of great significance. Lu Xun focused his attention on the lowest level of society and described the daily life and mental conditions of these people at the bottom. This is inseparable from Lu Xun's creative purpose. Lu Xun said: "I draw most of my materials from the unfortunate people in a sick society, which means to expose the suffering of the disease and attract attention to cure it." ("Nanqianbei Diaoji·How do I start a novel") This kind of expression of life The purpose of his creation is to improve life, so he mainly describes the most common tragic fates of the most ordinary people, such as Kong Yiji, Hua Laoshuan, Sister-in-law Shan, Ah Q, Chen Shicheng, Sister-in-law Xianglin, and Ai Gu. These people live at the bottom of society and most need sympathy, compassion, care and love from the people around them. However, in the Chinese society at that time that lacked sincere love, what people gave them was insult, discrimination, indifference and callousness. Is this kind of society a normal society? Is this kind of interpersonal relationship a reasonable interpersonal relationship? What makes us most sad is that they live in a loveless world and are deeply tortured by life, but they have nothing to do with each other. They also lack sincere sympathy and adopt an attitude of indifferent spectatorship or even appreciation for the tragic fate of their own kind, and vent their resentment accumulated when they are oppressed and bullied by bullying those who are weaker than themselves. In "Kong Yiji", there is a blouse customer who maliciously mocks Kong Yiji; in "The True Story of Ah Q", others bully Ah Q, and Ah Q bullies a little nun who is weaker than him; in "Blessing", Lu The villagers in the town regarded the tragedy of Mrs. Xianglin as an interesting story... All of this made people feel a chill to the bones. Lu Xun's attitude towards them was "sorry for their misfortune, angry for their inability to fight". Lu Xun loved them, but he hoped that they would be enlightened, that they could be self-reliant, autonomous, and self-reliant.
Lu Xun had a deep hatred for the powerful and hypocrites. Ding Juren in "Kong Yiji", Mr. Zhao in "The True Story of Ah Q", Mr. Lu Si in "Blessing", Guo Laowa in "The Everlasting Lamp", the Seven Masters in "Divorce", etc. are all Such images of powerful people. They are powerful, but they have no sincere concern for the fate of others and no enthusiasm for the progress of society. They only care about their own power and status. They are selfish, hypocritical, and callous, hindering the progress and improvement of society. Si Ming in "Soap" and Master Gao in "Old Master Gao" are fake Taoists and hypocrites. They claim to care about social morality, but in fact they themselves have no moral conscience.
Lu Xun's novels describe the ordinary lives of ordinary people. There are no bizarre stories or fascinating plots, but they are full of infinite artistic charm. Where does this charm come from? It comes from his meticulous description of people and life and his penetrating portrayal of people's inner subtle psychology. When reading Lu Xun's novels, I always feel a "joy of discovery". The picture is an ordinary picture, and the characters are ordinary people, but in such an ordinary picture and ordinary characters, we can always notice characteristics that we usually don't notice, and be aware of the psychological activities of the characters that we usually can't notice. It is precisely because of this meticulous description and profound psychological portrayal that the artistic charm of Lu Xun's novels becomes more and more mellow with time. In our youth, we are not deeply involved in the world. The primary and secondary school students in the north are not familiar enough with the local customs and customs such as Lu Town and other Jiangnan water towns and Sanwei Bookstores described in the story. They have not had more personal experience of life. Lu Xun's novels are as a whole Entering the world of our senses, it is impossible for us to feel how rich the connotations are hidden in the characters and pictures we feel. As our social experience increases and our life experience deepens, these characters and pictures The connotation will continue to emerge from it. In order to reveal the different meanings of different life scenes and the fate of different characters, the structure of Lu Xun's novels is changeable, with almost one article following the same style and one article following the other. "Diary of a Madman" is different from "The True Story of Ah Q", "Kong Yiji" is different from "White Light", "Hometown" is different from "Blessing", "The Lonely" is different from "Sorrow". Not only are the structural styles different, but the tone and rhythm are also different. "Kong Yiji" is so simple and solemn, while "Sorrow" is so twists and turns and deeply affectionate. Lu Xun's novels are both novels and poems, with profound artistic conception, cold outside and hot inside. His skill in using national language has reached the level of perfection.
While writing "Scream" and "Wandering", Lu Xun also created a collection of essays "Picking Up Flowers in the Morning and Dusk" and a collection of prose poems "Wild Grass". The former was published in 1928 and the latter in 1927.
If the novels in "The Scream" and "Wandering" are Lu Xun's grim portrayals of life in real society, intended to wake up the sleeping citizens, the prose in "Morning Blossoms Plucked at Dusk" are Lu Xun's warm memories, a tribute to the people who nourished him. The affectionate remembrance of life, people and things. His childhood nanny, his mother-in-law, Mr. Fujino, who showed him sincere care in a highly discriminated environment, and his old friend Fan Ainong, who had a bumpy life and was aloof and unruly, gave him unlimited fun in the "Baicao Garden", attracting his curiosity. Folk dramas and folk entertainment activities of the heart... All of these are things that reveal bright colors and warmth against the background of this sinister world. It is they who nourished Lu Xun's life. These proses combine lyricism, narration, and discussion. Sometimes they are like a calm harbor, sometimes they are like a rolling sea, sometimes they are like a rushing river, and sometimes they are like a meandering stream. They are in various shapes and forms, embodying Lu Xun's prose creation. artistic achievements. Different from the clear and meticulous prose in "Picking Up Flowers at Dusk", the prose poems in "Wild Grass" present a confusing, strange and beautiful artistic conception. They are like clouds of emotions, spinning and floating in the air, changing into various forms. an unexpected shape. Lu Xun's inner depression turned into a dream and an otherworldly imagination, making "Weeds" a strange flower in Chinese modernist literature. Lu Xun once said to others: "My philosophy is all in "Weeds"." Lu Xun's innermost emotional experience and most mysterious philosophical insights are conveyed through this unique artistic method. Lu Xun's artistic creativity is amazing.
His essays should be the first to most fully embody Lu Xun’s creative spirit and creativity. "Zawen" has existed since ancient times, and similar examples can be found in foreign prose. However, only in the history of modern Chinese culture and in the hands of Lu Xun, "zawen" "is a dagger and a spear", and this style of writing has shown its unique characteristics. Unique artistic charm and huge ideological potential. Lu Xun's essays can be said to be an "epic" of modern Chinese culture. They not only record Lu Xun's lifelong battle achievements, but also record the ideological and cultural history of China in Lu Xun's era. When modern Chinese intellectuals want to create new culture and new ideas that are suitable for China's modern development, they encounter people from various classes, various characters, from various angles, and in various ways. slander and attack. Lu Xun's essays were naturally formed in this ideological and cultural struggle with no fixed fronts and no fixed opponents. Since the May Fourth Movement, Lu Xun began to use the form of essays to fight against various arguments against the new culture, but he was still unconscious at that time. Later, some people began to laugh at him for being an "essayist", and then he became more clearly aware of the power of "essays" and began to consciously engage in the creation of essays. Lu Xun said that essays are "the nerve of induction", which can "immediately react or fight against harmful things", thus opening up a winding path for the development of new culture and new ideas in the thorny jungle of old culture and old ideas. The winding road enables it to exist, develop and grow. Lu Xun wrote "Grave", "Refeng", "Huagai Collection", "Huagai Collection Sequel", "Sanxian Collection", "Erxin Collection", "Nanqianbei Diao Collection", "Pseudo Free Book", "Quasi Fengyue" during his lifetime. "Talk", "Lace Literature", "Qie Jie Ting's Essays", "Qie Jie Ting's Essays in Two Collections", "The Final Collection of Qie Jie Ting's Essays" and other 15 collections of essays. In these 15 collections of essays, Lu Xun extended his writings to various cultural phenomena and various characters from different walks of life. Among them were ruthless revelations, angry accusations, sharp criticisms, and spicy stories. There is sarcasm, witty humor, detailed analysis, decisive judgments, passionate expressions, painful cries, kind encouragement, warm praises, the writing is galloping, the words are brilliant, the forms are diverse and changeable. . It freely and boldly expresses the emotions and emotional experiences of modern people, opening up a broader path for the development of Chinese prose. The status of Lu Xun's essays in the history of modern Chinese literature cannot be denied.
In his later years, Lu Xun also completed a collection of novels "New Stories" (published in 1936). This collection of novels is based on ancient Chinese myths, legends and historical facts, but it does not stick to the original stories, but adds Lu Xun's own understanding and imagination. Some of them also adopt writing techniques that blend ancient and modern times, making ancient people Have a direct dialogue with modern people. The purpose of Lu Xun's doing this is to enable us to give a vivid and real look to ancient characters through our feelings and understanding of real characters, and also to have a deeper feel and understanding of some real characters through our feelings and understanding of ancient characters. Real face. Through the novels in "New Stories", Lu Xun actually reconstructed the cultural history of China, revealed the basis for the existence and development of the Chinese nation, and also reshaped the images of historical figures sanctified by Chinese feudal literati in Lu Xun's In the concept, it is not the ancient sages, emperors and generals who truly embody the fundamental spirit of the Chinese nation, but Nuwa, who created the Chinese nation. She is the source and symbol of the vitality of the Chinese nation; "Flying to the Moon" is about the stories of ancient heroes. Tragedy, Yi shot down the Nine Suns and saved mankind, but those selfish and narrow-minded people in the world did not want to inherit and carry forward his heroic spirit, but only wanted to use him to achieve their own selfish and narrow goals. He was plotted by his students and was killed by his Abandoned by his wife; "Forging Swords" expresses the theme of the oppressed taking revenge on the oppressors; "Liquidation" and "Fei Gong" praise those politicians and thinkers in ancient China. Yu and Mo Zhai are both members of the Chinese nation. A backbone character.
Historical figures such as Confucius, Laozi, Zhuangzi, Boyi and Shuqi have also become somewhat ridiculous but still lovely living characters in Lu Xun's writings. Lu Xun's "New Stories" uses absurd techniques to express serious themes and creates a completely new way of writing historical novels.
Lu Xun had his own brand-new creations in various types of creations, including short stories, essays, prose poems, historical novels, and essays. His life was a life of struggle for the survival and development of the Chinese nation. He used his pen to uphold social justice, resist power, protect young people, and cultivate new forces. In the early days, he enthusiastically supported the just struggle of young students, exposed the Duan Qirui government's criminal actions of suppressing the student movement and causing the "March 18th" tragedy, and wrote a series of shocking articles such as "In Memory of Mr. Liu Hezhen"; In the later period, he opposed the Kuomintang government's bloody suppression of communists and progressive youths, joined the Left-wing Writers Alliance and the China Civil Rights Protection Alliance, and wrote a series of articles full of justice, courage and righteousness, such as "For the Memory of Forgotten". "Lu Xun has the hardest bones. He has no trace of servility or obsequiousness. This is the most precious character of the colonial and semi-colonial people." (Mao Zedong: "On New Democracy")
Lu Xun's Life His writings and translations total nearly 10 million words, including ***16 collections of essays.
Among them, the article "Young Runtu" was selected from the sixth grade Chinese textbook of the People's Education Press, and the article "Young Runtu" was selected from Lu Xun's novel "Hometown".
Since 1918, he has published famous novels such as "Diary of a Madman", "The True Story of Ah Q" and "Medicine", which were later included in the novel collection "The Scream".
I hope the moderator will adopt it. .