The courtyard is surrounded by pink walls, with green willows hanging all around, three gatehouses with hanging flowers, and hand-curved verandahs on all sides. In the courtyard, the corridors connect to each other, the mountains and rocks are dotted, and the five buildings have a plaque with the words "Yi Hong Kuai Lu" hanging on them. The entire courtyard is magnificent, graceful and luxurious, with luxuriant flowers and exquisite flowers. The backyard is full of roses, treasures and a pool. Qinfang Creek joins here and flows out of the Grand View Garden. There is a white stone road across the Qinfang Creek that leads to the other side. It turns out that there are exquisitely carved wooden boards on all sides, with various patterns such as "Hundred Bats in Flowing Clouds", "Three Friends of Suihan", landscape figures, feathers and flowers, collections, ancient books, and longevity, all carved by famous hands. , colorful and gold-embedded treasures. Each branch has a place for storing books, a tripod, a place for pens and inkstones, a vase for flowers, or a place for bonsai. There are various types of jade, some with a round sky and a square, some with sunflowers and banana leaves, or some with a chain of half jade. It is really a cluster of flowers, translucent and exquisite. Suddenly, the five-color gauze is covered with silk, and it is tied to the small window; suddenly, the colorful silk is lightly covered, and it is tied to the secluded door. The walls are covered with grooves cut out in the shape of antique toys. Such as harps, swords, hanging bottles, tables and screens, etc., although they are hung on the wall, they are all flush with the wall.
There is a pink wall outside the courtyard, and thousands of green bamboo poles are covered in the courtyard. There is a winding corridor at the entrance, with a parrot hanging on the corridor. There are three main rooms, one light and two dark. There are large pear blossoms and banana plants in the backyard, and there are two small retreats. There are gaps in the roots of the courtyard wall, and clear water flows into it. It goes around to the front courtyard and spirals out under the bamboo. This was Daiyu's choice when she was ordered to live in the Grand View Garden by Yuanchun, because she "loved those few poles of bamboo, hidden by a curved railing, which made her feel more secluded than elsewhere." When Baoyu took the whipping, Daiyu was heartbroken by it, but she didn't dare to go see Baoyu with everyone, so she had to "stand alone under the shade of flowers" and look at Yihongyuan in the distance. At this time, "the bamboo shadows are uneven and the moss marks are thick" outside. "The bamboo shadows are reflected in the gauze, and the whole room is filled with green and green shade, and a few layers of mat are cool." This "jagged" bamboo shadow, the "shady green and moist" bamboo shadow, the bamboo shadow that makes "a few layers of bamboo mat cool".
Suddenly, a large and exquisite mountain rock protruded into the sky. Surrounded by various stones, it actually covered all the houses inside, and not a single flower or tree was left. I saw many strange grasses: some with vines, some with vines, some hanging on the top of mountains, some passing through stone gaps, even hanging eaves around columns, lingering on the steps, some floating like green ribbons, some as solid as red sand. , or the flowers are like golden osmanthus, and the fragrance is fragrant and fragrant, which cannot be compared with the fragrance of flowers. ... Seeing that there were hand-painted verandas on both sides, I walked along the verandah. I saw five clear buildings above, connected with rolling sheds, with verandahs on all sides, and green windows and painted walls. It was even more elegant than the previous ones.
So I wandered around the Zilingzhou area every day and saw that the windows were lonely and the tents were deserted. There were only a few old women working in the class at night. Looking at the polygonum flowers and reed leaves on the bank and the green polygonum and fragrant water chestnuts in the pond, they all seem to be swaying and falling, as if they are recalling old friends, which is far from the usual show off and show off.
Tanchun Suxi is so broad that these three rooms are not separated. There is a large rosewood marble case on which there are various famous people's dharma stickers, dozens of square inkstones, various brush holders, and a sea of ??pens inserted like a forest. On the other side is a large Ru kiln flower bag, filled with white chrysanthemums filled with crystal balls. In the middle of the west wall hangs a large-scale painting of Xiangyang's "Smoke and Rain", and on the left and right hangs a couplet, written in Yan Lugong's ink, with the following words: "Misty and hazy leisurely bones, spring and stone wild life". There is a big cauldron on the case. On the red sandalwood shelf on the left is a large plate from Daguan kiln, which contains dozens of delicate yellow and exquisite large Buddha hands. A white jade chime hangs on the foreign paint shelf on the right, and a small hammer hangs next to it. ...There is a couch in the east, and a gauze curtain with green double embroidery of flowers, grass and insects hanging on the bed.
Suddenly, the green mountains slanted against the road. Turning around the mountain embrace, a strip of yellow mud is faintly revealed to build a low wall, and the top of the wall is covered with rice stalks. There are hundreds of apricot blossoms, like erupting fire and steaming clouds. There are several thatched huts inside. Outside, there are young and new strips of mulberry, elm, hibiscus, zhe, and various kinds of trees. According to the twists and turns, two green fences are made. Under the hillside outside the fence, there is an earthen well with a tangerine pulley next to it. The lower part is divided into acres and acres, and the beautiful vegetables and flowers are endless.
I just heard someone chattering inside Didui Pavilion. It turns out that the pavilion is surrounded by verandas and winding bridges, built on the water in the pool, with carved grids and paper paste on all sides.
There is a courtyard in the east of the Grand View Garden, with water on the west and mountains on the east. The building in the west of the courtyard is Zilingzhou, and the main hall in the north is Zhujin Tower. This is the residence of Jia Yingchun in "A Dream of Red Mansions", across the water from the Champs Elysees. In the Haitang Poetry Society, the nickname for welcoming spring is "Lingzhou" and the nickname for welcoming spring is "Ouxie". This is where they come from. "Zhujin Tower" is sometimes also called "Zhujin Pavilion". Jia Mu invited the guests to have a drink in Zhujin Pavilion, and let the troupe play and sing in the Lotus Champs Pavilion. The music came through the flowers and water, which made people feel relaxed and happy. There is an error here: Zhujin Pavilion and Zhujin Tower are not the same place. Zhujin Pavilion is a flying tower on the east side of Daguan Tower.
It turns out that Luxue Nunnery is built on the river beach next to the mountain. There are several rooms in the area, with thatched eaves and earthen walls, hibiscus fences and bamboo slats. You can fish by pushing the window. It is covered with reeds on all sides. The path meanders through the reeds and you will reach the bamboo bridge of the Lotus Champs.
It turns out that the Lotus Root Pavilion is covered in a pool, with windows on all sides and winding corridors on the left and right. It is also connected to the shore across the water, and there is a zigzag bamboo bridge behind it. ... As soon as I entered the pavilion, I saw two bamboo tables placed outside the railing. One had cups, chopsticks, and wine utensils on it, and the other had tea spoons, tea bowls, and various tea utensils on it. ...While he was talking, he saw the pair of black lacquered clams hanging on the pillar, which ordered people to read. Xiangyun read: The shadow of hibiscus breaks through the orchid oar, and the fragrance of water chestnut and lotus root is deeply written on the bamboo bridge.
It can be seen that the Lotus Pavilion is a building complex, not a single water pavilion. This building complex is composed of water pavilions, small pavilions, winding corridors and zigzag bamboo bridges. Lotus blooms on all sides, and there are two on the shore not far away. A sweet-scented osmanthus tree. In addition, Xichun's residence "Nuanxiangwu" is not far from the Lotus Root Pavilion. People in the Grand View Garden always have to "wear the Lotus Root Pavilion and pass through the Nuanxiangwu" when going to Xichun's place. In Haitang Poetry Club, Xichun took "Ouxie" as his nickname.
There is a big cauldron on the case. On the left rosewood shelf is a large plate from Daguan kiln, containing dozens of delicate yellow and exquisite Buddha hands. A white jade chime hangs on the foreign paint shelf on the right, and a small hammer hangs next to it. In the middle of the west wall hangs a large-scale painting of Xiangyang's "Mist and Rain", and on the left and right hangs a couplet, written in Yan Lugong's ink, with the words: "The bones are leisurely in the mist, and the life is in the spring and stone fields."
The three houses are not separated. There is a rosewood marble bookcase on which there are various famous people's dharma stickers and dozens of Fang Bao inkstones. The pens inserted into the sea of ??pen holders of various colors are like a forest. On the other side is a large Ru kiln flower bag, filled with crystal white chrysanthemums. In the middle of the west wall hangs a large-scale picture of mist and rain in Xiangyang, and on the left and right hangs a couplet written by Yan Lugong.
The hollow mahogany door is carved with complex and elegant patterns, exuding a delicate and graceful temperament. Gently push the door open, and what comes into view is an exquisite triangular table with paved floor. Dressed in fine brocade, a set of exquisite tea sets were waiting quietly. A screen divided the room into two halves. Beyond the screen were gauze curtains one after another. A breeze blew by, and the gauze curtains in the room were gently lifted. Dancing perfectly under the touch of the wind, a small white hand gently grasped the fluttering gauze curtain, and then a graceful figure came. It was a woman, a beautiful woman, with long hair like ink. The hair is tied up with delicate flowing clouds, and long tassels are inserted in the hair. It swings slightly with the beauty's pace, creating a perfect arc. A pair of beautiful big eyes, a straight nose, and a delicate cherry The small mouth perfectly combined with that melon-shaped face, the light green gauze skirt dancing with the breeze, the proud breasts, and the slender waist all showed her beauty.
The entire room was hung with crimson Turkish tapestry embellished with gold flowers. In the recess of the room, there is something like a couch, with several Arabian swords placed on it. The scabbards are gold-plated, and the hilts are inlaid with crystal-clear gems. A Venetian glass lamp hangs from the ceiling. The colors and colors are all charming; the Turkish carpet under your feet is ankle-deep; several door curtains hang down in front of the door, and another door leads to the second room, which seems to be illuminated magnificently.
There are white marble pillars standing at the four corners of the room, and the surrounding walls are all carved with white stone bricks. Orchids carved from gold bloom coquettishly among the white stones, and blue gauze curtains ripple in the wind. Cha Qinghen stood in this ten-meter-high building. If it weren't for the killer's unique composure, he would have fainted long ago. Two words kept popping up in his mind: luxury. The faint fragrance of sandalwood fills the surroundings, and tiny bits of sunlight shine through the hollow carved windows. After a closer look, there is a soft wooden bed under me, decorated with exquisite carvings
Bufan, wearing a brocade quilt, turned sideways, and saw an ancient woman's boudoir. The guqin stood in the corner, and the bronze mirror was placed on the wooden dressing table. The whole room was so fresh and relaxing.
The courtyard is surrounded by pink walls, surrounded by green willows, three gatehouses with hanging flowers, and hand-curved verandahs on all sides. In the courtyard, the corridors connect to each other, the mountains and rocks are dotted, and the five buildings have a plaque with the words "Yi Hong Kuai Lu" hanging on them. The entire courtyard is magnificent, graceful and luxurious, with beautifully decorated gardens, a backyard full of roses, treasures, and a pool. Qinfang Creek joins here and flows out of the Grand View Garden. There is a white stone road across the Qinfang Creek that leads to the other side.
The entrance is a winding verandah, and the stones under the steps form a corridor. There are two or three small rooms above, one is light and the other is dark, and inside are beds, chairs and tables built in the same location. There is another small door from the inner room, and out is the backyard, with large pear blossoms and plantains. There are two more small steps down. Suddenly a gap opened under the wall of the backyard, and a clear spring came out. The ditch was only a few feet long, and it poured into the wall. It went around the steps from the house to the front yard and spiraled out under the bamboo. "
There is a large rosewood marble case on the table, with various famous people's dharma stickers, dozens of inkstones, various brush holders, and the pens inserted in the sea like a forest. On the other side is a large bucket. A Ru kiln flower bag is filled with white chrysanthemums with crystal balls. In the middle of the west wall hangs a large-scale Xiangyang "Mist and Rain Picture", with a couplet hanging on the left and right, which is written in Yan Lugong's ink. The word goes: There is a large cauldron on the table, and there is a large plate from the Daguan kiln on the left, with dozens of exquisite yellow Buddha hands hanging on the right. There is a white jade chime with a small hammer hanging next to it. There is a couch on the east side, and a green gauze embroidered with flowers and insects is hung on the bed. , with a red money python backrest, an azure money python pillow, and an autumn fragrant money python large mattress on the front. There is a pair of plum blossom style foreign paint small tables on both sides. On the left table is Wenwang's cauldron spoon and incense box; on the right table is the Ruyao beauty goblet - there are fresh flowers inserted in the goblet, as well as tea bowls, phlegm boxes and other items. There are four chairs lined up in the east and west of the ground, all covered with silver-red floral chairs and four sets of footrests underneath. On both sides of the chair, there is also a pair of high tables with tea bowls, vases and flowers.
On the combing table, there is an ivory inlaid Doubannan makeup. There is a patterned bamboo bed with 10,000 characters, a Xiang Yue Bai Butterfly Lake curtain is hung, and a fine collar is spread on the bed. On the mat, there is a long rattan pillow and a single quilt with fine filaments. Next to the pillow that is fragrant with Chensu incense, there is a small round box with two-headed peonies carved in gold and lacquer from the Song Dynasty. Inside the box is real Burmese food. A Burmese bell from China.
There is a purple bookcase placed in the northeast corner of the wall. Warm sunlight filters in from the vermilion carved wooden windows and is scattered on a set up guqin. Pink gauze curtains As the wind brought in some petals from the window, gently brushing the strings of the piano, waves of curling incense rose from the incense burner, wrapped in gauze curtains, and filled the entire boudoir.
There are white marble pillars standing at the four corners of the room, and the surrounding walls are all carved with white stone bricks. Orchids carved from gold bloom coquettishly among the white stones, and cyan gauze curtains ripple in the wind. Cha Qinghen stood in this ten-meter-high building, as if if it weren't for the killer's unique calmness, he would have fainted long ago. Two words kept popping up in his mind: luxury.
The entire room was hung with crimson Turkish tapestry embellished with gold flowers. In the recess of the room, there is something like a couch, with several Arabian swords placed on it. The scabbards are gold-plated, and the hilts are inlaid with crystal-clear gems. A Venetian glass lamp hangs from the ceiling. The colors and colors are all charming; the Turkish carpet under your feet is ankle-deep; several door curtains hang down in front of the door, and another door leads to the second room, which seems to be illuminated magnificently.
The room was tidy, with a simple bed placed in the corner. There was a checkerboard pattern curtain on one end, but there was only a painted wall on the other end. The floor was paved with mud bricks and was spotless, but it was very damp, as if it would never dry out after being washed last time. The window of the basement faced the street. To avoid children throwing stones, a blind was installed, and it was hung with strange-shaped weeds collected from the fence, the edge of the ditch and the fields... Herbs were hung everywhere in the house, and the light was blocked; as the herbs dried, they gave off an unpleasant smell.
The furnishings of this room are simple but gorgeous. The room is circular, with a ring of fixed benches against the walls. The benches, walls, and ceilings are all covered with magnificent animal skins, which are as soft as the most precious carpets when you step on them; among them are Atlas lion skins with fluffy manes, striped Bengal skins, and so on. tiger skins, Capo's leopard skins dotted with beautiful dots that appeared before Dante, Siberian bear skins, and Norwegian fox skins; these skins are all thickly laid one on top of the other. , it seems like walking on a racecourse with the lushest grass, or lying on the most luxurious bed.
The dark window faced the same courtyard and was equipped with the same fence. There was a spider web between the railings that was probably twenty-five years old. The piece was used for twenty-five years and was originally green. The curtains have faded due to attachment to the sun. Next to the window was the same black table, covered with a tablecloth that was also green earlier but was now full of spots. On the table were a large black inkstand and a large bottle of black anti-drench powder, both fixed on a stand; there were also a pair of brass candlesticks, which no one used to light candles anymore. No one uses the copper scissors used to cut candle wicks anymore. There was an iron bed with a thin mattress, and a double-barreled shotgun that had never been used hung on it. Under the bed, there is a six-string box that looks like a small coffin. A narrow leather couch, two leather chairs, a large tin washbasin and a small dark cherry red cupboard made up the furniture in this room. Due to the long and narrow terrain, this room is often shrouded in darkness. It looks more like a tomb than a room.
This is a clean and elegant room. A Simmons double bed was placed in the middle of the room, covered with a white bedspread embroidered with small flowers. On the left are a pair of exquisite small sofas and a bedside table. On the table is a small table lamp made of stacked shells. On the right is a light green refrigerator with a set of carved glass drinking glasses. On the wall in the middle of the room hangs a large color photo...
On the wall hangs a drapery with hunting pictures embroidered with gold and silver silk threads. The embroidery work was considered the most exquisite at the time. The bed was covered with an equally rich silk coverlet, and a short purple curtain hung around it. The chairs also had colorful covers, and one of them was particularly tall, with a carved ivory footstool in front of it. There were at least four silver lamp stands with tall candles lighting up the room, illuminating the whole room.
This study seems so extraordinary and quiet. The air is average and warm. The fire also slowly glowed with red light. The walls are white, and there are some silver patterns printed on the white paper. The two bookshelves are also white, and there are many books with gold letters shining beautifully on them. And there is a pot of asparagus grass lined up on the bookshelf. The grass has grown more than three feet long and hangs down like a fragrant vine. The small green leaves faintly cover some books. On the exquisite writing table, there are several English books, a marble ink tank, a small and exquisite calendar, and a piece of "Hope" set in a silver-gray copper frame. These decorations and sentiments clearly show that the owner of this study has a very high interest in everything...
Enter Bingru's guest room.
This is a Western-style room: above the fireplace, there is a copied oil painting hanging horizontally. The painting is of a young girl, leaning on one hand, her beautiful eyes drooping slightly, thinking there. Two large sofas of different styles but equally comfortable, separated by eights, were placed in front of the fireplace. Opposite is an exquisite piano table. In a vase after the rain and the sky are clear, there are a few wintersweets that have not yet fully bloomed. Four screen strips of Wu Changshuo's cursive script are hung on the wall inside. They are vivid and concise, and the whole picture is more interesting than looking at each word one by one. Under the wall is a coffee table and two chairs with low backrests. There is a round table in the center, surrounded by four round chairs. The floor is carpeted. The light came in from between the two tall and wide windowsills, making the whole room very bright. A wall clock in front of the right wall plays a light and gentle tone.
The shadows of the trees moved on the carpet, and the fragrant smoke from the Daxuan furnace continued to rise. The wall clothes on the east side are bathed in the sun's rays, and the golden brocade attached to them reflects a dazzling brilliance. An ink dragon by Chen Suoweng hangs in the middle hall, with its teeth and claws spread out and about to fly down. On the west wall is a landscape painting of horses and horses. The soft and soft brushwork is almost protruding from the silk surface, making people forget that they are sitting in a house in Beijing.
The walls are painted with colorful patterns of small light blue squares, surrounded by a gilded, ornate frame, with exquisite flowers and fruits carved on the corners, and a fat little cupid flying freely on it. The ceiling was painted with a splendid caisson, surrounding a cluster of lamps in the center - electric bulbs interspersed among the gleaming prisms and gilded plaster leaves. The floor was waxed and polished, giving off a reddish light, and there were mirrors all around - tall, bright and clean, the mirrors beside the car - reflecting each other, reflecting countless figures, faces and lamp stands. The dining table itself is not very outstanding, but the tablecloth is printed with the name of the hotel, the silverware is engraved with the Tefena brand, and the china has the name of the Haverland factory. The light under the small red lampshade illuminates such utensils, as well as the guests' The color of the wall reflected in the clothes and face made the dining table look eye-catching.
A huge white marble banquet hall: red curtains, shiny inlaid floors, many tables placed in the middle of green columns, gold, silver, and glassware gleaming on the white tablecloths. There is a long table on the high platform, about a hundred feet long from one end of the hall to the other. The other tables are arranged in rows at right angles to the high platform. Two magnificent giant chandeliers hung from the high red and golden ceiling, and the countless frosted glass round lights on the chandeliers shined brightly. There are also ornately decorated sconces on the walls that shine brightly.
The inside of the house is also very different from ordinary farmhouses. In most farmhouses, there is a broken bed in the pawn room, with chopping boards, pans and other sundries placed on the bed. This place looks a bit like a landlord's house, with a table and an Eight Immortals table in the middle, and a grand master's chair on each side, which is also covered with red cloth cushions. The big self-ringing clock on the table was polished to a bright shine. The partition doors on both sides were hung with white curtains, and the furnishings in the inner room were blocked.
Red bricks, green window lattice, white railings, light yellow tiles... This is a typical Beijing-style "siheyuan" with three families living in it. In the middle of four gray brick bungalows facing each other is a small rectangular courtyard paved with gray bricks. There is a flower bed built in the middle of the courtyard, with more than a dozen pots of blooming chrysanthemums placed on it. Next to the flower bed, the red crabapple tree, which is more than one foot tall, has its branches pruned to a moderate density, making the entire courtyard look more primitive and quiet. Only when the breeze blows and the dead leaves fallen from the potted chrysanthemum and crabapple trees rustle on the ground, the silence in the courtyard is occasionally broken.
The gauze curtain hangs low, creating a hazy atmosphere. The surrounding stone walls are covered with brocade, and even the roof of the room is separated by embroidered felt, which is both warm and cozy. The furnishings are also used in girls' boudoirs. They are extremely luxurious, with carefully carved jade-inlaid gums, brocade quilts and embroidered quilts. There are also small sachets hanging on the curtain hooks, exuding a faint fragrance.