The Biography of Wu Jun in Liang Shu described him as "quaint in style", which was quite influential at that time and was called "Wu Jun Style". There are more than 140 poems today, most of which are friends' answers and farewell works. Harmonious phonology and beautiful style belong to the typical Qi-Liang style; But the language is clear and fluent, the allusions are appropriate, and it's okay to pile them up. Wu Jun is good at depicting the surrounding scenery to render the feelings of parting. Such as "Send Liu Zhuting Collection" and "Evening Fish Pavilion Play, Rest with Rain eaves". White clouds come and go, and the breeze is negative. Wandering around cattle and sheep, it is dark and ugly ",and the scene of Shan Ye in the hazy twilight highlights the sad atmosphere of parting. Another example is "light clouds travel far, drizzle bathes the mountain clothes", "Liaochuan is dark during the day, and the yellow dust is long-lasting", and the scenery is very detailed. Wu Yun paid great attention to learning from Yuefu folk songs, and wrote many ancient Yuefu poems, such as it is hard to go, No One Walks in the Huli and Joining the Army. Although the rhetoric is gorgeous, it is full of vigor and freshness, and there are many thoughts of Bao Zhao. Some of his five-character poems, such as "You follow the green waves, I follow the breeze", "Folding lotus to make a cover, feather to make silk", are also rich in folk songs. Wu Jun was born in a poor family, and he was neither arrogant nor impetuous all his life. In some of his works, he often shows the ambition and backbone of a poor man, such as "To Wang Guiyang", "The pine tree grows several inches and is defeated in the grass. If you don't see the heart of the cage cloud, you will know that it is frost bone. Using pine trees to express the grievances of talented people is very similar to Zuo Si's Pine at the Bottom of a Depressed Valley and Tao Yuanming's Pine in the East Garden. Another example is "Plum Blossom Falls" and "Farewell to a New Forest", which also implicitly express the desire to make a difference. In addition, such as "Four Commanders in the Border Town", it praised the heroic spirit of the soldier "Gao Qi entered Korea and Africa and wrote with a whip"; Forever in my heart describes the homesickness of people's families, and its content is realistic, which is rare in poetry at that time.
He is the author of 30 volumes of Qi Chunqiu, 10 volumes of Temple Records, 16 volumes of Twelve States Records, 5 volumes of Qiantang Sages Biography, and 90 volumes of Later Han Books, all of which have been lost. Legend of Liang Shu: "The monarch's body is clear and ancient, and those who are good or learn are called' Wu Jun's body'." His Collection of Twenty Volumes. "Records of Sui Shu's Classics" records: "Liang Fengchao invited Wu for twenty volumes." Records of Old Tang Shu Jing Ji Zhi and New Tang Shuyi Wen Zhi are all twenty volumes. History of Song Dynasty, Art and Literature: Wu Jun's Poems in three volumes. It can be seen that most of his works were lost in the Song Dynasty. The compilation of Ming dynasty includes: three volumes of Wu Chao Please Collection, appendix one volume, and seventy-two episodes compiled by Zhang Xie in Ming dynasty; Wu Ji, compiled by Zhang Jian in the Ming Dynasty, is a collection of 133 masterpieces from the Han, Wei and Six Dynasties. In addition, there is a volume of Wu Wenxuan, in which 130 selected works of Han, Wei and Six Dynasties were selected by Wu Rulun in Qing Dynasty. Yan Kejun's Complete 60 volumes, including Associating with Stone, Thinking with Zhu, Gu Zhangshu, etc. 13; Qi's Poems of Liang Shi in Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties 10, including Poems of Wang Guiyang, Miscellaneous Poems in the Mountains and Answering Poems.
Liang Wudi once criticized "Wu Jun is unfair and He Xun is rude". (See "Southern History" Volume 33 "Biography of He Xun")
Wu Jun is good at writing parallel prose. Today, there are three books: One Book by Shi, One Book by Zhu and One Book by Gu Zhangshu, all of which are good books about landscapes. Such as "the cliff is dry, and the lonely peak enters the Han Dynasty. The words "green and heavy, Qingchuan turns around" and "the wind and smoke are clean, the Tianshan Mountains are colorful, and everything comes from the stream" are all beautiful and meaningful.
Wu Jun, uncle Zi, is also an old friend of Xing Wu. The family was born in poverty, and everyone was eager to learn and brilliant. Shen Yue's taste in Wen Jun is quite rewarding. At the beginning of Tian Jian, Liu Yun was appointed as Xing Wu, and he asked for a master book to quote poems from heaven. Those whose style is ancient, good or effective are called "Wu Junti". Jian 'an Wei is a native of Yangzhou, and he is a bookkeeper and in charge. Wang moved to Jiangzhou, served as assistant minister of the Ministry of Housing and served as the government bureau. In addition to serving the court. First of all, both of them expressed their desire to write Qi Chunqiu. When writing this book, Gaozu asked Liu, the person who wrote this book, to cross-examine several articles because his book was untrue, but he was completely wrong, so he paid for it and was dismissed. In order to find a summons, he wrote a general history, from Huang San to Qi. They have all finished the work of Materia Medica and Family, but their biographies have not yet been completed. Ordinary first year, died at the age of 52. There are 90 volumes of Ye Fan's Book of the Later Han Dynasty, 30 volumes of Qi Chunqiu, Records of the Temple 10, Records of Twelve States 16, 5 volumes of Qiantang Fairy Biography, 5 volumes of Xuwen's Interpretation and 20 volumes of Anthology. ("Liang Shu" Volume 49)
Wu Jun is an uncle, and Xing Wu is dead. The family background is poor, and everyone is eager to learn and talented. Shen Yue's taste in Wen Jun is quite rewarding. At the beginning of Tian Liang's imprisonment, Liu Yun was appointed as Xing Wu, and he asked to supplement the main book, and the Japanese quoted poems. All styles are bright and ancient, and those who are good at or learn are called "Wu Junti". They were all dissatisfied with the taste, leaving only one poem. After a long time, they came back as old as before, and they regretted it. King Jinghui of Linchuan recommended him, and the king called him Emperor Wu, and now he is called to write poems. To write, please move to court. First of all, they all took history as their name, wanted to write about Shu Qi, and demanded the behavior of all the ministers. Emperor Wu of the Han Dynasty did not allow it, so they privately wrote Qi Chunqiu. In the book, Emperor Qi Ming is called Emperor Fu, and the evil deeds of the emperor are recorded. Because its book is untrue, Liu, the person in charge of the Chinese book, asked dozens of questions, but it was completely wrong. Burn it if you pay it, and dismiss it if you sit down. Find a summons, make a general history, from here to here. Herbs and families have been completed, only the biography has not been completed. They all noticed that there were 90 volumes of the History of the Later Han Dynasty in Ye Fan, 30 volumes of Qi Chunqiu, Records of Temples 10, Twelve State Records 16, 5 volumes of Biography of Qiantang Ren Xian, 5 volumes of Sequel and 20 volumes of Anthology. ("Southern History" Volume 72)
[Edit this paragraph] Zhu He's book
Wu Jun
The wind and smoke are clean, and the Tianshan Mountains are colorful. Floating from the stream, anything. From Fuyang to Tonglu, it is unparalleled in the world.
The water is blue, and thousands of feet bottoms out. You can swim with the fine stones and look directly at them. If fierce wave is in a hurry, the arrow will fly faster.
The mountains near the shore are all cold trees, competing for novelty and beauty, competing for the high finger peak. Spring rock, crisp; Good birds sing, they rhyme. Cicadas are endless, and apes are endless. People flying in the sky, watching the peaks rest; He who is in charge of the affairs of the world looks at the valley and forgets to betray. The horizontal branches are covered, and the day is still faint; The thin strips set each other off, and sometimes the sun shines.
Notes on the title or background of a book.
This article is a letter written by Wu Jun to Zhu, which vividly depicts the scenery of Fuchun River from Fuyang to Tonglu. The writing is fluent, meaningful and beautiful. Song, also known as Zhu.
The book with Zhu is selected from the seventh volume of Selected Works. This is a letter written by Wu Jun to his friend Zhu, telling the story and feelings of the trip. This article is only a partial excerpt, and the original text is not visible. This is a landscape prose written in the form of parallel prose, which describes the beautiful scenery and mountains and rivers in Fuchunjiang, Zhejiang Province from Fuyang to Tonglu. Wu Jun lived in the political darkness of the Southern and Northern Dynasties. He was frustrated in his career all his life. When he was in Liang Wudi, he wrote Qi Chunqiu privately, claiming that Liang Wudi was the assistant of Emperor Qi Ming, but the evil of Emperor Wu recorded it and burned it, exempting him from his post. This disheartened him. Influenced by Buddhism and Taoism, he became interested in seclusion. Therefore, this article is not pure scenery. Based on the real experience, news and feelings of sailing across the river, this paper focuses on describing "strange water" and "strange mountains", expressing the author's lofty thought of caring for mountains and rivers and rejecting secularism, and expressing his yearning for beautiful nature.
The first paragraph is always about the charming autumn scenery of Fuchun River from Fuyang to Tonglu. The author narrates his leisurely boating trip, and quotes the whole article with "Strange mountains and strange waters, chinese odyssey" as a compliment. Described in detail below.
The second paragraph is divided into the "difference" of water. The water color of Fuchun River is represented by "light blue", which exaggerates the clarity and transparency of water by "seeing the bottom of a thousand feet" and "looking directly at fish stones". The first four sentences describe slow flow. The last two sentences make full use of the rhetorical devices of metaphor, vividly showing the places where the water is rushing, where the rapids are like arrows and the waves are like galloping horses, which is soul-stirring and just like seeing them with your own eyes.
The third paragraph is about the "wonder" of the mountain. This part belongs to detail writing, based on scenes and emotions. Six sentences in "Mountains on the Shore" observe and describe the steep mountains on both sides of Fuchun River from a visual perspective. In particular, the use of personification makes the sentences lively, makes the mountains turn from static to interesting, and makes the image of Qishan concrete and interesting. The six sentences in "Spring Rocks" imitate and convey the beautiful sounds such as spring singing, bird singing, cicada singing and ape whistling on the mountain from the auditory point of view, and simply merge into a beautiful and harmonious symphony of nature! Away from the hubbub and indifferent to fame and fortune, in such a prosperous scene, the author can't help but express such feelings with four sentences of "Flying a kite against the sky": people who are bent on pursuing fame and fortune will calm their hearts that are keen on fame and fortune when they see this majestic mountain; People who are busy with worldly affairs all day will linger when they see this beautiful valley. The author ingeniously borrows scenery to express his feelings, which not only exaggerates the great charm of the strange peaks and valleys, but also expresses his great contempt for the dark officialdom and those who pursue wealth, and also reveals his infinite love and yearning for the beautiful nature. The author doesn't want to think about the ugliness of officialdom any more, so he ends his paper with four sentences of "covering the cross section" to describe the scenery with "over cross section" and "thin cross section". These four sentences add quiet and elegant colors to the works by describing the close-up scenes of alternating light and dark, showing the author's quiet mountains and passive seclusion.
This famous landscape sketch of the Southern Dynasties has fresh and beautiful language and concise and neat writing. The article is clear in organization and diverse in expression angles; The scenery is vivid and vivid, grasping the characteristics and feeling in the scene. The scenery painted in the article is beautiful and the artistic conception is far away, especially the mobilization of various senses, which makes people feel as if they are there, relaxed and fascinated. In this paper, the sentence pattern is neat, with four characters as the main, neat and dual, and six characters in the middle, which makes the sentence arrangement neat and symmetrical, the rhythm sparse and harmonious, and the semantic transition flexible. Read it carefully and it is full of charm.
Wu Junshan is good at singing, has a poem title and a clear voice. Shen Yue, a famous literary historian at that time, read his works and appreciated them very much. Such as "to Wang Guiyang" poem:
When the pine tree grows to a few inches, it disappears into the grass.
I can't see the heart of Cage Cloud, but I know it is as cold as ice.
Weak stems can be destroyed, and fiber stems are easy to be destroyed.
How to count thousands of feet and take back the moon for you.
This poem shows the ambition and backbone of the poor, and it is similar in conception to Zuo Si's Zhang Yuyu Song Di and Tao Yuanming's Song Qing in the East Garden. Another example is "Hu Xing" wrote:
The head of the sword is as sharp as a mountain, shining with silver light.
The fighters chased after him, and the golden rooster begged the Qiang.
Gao Qiu, August and September, when the wind and frost began in Alakazam,
Men are willing to die and dare to taste it with you.
This poem shows the high spirit of being sharp and straightforward, and has a rare atmosphere of the situation at that time. Wu Chaozhong has many such works, please collect them.
Wu Jun's ambition to be useful to the world is also evident in other aspects. For example, in his Sword, after describing the superior material of the sword, he said, "Send a message to Zhang Gongzi, why don't you come and meet him?" . Obviously, this excellent sword is the author's sustenance for his talent, which contains a kind of deep affection that is difficult to show because of his humble origin. This unswerving ambition is often triggered everywhere. For example, "the wise have no reward, and the Chinese people have no thoughts since ancient times, and nothing is more tiring." Three Farewells to Relatives and Friends in Xiangzhou also reflected the darkness of reality at that time.
Wu Jun is also good at writing landscapes, such as a poem about landscapes, which is often read:
Look at the smoke in the mountains and the sunset in the bamboo.
Birds fly happily to the eaves and white clouds float out of the window.
Three miscellaneous poems in the mountains
This little Book of Songs shows a sunset scene in a mountain house with a simple sketch technique, just like a wonderful sketch painting.
Wu Jun is good at writing landscapes, especially essays. For example, Associating with Stone and Gu Zhangshu describe the scenery of Anqing Mountain and Shimen Mountain in Kongtong township picturesque and lifelike, and their artistic achievements are very high, which are famous parallel essays in the Six Dynasties.
Wu Yun's poems were quite influential at that time. The book "Liang Shu" contains: "The monarch's style is clear and ancient, and those who are good or effective are called' Wu Junti'".
Wu Jun has a lot of works, in addition to the above, there are 90 volumes of the Book of the Later Han Dynasty, the Temple 10, the Twelve Kingdoms 16, the biography of the sages in Qiantang, 5 volumes of the Continued Anthology and 20 volumes of the Anthology. Unfortunately, none of these collections have been handed down. The Ming Dynasty compiled Wu Han's Please Collection. In addition, 1 volume's novel "Continuation of Qi and Harmony" has been handed down from generation to generation, with vivid plots and distinctive characters. Lu Xun's "A Brief History of Chinese Novels" said: "It is a novel, which has become remarkable and impressive. Scholars in the Tang and Song Dynasties all cited it as a classic and praised the Goose Cage Record, which was particularly bizarre. "