I have never found such stunning sexiness in Tao Hong. The ancient ghostly light and shadow were projected on Tao Wanrong. For a moment, the pavilion master really felt that she was possessed by the soul of this "forgotten last queen". As if her body was broken, it came to life. From a romantic girl, to a gorgeous young woman, to a crazy abandoned wife, Tao Wanrong's every frown and smile are so real and believable. She wears pajamas and hugs this distressed body, and her smile never changes. From youthful to neurotic, layered and intricate, the three dances throughout exude different styles, and the desperate look in the eyes towards the emperor Puyi who gave up on her at the end is filled with a lifetime of tragic stories.