(1) Characteristics of rotation
1. The rotation technique in the basic training of Chinese classical dance is mainly characterized by the twisting and tilting dance posture structure, which is similar to the rotation in the basic training of ballet. There is still a big difference. The rotations in basic ballet training are all straight, and most of them are three-dimensional composition and image shaping based on the frontal plane. Therefore, the movements are long and stretched, with a strong sense of extension. The driving of the body, the driving of the arms, and the driving of the stride are all very important. Rotation relies on the coordination of the whole body.
The rotation in the basic training of Chinese classical dance, in addition to the straight body rotation, is also characterized by the rotation of the body shape in the twisting and tilting dance posture, especially the balance of "tilt" The rotation of the center of gravity creates a three-dimensional composition based on the meridian phase of the upper and lower body to shape the image. Therefore, the movements show elongation in graceful movements, continuation of rapid movements in the air, and changes in the spiral shape, such as turning with the legs behind the back and raising the chest, turning backwards and turning sideways.
2. Due to the characteristics of belt rotation, there are various "methods" for the basic training of Chinese classical dance, and most of them are "methods" during the movement. Such as Dayebuzhuan, sweeping hall and exploring the sea.
3. In the basic training of Chinese classical dance, the folk dance posture turns have a strong "body technique". Some folk dance posture turns can be said to be continuation and exaggeration of the body technique.
4. The fluidity and compounding of folk dance postures are relatively strong, and the spatial changes are large, such as from bottom to top or from top to bottom, and in the process of turning, there are various The complex and flowing characteristics of this kind of dance.
The development of folk dance Zi Zhuan is just the beginning. There is still a lot of room and good prospects.
(2) Characteristics of turning over
Turning over is our unique national skill. Its variety and style and its wonderful changes are unmatched by any country or nation.
Turn over is a unique skill form in the basic training of Chinese classical dance. It is a turning of the body in a horizontal tilt state with the waist as the axis. The movements from beginning to end consist of twisting, raising, leaning down and lifting sideways.
1. Strong national character
The skill form of turning over fully embodies the aesthetic characteristics and dynamic characteristics of classical dance, and it is also the most closely integrated with body techniques. Therefore, it has a strong national character. 2. Strong image. Turn over has a vivid image in space movements, such as "turn over in the sea", "turn over with kicking legs" and other large and slow turns. The arc movement in the space is continuous and round, like undulating waves; "turn over in one step" Agile and fast, as fast as lightning; continuous "turning over", like rolling wheels, very vivid. 3. Strong expressiveness
Turn over uses various speeds and rhythms, different connections, and different characters to produce different artistic sensory effects, so that various emotions and moods can be expressed, such as slow The continuous turning over expresses a lingering and pathos feeling; the rapid turning over expresses cleanliness or briskness and playfulness; the rapid and powerful turning over expresses bravery and virility?
In recent years, turning over has undergone new developments, and its structural form It has enriched, strengthened the fluidity and complexity, and strengthened the contrast. In addition to the contrast of hardness and softness, urgency, size, and speed, as the training content and expression method of skills in the basic training of Chinese classical dance, it can also have further development and better demonstrate the national characteristics of our nation.
(3) Characteristics of bouncing
The bouncing in the basic training of Chinese classical dance requires lightness and gracefulness in the method of force, a combination of tightness and tightness during movement, and the force must be concentrated. , the process should be fast, pay attention to "exerting force at the root, exerting force at the tip", and pay attention to "inch strength".
In terms of jumping, the characteristics of our nation are becoming more and more obvious, and the difficulty is getting higher and higher.
1. Make the original national skills new and more difficult.
2. Strengthen the "body skills": develop the body movements on the ground into the air. In the process of jumping, there are twisting, tilting, turning, flashing, spreading, soaring and moving.
3. There has been new development in lateral turns in the air, which shows the characteristics and enhanced skill of our national skills.
4. Contrast between high and low, ups and downs, and sharp contrast are another characteristics of Chinese classical dance.
5. Due to the explosive power of bouncing skills, it provides and creates conditions for the development of the complexity of bouncing skills. In recent years, there has been substantial development in the composite skills of bouncing.
6. Changing directions in the air is also a characteristic of classical dance jumping.
7. Combining jumping and martial arts skills.
Countless body movements and techniques are important aspects to absorb in classical dance. But their training purposes are different. The training of martial arts is for the purpose of attack and defense, while the training of dance is for the purpose of shaping the character's image and characterizing the character.
8. Combined with body movements, it forms and strengthens the fluidity, language and style characteristics of classical dance.