Sanmao experienced gloomy girlhood and troubled youth and middle age, which made sadness the keynote of her works. This sensitivity to pain has always remained in Sanmao's character and has had a great influence on her later writing. She pays attention to herself and the world around her with kind, sad and pitying eyes, so the lines in her works are always full of sad beauty.
For example, in The Dumb Slave, Sanmao successfully portrayed for us an image of a black slave who lives in deep suffering and has no personal freedom, but is full of love and wisdom.
In his article, San Mao drew many sketches of people and scenery. What she writes is always primitive and natural, without any artificial carving. The characters portrayed by San Mao also reproduce the real characters by sketching their appearance and language. Based on the reality of life, Sanmao showed the contradictory and unified character of characters in many aspects, which left a deep impression on people.
The five main rooms of Sanmao ancestral home were turned into Sanmao Memorial Rooms, which were named as "Legendary Life", "Sanmao Works Popular All over the World", "Qianshan travels all over the world", "Family, love, friendship, nostalgia" and "I miss you!" "San Mao" and other themes, showing San Mao's relics, works of various versions, photos of various periods, and articles commemorating San Mao by Chinese and foreign people.
The north wing room is equipped with a video room and a tea room for the trip to Sanmao's hometown. Many precious exhibits displayed in Sanmao Ancestral Temple were mailed by Sanmao's younger brother, Mr. Chen Jie, from Taiwan Province. Every exhibit is permeated with San Mao's deep homesickness and love for the country.
Baidu Encyclopedia-Sanmao