Three-paragraph, the three-paragraph is developed from a paragraph of lyrics and is an ABA structural formula. Its characteristic is that the number of sentences and content of A in paragraph A and paragraph three must be the same. For example: "Singing the Motherland" The five-star red flag flutters in the wind/The victory song is so loud/Singing our dear motherland/From now on we will become prosperous and strong. These four sentences are still repeated in the third paragraph. There are also three-paragraph ABC structures. For example, the three paragraphs of "The Red Flag Fluttering" are different.
Multi-paragraph, which refers to more than three paragraphs, each with different content and emotions. Because multi-section lyrics vary greatly, have many layers, and are very difficult to compose. Generally, few people write them, so I won’t go into them here.
Section 4: Completely draw the lyrics of this phoenix
I compare good lyrics to a phoenix. It gives people elegance, beauty and fascination... Lyrics If the writing is successful, Feng will live. How to draw this "phoenix" well? It reminds me of the structural characteristics of drama - succession, transition, and figuratively speaking, the structure should have the crest of the crest, the back of the tiger, the waist of the bear, and the tail of the phoenix. I also thought of the following words for the structure of the lyrics - hold the phoenix head firmly, support the phoenix body, and protect the phoenix tail. It is also called "the starting point must be high, the development must be new, and the end must be refined."
Establishing a stable crest (the starting point must be high) here mainly refers to establishing a good theme and writing the first two aspects well. We cannot create as we please. We must write wherever we want. We must establish the theme from the beginning, what content we want to write, and what thoughts we want to express. This is the key to the success or failure of lyrics. For example, if you want to write about the theme of peace, you have to find a breakthrough point in this large scope. Someone uses the peace dove to express it. Some people use flowers to express it. Someone expressed it through singing. What expression do you use and how do you express it? Here is an example of my own lyrics. I have always wanted to write a lyric about the Daur people's love for their new life. After thinking about it for a long time, I finally decided to write "Aobao Hui" and named it "Happy Aobao". meeting". Where to start? When I was conceiving, I decided to write from the outside in, from the macro to the micro. It worked. Therefore, a good theme must be established. Speaking of which, there is also the issue of writing a good beginning. The beginning of the lyrics must be open and clear, not cloudy and foggy. It is difficult to write at the beginning. The key is to accurately grasp the characteristics of the lyrics. The beginning of "Happy Aobao Club" seems very ordinary. If you think about it carefully, you will feel that it is a good start - the golden horse comes with a pack of clouds/the embroidered robe falls and the colorful clouds/the girl and the boy on the road/ Bring the beautiful summer to the Nenjiang River. The beginning of the writing is natural and smooth, and the theme is brought out immediately. The main thing here is to support the phoenix body (development requires innovation). After the theme is established, the content must be written well and the emotions expressed well. That is, the development paragraph of the lyrics, it is like the back and belly of the phoenix, it must have content. The writing method should be carefully laid out, the sentences should be coherent, and the steps should be in-depth to pave the way for the climax. In fact, the center of a lyric is mainly completed by this paragraph. Our lyrics here should be specific, vivid, typical, and moving. You also need to write down your emotions thoroughly. For example: This part of "Goodbye, Mom" ??is very wonderful - don't cry quietly/don't worry about me/when I return triumphant from the battlefield/come to visit my dear mother again. The four short sentences in the middle express the content and emotions vividly and convincingly. It can be seen that in order to stabilize the story, it is important to write the development of the middle section well. The first four lines of the song "Goodbye, Mom" ??- Goodbye, Mom, Goodbye, Mom, the bugle has sounded, the guns have been polished, the luggage has been packed, and the troops are about to set off. The writing is very exciting. If the development is not good in the middle, it is like a person suffering from a major disease. If the development is good, it is like a person, and the curve will show up. However, there are also cases where the first four sentences are followed by the chorus. At this time, the first four sentences include the head and the body, and they must be arranged reasonably.
Protect the phoenix tail well (be careful at the end) We often hear the saying in life, "The soles of the feet are half as good as the shoes." If you can't close the tail of the lyrics, all the previous work will be in vain. What I’m talking about here is that the lyrics must be well contained and contained, and at the same time, there must be lingering sound. In a paragraph, the last two sentences are very important. Two sections, the chorus is very important. Three sections, the third section is very important. However, in general three-paragraph style, sometimes the third paragraph repeats the first paragraph. In this case, there must be a quick stroke without affecting the word pattern. There are eight lyrics in each paragraph, and the last two lines are really written like a flying pen, bringing the song to a perfect end.
There is also a foreign lyric "Flowers and Soldiers", which is written with a tail-biting technique. It is completed in one go. How does it end? It leaves people suspense, but look - where did the flowers go/the flowers were picked by the girl/the girl Where have they gone/The girl was married by the young man/Where have the young men gone/The young man has gone to serve as a soldier in the military camp/Where have the soldiers in the military camp gone/The soldiers in the military camp have gone to the front line/Where have the soldiers on the front line gone/The soldiers on the front line Went to the tomb/went to the tomb/the tomb was covered with flowers. Please note that without these last two sentences, we would think it was a word game and a gibberish, but the appearance of "The grave has gone/The grave is covered by flowers." is simply amazing. The tail of the phoenix is ??the most beautiful, and the ending of the lyrics should be like this!
Section 5: Seeking colloquial language to increase the artistic appeal of the lyrics
With the changes in the political environment, With the maturity of music literature, the era of falsehoods and rhetoric has passed. However, falsehoods and clichés have not been eradicated. The phenomenon of commonly used lyrics with 200 sentences still appears frequently in lyric creation, and there are still many problems with lyric language.
How to solve it? Of course, we must feel life, feel the times, and feel people's psychological activities during the period of change. Think in feeling, collect in feeling, create in feeling. It is important to understand the basic characteristics of lyric language. In this section, I talk about the issue of lyric language, that is, how to grasp the topic of colloquial language in lyric creation.
If you want to achieve colloquial language in lyrics, I think there are three taboos: 1. Taboo for being flashy, 2. Taboo for procrastination and obscurity, 3. Taboo for multiple images; there are three recommendations: 1. To be straight to the point, 2. To advocate accurate images, 3. To advocate explaining things in a simple way
There is no doubt that lyrics require beautiful language just like poetry. However, because lyrics are restricted by music, their language is very different from that of poetry. The three taboos in lyrics and language are just my understanding and understanding, and may be biased. 1. Taboo being flashy. In fact, flashiness is taboo in any style of writing, especially with lyrics. Originally, the lyrics are very small and seem to be gorgeous, but in fact, if the language takes up more space, the lyrics will be wasted. The most taboo thing about the language of lyrics is that there are too many adjectives (not absolutely) and too many adjectives and decorative words, which will affect the theme of the music and the imagination of the music. For example, when writing about jasmine, beginners may think that the more "beautiful" it is, the more it resembles lyrics, so they will write "like white jade, like moonlight, like a graceful girl, like cotton bolls, like morning glow, like white clouds floating into the sky..." ..." I wrote two such long sentences and I don’t know what to write. It goes without saying that I have a thick skin. People are like in the fog, and the image of music is even more difficult to grasp. But the beginning of the folk song "Jasmine" tells you clearly at a glance - what a jasmine, what a jasmine, the garden is full of flowers, but the fragrance is not as fragrant as her... Such simple and unpretentious lyrics and language will immediately make people listen to it. Feel the refreshing fragrance. Such lyrics are easily accepted by the music and the audience. It is a good example for us to write lyrics. The taboo against flashy lyrics does not mean that I am against the literary nature of lyrics. The key is to use them well and skillfully. "Good Days" contains beautiful sentences such as the oil paint of sunshine, the watercolor of moonlight...the flowers of life. Not only does it not affect the content of the lyrics, but it also increases the aesthetic charm of the lyrics. Why? Because there are no adjectives at this time, and it becomes a noun "sunshine oil paint" instead of oil paint-like sunshine. "Flowers of life" rather than flowery life. You see, what I said makes sense. 2. Avoid procrastination and obscurity. Whether it is a lyrical song or a narrative song, simplicity and clarity are its basic requirements. Lyrics cannot be written as "word reports". It is obviously not possible to write a poem in four paragraphs, each paragraph having sixteen sentences, from "a monkey turns into a human" to an information-based one. There is a question of the basic rules of songs, and there is also a question of making the audience really listen to it and remember it. This is the function of auditory art, and songs should never be used as a substitute for political reporting.
When it comes to procrastination, there is also a phenomenon of words and sentences that are too long, empty, have no hierarchy, no division of language, and never fit into the topic. There is a folk saying "moji". Obscure means that the language is unfamiliar, difficult to read, difficult to understand, difficult to remember, or wordy, or the meaning is ambiguous. To give an example: "My luggage is filled with a lot of foam, I also have a basket, a bag and a lock." There are also some made-up phrases and phrases that cannot be sung, such as: There is a rainbow in the city. This is obviously for the sake of rhyme, regardless of the Whether others can sing it and whether people can understand it after singing is incompatible with the nature of the lyrics.
3. Avoid multiple images (including multiple images). Multiple images in one sentence or a piece of lyrics are a stumbling block to composing. Hearing stumbling blocks. A stumbling block to memory. It will also make the composer unable to find an accurate image, the audience's hearing cannot find a channel, and the memory cannot find a memory point, for example: "The gloomy village, the gravel in the shoes, the malt in the air. A table, a chair, a cup A sentence like "an emotion" may be acceptable as a poem, but definitely not as a lyric. Regarding the three advocates, due to space constraints, I will not say more here. I will give three different examples to illustrate. "It was you who gave me love, and love came to me." This is called straight to the point: "Life is like a ball of numbness, there are always little knots that cannot be solved." This is called accurate image; "You also say Liao Zhai, I also Talking about Liaozhai, all the anger, sorrow and joy come to mind. Ghosts are not ghosts, monsters are not monsters, and ghosts and monsters are cuter than gentlemen." This is a simple explanation. The above-mentioned reasons are to emphasize the colloquial language of lyrics. The colloquial language makes the lyrics smooth and smooth, which is conducive to memory and singing; the colloquial language is vivid and modal, which is conducive to providing situations; the colloquial language is close to nature, which is conducive to getting closer to the audience. However, colloquialism is anything but shallow. Lyric language must be constantly innovated. In recent years, some lyric language has indeed undergone great changes. The general characteristic is that it absorbs the deformation art of painting and dance. For example: "Two or three cherries outside the window bloom noisily once a year", "The heart is an autonomous zone of happiness" and the above-mentioned lyrics of "Good Days", etc. These languages ??either visualize consciousness, or image consciousness, or image reorganization, This is a good attempt. Due to the emergence of this deformed language, the straightforward structure of traditional realist narrative and lyrical imagery has been changed, and some characteristics of new poetry have been absorbed, injecting vitality and vitality into the lyrics without violating the rules of music. vitality.
Section 6: Use color, sound, and beautiful lyrics to dress up
Recommendations for more good song lyrics:
1. Splendid Weiyang’s song Prime Minister Bai Yiyi Download mv lyrics
2. Lyrics to the 2016 Rio Olympics theme song "Rise"
3. Lyrics to the episode "Because of Me" from Splendid Weiyang
4. Video "Wuzhen Love" MV and lyrics
5. Chinese lyrics of your name theme song
6. Twenty-four solar terms song lyrics
7. Dream Lantern Lyrics
8. Promised Lyrics Faye Wong
9. Left Shoulder Lyrics
10. Christmas Song Jingle Bells Lyrics
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