In the Ming Dynasty, there was an ingenious man, Wang Shuyuan, who could make palaces out of wood with a diameter of inches. Vessels, figures, even birds, animals, wood and stones had their own modality regardless of the occasion. I tasted a nuclear ship and covered the red cliff cloud of Dasu.
The length of the ship is about eight minutes and the height can be two meters. The porch in the middle is a hut, and the canopy covers it. There are small windows on the side, four on the left, four on the right and eight on the * *. When you open the window, the carved columns are opposite. If it is closed, it will be engraved on the right with "the mountain is high and the moon is small, and the water comes out" and on the left with "the breeze is Xu Lai, and the water waves are stagnant", which is the same as the stone. (You Zuo: You Peng)
There are three people sitting in the bow. Dongpo is the one with the highest crown and the most beards. Fo Yin is on the right and Lu Zhi is on the left. Sue and Huang have read books. Dongpo's right hand is holding a curly tail, and his left hand caresses Lu Zhi's back. Lu Zhi held the end of the book in his left hand and the book in his right hand, saying something. Dongpo's right foot and Lu Zhi's left foot are slightly different. Compared with the knees, they are all hidden in the folds of the bottom clothes. Is a unique Maitreya Buddha, topless, holding her head high, her expression does not belong to Su and Huang. Lie flat on your right knee, hold the boat on your right arm, stand on your left knee, and lean on it with your left arm missing the beads-the beads can be counted vividly.
The stern is horizontal. There is a boat on each side. The man who lives on the right has a spine bun on his back, his left hand leans against a balance beam, and his right hand climbs his right toe, which makes him scream. The person who lives on the left holds a banana fan in his right hand and touches the stove in his left hand. There is a pot on the stove, and their eyes are silent. If they listen to the sound of tea.
When the back of the ship was slightly reduced, it was engraved with an inscription, saying, "It's the beginning of autumn, and the book of King Yushan is carved far away." As thin as a mosquito's foot, it is painted with a hook and the color is ink. He also used a seal chapter, which read "Chupingshan people" and its color Dan.
Row a boat for five; Window 8; Make a tent, a pot, a stove, a pot, a hand roll and a rosary; Couplets, titles and seal scripts are * * * with thirty characters and four characters. It's not long enough. Cover the peach pit and trim it. Hey, the skills are also strange!
The full-text translation of the nuclear ship story is:
In the Ming Dynasty, there was a skillful craftsman named Wang Shuyuan. He can carve palaces, vessels, figures, birds, animals, trees and stones with wood one inch in diameter. They are not carved into various shapes according to the original appearance of wood, and each has its own attitude. He once gave me a boat carved with peach stones, engraved with the pattern of Su Shi's boat trip to Chibi.
The bow of the nuclear ship is a little more than eight minutes from the stern, which is as high as two yellow rice grains. The tall and spacious part in the middle is a hut covered with a canopy made of bamboo leaves. There are small windows on the side, four on the left and four on the right, and one has eight. When you open the window, you can see the railings carved with patterns standing opposite each other. Close the window and you will see a couplet. On the right is engraved "The mountain is high and the moon is small, the truth is clear", and on the left is engraved "The breeze is Xu Lai, the water is quiet", all of which are painted with azurite.
There are three people sitting in the bow. The man in the middle with a tall hat and a thick beard is Su Dongpo, with Fo Yin on the right and Lu Zhi on the left. Su Dongpo and Huang Tingjian looked at a long scroll of painting and calligraphy. Dongpo's right hand holds the right end of the paper roll, and his left hand lightly presses on Lu Zhi's back. Lu Zhi left hand holding the left end of the paper roll, right hand pointing to the hand roll, as if to say something. Su Dongpo showed his right foot, Lu Zhi showed his left foot, and his body tilted slightly. Their knees close to each other were covered by the pleats at the bottom of the hand roll. Fo Yin is very much like Maitreya, a Buddhist bodhisattva. He raised his head topless. His expression is not similar to that of Su Dongpo and Lu Zhi. He put his right knee flat, his right arm bent and supported on the plank, his left leg bent, and a string of prayer beads hung on his left knee-the number of prayer beads was clear.
There is an oar at the stern. There is a boatman on the left and right sides of the paddle. The boatman on the right wears a tapered bun, leans back, leans his left hand against a crossbar, and pulls his right toe with his right hand, as if shouting. The boatman on the left holds a banana fan in his right hand, and his left hand gently presses the stove with the kettle on it. The man looked directly at the tea stove and looked calm, as if he were listening attentively to the sound of making tea.
The back of the boat is flat and engraved with the author's name. It is engraved with the words "the apocalypse is endless in autumn, and the king of Yushan is far away". The characters are as small as mosquito feet, the strokes are clear and clear, and the font color is black. It is also engraved with a seal of seal characters. The words are "Chu Pingshan people" and the color of the words is red.
Calculate that there are five people carved on this ship; Eight windows; A canopy made of bamboo leaves, an oar, a stove, a teapot, a hand roll and a rosary; Couplets, titles and seal scripts are engraved with 34 words. But counting its length, it's less than an inch. It turned out to be carved with a long and narrow peach stone. Hey, the skill is really ingenious and wonderful!
Precautions:
Reporter: It refers to style. The "extreme" body appeared very early and reached its peak in the Tang and Song Dynasties. It can remember people and things, mountains and rivers, artifacts and buildings, so it is also called "Miscellaneous Notes". In writing, most of them are mainly narrative, with both argumentative and lyrical elements. This article was abridged when it was selected as the main text.
Kit Kat: A person with wonderful skills. Strange, strange.
Wang Shuyuan: Ming Yi, the word Shu Yuan. Folk micro-carving artists in Ming Dynasty.
Inch diameter wood: wood with a diameter of one inch. Diameter, diameter.
Do, here refers to sculpture.
Utensils: refers to utensils. Plates, bowls and the like.
So: and.
No matter what the situation is, each has its own modality: everyone can simulate the shapes of those things like primitive wood, and each has its own modality. Wang: No, no, no, both. Reason: Right. Elephant: Imitation. This refers to sculpture. Each: each. Same: same. Modality: mode.
Taste: Once.
Yu Yi: Give it to me.
Gaidasu Pan-Red Cliff Cloud: engraved with the story of Su Shi's boat trip to Red Cliff.
Guy: The modal particle at the beginning of the sentence indicates speculation. Go boating, boating and sightseeing by boat.
Yun: Adjective at the end of the sentence.
J: About.
There are (yǐu) odd (j Ρ): a little more. Yes: Pass "and" to connect integers and zeros. Odd number: zero number.
Gao Shu (Xu): It's about as tall as two yellow rice grains. Yes, about. Xiaomi: Also called Xiaomi, it is called yellow rice after peeling. On the other hand, in ancient times, the length of a hundred grains was one foot, so the length of a millet was one minute. Xu, up and down, table approximate number.
The porch in the middle is a hut: the spacious part in the middle is a hut. Xuan: Get up. Open: spacious. In favor: Yes.
Ruopeng: A awning made of bamboo leaves. Yong's special-shaped word is "Yong".
Carved railings are opposite: carved railings are opposite. Wang: Yes, face it.
The mountain is high and the moon is small, and the truth comes out: the sentences in Su Shi's Fu on the Back of the Red Wall.
Cool breeze in Xu Lai, stagnant water waves: the sentences in Su Shi's Fu on the Red Wall.
Qing: Cool.
X: Slow down, slow down.
G: Get up.
(sn) Shi Qingsan 1: Draw a concave surface with Shi Qing.
Blue copper ore: a kind of turquoise mineral pigment.
Nau: Tu.
Wearing a tall hat. Nouns are used as verbs.
Beard (rán): the beard on both cheeks. This refers to beard in general.
Fo Yin: His real name is a monk and a friend of Su Shi.
Home: located in.
Lu Zhi: Huang Tingjian, a poet and calligrapher in Song Dynasty, was named Lu Zhi. He is also a friend of Su Shi.
Handscroll: a banner of calligraphy and painting.
Take it.
Tail: refers to the right end of the volume.
Tail: refers to the left end of the volume.
Say something: as if you were saying something. Language: speak.
Turn (the body) slightly.
Their knees are compared: they are very close (Su Dongpo's left knee, Huang Tingjian's right knee). Bobby: It's close.
In the fold at the bottom of each hidden roll: it is hidden in the fold at the bottom of the hand roll (meaning that you can see your knees from the fold).
Unique Maitreya Buddha: Very similar to Maitreya Buddha and Bodhisattva in Buddhism.
Look up: look up at the correction.
No (zhǔ): Not similar.
Lie on your right knee: Lie on your right knee.
Qū: Same as "bend", bend.
Rosary: Beads used by Buddhists to count when chanting Buddha.
Leaning: (Left arm) leans on the left knee.
Count clearly: count clearly. Vivid: A clear and countable appearance.
Jí: paddling. Rowing equipment
Boat: boatman, boatman.
Jiì: Combed into a vertebral bun, which belongs to the flexible use of parts of speech.
Heng: pass "horizontal", horizontal.
Crawl: pull.
Whistle: Call loudly.
His eyes were silent: the man, looking straight at the tea stove, looked calm.
If you listen to the sound of tea, it's as if you are listening to the way tea is boiling. If ... but: equivalent to "like ...".
The back of the ship is slightly flat: the bottom is slightly flat. Back, here refers to the bottom of the boat. Yi, Ping.
Apocalypse: the year of apocalypse, namely 1622. Apocalypse, Ming Xizong Zhu Youxiao year number.
Wang Shuyuan from Yushan: Wang Yuan from Changshu. Yushan, now the northwest of Changshu County, Jiangsu Province, was used here instead of Changshu. Fu: Children's "father", a good name for men in ancient times, was often attached to words.
Hook: The shape of the hook.
Yes: obviously.
Mo: It means black here.
Seal seal: seal seal.
Dan: Red.
Ruopeng: A awning made of Ruo leaves.
Never an inch: it's less than an inch. Full, full
Jane: Choose. Use "pick" to select.
Trim: long and narrow.
The skill is also very strange: the skill is really amazing! The combination of "one" and "in" can aggravate the sigh tone.
Classical Chinese knowledge:
First, interchangeable characters
In ancient times, communication between men and "father" was a kind of honorific title. )
The length of the ship is about eight cents (there is a "you" to connect integers and zeros. )
There are four words for the word * * * 30 (yes: pass "and" to connect integers and zeros. )
Support the boat with the right arm (by "bending" and bending)
Rest your left hand on the scale (scale: horizontal). )
Just cover the peach pit and trim it narrow (Jane: pick and choose. )
The right hand climbs the right finger (climbing: pulling by pulling). )
Second, ambiguity.
Odd number:
In the Ming Dynasty, some people called Wang Shuyuan wonderful and strange.
The fore and aft length of this ship is about seven eighths (zero, remainder).
There are:
There was a wise man in the Ming Dynasty. His name was Wang Shuyuan (a verb indicating existence, as opposed to "nothing").
The length of the ship is about eight cents (through "you", plus, used between integer and zero. )
Used for:
For palaces, utensils and figures (do, here is the meaning of carving. )
The porch in the middle is a hut (yes)
Man 5: (Engraved)
Yes:
High (about)
Beads can be counted (counted).
End:
Dongpo holds the end of the roll in his right hand (noun, "one end (right end) of the roll")
His eyes are silent (adjective, "right")
Wood: wood with a diameter of inches.
Even birds and animals, wood and stones (trees)
Author:
The porch in the middle is a hut (part of it ...)
The man who lives on the right is on his back (lives in ...)
Yue:
There is a clever man named Wang Shuyuan.
Wen Yue: The apocalypse is autumn (yes).
Fan:
There are small windows on the side, four on the left, four on the right and eight on the * * * (quantifier)
Holding a banana fan in his left hand.
Version:
Open the window and see that the carved fence is opposite (open)
Apocalypse and Autumn (Ming Xi Zong Zhu Youxiao Year)
And:
Dongpo (conjunction, and)
Open the window and watch (then the conjunction)
Use:
Wood with smaller diameter can be used.
Even birds and animals, wood and stones (even)
Language:
If you have something to say (say)
There is a proverb in China that says.
Guy:
Gaidasufan-Chibi Cloud (probably)
Cover peach pit and narrow it (original)
Cloud:
Gaidasu Pan-Chibi Cloud (modal particle, meaningless)
There is a sentence in this story.
Third, the different meanings of ancient and modern times.
1, lying on his right knee
Ancient meaning: The causative usage of verbs makes ... dull.
Today's meaning: lie down, lie down.
2. Compared with their knees.
Ancient meaning: near.
Modern significance: compare two things.
3, high can be two.
Ancient meaning: About.
Meaning: Yes.
4. Cover the peach pit and shrink it.
Ancient meaning: pick and choose.
Meaning: simple and easy to do.
5. people
Ancient meaning: people and things
Modern meaning: a person who has been described or made outstanding contributions.
6, and its length is not excessive.
Ancient meaning: Shang, also.
Today: Once.
7, high can be two.
Ancient meaning: left and right
Today's meaning: commitment or speculation.
8. About eight points are odd numbers
Ancient meaning: zero number
Modern meaning: unpaired (as opposed to "even")
Fourthly, attributive postposition.
Original sentence: nuclear one ship
Correct word order: a nuclear-powered ship
The first chapter of the seal
Correct word order: a seal
Original sentence: five years old.
Correct word order: five people.
Original sentence: Window 8
Correct word order: eight windows
Flexible use of verb (abbreviation of verb) part of speech
(1) The spacious cabin is covered with bamboo awnings.
(2) azurite (azurite: nouns as adverbials, use azurite. N: Nouns are used as verbs.
(3) Dongpo is a middle-aged man with a crown and a lot of stubble (e crown: noun used as a verb, wearing a tall hat)
(4) The person on the right has a vertebral bun on his back (vertebral bun: noun as verb, with vertebral bun).
Six, inverted sentences
Taste a nuclear ship, the original sentence should be: taste a nuclear ship.
The original sentence should be: use another seal.
The original sentence should be: cover bamboo slips and trim peach stones.
If mosquitoes have thin feet, the original sentence should be: if mosquitoes have thin feet.
If you compare his knees, the original sentence should be: compare his knees.
Inverted sentence table emphasizes.
VII. Omission
(1) Then the title is above it, omitted, and the original sentence should be: Then the title is above it.
(2) In all hidden pleats, omit, and the original sentence should be: In all hidden pleats.
Eight, double negation
(1) hieroglyphs are all carved into images according to the original shape of materials.
(2) no, no; No.
(3) Nothing, nothing; All of them.
(4) because, follow; Hold on.
(5) Image, imitation, here refers to sculpture.
Nine, sentence patterns
1, the judgment sentence covers the Dasu Pan-Chibi Cloud ("Dasu Pan-Chibi" is a subject-predicate phrase, which acts as a predicate in the sentence, saying what the nuclear ship is carved, the subject inherits a clause, and the object is omitted: the nuclear ship. The adverb "Gai" is equivalent to "probably". ) The spacious cabin with towering peaks and stubble on its face is Dongpo.
2. The attribute is placed behind the knee in the fold at the bottom of each hidden scroll ("comparison" is the positive attribute of the head word "knee", and "zhe" is the tail of the positive attribute, which is equivalent to "de")
3. The ellipsis sentence lies on the right knee, and the right arm supports the boat ... (The subject of the sentence is omitted: Fo Yin) Fo Yin is on the right and Lu Zhi is on the left. Among the hidden folds, those with a back are on the left, and those with a banana fan are slightly reduced behind the boat. In the above five sentences, the preposition "Yu" is omitted after "ju", "cause" and "title".
4. A fixed structure is like saying something ("something", with a fixed format, meaning "a person, a thing, or a thing and ..." The word "suo" must be followed by a verb, and the structure of the word "suo" composed of "suo" and the verbs behind it acts as the object of "you".
Appreciate:
First, the theme.
The sculpture written in this paper is made of a peach pit that is not big enough, but it vividly reproduces a famous allusion in the literary world of the Song Dynasty-"Red Cliff of the Great Soviet". Ingenious conception and vivid image show the outstanding achievements of ancient Chinese arts and crafts. After careful observation, the author accurately grasped all the details of this sculpture, and then described the whole nuclear ship according to a certain spatial order, wrote the author's love for nuclear ships, and expressed the author's admiration for the superb skills of artist Wang Shuyuan and the ancient folk art in China.
Second, the writing characteristics
In this paper, a miniature sculpture-nuclear ship he got is described in detail and methodically by line drawing, and the structural mode of "total score" is adopted.
First of all, it briefly introduces the "ingenuity" and comprehensiveness of Wang Shuyuan's micro-carving skills, which is not only a summary of the full text, but also a preparation for getting down to business. Although the words are short, they are very useful and indispensable. Then it introduces the story and artistic conception of Su Dongpo's boating on Chibi in detail. From the whole ship to the part, from the bow to the stern, from the furnishings to the characters, it is written calmly and clearly without any confusion. Particular attention is paid to the description of details, such as the couplets on the carved column, the gestures and expressions of the characters at the bow, and the movements of the ship, all of which are vividly written, which makes people admire Wang Shuyuan's carved gods and Wei Xueyi's careful observation. Sculptors and writers can be said to invent each other and complement each other. From the description, Wang Shuyuan not only has superb micro-carving skills, but also has extraordinary insight. His performance on Dongpo's trip to Chibi is not a simple reproduction of history, but a reasonable transformation and processing of historical facts. For example, the couplet on the carved column, on the right, "The mountain is high and the moon is small, and the truth is clear" was written by Su Dongpo in October, and on the left, "The breeze is Xu Lai, and the water is quiet" was a famous sentence written by Su Dongpo in July. Although the season is a bit wrong, it plays an important role in revealing the moonlit scenery of Dongpo boating. For example, the three people carved on the bow are lifelike and picturesque, but they are inconsistent with historical facts. Because Dongpo went boating on Chibi, there was only one guest for the first time, and there were two guests for the second time, both of whom had no names, and neither Huang Tingjian nor Fo Yin attended. Now Wang Shuyuan has dragged them together, which of course reflects his ideological sustenance. Fo Yin will soon embody Dongpo's Zen spirit and let his best friend Huang Tingjian relieve his loneliness.
Finally, the summary explanation of the nuclear boat is to deepen the reader's impression of the great content expressed in the micro-sculpture, and at the same time naturally transition to the author's discussion, and once again express the author's praise for this micro-sculpture. At the end, the number of people, windows and other things carved on the ship and the total number of lettering are counted, and the echo of "its length is never enough" begins to emphasize that the material is small in size and has a large carving capacity, and then ends with "hip, skill is also amazing" Make the article as detailed and complete as a nuclear ship, which makes people fondle it.
The language of this article is plain and concise, especially the description of the characters on board. Every sentence comes from the author's examination. Real and vivid, not exaggerated. The combination of painting and painting is not only seemingly but also vivid. For example, write Su Dongpo and Huang, with the shaft end in the right hand and the back in the left hand. Lu Zhi held the end of the book in his left hand and the book in his right hand, saying something. "This is not only the left foot, micro side, knees, hidden bottom part, but also very subtle writing. It is written as "Maitreya Buddha, topless and defiant", which highlights the characteristics of this monk image and does not belong to scholars Su and Huang. After reading it, people have the feeling of seeing the "Red Cliff of the Great Soviet" with their own eyes.
Third, the topic explanation
The "nuclear boat" is a micro-carving handicraft, and the raw material is a peach pit that is "long but not full of inches". However, it vividly reproduces a famous anecdote in the literary world of the Song Dynasty-"The Great Soviet Red Cliff". Ingenious conception and vivid image show the outstanding achievements of ancient Chinese arts and crafts. After careful observation, the author accurately grasped all the details of this sculpture, and then wrote according to a certain spatial order, thus vividly showing its overall image. Record is the style of this article, which refers to description here.
separate into parts
The first floor (paragraphs 2 to 4) introduces the front of the ship, which is the main part to show the sculptor's ingenious ideas and superb skills. It can be divided into three layers:
The first floor (the second paragraph) introduces the volume of the "nuclear ship" first, and then writes the middle part of the ship, that is, the cabin. Among them, the small window beside the engine room is introduced emphatically, which can not only be opened and closed, but also has a thin top; "Looking at the window" and "facing each other on the carved fence" show the ingenuity of the sculptor's conception.
The second level (the third paragraph) introduces the bow part, describing the appearance and expression of the tourists on board-Su Shi, Huang Luzhi and Fo Yin. This layer plays an important role in expressing the theme of sculpture, and the author's introduction is also the most detailed. In addition to writing the characters' clothes and postures carefully, he also deliberately described Su and Huang's feelings when rowing. From the descriptions of "Su and Huang read the scroll with one hand", "Dongpo touches the back with his left hand" and "the right hand refers to the scroll, if there is something to say", we can see that they have completely forgotten the troubles of reality and are intoxicated with the beautiful artistic conception of the scroll. How open-minded they are! As for Fo Yin's "condescending", it gives people a free and easy feeling. This naturally becomes the foil of Su and Huang, which makes the picture not monotonous.
The third floor (the fourth paragraph) introduces the stern part and writes the expression and movement of the ship. The expressions of the two sailors also "don't belong": one is "like whistling", which is very leisurely; A song "Look at the End of Silence" is very focused. In this way, the image of the ship is shaped, the theme of "rowing" is highlighted more effectively, and the relaxed and happy atmosphere inside the ship is also rendered. The scene of the title seal and the bow is interchanged, and "as thin as a mosquito's foot and hooked out" once again shows the sculptor's superb skills. The title is black and the seal is red, which is in sharp contrast, showing the sculptor's intention.
Finally, the full text is summarized, including the number of people engraved on the ship, windows and other things and the total number of inscriptions. With the echo of "its length is never over", it is emphasized that the material volume is small and the carving capacity is large, and then with "Hey, the skill is also strange."
The first paragraph is a summary. "Kit Kat" summarizes the characteristics of carving technology.
The second paragraph is divided into two parts. The words carved by the sculptor suggest the theme of the nuclear ship.
The third paragraph. Three people each have their own modality, which is lifelike.
The fourth paragraph is divided. And the boat is leisurely and focused.
The fifth paragraph is a general introduction. "Clever" takes care of "Kit Kat", and the nuclear boat is small in size and rich in content. It admires the exquisite craftsmanship of the nuclear-powered ship (Wang Shuyuan's exquisite technology and ingenious ideas).
Structural mode:
Adopt the structural mode of "total-sub-total".
The first part is a general introduction, which introduces Wang Shuyuan's outstanding achievements in sculpture technology and points out the theme of the sculpture "Nuclear Ship". "It can be used as palaces, utensils, figures, even birds, animals and wood", which shows that the volume of raw materials used is very small and the range of performance is very wide, which shows that he has made many achievements; "No matter what the situation, each has its own modality", which shows that he is ingenious in conception and superb in technology. After such a general introduction, the theme of the sculpture "Nuclear Ship" is pointed out: "The Great Soviet Union Pan-Red Cliff". This clearly shows the intention of this paper, that is, to prove that the author's evaluation of Wang Shuyuan's skills is realistic with concrete works.
In the middle is a brief introduction: the structure, characters and titles of the "nuclear ship" are introduced in detail. Can be divided into two layers:
The first floor (paragraphs 2 to 4) introduces the front of the ship, which is the main part to show the sculptor's ingenious ideas and superb skills. It can be divided into three layers:
The first floor (the second paragraph) introduces the volume of the "nuclear ship" first, and then writes the middle part of the ship, that is, the cabin. Among them, the small window next to the hut is mainly introduced, which can not only be opened and closed, but also be engraved with couplets with sixteen Chinese characters, which shows the exquisiteness of carving; "Looking at the window" and "facing each other on the carved fence" show the ingenuity of the sculptor's conception.
The second level (the third paragraph) introduces the bow part, describing the faces and expressions of the tourists on board-Su Shi, Lu Zhi and Fo Yin. This layer plays an important role in expressing the theme of sculpture, and the author's introduction is also the most detailed. In addition to writing the characters' clothes and postures carefully, he also deliberately described Su and Huang's feelings when rowing. From the descriptions of "Su and Huang read the scroll with one hand", "Dongpo touches the back with his left hand" and "the right hand refers to the scroll, if there is something to say", we can see that they have completely forgotten the troubles of reality and are intoxicated with the beautiful artistic conception of the scroll. How open-minded they are! As for Fo Yin's "condescending", it gives people a free and easy feeling. This naturally becomes the foil of Su and Huang, which makes the picture not monotonous.
The third floor (the fourth paragraph) introduces the stern part and writes the expression and movement of the ship. The expressions of the two sailors also "don't belong": one is "like whistling", which is very leisurely; A song "Look at the End of Silence" is very focused. This shapes the image of the ship, highlights the theme of "rowing" more effectively, and also renders the relaxed and happy atmosphere inside the ship, echoing the scene at the bow.
The second floor (paragraph 5) introduces the top of the ship. This layer is a sketch, which only introduces the title and seal, and once again shows the sculptor's superb skills with the title of black and the seal of red, which is in sharp contrast, showing the sculptor's intention.
Finally, the full text is summarized, including the number of people engraved on the ship, windows and other things and the total number of inscriptions. With the echo of "its length is never over", it is emphasized that the material volume is small and the carving capacity is large, and then with "Hey, the skill is also strange."
The language of this article is plain and concise, especially the description of the characters on board. Every sentence comes from the author's examination, vivid and vivid, without exaggeration. After reading it, people have a feeling of seeing the "Great Soviet Red Cliff".
This style is similar to modern expository writing.
About the author:
Wei Xueyi (about 1596—— about 1625), an amethyst, was born in Jiashan, China (now Jiaxing, Zhejiang) in the late Ming Dynasty, and was a famous prose writer in the late Ming Dynasty. He is a famous local scholar and the eldest son of Wei Dazhong, a generation of Ming officials. He has never been an official in his life, but he likes studying and writing, and he has written Mao Yan Collection. In Qing Dynasty, Zhang Chao's The Story of a Nuclear Ship is his masterpiece.