1, all the feet and hands of ballet are based on the "open" position and have the characteristics of external rotation of upper and lower limbs. The foot position and hand position of China classical dance are based on "on" and "off". Through anatomical analysis, it not only has the characteristics of external rotation of upper and lower limbs, but also has the characteristics of internal rotation. For example, when the foot is in the small splay step and nail step, the thighs and calves are externally rotated (external rotation), while the legs are open and closed (external rotation and internal rotation) when stepping, lunging and striding.
2. When ballet is applied to the spine, it generally forms a fixed axis by "stretching", so the sense of back upright of human body is very prominent. In the application of spine, China classical dance often uses not only flexion and extension, but also gyration and rotation. For example, holding, inserting, pushing and leaning are the flexion and extension of the spine, and the gyration and gyration of the spine are used in the action of lying in the clouds.
3. The rhythm of ballet is clear and simple, the expressive force is mainly on the feet of the lower body, and the upper body is mostly upright. The rhythm of China classical dance is complicated and tortuous, and its expressive force mainly lies in the coordination of the upper and lower parts.
4. Comparison of expressive force between China classical dance and ballet.
(1) A mature classical dancer shows a high degree of integration of "shape, spirit, strength and rhyme" on the stage, which is an important means of expressing the body rhyme of classical dance. This "form, spirit, strength and rhyme" includes the dancer's charm and mind, as well as the handling of the dancer's strength, urgency, strength, length and rigidity.
A mature ballet dancer presents a gorgeous, noble and beautiful image on the stage. Because of the training mode of ballet, the four points of the dancer's upper body, that is, the two points above the shoulders and hips, are parallel lines that cannot be tilted. However, the routine of traditional ballet plots is mostly the love story between the princess and the prince, which makes the ballet dancers perform repeatedly in a series of dramas of these plots: soft, gorgeous, noble and kind.
Therefore, ballet is very different from China classical dance in stage expression.
China classical dance grasping training draws lessons from a large number of ballet feet and some basic training movements.
1, foot position: one, two, four (this position is basically difficult to use, only used in some highly targeted movements), five.
2, squat: one squat, two squats, four squats, five squats.
3. Wipe the floor: one mops the floor, two mops the floor and five mops the floor.
4. Small kicks: one small kick, two small kicks and five small kicks.
5. Squat on one foot: squat on one foot and five feet, squat on one foot and half toes.
6, small bouncing legs: five small bouncing legs.
7, big kick: one or five big kicks.
8. Control: front, side and rear five-position control, 90-degree half-ring and full-ring control.
In China's classical dance, the position of hand is different from ballet, and the position of hand in classical dance is more complicated than ballet.
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